Kuramoto Synchronization

‘Kuramoto Synchronization’ with Han-earl Park, Dominic Lash and Caroline Pugh (artwork copyright 2016, Han-earl Park)
Artwork © 2016 Han-earl Park.

Update: download no longer available (“limited availability…until January 30, 2017”). For those who got it, big thanks for your support; wishing you good listening!

Free download available only with pre-orders of the CD/digital album ‘Sirene 1009’ (please allow 48 hours for download code).

Out now: the complete recording of the January 29, 2016 performance by Han-earl Park (guitar), Dominic Lash (double bass) and Caroline Pugh (voice and tape recorder). Available for a limited time, you can get the album with pre-orders of the CD/digital album ‘Sirene 1009’ [about/order ‘Sirene 1009’…].

Available from: December 6, 2016. Limited availability (until January 30, 2017).

Album available to stream via the free Bandcamp app, and download in multiple formats including lossless.

personnel

Han-earl Park (guitar), Dominic Lash (double bass) and Caroline Pugh (voice and tape recorder).

track listing

Kuramoto Synchronization I (7:08), Kuramoto Synchronization II (5:27), Kuramoto Synchronization III (10:09), Kuramoto Synchronization IV (4:26), Kuramoto Synchronization V (7:33), Kuramoto Synchronization VI (4:55). Total duration: 39:34.

recording details

Music by Han-earl Park, Dominic Lash and Caroline Pugh.

Recorded live January 29, 2016, Aula Maxima, UCC, Cork.
Recorded, mixed and mastered by Han-earl Park.
Artwork by Han-earl Park.

Thanks to Niall McGuinness and Dan Walsh; and to Paul O’Donnell, John Hough, Carmel Daly and Kelly Boyle at the UCC Music Department. Performance presented as part of FUAIM Music at UCC.

© + ℗ 2016 Han-earl Park.

Included with pre-orders of Sirene 1009

Cover of ‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)

Sirene 1009 [details…]

Performers: Han-earl Park (guitar), Dominic Lash (double bass), Mark Sanders (drums), and Caroline Pugh (voice and tape recorder).

© + ℗ 2017 Han-earl Park.

updates

12-06-16: available now with pre-orders of Sirene 1009.
01-01-17: add video trailer.
01-31-17: no longer available for download.

thanks: Mathilde 253 with Ishmael Wadada Leo Smith (Cork and Dublin, 2011)

Ishmael Wadada Leo Smith, Han-earl Park, Charles Hayward and Ian Smith (photos copyright 2011 Julia Healy)
Photos © 2011 Julia Healy

Thanks to Catherine Kirby and everyone at the National Concert Hall for able and professional assistance, to John Godfrey, Juniper Hill and Melanie L. Marshall, the then coordinators of the UCC Music Research Seminar Series, who strongly supported Wadada’s visit, and to Mary Hickson, Chris Gaughan, Peter Crudge, Eoin Winning and everyone at the Cork Opera House. Kudos to Tony O’Connor and Athos Tsiopani for the behind-the-scenes help, and to John Hough for the videography and the technical support. Thanks also to Carmel Daly and Mel Mercier of UCC School of Music; Gary Sheehan of Note Productions; Jeffrey Weeter, Paul O’Donnell and, formerly, Jesse Ronneau of the UCC Concerts Committee; and Andreas W. Ziemons, Niamh Ryan and Louise Walsh at Music Network. Thanks to David Leikam of the Arts Noticed, Linda Plover of Blue Monkey PR, Eoin Brady and Bernard Clarke of Nova, and Sandra Quinn at the Evening Echo for their support.

A big thank to the best sound engineer in the world, Alex Fiennes, for amplifying the Cork event, and making the performance sound its best! and to Melanie for the conversations and unofficial roadie duties. Kudos to Marian Murray for jumping into the deep end, a special note of thanks Paul G. Smyth for stepping-up to support this project, and to Dennis Cassidy, Fergus Cullen and Benedict Schlepper-Connolly who came to the rescue when our drum-hire situation briefly went into tail-spin.

And of course a big, big, big thanks to Charles Hayward, Ian Smith and Ishmael Wadada Leo Smith for letting me share in their skill, craft, intelligence, musicality, generosity and sense of play (and their patience with this first-time tour manager): I’ll treasure Charles’ rhythmic travels to the outer reaches of an alternative-universe Caribbean; Ian’s brave counterpoint; and the spiraling, expert stacatto precision of Wadada’s trumpet.

Last but not least, thanks to all who came to listen and witness creative music in real-time!

  • Arts Council Ireland logo
  • Music Network logo

Presented with funding from the Music Network Performance and Touring Award, and support from UCC School of Music, Note Productions, the National Concert Hall and the Cork Opera House.

thanks: Matana Roberts, Han-earl Park and Mark Sanders

Matana Roberts, Han-earl Park and Mark Sanders (original photos by Brett Walker, Stephanie Hough and Andrew Putler)
Matana Roberts, Han-earl Park and Mark Sanders (original photos by Brett Walker, Stephanie Hough and Andrew Putler)

Thanks to Paul O’Donnell and Jeffrey Weeter of the University College Cork Concert Series; to Kevin Terry and Athoulis Tsiopani for helping out on the evening; to the Music Research Seminar Series (run by John Godfrey, Juniper Hill and Melanie L Marshall) for hosting the talk by Matana; to the Head of Music, Mel Mercier; to Carmel Daly for administrative support; and to John Hough for the technical and photographic work. I’d like to thank Jesse Ronneau who worked to host many improvised music events at the School over the years. This was the last concert, before he moved on to greener pastures, with his involvement, and his support of, and belief in, this and other projects has been invaluable.

And a very, very big thanks to Matana and Mark for their incredible musicianship and generosity. I find Matana’s work daring, original and provocative—her sound is by turns humorous and beautiful, and always compelling—and Mark is about the finest drummer I have had the pleasure of working with. I hope I managed to keep up with them on the evening, and hope to play again.

Finally, thanks to all who came to support this event!

video recordings: Paul Dunmall and Han-earl Park, ‘Boolean Transforms’

A couple of short video clips of the November 6, 2009 performance by Paul Dunmall and myself. The full concert available on the CD ‘Boolean Transforms’ [Get the CD…].

video credits

Improvised music performance by Paul Dunmall (saxophone and bagpipes) and Han-earl Park (guitar).

Video: John Hough
Audio: Han-earl Park

Presented by the UCC Concert Series at the Ó Riada Hall, UCC School of Music, Cork, Ireland, on November 6, 2009. Thanks to Paul O’Donnell, Jesse Ronneau, Carmel Daly and John Hough.

Full concert available on DUNS Limited Edition CD ‘Boolean Transforms’ (DLE 067).

© 2010 Dunmall/Park

video recordings: Dunmall-Park-Sanders-Smith

Video clips of the February 11th 2009 performance by myself with Paul Dunmall, Mark Sanders and Jamie Smith are now on YouTube.

video credits

Improvised music performance by Paul Dunmall (saxophone), Han-earl Park (guitar), Mark Sanders (drums) and Jamie Smith (guitar).

Video: John Hough.
Audio: Jamie Smith.

Presented by the UCC Concert Series at the Lewis Glucksman Gallery, Cork, Ireland, on February 11 2009, during the exhibition Eye for An Eye: Representations of Conflict in 20th Century Ireland.

Thanks to Paul O’Donnell, Jesse Ronneau, Ciarán Meade, Carmel Daly, John Hough and Chris Paton.

Full concert available on the CD ‘Live at the Glucksman Gallery, Cork’, Owlhouse Recordings (owlcd002).

© 2009 dunmall/park/sanders/smith

thanks: Dunmall-Park

Paul Dunmall and Han-earl Park
poster (click to download PDF…)

A very big thanks to Paul Dunmall for performing with me on Friday [Details…]. It was (despite me suffering from a cold) a mind blowing experience. What a, to borrow an adjective Paul uses a lot, fantastic player. I’m reminded how much I have to learn and practice.

Kudos to Jesse Ronneau and Paul O’Donnell of the UCC Concerts Committee for programming us, to Mary Mitchell Ingoldsby for taking time to show Paul around the uilleann pipes, and to Carmel Daly and John Hough for help in all matters, respectively, administrative and technical. Thank also to Aisling Ryan for plugging the gig on handy as a small pot.

Last but not least, thanks to all who came to listen and watch.

By the way, there is a recording (audio and video) which we’ll need to decide what to do with. I’ll keep you posted.