Peculiar Velocities (BAF002)

Peculiar Velocities cover art (copyright 2020 Han-earl Park)
Peculiar Velocities (BAF002) © 2020 Han-earl Park

November 17, 2020: Eris 136199’s latest album is out now (compact disc and digital download)! Eris 136199 is the chaotic snap’n’pop of Han-earl Park’s cyborg virtuosity, the symphonies of power and weight of Catherine Sikora’s tenor madness, and the heavy rock-ASMR experimentalism of Nick Didkovsky glitchy guitar.

Peculiar Velocities is Eris 136199’s first studio album, and captures the trio during their 2019 European tour; between the first date at The Vortex (London) and their performance at Jazz em Agosto (Lisbon).

[Get the CD/download (Bandcamp)…]

CD: €11 minimum (‘name your price’) plus shipping.*†
Download: €8 minimum (‘name your price’).†

CD photo: Eris 136199: Peculiar Velocities (BAF002) by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork and photo copyright 2020, Han-earl Park)CD photo: Eris 136199: Peculiar Velocities (BAF002) by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork and photo copyright 2020, Han-earl Park)CD photo: Eris 136199: Peculiar Velocities (BAF002) by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork and photo copyright 2020, Han-earl Park)CD photo: Eris 136199: Peculiar Velocities (BAF002) by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork and photo copyright 2020, Han-earl Park)CD photo: Eris 136199: Peculiar Velocities (BAF002) by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork and photo copyright 2020, Han-earl Park)

* Limited edition glass-mastered CD. CD includes additional material (liner notes, artwork, etc.) not included in the download version of the album.

† Both digital and physical purchases give you streaming via the free Bandcamp app, and option to download the recording in multiple formats including lossless.

news and updates

February 20, 2024: Mixing noisy, pretty, gentle and disorderly peculiar music

https://soundcloud.com/hanearlpark/mix-engineer-works Wondering what mixing strategy could possibly work for your recording of noisy, pretty, gentle and disorderly peculiar music? Hit me up if your left-of-field recording is in need of some…

January 29, 2024: The unknowability of connection, and a little science fiction (Free Jazz: Sunday Interview)

https://www.youtube.com/watch?v=jewNzu1KL1Q Violence and cruelty? Fantastical, twisted, dark, deeply affectionate humanism? Improvisation as embodiment and personification? Place, subjectivity and interiority? As part of the Free Jazz: Sunday Interview, in response to a…

[All articles on Peculiar Velocities (BAF002)…]

description

An uncomfortable joy, a can’t-be-reproduced-in-the-laboratory combination of rare elements, a new musical alloy, an ongoing experiment, the perfect distillation of uneasy listening.

— Dave Foxall (a Jazz Noise, Best of 2020)

それはあたかも地球外の異境から到来した明滅する運動エネルギーによって脳外科手術を施されるような驚喜の頭脳改革体験である。

— Takeshi Goda (JazzTokyo)

Gorgeous glitchy stew….

— Corey Mwamba (Freeness, BBC Radio 3)

[More reviews…]

Formed in New York in 2012, Eris 136199 is the chaotic-slamming one-person rhythm section of Han-earl Park (Sirene 1009), the deep melodic intelligence and big-tenor sound of Catherine Sikora (Clockwork Mercury), and the anthems of glitch, experimentalism and riffage of Nick Didkovsky (Doctor Nerve). Recorded during the trio’s 2019 European tour, Peculiar Velocities (BAF002) is Eris 136199’s third CD, and first studio album. The album is the follow-up to the eponymous Eris 136199 (BAF001, 2018) described as “like letting an insane brain surgeon in through your ear” (aJazzNoise, Best of 2018), and Anomic Aphasia (SLAMCD 559, 2015) which was described as “a beautiful noise” (KFJC 89.7 FM).

Surprises abound on this disc from the collision of three seemingly incompatible notions of time and rhythm in [the title track] ‘Peculiar Velocities’; to ‘Sleeping Dragon’ which insistently claims to be one thing but reveals itself to be something else; to the aural love letter to No Wave that is ‘D-Loop’….

Moments of absolute clarity, where two of us may deliberately hit exactly the same notes, are juxtaposed by equally comfortable bursts of raging chaos and easy silences.

— From the liner notes‡

Recorded with a lean, efficient boldness by Sean Woodlock, and mastered by Richard Scott, the album captures music that leaps from wispy, delicate webs to massive weather-beaten mountains. Recorded over just three hours in a single live room, Peculiar Velocities catches Eris 136199 between the first date of the tour at The Vortex (London) and their performance at Jazz em Agosto (Lisbon).

Eris 136199 (Jazz em Agosto, Lisbon, 08-11-19)
Photo © Jazz em Agosto / Petra Cvelbar

Insectoid ASMR glitches to powerful ballads of weight and light; gentle, languorous shimmers to startling No Wave noise; raspy double-guitar hockets to gutted, dismantled chorales.

Han-earl Park is the instigator and mastermind behind Eris 136199, as well as groups including Sirene 1009 with Dominic Lash, Mark Sanders and rit. (f.k.a. Caroline Pugh), and co-conspirator in projects with Richard Barrett and others. Park is the constructor of the machine improviser io 0.0.1 beta++, and of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Josh Sinton, Louise Dam Eckardt Jensen, Ingrid Laubrock, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder. His ensembles have performed at festivals including Freedom of the City (London), Brilliant Corners (Belfast), ISIM (New York), CEAIT (Los Angeles) and Sonic Acts (Amsterdam).

Saxophonist, improviser and composer Catherine Sikora, known for her big sound and lyrical melodic work, works as a solo performer and with Eric Mingus, Enrique Haneine, Brian Chase, Han-earl Park, Ethan Winogrand, Christopher Culpo and Ross Hammond. In recent years Sikora has toured in Canada, the United States, Europe and Australia. She was a featured soloist in Eric Mingus’ radical reimagining of Tommy by the Who (Adelaide Festival 2015), and was artist in residence at the Centre Culturel Irlandais in Paris in 2014 and in 2020.

Guitarist, composer, and computer music programmer Nick Didkovsky has composed music for Kathleen Supové, ETHEL, Bang on a Can All-Stars, Meridian Arts Ensemble, New Century Players, ARTE Quartett, as part of the Fred Frith Guitar Quartet, and his own bands Doctor Nerve, Vomit Fist, Häßliche Luftmasken, and others. His compositions and guitar performances appear on more than 50 records. For over 30 years, his avant-metal big band Doctor Nerve has fueled Didkovsky’s intricate compositions with the energy of rock, punching holes through the walls between heavy metal, contemporary music, and improvisation, and performing at festivals including Moers, FIMAV, and the Whitney Museum’s ‘Whitney Live.’ With computer music pioneer Phil Burk, Didkovsky developed the computer music language Java Music Specification Language (JMSL).

‡ Liner notes only available with the CD.

personnel

Han-earl Park (guitar), Catherine Sikora (saxophone), and Nick Didkovsky (guitar).

track listing

Ballad of Tensegrity I (≥ 5:12), Ballad of Tensegrity II (2:28), Peculiar Velocities I (3:46), Peculiar Velocities II (3:36), Sleeping Dragon (5:22), D-Loop I (≥ 6:16), D-Loop II (5:13), Polytely I (≥ 5:01), Polytely II: Breakdown (5:33), Anagnorisis I (2:09), Anagnorisis II (2:19). Total duration ≥ 46:54.

recording details

Music by Han-earl Park, Catherine Sikora and Nick Didkovsky.

Recorded August 9, 2019, Hackney Road Studios, London.
Recorded by Sean Woodlock. Mixed by Han-earl Park.

Mastered by Richard Scott.
Design and artwork by Han-earl Park.

Thanks to Sean and Richard; to Colin Webster, Ingrid Laubrock, Alex Hawkins, Charles Hayward and Melanie L Marshall; to Rui Neves, João Brilhante, Inês Nunes and everyone at Jazz em Agosto/Calouste Gulbenkian Foundation; Kathianne Hingwan, Kim Macari, Ali Ward and everyone at The Vortex; Matthew Nolan at Note Productions; Aoife Concannon, Adam Nolan, Kenneth Killeen and Caitríona O’Mahony at Improvised Music Company; to Lee Paterson; to Laurent Carrier and everyone at Colore; to Paul Acquaro of Free Jazz; Mike Borella of Avant Music News; Dave Foxall of aJazzNoise ; and Tim Owen of _____on Sound.


A big thanks to the backers of our Kickstarter project for their awe-inspiring generosity; helping bring this music to you! A massive thanks to Phillip A., Bruno Bissonnette, Mike Borella, Colin Cahill, Jeremy Clarke, Gary Couse, Nicholas Croft, Don Davis, Andrew Raffo Dewar, Tom Duff, Erik Ellestad, Lee Rice Epstein, Goldi, Owen Green, Rich Hollis, Martin Hoogeboom, Terry Kattleman, Gary W. Kennedy, Liam, Bartholomew R. Mallio, walt mattes, Andrew McKenzie, Rob Miller, Eric Mingus, John Minnock, david m morris, Neil, Matthew Nolan, Michael Rogers, Steffen Schindler, Ken Shimamoto, Craig Sines, j. sinton, Marte van der Loop, Tom Ward, Bernd Wimmer, aJazzNoise, and the Newcastle Festival of Jazz and Improvised Music, and to our anonymous backers.

© + ℗ 2020 Han-earl Park.

Also available with…

Eris 136199 (Peculiar Velocities) Hoodie

Eris 136199 (Peculiar Velocities) Hoodie (limited edition) [details…]

80% ringspun cotton, 20% polyester, 280gsm hoodie.

Unisex fit.
S, M, L, XL, XXL.

100% for the perfect noise-night-out.
Celebrate your love of skonkin’ improvised goodness by wearing the noisily official Eris hoodie.

Also from Eris 136199

Cover of ‘Eris 136199’ (BAF001) by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork copyright 2018, Han-earl Park)

Eris 136199 (BAF001) [details…]

Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).

Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.

© + ℗ 2018 Han-earl Park.

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

Anomic Aphasia (SLAMCD 559) [details…]

Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).

Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.

© 2015 Han-earl Park. ℗ 2015 SLAM Productions.

updates

11-17-20: released!
12-04-20: added the hoodie.
06-26-22: small updates including review quotes.

Eris 136199 will be releasing Peculiar Velocities!

€1,200 pledged of €650 goal. 184% funded. 44 backers.

You did it!

Thanks to you, our awe-inspiring backers, we will master the recording, create the artwork, write the liner notes, press the discs, and get the music to you. You have been fantastic, and I am awestruck by your generosity, and really touched by your support.

I’ll be back in touch over the coming months with news and updates about the rewards and the progress of the production, but, in the meantime, I hope you will join me in celebrating this achievement. Getting strange, noisy, undomesticated improvised music released can sometimes be a difficult task, but you have made it possible.

As for me? I celebrated by doing some late night soldering 😊

soldering tools

Please take care, and, again, thank you so very much. You have been above and beyond.

Han-earl Park (guitarist, noise-maker, and mastermind behind Eris 136199).

Eris 136199: stubborn weirdness and gleeful mischief

Back a few months ago, while reflecting on the mix, I wrote:

Listening to a static mix of #eris136199’s August recording. I love the final track: it’s, by turns dreamy and queasy, polytonal music that slides in-out of tune….

But I wonder if this track will make sense outside the context of the tour in which the trio played some of its most harmonious music (hitting _real_ chords, and sounding _real_ harmony). I feel like this track was almost a respite of sorts….

There are moments when #eris136199 stubbornly refuses to play in the same key/tuning. Almost unbearable—maybe even bad taste—listening you wish the trio would surrender to harmonic gravity. And when one player does resolve the disharmony, it’s plays like gleeful mischief. [Source…]

If you’re wondering, yes, this track made the cut. It’ll be the second piece on the album, and, for its stubborn weirdness while refusing the easy trapping of being #seriouslyexperimental or #cuteandquirky, it might be my favorite on the album.

“There are moments when #eris136199 stubbornly refuses to play in the same key/tuning. Almost unbearable—maybe even bad taste—listening you wish the trio would surrender to harmonic gravity. And when one player does resolve the disharmony, it’s plays like gleeful mischief.”

Find us on Kickstarter! Joining this project means that you will be the first to hear this vividly strange and beautiful music. Your support will also mean that we are able to make the best album we can. Plus, as we have surpassed our target thanks to our awe-inspiring fans, you will now also have an opportunity to unlock upgrades, and some very, very special bonus rewards.

I honestly think this album has the best music I’ve put on record, and I am very grateful to be able to share this strangely beautiful music with you. [Kickstarter page…]

Formed in New York in 2012, Eris 136199 is the quick-reacting cyborg virtuosity of Han-earl Park, the mighty melodic imagination and big tenor sound of Catherine Sikora, and the diamond-cut precision and grind-meets-experimentalism of Nick Didkovsky.

Eris 136199: effortlessly strange improvised music

Eris 136199 is back! help release our third album! [Kickstarter page…]

Last year, during our second European tour, Eris 136199 went into Hackney Road Studios in London to record our next album, and our first studio album. As engineer Sean Woodlock hit the record button, we knew straight away that something very special was taking place that day: leaping from insectoid ASMR glitches to powerful ballads of weight and light; from the gentlest, languorous shimmers to startling No Wave noise, from raspy double-guitar hockets to gutted, dismantled chorales. And, to both our surprise and delight that thrill of musical discovery has translated beautifully during the mixing process.

The music, recording and the mix are complete, and this is where you, our awesome fans, come in. Eris 136199 now needs to take the final steps to releasing the album: mastering the album, creating the artwork and design, and pressing the CDs. And we are offering special rewards (including exclusive never-before-heard recordings, limited edition merch, and one-of-a-kind items), so please check out the various rewards and see where you might fit in to help us!

To our wonderful fans who blew us away with your support during our successful 2017 Kickstarter, we are so pleased to be sharing this latest project with you. And to both our long-time fans and those new to Eris, we promise that the music on this latest album will be very different from anything else; something beautifully strange and unexpected even for the wonderfully unpredictable Eris 136199.

Please have a look through the available rewards, and, when you’re ready, help bring noise to life!

[Kickstarter page…]

Eris 136199 Kickstarter poster
Photo © Jazz em Agosto / Petra Cvelbar

Formed in New York in 2012, Eris 136199 is the quick-reacting cyborg virtuosity of Han-earl Park, the mighty melodic imagination and big tenor sound of Catherine Sikora, and the diamond-cut precision and grind-meets-experimentalism of Nick Didkovsky.

Eris 136199: Kickstarter launching soon!

Update: the campaign has launched! Please join us on Kickstarter.

Eris 136199 is back! get ready to help release beautifully strange and unexpected music!

To be notified when the Kickstarter campaign goes live, sign up to my newsletter:

Signup to the newsletter [details…].

[About the newsletter…]

Formed in New York in 2012, Eris 136199 is the quick-reacting cyborg virtuosity of Han-earl Park (Sirene 1009), the mighty melodic imagination and big tenor sound of Catherine Sikora (Clockwork Mercury), and the diamond-cut precision and grind-meets-experimentalism of Nick Didkovsky (Doctor Nerve).

video credits

Music by Han-earl Park, Catherine Sikora, and Nick Didkovsky.
Recorded by Sean Woodlock. Mixed by Han-earl Park.
Photos © Jazz em Agosto / Petra Cvelbar.

updates

03-25-20: our Kickstarter is live!

Two+ Bagatelles

Cover of ‘Two+ Bagatelles’ by Han-earl Park (photo copyright Jazz em Agosto / Petra Cvelbar)
Photo © Jazz em Agosto / Petra Cvelbar

Listen to some fresh-off-the-pick music, and support an awesome, not-for-profit music venue at the same time!

Out now: solo guitar studies/bagatelles by Han-earl Park. Available from The Vortex’s Bandcamp page, all purchases go towards helping their continued work presenting the very best jazz, improvised, and experimental musics.

Catherine, Nick and I had a fantastic time when we performed at The Vortex in August, and I am very happy to be able to support the venue (with its amazing crew) in this way. Plus, for those who’ve been asking me for a solo recording, here’s a super rare chance to pick up a new one.

Album available to stream via the free Bandcamp app, and download in multiple formats including lossless.

personnel

Han-earl Park (guitar).

track listing

Zero (01:03), One (10:27), Two (05:28). Total duration: 16:59.

recording details

Music by Han-earl Park.

Recorded Berlin, October 2019.

Cover photo © Jazz em Agosto / Petra Cvelbar.
Recorded and mastered by Han-earl Park.

© + ℗ 2019 The Vortex / Han-earl Park.

Eris 136199 (BAF001)

Cover of ‘Eris 136199’ (BAF001) by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork copyright 2018, Han-earl Park)
‘Eris 136199’ (BAF001) © 2018 Han-earl Park

October 9, 2018: Eris 136199’s eponymous album is out now (compact disc and digital download)! Eris 136199 is the quick-reacting cyborg virtuosity of Han-earl Park, the mighty melodic imagination and big tenor sound of Catherine Sikora, and the diamond-cut precision and grind-meets-experimentalism of Nick Didkovsky.

[Get the CD/download (Bandcamp)…]

CD: €11 minimum (‘name your price’) plus shipping.*†
Download: €8 minimum (‘name your price’).†

CD photo: ‘Eris 136199’ (BAF001) by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork and photo copyright 2018, Han-earl Park)CD photo: ‘Eris 136199’ (BAF001) by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork and photo copyright 2018, Han-earl Park)CD photo: ‘Eris 136199’ (BAF001) by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork and photo copyright 2018, Han-earl Park)CD photo: ‘Eris 136199’ (BAF001) by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork and photo copyright 2018, Han-earl Park)CD photo: ‘Eris 136199’ (BAF001) by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork and photo copyright 2018, Han-earl Park)

* Limited edition glass-mastered CD. CD includes additional material (liner notes, artwork, etc.) not included in the download version of the album.

† Both digital and physical purchases give you streaming via the free Bandcamp app, and option to download the recording in multiple formats including lossless.

news and updates

June 14, 2021: Lumbering 30 kilogram box of wood, metal, glass, paper, fabric, plastic and 1960s over-engineering

In case you missed it, I wrote a short piece for the June edition of The Wire (issue 448) in which I muse about speaker cabinets, cyborgs, simulations, rooms-within-rooms, and…

October 15, 2020: Peculiar Velocities (BAF002)

November 17, 2020: Eris 136199’s latest album is out now (compact disc and digital download)! Eris 136199 is the chaotic snap’n’pop of Han-earl Park’s cyborg virtuosity, the symphonies of power…

[All articles on Eris 136199 (BAF001)…]

description

Kaleidoscopic, thuggish, optical retina-effect astringent free jazz…. [More…]

— Paul Khimasia Morgan (The Sound Projector)

In a field of experimentation and free music, Eris 136199 stands as singular. [More…]

— John Pietaro (The New York City Jazz Record)

Exquisitely constructed, spontaneously messed-up, endless depth, kind of like letting an insane brain surgeon in through your ear. [More…]

— Dave Foxall (a Jazz Noise, Best of 2018)

“Yo man, you ever been hit by a car?” “Yeah, but maybe we should listen to this album I just picked up before I tell you about it.” [More…]

— Gabriel Jermaine Vanlandingham-Dunn (Jazz Right Now, Best of 2018)

[More reviews…]

Formed in New York in 2012, Eris 136199 is the quick-reacting cyborg virtuosity of Han-earl Park (Sirene 1009), the mighty melodic imagination and big tenor sound of Catherine Sikora (Clockwork Mercury), and the diamond-cut precision and grind-meets-experimentalism of Nick Didkovsky (Doctor Nerve). Recorded during the 2017 European tour, Eris 136199’s eponymous album is the trio’s followup to their debut recording Anomic Aphasia (SLAMCD 559, 2015) which was described as “a beautiful noise” (KFJC 89.7 FM) and “atmospheric as to become almost frightening” (The New York City Jazz Record).

Noise multiplies via telephone futz, riding the transcontinental signal; a clockwork tight-rope walker dances, navigating (gears shift and gear grind) tension; and, above all, rises the Big Note around which we all fall to orbit.

Han-earl Park variously occupies the role of Eris 136199’s drummer, bassist, and second horn-player. He is the instigator and mastermind behind Eris 136199, as well as groups like Sirene 1009 (with Dominic Lash, Mark Sanders and Caroline Pugh), and co-conspirator in projects with Richard Barrett and others. Park is navigator-engineer of the interactive, with playing that is by turns accommodating and interventionist. Changing direction and turning on a dime, Park demonstrates, with little more than a guitar, volume pedal and amplifier, a mutable, physical virtuosity.

In contrast, Nick Didkovsky creates anthems of glitch and distortion, playing the (analog and digital) signal chain from vibrating string to vibrating speaker via pedals and tube saturation. Demonstrating a deep understanding of rock, noise and experimentalism, Didkovsky rides the line between process-based mutations and heavy-rock riffage. Best known for his avant-metal big band Doctor Nerve, Didkovsky is also an active composer, working with ensembles such as Bang On A Can All Stars, ETHEL, and the Meridian Arts Ensemble, and the author of Java Music Specification Language, a system for algorithmic composition and real-time computer music.

Completing the trio is improviser, composer, saxophonist Catherine Sikora. Seated stage-center, Sikora brings a deep melodic and harmonic intelligence to the performances. In addition to long-standing collaborations with Eric Mingus, Christopher Culpo, Stanley Zappa, and Brian Chase, Sikora’s big, bold sound, and extraordinary melodic sense, has been in demand with artists such as Enrique Haneine, Elliott Sharp, and Ross Hammond. That same sound and technique grounds Eris, simultaneously rooting it in tradition while continually stepping beyond its borders.

Recorded with clarity and punch by Troels Bech and Charlie McGovern, and beautifully mastered by the amazing Richard Scott, the album presents two near-complete sets; from earlier in the tour (Copenhagen), and from the final date of the tour (Newcastle).

Update: thanks to everyone who pre-ordered! The pre-order period is now over, and the bonus album, Cryptogenic Animals, is no longer available to download. And free and exclusive to pre-orders of the album: the download-only Cryptogenic Animals. Recorded live in Cheltenham a day after Copenhagen, two days before Newcastle, Cryptogenic Animals, offers a unique opportunity to track the evolution of this improvising trio during the 2017 European tour, showcasing the trio’s adaptability to context, and creativity born from the contingent. [Listen/about Cryptogenic Animals…]

personnel

Han-earl Park (guitar), Catherine Sikora (saxophone), and Nick Didkovsky (guitar).

track listing

Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.

recording details

Music by Han-earl Park, Catherine Sikora and Nick Didkovsky.

Tracks 1–4, 9 and 10 recorded live November 2, 2017, Bryggekælderen, Copenhagen.
Live-mix by Troels Bech. Recorded by Troels Bech.

Tracks 5–8 recorded live November 5, 2017, The Bridge Hotel, Newcastle.
Recorded by Charlie McGovern. Mixed by Han-earl Park.

Mastered by Richard Scott.
Design and artwork by Han-earl Park.

Copenhagen performance presented by Jazz Club Loco and Jvtlandt.
Newcastle performance presented by Jazz North East.

Thanks to Troels, Charlie, Richard, and Chris Trent; to Melanie L Marshall, Josh Sinton, Cath Roberts, Franziska Schroeder, Richard Barrett, Caroline Pugh, Alex Fiennes, John Pope, Don Mount, Scott Friedlander and Kevin Reilly; to Jakob Drong Jensen and everyone at Jazz Club Loco; Jonas Vognsen of Jvtlandt; Wesley Stephenson, Paul Bream and everyone at Jazz North East; Corey Mwamba of OUT FRONT!; Stuart Wilding, Mark Unsworth, Anthea Millier, Jamie Dawson and everyone at Xposed Club; Verband für aktuelle Musik Hamburg; Rica Zinn and the crew of MS Stubnitz; Mike Borella of Avant Music News; and Cisco Bradley of Jazz Right Now.

And a big, big thanks to the backers of our Kickstarter project for their awe-inspiring generosity!

© + ℗ 2018 Han-earl Park.

Also available as part of…

The Complete Eris 136199 on CD

The Complete Eris 136199 on CD

Limited number of Eris 136199’s two CDs at a special price.

• Eris 136199 (BAF001, 2018).
Anomic Aphasia (SLAMCD 559, 2015) with Josh Sinton.

[Get the set…]

Included with pre-orders of Eris 136199

Cover of ‘Cryptogenic Animals’ by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork copyright 2018, Han-earl Park)

Cryptogenic Animals [details…]

Performers: Han-earl Park (guitar), Catherine Sikora (saxophone), and Nick Didkovsky (guitar).

Track listing: Cryptogenic Animals I (5:26), Cryptogenic Animals II (6:46), Cryptogenic Animals III (5:01), Monkey Wrench I (6:09), Monkey Wrench II (7:59), Spherical Cow I (7:30), Spherical Cow II (3:05), Dendrobranchiata Murmurationis I (3:18), Dendrobranchiata Murmurationis II (5:10). Total duration: 50:23.

© + ℗ 2018 Han-earl Park.

Update: the pre-order period is now over, and Cryptogenic Animals is no longer available to download. Thanks to everyone who pre-ordered!

about the trio

Eris 136199: Han-earl Park, Catherine Sikora and Nick Didkovsky (Hamburg, 11-01-17). Copyright 2017 Steffen Schindler
MS Stubnitz, Hamburg, November 1, 2017. © 2017 Steffen Schindler. [More images…]

Eris 136199 plays on the crossroads of noise, melody, rhythm, space, density, contrast, synchronicity, asymmetry, serendipity and contradiction. Eris 136199 is the corporeal, cyborg virtuosity of constructor and guitarist Han-earl Park; the noisy, unruly complexity of composer, computer artist and guitarist Nick Didkovsky; and the no-nonsense melodic logic of composer and saxophonist Catherine Sikora.

Together, Park, Didkovsky and Sikora forge an improvisative space where melody can be melody, noise can be noise, meter can be meter, metal becomes metal, bluegrass turns to bluegrass, jazz transforms into jazz, all there, all necessary without imploding under idiomatic pressures. [More about the trio…]

about the performers

Improviser, guitarist and constructor Han-earl Park (박한얼) has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces across Europe and the USA.

Park engages a radical, liminal, cyborg virtuosity in which mind, body and artifact collide. He is driven by the social and revolutionary potential of real-time interactive performance in which tradition and practice become creative problematics. As a constructor of musical automata, he is interested in partial, and partially frustrating, context-specific artifacts; artifacts that amplify social relations and corporeal identities and agencies.

Ensembles include Sirene 1009 with Dominic Lash, Mark Sanders and Caroline Pugh, Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder, and as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros.

Festival appearances include Freedom of the City (London), Brilliant Corners (Belfast), ISIM (New York), dialogues festival (Edinburgh), CEAIT (Los Angeles) and Sonic Acts (Amsterdam). His recordings have been released by labels including SLAM Productions, Creative Sources and DUNS Limited Edition.

Park teaches improvisation at University College Cork, and founded and curated Stet Lab, a space for improvised music in Cork.

“Guitarist Han-earl Park is a musical philosopher…. Expect unexpected things from Park, who is a delightful shape-shifter….”

Brian Morton (Point of Departure)

Saxophonist, improviser and composer Catherine Sikora was born and raised in West Cork, Ireland. Self taught to begin with, she moved to New York City to study and play with great improvisers.

Sikora works in a broad range of settings, from highly complex composed music, to folk songs, to free improvisation. She works regularly with Eric Mingus, Enrique Haneine, Brian Chase, Han-earl Park, Stanley Zappa, Christopher Culpo and Ross Hammond, as well as actively pursuing solo performance.

In the past few years Sikora has toured in Canada, the United States, Europe and Australia. She was a featured soloist in Eric Mingus’ radical reimagining of Tommy by the Who (Adelaide Festival 2015), and was artist in residence at the Centre Culturel Irlandais in Paris for the fall of 2014, working on a project inspired by stories from her female ancestors. Catherine’s first solo album Jersey was released on Relative Pitch Records in July 2016.

“Sikora has invited us into her musical world, and like the neighbor from Queens, it is our good fortune to be in its midsts.”

— Paul Acquaro (Free Jazz)

“Sikora resembles [Evan] Parker on tenor saxophone in that she has created a personal language in which she sublimates technique according to what she wants to achieve and maintains a discernible relationship to the free jazz tradition in her syntax; she recalls another English saxophonist, John Butcher, in her absolute control and deployment of overtones. Where she remains distinct from both Butcher and Parker is in how she incorporates such dissonance into a stream of delicate abstract lyricism. -John Sharpe, New York City Jazz Record”

— John Sharpe (New York City Jazz Record)

Nick Didkovsky is a guitarist, composer, and computer music programmer. His non-didactic approach to combining human and machine creativity is a unique musical fingerprint. Didkovsky has composed new music for Kathleen Supove, Ethel, Bang on a Can All-Stars, Meridian Arts Ensemble, New Century Players, ARTE Quartett, his own bands Doctor Nerve, Vomit Fist, Häßliche Luftmasken, and others. His compositions and guitar performances appear on more than 50 records.

For over 30 years, Doctor Nerve has fueled Didkovsky’s intricate compositions with the energy of rock, often challenging the boundaries between heavy metal, contemporary music, and improvisation. Doctor Nerve has released nine albums of more than 50 of his compositions. The band has performed at numerous festivals including FIMAV, the Moers Festival, Musique Action, Creative Time, MIMI Festival, and ‘Whitney Live’ at the Whitney Museum of American Art.

As a guitarist and composer, Didkovsky was a member of the Fred Frith Guitar Quartet, contributing twelve compositions to its repertoire. Didkovsky’s electric guitar compositions continue to be performed by newer ensembles such as Dither Quartet, E-Werk, and Fracture Guitar Quartet, and by soloists such as Kevin Gallagher, Marco Cappelli, and Wiek Hijmans. As a soloist, he has performed at numerous events such as Bang On A Can festival, Guitarévolutions in Montreal, New Ballet festival at the Miller Theatre, and John Zorn’s East Asian Bar Bands. His 2015 Residency at The Stone in NYC resulted in numerous premiere performances of new works.

Collaborating with computer music pioneer Phil Burk, Didkovsky began developing Java Music Specification Language in 1997.

“Musicians (and listeners) who approach Didkovsky’s work find that part of the challenge derives from his mastery of unpredictability.”

— Linda Leseman (The Village Voice)

Also from Eris 136199

Cover of ‘Peculiar Velocities’ (BAF002) by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork copyright 2020, Han-earl Park)

Peculiar Velocities (BAF002) [details…]

Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).

Track listing: Ballad of Tensegrity I (≥ 5:12), Ballad of Tensegrity II (2:28), Peculiar Velocities I (3:46), Peculiar Velocities II (3:36), Sleeping Dragon (5:22), D-Loop I (≥ 6:16), D-Loop II (5:13), Polytely I (≥ 5:01), Polytely II: Breakdown (5:33), Anagnorisis I (2:09), Anagnorisis II (2:19). Total duration ≥ 46:54.

© + ℗ 2020 Han-earl Park.

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

Anomic Aphasia (SLAMCD 559) [details…]

Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).

Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.

© 2015 Han-earl Park. ℗ 2015 SLAM Productions.

Eris 136199 T shirt

Eris 136199 T-shirt (limited edition) [details…]

100% heavy cotton, preshrunk jersey.
Screen printed with PVC-free, solvent-free ink.

Choice of ladies’ and unisex/men’s fit.
Available in S, M, L, XL, XXL.

100% for the perfect noise-night-out.
Celebrate your love of skonkin’ improvised goodness by wearing the noisily official Eris tee.

updates

02-19-20: added reviews.
10-09-18: released!
03-04-19: add T-shirt.
03-24-19: add The Complete Eris 136199.
11-02-20: update discography with the addition of Peculiar Velocities.

Cryptogenic Animals

Cover of ‘Cryptogenic Animals’ by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork copyright 2018, Han-earl Park)
Artwork © 2018 Han-earl Park

Update: download no longer available (“limited availability… until October 9, 2018”). For those who got it, big thanks for your support; enjoy the noise!

Free download available only with pre-orders of the CD/digital album ‘Eris 136199 (please allow 48 hours for download code).

Out now: hear the Uncanny Han-earl Park, the Mighty Catherine Sikora, and The Astonishing Nick Didkovsky navigate reverberant spaces, investigate melodic atoms, and negotiate unmatched amplifiers in Cryptogenic Animals! Available for a limited time, Cryptogenic Animals is free with pre-orders of the CD/digital album Eris 136199 [about/order ‘Eris 136199’…].

Available from: September 4, 2018. Limited availability (until October 9, 2018).

Album available to stream via the free Bandcamp app, and download in multiple formats including lossless.

description

While the Copenhagen and Newcastle performances are documented in an upcoming album by the trio Eris 136199, Cryptogenic Animals, recorded in Cheltenham between those dates, offers a unique opportunity to track the evolution of this improvising trio during the 2017 European tour.

Take for example the synchronized, collective jump-cuts and smash-cuts that populates the Copenhagen improvisations. These are all but absent by the time the trio perform three night later in Newcastle where, in their place, you find the group breathing together; moving and transitioning in larger scales. On Cryptogenic Animals, recorded the night after Copenhagen, and two before Newcastle, you can hear both these improvisative tactics operating in fascinating, contrasting ways.

You can also hear saxophonist Catherine Sikora revisit and rework some of the melodic atoms played in Copenhagen; trying them against the contrasting acoustic environments. And, adapting to the disparate amplification available in Cheltenham (a diminutive solid-state amp against a 112 Fender), Nick Didkovsky and Han-earl Park reexamine the freedoms and restraints of the two-guitar context; an experience that would inform into their approach in Newcastle in significant ways.

With the rich acoustics of the Francis Close Hall Chapel, the Cheltenham performance is, in contrast to the frenetic and biting Copenhagen and Newcastle performances, unhurried and lush. Cryptogenic Animals documents a fascinating transitional point in the group’s behavior, showcasing the trio’s adaptability to context, and creativity born from the contingent.

personnel

Han-earl Park (guitar), Catherine Sikora (saxophone), and Nick Didkovsky (guitar).

track listing

Cryptogenic Animals I (5:26), Cryptogenic Animals II (6:46), Cryptogenic Animals III (5:01), Monkey Wrench I (6:09), Monkey Wrench II (7:59), Spherical Cow I (7:30), Spherical Cow II (3:05), Dendrobranchiata Murmurationis I (3:18), Dendrobranchiata Murmurationis II (5:10). Total duration: 50:23.

recording details

Music by Han-earl Park, Catherine Sikora and Nick Didkovsky.

Recorded live November 3, 2017, Francis Close Hall Chapel, Cheltenham.

Performance presented by Xposed Club.

Recorded by Han-earl Park and Nick Didkovsky.

Mixed and mastered by Han-earl Park.

Thanks to Stuart Wilding, Mark Unsworth, Anthea Millier, Jamie Dawson and everyone at Xposed Club, and to the backers of our Kickstarter project!

© + ℗ 2018 Han-earl Park.

Also by Eris 136199

Cover of ‘Eris 136199’ (BAF001) by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork copyright 2018, Han-earl Park)

Eris 136199 (BAF001) [details…]

Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).

Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.

© + ℗ 2018 Han-earl Park.

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

Anomic Aphasia (SLAMCD 559) [details…]

Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).

Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.

© 2015 Han-earl Park. ℗ 2015 SLAM Productions.

updates

10-09-18: no longer available for download.
07-27-22: rerelease!
09-14-22: no longer available.

Eris 136199: Problematica

‘Eris 136199: Problematica’ by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork copyright 2018, Han-earl Park)
Artwork © 2018 Han-earl Park.

Exclusive album ONLY AVAILABLE to backers of the Eris 136199 Kickstarter campaign.

Out now: previously unreleased live recording by Eris 136199 specially prepared, and only available as part of, the 2017 Kickstarter campaign. Eris 136199 is Han-earl Park’s trio featuring Nick Didkovsky’s meditations in glitch, and Catherine Sikora’s melodic inventions. Recorded with energy and precision by the amazing Chris Trent, this recording captures the trio during their 2017 European tour.

This album, when promised to our backers, was previously known as the ‘Official Bootleg.’ It is, however, no longer of bootleg quality!

For those who didn’t catch our Kickstarter, sign up to my newsletter to be notified of when Eris 136199’s new album is released!

Signup to the newsletter [details…].

[About the newsletter…]

personnel

Eris 136199 (Han-earl Park: guitar; Catherine Sikora: saxophones; and Nick Didkovsky: guitar).

track listing

Problematica: Prolog (11:17), Problematica I (9:00), Problematica II (10:15), Problematica III (5:23), Problematica: Epilog (10:05). Total duration: 46:00.

recording details

Music by Han-earl Park, Catherine Sikora and Nick Didkovsky.

Recorded live November 4, 2017, The Bless, Derby.
Recorded by Chris Trent.
Mixed and mastered by Han-earl Park.
Artwork by Han-earl Park.

Thanks to Corey Mwamba. Performance presented by OUT FRONT!, and with the awesome support of our Kickstarter backers.

Recording during the 2017 European tour made possible through the support from Jazz North East, Jvtlandt, Jazz Club Loco, OUT FRONT!, Xposed Club, Verband für aktuelle Musik Hamburg, and MS Stubnitz, and the awe-inspiring generosity of the backers of our Kickstarter project: Cath Roberts, Franziska Schroeder, Owen Green, Han-Ter Park, Richard Hollis, Tom Duff, Jan Langedijk, Thomas Buckner, Liam Nagle, Andrew Raffo Dewar, Randy McKean, Anton Hunter, Marte van der Loop, Ian Boswell, Nancy Meli Walker, David M. Morris, Nicholas Croft, Eva Zelig, Bart Mallio, Jeremy Clarke, Martin Pyne, Josh Sinton, Moon Soon Han, Eun-He Moon, Yoon-Mi Cho, 고항심, Katie O’Looney, Jamie Smith, Phil Burk, Andrea Wolper, Kyoko Kitamura, DIDI, Caroline Pugh, Edozie Edoga, Yu Seon Hee, Danny McCarthy, Richard Barrett, Leejiyoung, Ed Bennett, Young-Shin Park, Ga Hyun Noh, Inkyung Kim, Keith Stonell, Peter O’Doherty, Viv Corringham, Korhan Erel, Tony O’Connor, Vikram Kapur and Maneesha Chawala, and our anonymous backers.

© + ℗ 2018 Han-earl Park.

also by Eris 136199

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

Anomic Aphasia (SLAMCD 559) [details…]

Performers: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar), and Josh Sinton (baritone saxophone and bass clarinet).

© 2015 Han-earl Park.
℗ 2015 SLAM Productions.

updates

08-25-22: Rerelease!
11-27-22: No longer available for download.

Sirene 1009 (BAF000)

Cover of ‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)
‘Sirene 1009’ (BAF000) © 2017 Han-earl Park

January 31, 2017: eponymous first album by Sirene 1009 is out now (compact disc and digital download). Sirene 1009 is the cyborg virtuosity of Han-earl Park, the indomitable low-end growl of Dominic Lash, the unstoppable hits and clangs of Mark Sanders, and the controlled vocal mayhem of Caroline Pugh.

[Get the CD/download (Bandcamp)…]

CD: €11 minimum (‘name your price’) plus shipping.*†
Download: €8 minimum (‘name your price’).†

‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)

* Limited edition glass-mastered CD. CD includes additional material (artwork, etc.) not included in the download version of the album.

† Both digital and physical purchases give you streaming via the free Bandcamp app, and option to download the recording in multiple formats including lossless.

news and updates

October 10, 2018: Collisions with concrete, of thousands of years of musical history, and keeping it “in their pants” (reviews: Eris 136199 and Sirene 1009)

https://youtu.be/sAVoldoR06M A descent into the concrete? rafting over a boiling river? a collisions of thousands of years of musical history? music to communicate cyclists’ collisions? and who are the “bass/drum/guitar boys”,…

October 3, 2018: 100% perishable skills and shrieks of crustaceans (a Jazz Noise: 7 Questions)

https://www.youtube.com/playlist?list=PL5q2-_ENer6mY0iz7CByqal_9uGkNqsUH Mathy grindcore? tubular gates? shrieks of crustaceans? 100% perishable skills? guitars burning-up on reentry? what do Special Forces snipers and saxophonists have in common? and what is The Shitty Gig…

[All articles on Sirene 1009 (BAF000)…]

description

Sometimes violent and revelatory listening experience that infuses modern aesthetics with the spirit of the ancient…. Ancient and primordial with ideas as open as the night sky, it is not hard to imagine that some of humanity’s first music would have sounded something like this. [More…]

— John Morrison (Jazz Right Now, Best of 2017)

☆☆☆☆½
There are few bands that cross as much territory as this one does. From thrashing, spastic aggressive riffs that put most punks to shame to explorations of the quietest of spaces in-between thoughts, Sirene 1009 is a fierce, adventurous band that goes where most bands don’t: into the unknown, fearlessly in search of the new…. [More…]

— David Menestres (Free Jazz)

This album is brilliant. This album is insane. [More…]

— Dave Sumner (Bird is the Worm)

Sirene 1009 don’t so much push the envelope of improvisation as tear it into small pieces and eat them, just to spite any listener preconceptions…. Sirene 1009 may just be the auditory experience that [Derek] Bailey’s label [‘non-idiomatic improvisation’] has been waiting for. [More…]

— Dave Foxall (Jazz Journal/a Jazz Noise, Best of 2017)

[More reviews…]

Eponymous first album by Sirene 1009. Sirene 1009 is the cyborg virtuosity of Han-earl Park (Eris 136199, Mathilde 253), the indomitable low-end growl of Dominic Lash (Convergence Quartet, The Set Ensemble), the unstoppable hits and clangs of Mark Sanders (John Butcher, Christian Marclay), and the controlled vocal mayhem of Caroline Pugh (Performing Identity and The Unknown, Photo Ballads).

Muffled junkyard hammering (clang! thud! snap!) beat unlikely counter-rhythms; suspension bridge rumble in the turbulence with subwoofer scratches; bad traffic and extreme weather conspire elemental percussion; broken public address system splutter and loop, evoke the intelligible.

Conjuring up rhythmic and sonic detritus from just a guitar and a volume pedal, Han-earl Park has performed with some of the craftiest improvisers from the Americas, Asia and Europe. The instigator of Sirene 1009, Park also (co-)leads Eris 136199 with Nick Didkovsky and Catherine Sikora, Mathilde 253 with Charles Hayward and Ian Smith, and Numbers with Richard Barrett.

The molten, musical core of Sirene 1009 comprises the virtuosic bassist, composer and sound artist Dominic Lash, and Mark Sanders, arguably the most sought-after avant-jazz and free improvisation drummer of his generation. Sirene’s rhythm section adeptly plays the borders of idiom and the explicable.

Having variously collaborated over the years in different contexts and configurations, in 2014 Park, Lash and Sanders performed for the first time as a trio.

During the 2015 tour, Belfast-based avant-folk singer and electronic artist Caroline Pugh joined the group. With a practice that critically, sometimes mischievously, intersects with digital, gallery and performance arts, and unmatched microphone technique (from whisper to scream, from embodied sound to flights into the stereo panorama), Pugh brings an additional layer of levity and exuberance to the already playful interactions of the trio.

Recorded at Cafe OTO (London) during a Culture Ireland funded tour of England, and during a single afternoon studio session in Birmingham, the album documents an ensemble of musicians representing diverse strands of present-day improvised musics; performances that fragment and recombine musical histories, that leaps unexpectedly between noise, melody, dissonance, harmony and rhythm.

personnel

Han-earl Park (guitar), Dominic Lash (double bass), Mark Sanders (drums), and Caroline Pugh (voice and tape recorder).

track listing

Psychohistory III (≥9:47), Cliodynamics I (10:44), Cliodynamics II (12:22), Cliodynamics III (5:11), Hopeful Monsters (9:41), Psychohistory V (≥10:40). Total duration ≥58:25.

recording details

Music by Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh.

Tracks 2–5 recorded live December 3, 2015, Cafe OTO, London. Recorded by Alex Fiennes.
Tracks 1 and 6 recorded June 16, 2016, Flood Studio, Birmingham. Recorded by Luke Morrish-Thomas.
Mixed and mastered by Han-earl Park.
Design and artwork by Han-earl Park.

Thanks to Alex, Luke, Bruce Coates, Richard Scott, Kate Hendry, Nick Didkovsky, Catherine Sikora, Josh Sinton, Franziska Schroeder, John Hough, Corey Mwamba, Ingrid Laubrock, Andrew Raffo Dewar, Jeb Bishop and Melanie L Marshall; to Simon Holliday, Fielding Hope, James Dunn and Oli Barrett at OTO; George Haslam at SLAM; Cath Roberts of LUME; Mike Borella of Avant Music News; Cisco Bradley of Jazz Right Now; Nasc Ireland; Seth Cooke and everyone at Bang the Bore; and Andrew Woodhead of Fizzle.

Culture Ireland logo

London performance presented with funding from Culture Ireland, and support from SLAM Productions.

© + ℗ 2017 Han-earl Park.

Included with pre-orders of Sirene 1009

‘Kuramoto Synchronization’ with Han-earl Park, Dominic Lash and Caroline Pugh (artwork copyright 2016, Han-earl Park)

Kuramoto Synchronization [details…]

Performers: Han-earl Park (guitar), Dominic Lash (double bass) and Caroline Pugh (voice and tape recorder).

© + ℗ 2016 Han-earl Park.

about the ensemble

Sirene 1009: Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh
Photos © 2016 Bruce Coates. [More images…]

Somewhere out there, there’s an SUV-sized violin tailgating, a No Wave guitarist desperately trying to survive in the Appalachian Mountains, someone dropping sheets of metal during a Jazz Session, an evolutionary biologist finding themselves speaking in tongues (Awash in Blue).

Hear guitarist Han-earl Park push and pull on the guitar-amplifier dancing partners, Dominic Lash and his double bass damage hanging artwork, Mark Sanders excavate caverns in the smallest spaces for his percussion, and Caroline Pugh sing the lines that border the intelligible and the cryptic. [More about Sirene 1009…]

about the performers

Improviser, guitarist and constructor Han-earl Park (박한얼) has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces across Europe and the USA.

Park engages a radical, liminal, cyborg virtuosity in which mind, body and artifact collide. He is driven by the social and revolutionary potential of real-time interactive performance in which tradition and practice become creative problematics. As a constructor of musical automata, he is interested in partial, and partially frustrating, context-specific artifacts; artifacts that amplify social relations and corporeal identities and agencies.

Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder, and as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros.

Festival appearances include Freedom of the City (London), Sonorities (Belfast), ISIM (New York), dialogues festival (Edinburgh), CEAIT (Los Angeles) and Sonic Acts (Amsterdam). His recordings have been released by labels including Slam Productions, Creative Sources and DUNS Limited Edition.

Park taught improvisation at University College Cork, and founded and curated Stet Lab, a space for improvised music in Cork.

“Guitarist Han-earl Park is a musical philosopher…. Expect unexpected things from Park, who is a delightful shape-shifter….”

Brian Morton (Point of Departure)

Dominic Lash is a freely improvising double bassist, although his activities also range much more widely and include playing bass guitar and other instruments; both writing and performing composed music; and writing about music and various other subjects.

He has performed with musicians such as Tony Conrad (in duo and quartet formations), Joe Morris (trio and quartet), Evan Parker (duo, quartet and large ensemble) and the late Steve Reid. His main projects include The Dominic Lash Quartet, The Set Ensemble (an experimental music group focused on the work of the Wandelweiser collective) and The Convergence Quartet.

Based in Bristol, Lash has performed in the UK, Austria, Finland, France, Germany, the Netherlands, Norway, Spain, Switzerland, Turkey and USA. For nearly a decade he was based in Oxford and played a central role in the activities of Oxford Improvisers; much of 2011 was spent living in Manhattan. In 2013 and 2014 he is taking part in Take Five, the professional development programme administered by Serious.

Festival appearances include Akbank Jazz Festival (Istanbul), Audiograft (Oxford), Freedom of the City (London), Huddersfield Contemporary Music Festival, Hurta Cordel (Madrid), Konfrontationen (Nickelsdorf), LMC Festival (London), Manchester Jazz Festival and Tampere Jazz Happening.

His work has been broadcast on a number of radio stations, including BBC Radios 1 and 3 and Germany’s SWR2, and released on labels including Another Timbre, b-boim, Bead, Cathnor, Clean Feed, Compost and Height, Emanem, Erstwhile, FMR, Foghorn, Leo and NoBusiness.

Since moving to Bristol he has been involved in organising concerts under the banners of Bang the Bore and Insignificant Variation. A new venture is the monthly series happening every second Wednesday at the Arnolfini entitled Several 2nds. Events include performances, workshops, film screenings and discussions.

“Following in an illustrious lineage from Barry Guy through Simon Fell… breathtaking.”

John Sharpe (All About Jazz)

Mark Sanders has played with many renowned musicians from around the world including Evan Parker, Peter Brotzmann, Derek Bailey, Myra Melford, Paul Rogers, Henry Grimes, Roswell Rudd, Okkyung Lee, Barry Guy, Tim Berne, Otomo Yoshihide, Luc Ex, Ken Vandermark, Sidsel Endresen and Jean Francois Pauvrois, in duo and quartets with Wadada Leo Smith and trios with Charles Gayle with Sirone and William Parker.

New collaborative projects include ‘Riverloam Trio’ with Mikolaj Trzaska and Olie Brice, ‘Asunder’ with Hasse Poulsen and Paul Dunmall, duos with John Butcher and DJ Sniff, ‘Statics’ with Georg Graewe and John Butcher, and trio with Rachel Musson and Liam Noble.

Mark and John Edwards play as a rhythm section with many groups including Trevor Watts Quartet, ‘Foils’ with Frank Paul Schubert and Matthius Muller, Mathew Shipp’s ‘London Quartet,’ also playing with Fred Frith, Wadada Leo Smith and Shabaka Hutchins amongst many others.

Christian Marclay’s ‘Everyday’ project includes Mark with Christian, Steve Beresford, John Butcher and Alan Tomlinson, he also works regularly in the projects of Mikolaj Trzaska, Gail Brand, Paul Dunmall, Peter Jaquemyn, and Simon H. Fell.

Mark has performed in the USA, Canada, Brazil, Japan, Morrocco, South Africa, Mozambique and Turkey, playing at many major festivals including, Nickelsdorf, Ulrichsburg, Glastonbury, Womad, Vancouver, Isle of Wight, Roskilde, Berlin Jazz days, Mulhouse, Luz, Minniapolis, Banlieue Bleues, Son D’hiver and Hurta Cordel.

He has released over 120 CDs.

“A gifted player capable of seamless movement between free-rhythms and propulsive swing.”

John Fordham (The Guardian)

Scottish vocalist and composer Caroline Pugh borrows old-fangled technologies and honours oral histories to create new performances. With a background in both folk and improvisation, her solo works You’ve Probably Heard These Songs Before, Timing By Ear, Measuring By Hand and Platform Audio also draw on performance art and pinhole photography.

Originally from Edinburgh, Caroline has performed across Europe and North America with new improvisation performances including Los Angeles’ Betalevel in 2012, NIME 2011 in Oslo, Just Listening 2011 in Limerick and Experimentica09 in Cardiff. She is also in a band called ABODE and an improvisation collective called E=MCH.

Now based in Belfast, Caroline sings in a folk duo with Meabh Meir and together with Myles McCormack they run traditional song sessions at the Garrick Bar on Mondays from 7.30-10pm.

In 2011, Caroline was awarded an Art Council Northern Ireland grant for her solo work and gained a Distinction for her AHRC-funded Master of Music at Newcastle University. She coaches students at Queen’s University Belfast and has worked in collaboration with visual artists (Connecting through Scape 2008), theatre practitioners (hour8+9 2009), video artists (SAAB 2009), dancers and psychologists (Newcastle and Northumbria Universities 2010). She also got a BA in Scottish Music from the Royal Academy of Music and Drama in Glasgow, and studied Contemporary Music at the University of Central Lancashire for a wee while too.

“Every once in a while you happen upon a gig or event that’s so fundamentally unlike anything you’ve experienced before that you can’t help but reconsider your own thoughts on what defines music, performance and entertainment.”

Brian Coney (BBC Across The Line)

Also by these artists

‘A Little Brittle Music’ with Han-earl Park, Dominc Lash and Corey Mwamba (artwork copyright 2015, Han-earl Park)

A Little Brittle Music [details…]

Performers: Han-earl Park (guitar), Dominic Lash (double bass) and Corey Mwamba (vibraphone and flute).

© 2015 Han-earl Park. ℗ 2015 Park/Lash/Mwamba.

Skip (copyright 2013, FMR)

Skip (FMRCD350)

Performers: Pat Thomas (piano), Dominic Lash (bass) and Mark Sanders (drums).

© + ℗ 2013 FMR Records.

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)

Dunmall-Park-Sanders (Birmingham, 02-15-11) [details…]

Performers: Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums).

(cc) 2013 Paul Dunmall/Han-earl Park/Mark Sanders.

Han-earl Park, Paul Dunmall, Mark Sanders and Jamie Smith: Live at the Glucksman gallery, Cork (owlcd002) CD cover (copyright 2012, Owlhouse Recordings)

Live at the Glucksman gallery, Cork (owlcd002) [details…]

Performers: Han-earl Park (guitar), Paul Dunmall (saxophone), Mark Sanders (drums) and Jamie Smith (guitar).

© 2009 by Owlhouse Recordings.
℗ 2009 Han-earl Park/Paul Dunmall/Mark Sanders/Jamie Smith.

updates

01-31-17: released!
01-29-19: added reviews.

Kuramoto Synchronization

‘Kuramoto Synchronization’ with Han-earl Park, Dominic Lash and Caroline Pugh (artwork copyright 2016, Han-earl Park)
Artwork © 2016 Han-earl Park.

Update: download no longer available (“limited availability…until January 30, 2017”). For those who got it, big thanks for your support; wishing you good listening!

Free download available only with pre-orders of the CD/digital album ‘Sirene 1009’ (please allow 48 hours for download code).

Out now: the complete recording of the January 29, 2016 performance by Han-earl Park (guitar), Dominic Lash (double bass) and Caroline Pugh (voice and tape recorder). Available for a limited time, you can get the album with pre-orders of the CD/digital album ‘Sirene 1009’ [about/order ‘Sirene 1009’…].

Available from: December 6, 2016. Limited availability (until January 30, 2017).

Album available to stream via the free Bandcamp app, and download in multiple formats including lossless.

personnel

Han-earl Park (guitar), Dominic Lash (double bass) and Caroline Pugh (voice and tape recorder).

track listing

Kuramoto Synchronization I (7:08), Kuramoto Synchronization II (5:27), Kuramoto Synchronization III (10:09), Kuramoto Synchronization IV (4:26), Kuramoto Synchronization V (7:33), Kuramoto Synchronization VI (4:55). Total duration: 39:34.

recording details

Music by Han-earl Park, Dominic Lash and Caroline Pugh.

Recorded live January 29, 2016, Aula Maxima, UCC, Cork.
Recorded, mixed and mastered by Han-earl Park.
Artwork by Han-earl Park.

Thanks to Niall McGuinness and Dan Walsh; and to Paul O’Donnell, John Hough, Carmel Daly and Kelly Boyle at the UCC Music Department. Performance presented as part of FUAIM Music at UCC.

© + ℗ 2016 Han-earl Park.

Included with pre-orders of Sirene 1009

Cover of ‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)

Sirene 1009 [details…]

Performers: Han-earl Park (guitar), Dominic Lash (double bass), Mark Sanders (drums), and Caroline Pugh (voice and tape recorder).

© + ℗ 2017 Han-earl Park.

updates

12-06-16: available now with pre-orders of Sirene 1009.
01-01-17: add video trailer.
01-31-17: no longer available for download.

A Little Brittle Music

‘A Little Brittle Music’ with Han-earl Park, Dominc Lash and Corey Mwamba (artwork copyright 2015, Han-earl Park)
Artwork © 2015 Han-earl Park.

Update: download no longer available (“Limited availability… until March 31, 2016”). For those who got it, big thanks for your support; wishing you good listening!

The complete recording of the May 2, 2015 performance by Han-earl Park (guitar), Dominic Lash (double bass) and Corey Mwamba (vibraphone and flute) is available (for a limited time), complete with a couple of hidden ‘bonus’ tracks (recorded May 4), for download via Bandcamp. [Bandcamp page…] [Download now…]

This bandcamp-hosted album offers the option to download the recording in multiple formats (mp3, Ogg and AAC) including lossless (FLAC and ALAC), and includes print-ready CD case cover and inlay artwork.

Price: €5 minimum (‘name your price’).

All proceeds go towards the maintenance of musical instruments (e.g. mallets, bow rehairing, etc.). Your generosity will help support the performers and their work. For reference:

  • €10 = set of guitar strings = keeps guitar(ist) happy for 3 weeks
  • €200 = double bass strings = happy bassist, 6–8 months

Incidentally, replacement of the components depicted in the cover art (potentiometers, capacitors, etc.) would be about €70.

Many thanks to David Birchall of Tubers Music, and Sibyl Madrigal and Alex Ward of Boat-ting for hosting the performance.

description

PLM? Uh, no… Pashwamba? Er, no, no, no…

Wait!

The Racially Diverse Trio of Nerdy Guys: or We Were Paid in Comics!

The Ultimate Han-earl Park, The Uncanny Dom Lash and The Astonishing Corey Mwamba demonstrate their formidable and generous musicality (a diabolical combination), making music, sometimes brittle, always unexpected, with no gesture lost in play. (Album includes two bonus tracks that demonstrate the effects of entropy, as the bridge pickup of the guitar cr*ps-out, and the bass develops a new buzz.)

Released: November 1, 2015. Limited availability (until March 31, 2016).

Price: €5 minimum (‘name your price’).

All proceeds go towards the maintenance of musical instruments (e.g. mallets, bow rehairing, etc.). Your generosity will help support the performers and their work. For reference:

  • €10 = set of guitar strings = keeps guitar(ist) happy for 3 weeks
  • €200 = double bass strings = happy bassist, 6–8 months

Incidentally, replacement of the components depicted in the cover art (potentiometers, capacitors, etc.) would be about €70.

personnel

Han-earl Park (guitar), Dominic Lash (double bass) and Corey Mwamba (vibraphone and flute; tracks 1–2).

track listing

Manchester Breakdown (24:29); Decomposition (Detemporization) (3:56); Bridge: Pickup and Collapse (15:31); Buzzing Decay (4:59). Total duration: 48:54. (Note: tracks 3–4 are hidden ‘bonus’ tracks.)

recording details

Tracks 1–2: music by Han-earl Park, Dominic Lash and Corey Mwamba. Tracks 3–4: music by Han-earl Park and Dominic Lash.

Tracks 1–2 recorded live at St. Margaret’s Church, Manchester on May 2, 2015 as part of the Tubers MiniFestival curated by David Birchall. Tracks 3–4 recorded live at Boat-ting, London on May 4, 2015 in an event curated by Sibyl Madrigal.
Recorded and mastered by Han-earl Park.
Design and artwork by Han-earl Park.

© 2015 Han-earl Park. ℗ 2015 Park/Lash/Mwamba.

about the performers

Han-earl Park, Dominic Lash and Corey Mwamba (Tubers MiniFestival, Manchester, May 2, 2015). Photo © 2015 Peter Fay.
Dominic Lash, Han-earl Park and Corey Mwamba (Manchester, May 2, 2015). Photo © 2015 Peter Fay.

Improviser, guitarist and constructor Han-earl Park has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces across Europe and the USA.

Park engages a radical, liminal, cyborg virtuosity in which mind, body and artifact collide. He is driven by the social and revolutionary potential of real-time interactive performance in which tradition and practice become creative problematics. As a constructor of musical automata, he is interested in partial, and partially frustrating, context-specific artifacts; artifacts that amplify social relations and corporeal identities and agencies.

Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder, and as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros.

Festival appearances include Freedom of the City (London), Sonorities (Belfast), ISIM (New York), dialogues festival (Edinburgh), CEAIT (Los Angeles) and Sonic Acts (Amsterdam). His recordings have been released by labels including Slam Productions, Creative Sources and DUNS Limited Edition.

Park taught improvisation at University College Cork, and founded and curated Stet Lab, a space for improvised music in Cork.

“Guitarist Han-earl Park is a musical philosopher…. Expect unexpected things from Park, who is a delightful shape-shifter….”

Brian Morton (Point of Departure)

Dominic Lash is a freely improvising double bassist, although his activities also range much more widely and include playing bass guitar and other instruments; both writing and performing composed music; and writing about music and various other subjects.

He has performed with musicians such as Tony Conrad (in duo and quartet formations), Joe Morris (trio and quartet), Evan Parker (duo, quartet and large ensemble) and the late Steve Reid. His main projects include The Dominic Lash Quartet, The Set Ensemble (an experimental music group focused on the work of the Wandelweiser collective) and The Convergence Quartet.

Based in Bristol, Lash has performed in the UK, Austria, Finland, France, Germany, the Netherlands, Norway, Spain, Switzerland, Turkey and USA. For nearly a decade he was based in Oxford and played a central role in the activities of Oxford Improvisers; much of 2011 was spent living in Manhattan. In 2013 and 2014 he is taking part in Take Five, the professional development programme administered by Serious.

Festival appearances include Akbank Jazz Festival (Istanbul), Audiograft (Oxford), Freedom of the City (London), Huddersfield Contemporary Music Festival, Hurta Cordel (Madrid), Konfrontationen (Nickelsdorf), LMC Festival (London), Manchester Jazz Festival and Tampere Jazz Happening.

His work has been broadcast on a number of radio stations, including BBC Radios 1 and 3 and Germany’s SWR2, and released on labels including Another Timbre, b-boim, Bead, Cathnor, Clean Feed, Compost and Height, Emanem, Erstwhile, FMR, Foghorn, Leo and NoBusiness.

Since moving to Bristol he has been involved in organising concerts under the banners of Bang the Bore and Insignificant Variation. A new venture is the monthly series happening every second Wednesday at the Arnolfini entitled Several 2nds. Events include performances, workshops, film screenings and discussions.

“Following in an illustrious lineage from Barry Guy through Simon Fell… breathtaking.”

John Sharpe (All About Jazz)

Born and based in Derby, Corey Mwamba’s commitment to jazz and improvised music in Britain and Ireland drives all aspects of his work, whether through composition, playing, or promoting new music.

Corey predominantly plays vibraphone; he also plays dulcimer and uses audio processing software. He is recognised as a highly creative improviser and composer working across a wide range of jazz and contemporary music, called to work with musicians such as Tony Kofi, Pat Thomas, Alexander Hawkins, Glasgow Improvisers Orchestra, Arun Ghosh, Quantic, Cerys Matthews, Mat Maneri, Lucian Ban and Ty.

Mwamba’s distinctive approach and tone can be heard in the critically acclaimed Yana with Dave Kane (bass) and Joshua Blackmore (drums). This group exemplifies a core ideal of creating an “open, living music”; listening and responding spontaneously as a unit to make music that has love, language and a groove. Their first studio release don’t overthink it was hailed as “engaging and evocative” (All About Jazz) and described as “the sound of three minds working together in a utopian zone, way beyond the individual ego – and producing something quite beautiful in the process” (Jazzwise). He is a member of the Anglo-French quartet Sonsale with bassist Andy Champion, drummer Sylvain Darrifourcq and cellist Valentin Ceccaldi. Corey also works with Andy in an improvising trio with saxophonist Ntshuks Bonga. He also plays in duos with saxophonist Rachel Musson; pianist Robert Mitchell; percussionists Martin Pyne and Walt Shaw; and the multi-instrumentalist Orphy Robinson.

Corey contributes to saxophonist Nat Birchall’s quintet, saxophonist and composer Martin Archer’s large ensemble Engine Room Favourites, and trumpeter Nick Malcolm’s quartet. He plays with Nick and drummer Simon Roth in Our Own Decay.

An active advocate of the arts, Corey Mwamba strives to argue the case for the arts. He petitioned for fair pay to artists during the London Olympics, and helped engineer a moratorium and review of arts funding cuts in Derby through debate with the city council; he has also worked with many regional arts organisations. He has held board positions for Derby Jazz, World Song Derby, Derby Cultural Diversity Arts Network, and Arts Council England (East Midlands). He is also an adventurous programmer of new music in Derby, setting up One Note Sunday and The Family Album as well as programming Derby Jazz’s improvised music stream called 2ndline.

Corey was granted a PRSF/Jerwood Foundation Take Five artist development award in 2007; was short-listed for the Innovation category in the BBC Jazz Awards in 2008; and was awarded an AHRC studentship for a Master of Research degree in Music at Keele University; he graduated with a distinction in 2014.

Also available for download [more…]

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)

Dunmall-Park-Sanders (Birmingham, 02-15-11) [details…]

Performers: Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums).

(cc) 2013 Paul Dunmall/Han-earl Park/Mark Sanders.

Murray Campbell, Randy McKean with Han-earl Park, plus Gino Robair and Scott R. Looney: Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011)

Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011) [details…]

Performers: Murray Campbell (violins, oboe and cor anglais), Randy McKean (saxophone, clarinets and flutes) with Han-earl Park (guitar), plus Gino Robair (energized surfaces, voltage made audible) and Scott R. Looney (hyperpiano).

(cc) 2012 Murray Campbell/Randy McKean/Han-earl Park/Gino Robair/Scott R. Looney.

Han-earl Park plus Marian Murray: Park+Murray (Cork, 07-29-10)

Park+Murray (Cork, 07-29-10) [details…]

Performers: Han-earl Park (guitar) plus Marian Murray (violin).

(cc) 2012 Han-earl Park/Marian Murray.

Jin Sangtae, Han-earl Park and Jeffrey Weeter: Jin-Park-Weeter (Cork, 01–24–11)

Jin-Park-Weeter (Cork, 01-24-11) [details…]

Performers: Jin Sangtae (electronics), Han-earl Park (guitar) and Jeffrey Weeter (drums and electronics).

(cc) 2012 Jin Sangtae/Han-earl Park/Jeffrey Weeter.

Han-earl Park and Franziska Schroeder: Park-Schroeder (Cork, 03-26-09)

Park-Schroeder (Cork, 03-26-09) [details…]

Performers: Han-earl Park (guitar) and Franziska Schroeder (saxophone).

(cc) 2012 Han-earl Park/Franziska Schroeder.

Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)

Sikora-Smith-Park (Cork, 04-04-11) [details…]

Performers: Catherine Sikora (saxophone), Ian Smith (trumpet) and Han-earl Park (guitar).

(cc) 2012 Catherine Sikora/Ian Smith/Han-earl Park.

updates

11-03-15: add video trailer.
04-01-16: no longer available for download.