Revue & Corrigée: Numbers: Richard Barrett + Han-earl Park

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)
‘Numbers’ (CS 201 cd) © 2012 Creative Sources

Sporty and dynamic! The September 2012 issue of Revue & Corrigée prints a review of Richard Barrett and Han-earl Park’s ‘Numbers’ (CS 201 cd):

Je connais de nombreuses pièces de Richard Barrett enregistrées, écrites ou improvisées. C’est une figure importante de la musique contemporaine, malheureusement sous-estimée en France. Je vous invite vivement à écouter ce répertoire et vous plonger dans cette solide radicalité: l’écoute de la pièce symphonique Vanity (1996) devrait remettre de nombreuses pendules à l’heure. Lorsqu’il improvise (compose en temps réel), m’avec un dispositif électronique lui autorisant avec souplesse les parcours les plus inattendus.

Nous connaissons déjà plusieurs disques avec Furt, où il intervient avec Paul Obermayer, se jouant lui aussi d’un système électronique.

Je découvre ici sa collaboration avec le guitariste Han-Earl Pak [sic] (un autre créateur plutôt discret sur les scènes hexagonales), qui s’inscrit dans la tradition “post Derek Bailey” avec une saine volonté d’en découdre (cet artiste est aussi concepteur de systèmes interactifi originaux).

Sportif et dynamique.

Thanks to Lê Quan Ninh for helping source the text of the review.

‘Numbers’ (CS 201 cd) is available from Creative Sources Recordings. [More info…] [All reviews…] [Get the CD…]

CD reviews: Numbers: Richard Barrett + Han-earl Park

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)
‘Numbers’ (CS 201 cd) © 2012 Creative Sources

How’s your Portuguese? Rui Eduardo Paes reviews Richard Barrett and Han-earl Park’s ‘Numbers’ (CS 201 cd):

Quem partir para a audição de “Numbers” com uma ideia feita do que esperar de Richard Barrett e Han-Earl Park ficará, com certeza, surpreendido. Se o Barrett compositor de música contemporânea e o Barrett improvisador de electrónica no duo Furt e no Electro-Acoustic Ensemble de Evan Parker são, já à partida, bastante diferentes (apesar da sua convicção de que improvisar é apenas outra forma de compor), o que deste ouvimos agora distancia-se do “sampling” esquizóide a que nos habituou – os seus “outputs” neste disco identificam-se mais com as sonoridades sintetizadas dos antigos jogos de computador e videojogos. Por sua vez, o Park que aqui está não é o inventor e construtor de robôs e próteses musicais, mas o guitarrista. Percorrer outros caminhos implica neste disco aspectos positivos e negativos, mas verdade seja dita que a energia, o “drive” e o labor de sedimentação do ruído que vão desenvolvendo depressa nos conquistam. [Original article…]

Rui Eduardo Paes

Meanwhile, Massimo Ricci at Touching Extremes suggests the recording might be a way to have your “brain zapped and scrambled by the rivalry between transonic beauty and extreme structural atomization”:

…It is… impractical to verbally interpret the bazillions of events that this CD warrants, for the joy of individuals who take pleasure in getting their brain zapped and scrambled by the rivalry between transonic beauty and extreme structural atomization. This is in fact a full hour of frantically jagged live improvisation that will definitely expose, in a good number of subjects, the inability of receiving and synthesizing a large quantity of data, given the inborn impossibility of switching to multi-channel mode in their neural constitution. These persons will end describing this barely imaginable tit-for-tat as unendurably non-brooding, or just “out of fashion”. Indeed the methods through which the (mostly) clean sounds of the electric guitar get stretched, warped, mangled and thrown back at the source demolish any propensity to rumination. As if a premix of Fred Frith, Hans Reichel and – why not – Christopher Willits had been subjected to a journey inside the circuits of a billboard. Mere seconds before its explosion, that is. [Read the rest…]

— Massimo Ricci (Touching Extremes)

I wonder if Ricci had anyone particular in mind when he wrote of those with an “inability of receiving and synthesizing a large quantity of data, given the inborn impossibility of switching to multi-channel mode in their neural constitution” 😉

‘Numbers’ (CS 201 cd) is available from Creative Sources Recordings. [More info…] [All reviews…] [Get the CD…]

Monsieur Délire: Numbers: Richard Barrett + Han-earl Park

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)
‘Numbers’ (CS 201 cd) © 2012 Creative Sources

Catch me if you can! François Couture at Monsieur Délire describes a complex music that moves in multiple directions in his review of Richard Barrett and Han-earl Park’s ‘Numbers’ (CS 201 cd):

Electronician Richard Barrett (of Furt) and guitarist Han-earl Park are working together to create music both spontaneous and premeditated, music that launches into several directions at a time (that’s Furt’s trademark). The guitar is wildly spatialized, and the electronics intermingle with it, manipulating in real-time, adding pointillistic fluries of sounds that make it impossible de isolate a single contribution. The result is lively, relevant, dizzying electroacoustic music; music that seems to be daring us to try and catch it.

[Read the rest…]

‘Numbers’ (CS 201 cd) is available from Creative Sources Recordings. [More info…] [All reviews…] [Get the CD…]

site update: Eris 136199

Nick Didkovsky, Catherine Sikora and Han-earl Park
The (provisional) project page for Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones) is now live:

Eris 136199 is the noisy, unruly complexity of composer, computer artist and guitarist Nick Didkovsky, the corporeal, cyborg virtuosity of constructor and guitarist Han-earl Park, and the no-nonsense melodic logic of composer and saxophonist Catherine Sikora. Eris 136199 plays on the crossroads of noise, melody, rhythm, space, density, contrast, synchronicity, asymmetry, serendipity and contradiction.

A composer who enjoys blurry boundaries, Nick Didkovsky founded the avant-rock big band Doctor Nerve, and is a member of Swim This with Gerry Hemingway and Michael Lytle. He is a pioneer of small-systems computer music, and has composed music for ensemble including Bang On A Can All-Stars and the California EAR Unit.

Described by Brian Morton as “a musical philosopher… a delightful shape-shifter”, Han-earl Park is drawn to real-time cyborg configurations in which artifacts and bodies collide. He has performed with some of the finest practitioners of improvised music, is part of Mathilde 253 with Charles Hayward and Ian Smith, and Numbers with Richard Barrett.

Catherine Sikora is “a free-blowing player’s player with a spectacular harmonic imagination and an evolved understanding of the tonal palette of the saxophone” (Chris Elliot, Seacoast Online). She has long-standing duo projects with Eric Mingus and with Ziv Ravitz, and performs as part of ensembles led by Elliott Sharp, François Grillot and Matt Lavelle.

Together, Didkovsky, Park and Sikora forges an improvisative space where melody can be melody, noise can be noise, meter can be meter, metal becomes metal, bluegrass turns to bluegrass, jazz transforms into jazz, all there, all necessary without imploding under idiomatic pressures.

[Eris 136199 page…]

Eris 136199 is performing later this month (July 24, 2012) at Freddy’s Bar (Brooklyn). See the performance diary for up-to-date info.

performance diary 07-01-12 (Brooklyn, New York)

upcoming performances
date venue time details
July 24, 2012 The Backroom @ Freddy’s Bar
627 5th Avenue
Brooklyn, NY 11215
8:30pm Performance by Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones), plus Christine Bard (drums, percussion and electronics), Bill McCrossen (bass) and Mercedes Figueras (saxophones), presented by On The Way Out.
Recommended donation: $10.
[Details…]
[Freddy’s page…]
[facebook event…]
September 7, 2012 The Stone
16 Avenue C
New York, NY 10009
8:00pm Performance by Tim Perkis (electronics), Han-earl Park (guitar) and Harris Eisenstadt (percussion).
Admission: $10 (students 13–19: $5; children <12: free).
[Details…]
[The Stone calendar…]
[facebook event…]
September 8, 2012 Douglass Street Music Collective
295 Douglass Street
Gowanus
Brooklyn, NY 11217
8:00pm Performance by Michael Evans (drums), Louise Dam Eckardt Jensen (saxophone) and Han-earl Park (guitar), plus Brad Henkel (trumpet), and Angelika Niescer Quartet (Angelika Niescer: alto sax; Florian Weber: piano; Chris Tordini: bass; and Tommy Crane: drums) presented as part of Save The Date #8.
Recommended donation: $10.
[Details…]
[DSMC page…]
late 2012 North America Numbers (Richard Barrett: electronics; and Han-earl Park: guitar) is seeking performance opportunities in North America, late 2012.
Interested promoters, venues and sponsors, please get in touch!
2013 Europe Seeking performances in Europe, 2013 for the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician io 0.0.1 beta++ (itself) with human musicians Han-earl Park (guitar), Bruce Coates (saxophones) and Franziska Schroeder (saxophones). Interested promoters, venues and sponsors, please get in touch! [Detailed proposal…]

Continue reading “performance diary 07-01-12 (Brooklyn, New York)”

Chain D.L.K.: Numbers: Richard Barrett + Han-earl Park

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)
‘Numbers’ (CS 201 cd) © 2012 Creative Sources

Death of an Accountant? In his review at Chain D.L.K. of Richard Barrett and Han-earl Park’s ‘Numbers’ (CS 201 cd), Vito Camarretta imagines an unfortunate scenario for an “accountant, a computer expert or an operational researcher”, and describes an “acoustic lucid computational delirium, whose trajectory is impossible to outguess”:

You can easily imagine an accountant, a computer expert or an operational researcher in the act of falling prey of frightening hallucinations after a session of intensive work on numerical models, impressive balance sheets or other number-covered screed and their colossal equations or string while getting turned into ominous entities which paralyze their own maker in order to obsess, harass and torture him till death while listening to this amazing and fuzzy release by Welsh electronic musician and performer Richard Barrett (some well-trained listeners could know his collaborative project FURT with Paul Obermayer as well as his work within the Elision Ensemble) and guitarist, improviser and very talented performer Han-Earl Park. By means of an intricate web of sonic hiccups, scrapes, scouring, gluts, gargles and cuts, they build an acoustic lucid computational delirium, whose trajectory is impossible to outguess.

[Read the rest…]

‘Numbers’ (CS 201 cd) is available from Creative Sources Recordings. [More info…] [All reviews…] [Get the CD…]

performance diary 06-11-12 (Brooklyn, New York)

upcoming performances
date venue time details
June 22, 2012 Dustin Carlson’s home
285 Midwood Street
Brooklyn, NY 11225
8:00pm (doors: 7:00pm) Han-earl Park (guitar) and Josh Sinton (saxophone and clarinet), plus Anna Webber and Mariel Berger, and Natura Morta (F.L., Sean Ali and Carlo Costa).
[Details…]
June 24, 2012 Andrew Drury’s home
[Contact for location…]
Lefferts Gardens
Brooklyn, NY
7:00pm Soup and Sound House Concert #12 with Jack Wright (saxophones), Ben Wright (bass), Andrew Drury (drums) and Han-earl Park (guitar).
Recommended donation: $10.
[Details…]
July 24, 2012 The Backroom @ Freddy’s Bar
627 5th Avenue
Brooklyn, NY 11215
8:30pm Performance by Nick Didkovsky (guitar), Han-earl Park (guitar) and Catherine Sikora (saxophones), plus Christine Bard (drums, percussion and electronics), Bill McCrossen (bass) and Mercedes Figueras (saxophones), presented by On The Way Out.
Recommended donation: $10.
[Details…]
[Freddy’s page…]
[facebook event…]
September 7, 2012 The Stone
16 Avenue C
New York, NY 10009
8:00pm Performance by Tim Perkis (electronics), Han-earl Park (guitar) and Harris Eisenstadt (percussion).
Admission: $10.
late 2012 North America Numbers (Richard Barrett: electronics; and Han-earl Park: guitar) is seeking performance opportunities in North America, late 2012.
Interested promoters, venues and sponsors, please get in touch!
2013 Europe Seeking performances in Europe, 2013 for the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician io 0.0.1 beta++ (itself) with human musicians Han-earl Park (guitar), Bruce Coates (saxophones) and Franziska Schroeder (saxophones). Interested promoters, venues and sponsors, please get in touch! [Detailed proposal…]

Continue reading “performance diary 06-11-12 (Brooklyn, New York)”

thanks: London*2 and Scarborough

London*2 and Scarborough, May 2012
Thanks to Trevor Brent and everyone at Freedom of the City for a fantastic and welcoming festival; to Rob Mackay of the University of Hull-Scarborough Campus for being a wonderful, generous host—organizing the performance, housing and feeding the musicians; and to Jazz @ The Oxford for their open mindedness and enthusiasm. Special thanks to John Chantler and Hamish Dunbar at Cafe OTO for helping this itinerant musician step across the border, to John Coxon for the use of his lovely amplifier at FOTC, and to Seán Kelly for evolving into Mathilde 253’s official photographer!

Kudos to all the musicians involved: to Richard Barrett for pushing and pulling the music into new spaces, and for illuminating and exploring the possibilities of real-time interactive music; to Charles Hayward and Ian Smith—two musicians who never miss a beat—for the real rock-out (despite 1/3 of Mathilde 253 begin zombified by a cold); to Dom Lash, Phillip Marks and, in particular, to Mark Hanslip for inviting me to join in their spontaneous inventions and discoveries.

And finally, as always, thanks to all who came to watch/listen!

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)

‘Numbers’ (CS 201 cd) is available from Creative Sources Recordings [details…]

Performers: Richard Barrett (electronics) and Han-earl Park (guitar).

© + ℗ 2012 Creative Sources Recordings.

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) is available from SLAM Productions [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone).

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

performance diary 05-14-12 (Brooklyn, New York)

upcoming performances
date venue time details
May 27, 2012 ABC No Rio
156 Rivington Street
New York, NY 10002
6:00pm Performance by Nick Didkovsky (guitar), Han-earl Park (guitar) and Catherine Sikora (saxophones) presented by COMA: Citizens Ontological Music Agenda.Also performing: Jim Goodin, Frederika Kreier, and the Rocco John Iacovone ensemble.Admission: $5.
[Details…]
[ABC No Rio page…]
[facebook event…]
June 7, 2012 Andrew Drury’s home
[Contact for location…]
Brooklyn, NY
7:00pm Soup and Sound House Concert #11 with Andrew Drury (drums) and Han-earl Park (guitar), plus Bow Duo (Adrian Knight and Chris Cerrone).
Admission: $10.
[Details…]
June 22, 2012 Dustin Carlson’s home
285 Midwood Street
Brooklyn, NY 11225
8:00pm (doors: 7:00pm) Han-earl Park (guitar) and Josh Sinton (saxophone and clarinet), plus Anna Webber and Mariel Berger, and Natura Morta (F.L., Sean Ali and Carlo Costa).
[Details…]
July 24, 2012 The Backroom @ Freddy’s Bar
627 5th Avenue
Brooklyn, NY 11215
8:30pm Performance by Nick Didkovsky (guitar), Han-earl Park (guitar) and Catherine Sikora (saxophones) presented by On The Way Out.
More info to follow…
September 7, 2012 The Stone
16 Avenue C
New York, NY 10009
8:00pm Performance by Tim Perkis (electronics), Han-earl Park (guitar) and Harris Eisenstadt (percussion).
Admission: $10.
late 2012 North America Numbers (Richard Barrett: electronics; and Han-earl Park: guitar) is seeking performance opportunities in North America, late 2012.
Interested promoters, venues and sponsors, please get in touch!
early 2013 Europe Seeking performances in Europe, early 2013 for the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician io 0.0.1 beta++ (itself) with human musicians Han-earl Park (guitar), Bruce Coates (saxophones) and Franziska Schroeder (saxophones). Interested promoters, venues and sponsors, please get in touch! [Detailed proposal…]

Continue reading “performance diary 05-14-12 (Brooklyn, New York)”

reminder: Numbers (Richard Barrett and Han-earl Park), Scarborough

Han-earl Park and Richard Barrett (original photos by Stephanie Hough and Luis Neuenhofer)
original photos by Stephanie Hough and Luis Neuenhofer

This Thursday (May 3, 2012), at 7:30pm: a performance by Numbers (Richard Barrett: electronics; and Han-earl Park: guitar) takes place at Performance Space 2 (University of Hull: Scarborough Campus, Filey Road, Scarborough, England). Admission is £4 (£3).

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)

‘Numbers’ (CS 201 cd) is available from Creative Sources Recordings [details…]

Performers: Richard Barrett (electronics) and Han-earl Park (guitar).

© + ℗ 2012 Creative Sources Recordings.

performances: London*2 and Scarborough

Mark Hanslip, Dominic Lash, Phillip Marks and Han-earl Park
Performances coming up, May 2012, in London and Scarborough including a performance by a relatively new project (Numbers with Richard Barrett), by the closest thing to ‘my band’ (Mathilde 253 with Charles Hayward and Ian Smith), and a new improvisative meet (with Mark Hanslip, Dominic Lash and Phillip Marks). See the performance diary for up-to-date info.

Hope to see you at these events!

And for those back in New York, later in May I’ll be performing as part of an exciting trio with Nick Didkovsky and Catherine Sikora at ABC No Rio [details…].

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)

‘Numbers’ (CS 201 cd) is available from Creative Sources Recordings [details…]

Performers: Richard Barrett (electronics) and Han-earl Park (guitar).

© + ℗ 2012 Creative Sources Recordings.

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) is available from SLAM Productions [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone).

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

updates

04–30–12: add facebook event pages.

performance: Numbers (Richard Barrett and Han-earl Park), Scarborough

Han-earl Park and Richard Barrett (original photos by Stephanie Hough and Luis Neuenhofer)
original photos by Stephanie Hough and Luis Neuenhofer

Thursday, May 3, 2012, at 7:30pm: a performance by Numbers (Richard Barrett: electronics; and Han-earl Park: guitar) takes place at Performance Space 2 (University of Hull: Scarborough Campus, Filey Road, Scarborough, England). Admission is £4 (£3).

See the performance diary for up-to-date info. [facebook event…]

about Numbers

Numbers is a high-energy, quick-footed, scatter-brained two hander—a looping, convoluted, interactive dance made audible—a musical fender bender involving electroacoustic complexities and (physio)logical splutter-cuts, jump-cuts and match-cuts—an intense white-knuckle extemporization unit—the duo of composer, performer and electronic musician Richard Barrett and guitarist, improviser and constructor Han-earl Park.

Celebrated for his dense, complex, intricate music, Richard Barrett is perhaps best known for his work with Paul Obermayer as part of FURT, as part of the Evan Parker Electro-Acoustic Ensemble, and his close collaborations with the Elision Ensemble. At home in both composition and improvisation, Barrett’s music increasingly problematizes the distinction between them. Described by Brian Morton as “a musical philosopher… a delightful shape-shifter”, Han-earl Park is drawn to real-time cyborg configurations in which artifacts and bodies collide. He has performed with some of the finest practitioners of improvised music, and is part of Mathilde 253 with Charles Hayward and Ian Smith. First performing together as duo in at AUXXX, Berlin, October 2010, Barrett and Park engage in a continuing improvisative conversation; alternately claiming autonomy and independence, and group action and solidarity.

Their first CD, ‘Numbers’ (CS 201 cd), recorded at the Institute of Sonology (The Hague), was released by Creative Sources Recordings in February 2012. [Details…]

Richard Barrett is internationally active as both composer and improvising performer, and has collaborated with many leading performers in both areas, while developing works and ideas which increasingly leave behind the distinctions between them. His long-term collaborations include the electronic duo FURT which he formed with Paul Obermayer in 1986 (and its more recent octet version fORCH), composing for and performing with the Elision contemporary music group since 1990, and regular appearances with the Evan Parker Electro-Acoustic Ensemble since 2003. Recent projects include “CONSTRUCTION”, a two-hour work for twenty performers and three-dimensional sound system, premiered by Elision in November 2011. He is based in Berlin and currently teaches at the Institute of Sonology in The Hague. His work as composer and performer is documented on over 20 CDs, including five discs devoted to his compositions and seven by FURT.

Improviser, guitarist and constructor Han-earl Park works within/from/around traditions of fuzzily idiomatic, on occasion experimental, mostly open improvised musics, sometimes engineering theater, sometimes inventing ritual. He feels the gravitational pull of collaborative, multi-authored contexts, and has performed in clubs, theaters, art galleries and concert halls in Austria, Denmark, Germany, England, Ireland, The Netherlands, Scotland and the USA.

He is part of Mathilde 253 with Charles Hayward and Ian Smith, and is involved in ongoing collaborations with Bruce Coates, Franziska Schroeder, Alex Fiennes and Murray Campbell. He has recently performed with Ishmael Wadada Leo Smith, Lol Coxhill, Pat Thomas, Paul Dunmall, Mark Sanders, Matana Roberts, Richard Barrett, Pauline Oliveros, Thomas Buckner and Kato Hideki. Festival appearances include Sonorities (Belfast), Sonic Acts (Amsterdam), dialogues festival (Edinburgh), and CEAIT Festival (California). His recordings have been released by labels including Slam Productions and DUNS Limited Edition.

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)

‘Numbers’ (CS 201 cd) is available from Creative Sources Recordings [details…]

Performers: Richard Barrett (electronics) and Han-earl Park (guitar).

© + ℗ 2012 Creative Sources Recordings.

updates

04–30–12: add facebook event page.