audio recordings: Catherine Sikora, Ian Smith and Han-earl Park (Cork, 04–04–11)

artwork for Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)
The complete recording of the April 4, 2011 performance by Catherine Sikora (saxophone), Ian Smith (trumpet) and Han-earl Park (guitar) is now available for download. (Special mention to drummer, composer and electronic artist Jeffrey Weeter who couldn’t make the gig, but who, perhaps, is there in the recordings in spirit.) [Bandcamp page…] [Download now…]

Recommended price: €8+

Unlike previous download releases from busterandfriends.com, this one is hosted at Bandcamp, and available as a ‘name your price’ album. Although you can download the recording for free (name €0 as your price) with certain restrictions, please consider paying at least the recommended price. Your generosity will help support the performers and their work. (Many thanks to Alex Fiennes, Corey Mwamba and Anton Hunter for Bandcamp specific advice and support.)

description

A wonderful gem of a recording.

— Philip Coombs (Free Jazz)

There is a new surprise around nearly every corner throughout this often fascinating performance.

— Tom Burris (Free Jazz)

This album rocks.

— Dave Sumner (Bird is the Worm)

[All reviews…]

A one-of-a-kind improvised musical meeting between artists from Ireland based overseas, and a then Ireland-based artist from abroad which took place on April 4, 2011 at The Roundy, Cork, Ireland.

This was a rare performance in Ireland by Catherine Sikora (New York-based, originally from West Cork), a saxophonist with a striking, compelling sound. She has been described as “a free-blowing player’s player with a spectacular harmonic imagination and an evolved understanding of the tonal palette of the saxophone” (Chris Elliot, Seacoast Online). Sikora was joined by cofounder of the London Improvisers’ Orchestra, trumpeter Ian Smith (London-based, from Dublin), and guitarist Han-earl Park (then Cork-based, currently Brooklyn-based, from California). Smith and Park had just come off the tour as part of the power-trio Mathilde 253 (with Charles Hayward) with the legendary composer-improviser Ishmael Wadada Leo Smith.

personnel

Catherine Sikora (saxophone), Ian Smith (trumpet) and Han-earl Park (guitar).

track listing

Topologically Correct Harry (16:10), 바르트 (8:03), Red Line Speed (24:20), Massimo’s Imagined Juxtapositions (11:40). Total duration: 60:13.

recording details

All music by Catherine Sikora, Ian Smith and Han-earl Park

Recorded live April 4, 2011 at The Roundy, Cork.
Recorded and mixed by Han-earl Park.
Artwork by Han-earl Park.

The recordings (Topologically Correct Harry, 바르트, Red Line Speed, and Massimo’s Imagined Juxtapositions) and artwork released under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License. Please attribute the recordings to Catherine Sikora, Ian Smith and Han-earl Park, and attribute the artwork to Han-earl Park.

about the performers

Since making her way to New York City from West Cork, Ireland to study abstract improvisation, Catherine Sikora has become a well-known face and sound in New York creative music circles. She has worked with Elliott Sharp, Eric Mingus, Michael Evans, Matt Lavelle, Jeremy Bacon, François Grillot and Burnt Sugar The Arkestra Chamber, among many others. Her undeniably unique approach sets her apart from everyone else, even when surrounded by the most original and creative voices in New York City. Sikora is a contributing writer to the book “Silent Solos-Improvisers Speak” (Buddy’s Knife Publishing, Köln, DE) and is currently working on producing a solo recording.

Ian Smith has performed with Evan Parker, John Stevens, Maggie Nicols, Lol Coxhill, Steve Beresford, Eddie Prévost, Greg Tate’s Burnt Sugar Arkestra, Reeves Gabrels, John Sinclair, Harris Eisenstadt and many others. In 2000 he recorded his second CD as a leader, Daybreak, with Derek Bailey, Veryan Weston, Gail Brand and Oren Marshall. His own trio, Trian, has played the London Experimental Music Festival and the Soho Jazz Festival. He also participated in a reformation of Cornelius Cardew’s Scratch Orchestra in 1994. He has collaborated with composer Roger Doyle, winner of the Bourges International Elecro-Acoustic Music Competition, and he has been featured on two instrumental tracks by the hip hop band Marxman. He toured the UK with Butch Morris’ London Skyscraper conduction project. He cofounded the London Improvisers’ Orchestra and The Gathering.

Improviser, guitarist and constructor Han-earl Park works within/from/around traditions of fuzzily idiomatic, on occasion experimental, mostly open improvised musics, sometimes engineering theater, sometimes inventing ritual. He feels the gravitational pull of collaborative, multi-authored contexts, and has performed in clubs, theaters, art galleries and concert halls in Austria, Denmark, Germany, England, Ireland, The Netherlands, Scotland and the USA. He is part of Mathilde 253 with Charles Hayward and Ian Smith, and is involved in ongoing collaborations with Bruce Coates, Franziska Schroeder, Alex Fiennes and Murray Campbell. He has recently performed with Ishmael Wadada Leo Smith, Lol Coxhill, Pat Thomas, Paul Dunmall, Mark Sanders, Matana Roberts, Richard Barrett, Pauline Oliveros, Thomas Buckner and Kato Hideki. Festival appearances include Sonorities (Belfast), Sonic Acts (Amsterdam), dialogues festival (Edinburgh), and CEAIT Festival (California). His recordings have been released by labels including Slam Productions and DUNS Limited Edition.

Also by Han-earl Park and Catherine Sikora

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

Anomic Aphasia (SLAMCD 559) [details…]

Performers: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar), and Josh Sinton (baritone saxophone and bass clarinet).

© 2015 Han-earl Park.
℗ 2015 SLAM Productions.

Also by Han-earl Park and Ian Smith

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone).

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

Also available for download [more…]

‘A Little Brittle Music’ with Han-earl Park, Dominc Lash and Corey Mwamba (artwork copyright 2015, Han-earl Park)

A Little Brittle Music [details…]

Performers: Han-earl Park (guitar), Dominic Lash (double bass) and Corey Mwamba (vibraphone and flute).

© 2015 Han-earl Park. ℗ 2015 Park/Lash/Mwamba.

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)

Dunmall-Park-Sanders (Birmingham, 02-15-11) [details…]

Performers: Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums).

(cc) 2013 Paul Dunmall/Han-earl Park/Mark Sanders.

Murray Campbell, Randy McKean with Han-earl Park, plus Gino Robair and Scott R. Looney: Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011)

Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011) [details…]

Performers: Murray Campbell (violins, oboe and cor anglais), Randy McKean (saxophone, clarinets and flutes) with Han-earl Park (guitar), plus Gino Robair (energized surfaces, voltage made audible) and Scott R. Looney (hyperpiano).

(cc) 2012 Murray Campbell/Randy McKean/Han-earl Park/Gino Robair/Scott R. Looney.

Han-earl Park plus Marian Murray: Park+Murray (Cork, 07-29-10)

Park+Murray (Cork, 07-29-10) [details…]

Performers: Han-earl Park (guitar) plus Marian Murray (violin).

(cc) 2012 Han-earl Park/Marian Murray.

Jin Sangtae, Han-earl Park and Jeffrey Weeter: Jin-Park-Weeter (Cork, 01–24–11)

Jin-Park-Weeter (Cork, 01-24-11) [details…]

Performers: Jin Sangtae (electronics), Han-earl Park (guitar) and Jeffrey Weeter (drums and electronics).

(cc) 2012 Jin Sangtae/Han-earl Park/Jeffrey Weeter.

Han-earl Park and Franziska Schroeder: Park-Schroeder (Cork, 03-26-09)

Park-Schroeder (Cork, 03-26-09) [details…]

Performers: Han-earl Park (guitar) and Franziska Schroeder (saxophone).

(cc) 2012 Han-earl Park/Franziska Schroeder.

updates

10-24-12: add recommended price and SLAMCD 528 info.
05-20-13: updated the ‘also available for download’ list, and add reviews.
10-07-15: add ‘Anomic Aphasia’ to discography.
11-01-15: add A Little Brittle Music to downloads list, and change currency from USD to EUR.

in preparation: Catherine Sikora, Ian Smith and Han-earl Park (Cork, 04–04–11)

artwork for Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)
Next download release from busterandfriends.com will be the recording of the April 4, 2011 performance by Catherine Sikora (saxophone), Ian Smith (trumpet) and Han-earl Park (guitar).

Unlike previous download releases, this one will be hosted at Bandcamp, and available as a ‘name your price’ album. You will still be able to download the release for free (name $0 as your price), but any payment will help support the performers and their work.

More info to follow…

Still available…

audio recordings: Paul Dunmall, Han-earl Park and Mark Sanders (Birmingham, 02–15–11)
audio recordings: Han-earl Park and Richard Scott (Berlin, 10–23–10)
audio recordings: Han-earl Park plus Marian Murray (Cork, 07–29–10)
audio recordings: Han-earl Park and Franziska Schroeder (Cork, 03–26–09)

…and more CD reviews: io 0.0.1 beta++

io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)
io 0.0.1 beta++ (SLAMCD 531) © 2011 Han-earl Park

Two more reviews of ‘io 0.0.1 beta++’ (SLAMCD 531) with two contrasting takes on the meeting between human and machine musicians. Ken Waxman, on the one hand, juxtaposes the “unobtrusive and egoless” machine with the human improvisers who display, for example, “thoughtful pauses”:

Han-earl Park personifying Dr. Frankenstein, has created a non-human artificial musician from ad-hoc components including speakers, kitchenware and missile switches. This CD is a literal record of how the non-human, prosaically named io 0. 0. 1 beta++, sounds in concert with flesh-and-blood counterparts….

io 0. 0. 1 beta++ is unobtrusive and egoless enough… to warble its staccato particle contributions without trying to engulf or show up the humans. Its contributions are unique enough on their own.

For instance on the initial ‘Pioneer: Variance’ and ‘Pioneer: Dance’ contrasting alto and soprano saxophone trills and squeaks are put into bolder relief as the otherworldly flutters, oscillated tones and flanged rotations of the machine are kept in a straight line by Park’s legato picking. The thoughtful pauses audible in the guitar playing confirms Park’s human-ness, especially when compared to the grainy whistles and juddering vibrations that arise from io 0. 0. 1 beta++….

Nonetheless the machine further demonstrates its versatility on the 59-second ‘4G’, with metallic muted trombone-like snores and even raises the question as to whether io 0. 0. 1 beta++ or extended saxophone techniques are creating the air pops and abrasive tongue flutters on subsequent tracks. In the main crackling reductionist resonations are attributed to its properties, while any legato or lyrical intermezzos are, more likely than not, propelled from the instruments and imaginations of full-fledged Homo sapiens.

Succinctly as the three demonstrate on ‘Return Trajectory’, during which io 0. 0. 1 beta++ appears to have taken five, an additional voice—human or otherwise—is necessary to create a pleasing sound picture. The guitarist’s connective down strokes plus the swelling layers of contrapuntal reed timbres are distinctive and solipsistic enough on their own. [Read the rest…]

— Ken Waxman (JazzWord)

Romualdo Del Noce at Jazz Convention, on the other hand, hears a “charmingly imperfect interplay” between human and machine musicians becomes a drama of the ‘human,’ the ‘other,’ and of cyborgs. An interplay in which Han-earl Park improvises a “rugged plateau” and “hyperacid notes”, and Franziska Schroeder enriches “the other half of the sax… with a naked and experimental voice, together in harmony and dissonance with parallel and converging streams of the thoroughbred free-player Bruce Coates”.

Le corde tese di Park imbastiscono un plateau scabro ma di lungo e persistente respiro, vivente nelle articolazioni e nella tessitura della sua fisica elettroacustica; mentre sul versante “meccanico” dell’instrumentarium i modi performanti di Franziska Schroeder arricchiscono l’altra metà del sax (a fianco delle Matana Roberts, Alexandra Grimal, Ingrid Laubrock etc.) di una voce sperimentante e nuda, in sintonia e insieme dissonanza con i flussi paralleli e convergenti del free-player purosangue Bruce Coates, e il tutto si dipana entro uno svolgimento a canovaccio libero e istantaneo, lungo il suo deviante svolgimento interrogandosi (senza eccessivo paradosso) se l’autentica “alienità” sia rispettivamente appannaggio della cosa o, piuttosto e viceversa, dell’ “umano”….

Insomma, l’avanguardia è tornata: non che fosse mai stata davvero latitante, ma gli interrogativi sonori, lacerati e critici, del trio pongono come oggetto radicale la disumanizzazione progressiva e le implicazioni del sempre più preponderante avvento della macchina, forse retrodatando le intenzioni alle prime decadi del secolo scorso e alle relative allarmistiche dottrine, ma riprendendole lungo le forme acutamente nervose e l’attenzione creativa dei medianici e cyborghiani performers e del loro interplay attrattivamente imperfetto. [Read the rest…] [English translation…]

— Romualdo Del Noce (Jazz Convention)

‘io 0.0.1 beta++’ (SLAMCD 531) with Han-earl Park, Bruce Coates and Franziska Schroeder is available from SLAM Productions. [More info…] [All reviews…] [Get the CD…]

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

Download of the Day at All About Jazz: Paul Dunmall, Han-earl Park and Mark Sanders

Paul Dunmall, Han-earl Park and Mark Sanders (original photos: HeP by Stephanie Hough; and MS by Andrew Putler)
Paul Dunmall, Han-earl Park and Mark Sanders (original photos: HeP by Stephanie Hough; and MS by Andrew Putler)

Free jazz, in no uncertain terms. I don’t know what it is about Han-Earl’s groups’ sounds. Ten seconds in, I think to myself, “Man, this isn’t my thing.” But by the time the tune is over, I realize that I’m totally into it and enjoying it. If a musician can convert my ears within the span of one tune, in my eyes, that’s a sign of talent.

All About Jazz

All About Jazz features ‘shoapnxoe gutair dmurs a.ii’ by Paul Dunmall, Han-earl Park and Mark Sanders as today’s Download of the Day! I’m again happy and honored to have a recording on AAJ’s download selection (previously featured: ‘Carrier’ with Richard Scott and ‘Chorale’ with Franziska Schroeder). Thanks to AAJ downloads editor Dave Sumner for selecting the recording, to Chris Trent for the recording and mastering work, and to Mike Hurley of Fizzle for hosting the performance at which the recording was made.

[Track at AAJ…] [High-quality download of the full performance…]

Happy New Year from io 0.0.1 beta++… kind of…

If io 0.0.1 beta++ could want, or express a desire, I imagine that it would want to wish all of you a happy arbitrary demarcation of time:

4G alt. (audio salutations from Han-earl Park and io 0.0.1 beta++) [mp3 audio]

io, however, cannot want, or express, anything…
io, however, cannot want, or express, anything…but Happy New Year from me!

about the audio recording:

Alternate take of track ‘4G’ from ‘io 0.0.1 beta++’ (SLAMCD 531). See below for actual excerpts from the CD.

io 0.0.1 beta++ (itself) and Han-earl Park (guitar).

Recorded on recorded August 19 2010 at C-ALTO Labs, Cork. Recorded and mixed by Han-earl Park. (Note that the track above is taken from an earlier, rough mix than the final CD tracks.)

//www.io001b.com/

Above recording (4G alt. (alternate take: “io 0.0.1 beta++” (SLAMCD 531))) released under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License. Please attribute the recordings to Han-earl Park.

audio excerpts from SLAMCD 531:

Baroque and Renaissance (audio clip: io 0.0.1 beta++)
impressive synergy (audio clip: io 0.0.1 beta++)
standing alone (audio clip: io 0.0.1 beta++)

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

‘io 0.0.1 beta++’ (SLAMCD 531) is available from SLAM Productions. [Details…]

personnel: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone).

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

CD: io 0.0.1 beta++: audio clip #3

Bruce Coates, Franziska Schroeder and io 0.0.1 beta++, Ó Riada Hall, Cork, 05-25-2010  (photo copyright 2010, Han-earl Park)
Bruce Coates, Franziska Schroeder and io 0.0.1 beta++ (Ó Riada Hall, Cork, May 25, 2010)

As previously noted, I’ve been posting short audio clips from ‘io 0.0.1 beta++’ (SLAMCD 531) at the io 0.0.1 beta++ ’site. The third and final clip in the series, taken from the track ‘Discovery: Decay’, features an improvised counterpoint between the interactive musical automaton io 0.0.1 beta++, and the human musicians, Franziska Schroeder and Han-earl Park. [More…]

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

‘io 0.0.1 beta++’ (SLAMCD 531) is available from SLAM Productions. [Details…]

personnel: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone).

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

more CD reviews: io 0.0.1 beta++

io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)
io 0.0.1 beta++ (SLAMCD 531) © 2011 Han-earl Park

More reviews of ‘io 0.0.1 beta++’ (SLAMCD 531) including Vittorio’s big thumbs-up at MusicZoom where he hails the recordings as a “total hymn to modernity”, in which the human musicians “throw themselves with passion on the ideas from the inanimate object”, and the listener will be “fully repaid by that which is a successful experiment”:

Il titolo da romanzo o di sigla di messaggio segreto è il nome della macchina sparamusica/rumori che fa bella mostra di sè sul palco e che senza alcun intervento dei musicisti intorno tira giù il suo catalogo di suoni con cui gli altri si trovano a confrontarsi. Un´idea che sarebbe piaciuta ai futuristi di omai un secolo fa, un inno totale alla modernità. Altro che strumenti acustici!

I tre musicisti coinvolti insieme alla macchina sono Han-earl Park alla chitarra, Bruce Coates al sax alto e sopranino e Franziska Schroeder al sax soprano. Non hanno nessuna paura per il confronto e così si avventano con passione sulla proposta dell´oggetto inanimato.

La session completamente improvvisata richiede molta attenzione da parte dell´ascoltatore, ripagata completamente da quello che è un esperimento riuscito. [Read the rest…] [English translation…]

Vittorio (MusicZoom)

Meanwhile, what to me is ‘playful’ may be ‘uncompromising’ to someone else:

Fra segmenti più atmosferico-minimali, e altri invece più frammentati e nervosi, si procede così, talora arrestandosi a una sorta di limbo emozionale, di quieta truculenza, peraltro sempre ammirevole per coerenza e rigore. [Read the rest…]

Alberto Bazzurro (All About Jazz Italia)

On the other hand, Ed Pinsent of The Sound Projector highlights the (fun, playful) material and interactive dimensions in the meeting between human and machine musicians:

The guitarist Park, sometime member of Mathilde 253 whose fine CD impressed us in March this year, is joined by two improvising saxophonists, Bruce Coates (from the Birmingham Improvisers’ Orchestra) and Franziska Schroeder (member of the trio FAINT), and the record documents the meeting of this trio with the “machine musician” io 0.0.1 beta++. This device is an automaton, a musical robot if you will, built by Mr Park; it’s not just another computer programme that plays random sounds or builds an “interactive” space for other laptop musicians, but actually occupies physical space and performs on the stage alongside its human counterparts. Shades of Pierre Bastien…. The multi-media artist Sara Roberts from California writes the liner notes and she does a much better job than I possibly could in articulating the cultural resonances of this man-meets-automaton event. [Read the rest…]

— Ed Pinsent (The Sound Projector)

And Rui Eduardo Paes hears a meeting in which the human musicians bring their varied experience, in avant-jazz and in the space between electroacoustics and contemporary music, and in which the automaton “interactively reacting to what they do and even giving them cues”:

Os músicos de carbono envolvidos ora trabalham na área do ‘avant-jazz’, ora na da electroacústica de fronteira com a música contemporânea: Park com Charles Hayward, Wadada Leo Smith e Paul Dunmall, Coates com Tony Oxley, Lol Coxhill e o compositor indeterminista Christian Wolff, e Schroeder ao lado do pianista português Pedro Rebelo e em colaborações com Pauline Oliveros e Evan Parker. Todas essas experiências se reflectem em temas como ‘Ground-Based Telemetry’ e ‘Laplace: Instability’, sempre com o io a reagir interactivamente ao que fazem e até a dar-lhes deixas. [Read the rest…] [English translation…]

Rui Eduardo Paes (jazz.pt)

‘io 0.0.1 beta++’ (SLAMCD 531) with Han-earl Park, Bruce Coates and Franziska Schroeder is available from SLAM Productions. [More info…] [All reviews…] [Get the CD…]

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

download release: artillery

‘artillery’ (VMDL11)  (copyright 2011, Han-earl Park / Vicmod Records)
‘artillery’ (VMDL11) © 2011 Han-earl Park / Vicmod Records

This seems to be the month for download releases! Vicmod Records releases ‘artillery’ (VMDL11) with Han-earl Park and Richard Scott. Recorded on October 23, 2010 at Richard Scott’s studio, Berlin. Recorded, mixed and mastered by Richard Scott.

[Get it from Vicmod Records…]

personnel

Han-earl Park (guitar) and Richard Scott (electronics).

track listing

call (13:04), catch/pitch (10:45), carrier (7:38), artillery (13:17). Total duration: 44:44.

audio recordings: Paul Dunmall, Han-earl Park and Mark Sanders (Birmingham, 02–15–11)

Update: This recording has been rereleased! The new edition adds the option to download the recording in multiple formats including lossless. [Listen, download and more…]

The complete recording of the February 15, 2011 performance by Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums) is now available for download below.

Very proud to present these recordings; I feel privileged to have performed alongside these powerful musicians. Many thanks to Chris Trent for the recording, and Mike Hurley of Fizzle for hosting the performance.

Paul Dunmall, Han-earl Park and Mark Sanders (original photos: HeP by Stephanie Hough; and MS by Andrew Putler)
Paul Dunmall, Han-earl Park and Mark Sanders (original photos: HeP by Stephanie Hough; and MS by Andrew Putler)

details

Also available…

audio recordings: Han-earl Park and Richard Scott (Berlin, 10–23–10)
audio recordings: Han-earl Park plus Marian Murray (Cork, 07–29–10)
audio recordings: Han-earl Park and Franziska Schroeder (Cork, 03–26–09)

updates

10–12–12: withdraw tracks in anticipation of the rerelease.
11–13–12: add link to announcement.
01–12–13: new edition released! [Listen, download and more…]
01–31–13: corrected link.

CD: io 0.0.1 beta++: audio clip #2

Bruce Coates and io 0.0.1 beta++, Ó Riada Hall, Cork, 05-25-2010 (photo copyright 2010, Franziska Schroeder)
Bruce Coates and io 0.0.1 beta++ (Ó Riada Hall, Cork, May 25, 2010). Photo © 2010 Franziska Schroeder.

As previously noted, at the io 0.0.1 beta++ ’site, I’m posting short audio clips from ‘io 0.0.1 beta++’ (SLAMCD 531). The second clip, taken from the track ‘Discovery: Intermodulation’, features machine musician io 0.0.1 beta++ in real-time, interactive play with human saxophonist Bruce Coates. [More…]

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

‘io 0.0.1 beta++’ (SLAMCD 531) is available from SLAM Productions. [Details…]

personnel: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone).

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

CD: io 0.0.1 beta++: audio clips

Han-earl Park and io 0.0.1 beta++, Blackrock Castle Observatory, 05-26-2010 (photo copyright 2010, Franziska Schroeder)
Han-earl Park and io 0.0.1 beta++ (Blackrock Castle Observatory, Cork, May 26, 2010). Photo © 2010 Franziska Schroeder.

At the io 0.0.1 beta++ ’site, I’m posting short audio clips from ‘io 0.0.1 beta++’ (SLAMCD 531). The first clip, taken from the track ‘Laplace: Perturbation’, features the last minute of the solo by machine improviser io 0.0.1 beta++, and fades out as guitarist Han-earl Park joins it in free play. [More…]

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

‘io 0.0.1 beta++’ (SLAMCD 531) is available from SLAM Productions. [Details…]

personnel: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone).

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

CD reviews: io 0.0.1 beta++

io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)
io 0.0.1 beta++ (SLAMCD 531) © 2011 Han-earl Park

First set of reviews of the CD ‘io 0.0.1 beta++’ (SLAMCD 531) including Beppe Colli’s take in which the “flesh-and-blood musicians” (Han-earl Park, Bruce Coates and Franziska Schroeder) demonstrate “excellent rapport” and “a good dose of telepathy”, while the machine musician (io 0.0.1 beta++) “works as a valuable stimulus for its fellow musicians”:

Closing track here, Return Trajectory is a good for instance of the excellent rapport existing among the aforementioned [“flesh-and-blood”] players, whose parallel traveling seems to suggest a good dose of telepathy—check the final moments, the two winds going towards a note in teleological mode. This is the track that, in my opinion, clearly shows more than a trace of these musicians’ formative influences, with Schroeder’s soprano reminding me of Evan Parker (elsewhere on the album she sounds quite more personal), while Coates’ alto is clearly reminiscent of the zig-zag wondering of Anthony Braxton (an influence that is also quite apparent elsewhere on the album, both on alto and sopranino). Han-earl Park’s guitar sits somewhere halfway between Joe Pass and Derek Bailey, being quite aware of the jazz vocabulary and the art of comping, though of course filtered through a modern sensibility, starting with timbre, but not as ‘indifferent’ to the surrounding as Bailey’s sometimes could be.

Were the album as good as its closing track, well… we’d only have a good album, nothing more. But—surprise!—as per its title, we have an ‘unknown quantity’ called io 0.0.1 beta++: a ‘musical automaton’ created by Han-earl Park whose improvising—so rich when it comes to timbres (which are sometimes more than a bit old-fashioned, a fact that goes well with its bizarre physical aspect, so reminiscent of 50s sci-fi movies), so mysterious when it comes to its decision-making—works as a valuable stimulus for its fellow musicians.

If on an aesthetic plane the main parallel that I can trace (one that I hope can be useful to readers) is with mid-80s Company, here the work as it’s offered to the listener appears to highlight the issue of the decisional process which is at the basis of improvisation when seen as a conscious ‘discipline of choices’. And in the CD liner notes penned by Sara Roberts I seemed to detect more than an echo of those debates which flourish about the famous (?) Turing Test. [Read the rest…] [In Italian…]

— Beppe Colli (CloudsandClocks)

François Couture’s review of the “faux-quartet” with the “créature mécanique” io 0.0.1 beta++ which is “physically present on stage… and it interacts and improvises with the human improvisers”:

Ce quatuor (ou faux-quatuor, à la limite) propose des improvisations libres exigeantes faisant appel à de nombreuses techniques étendues, des pièces aux gestes décomposés, aux timbres déstabilisants, mais à la synergie impressionnante.

This quartet (or faux-quartet, if you prefer) performs demanding free improvisation calling on a range of extended techniques. Pieces of dismantled gestures, destabilizing timbres, and impressive synergy. [Read the rest…]

— François Couture (Monsieur Délire)

And Bruce Lee Gallanter who teases a Turing test around io 0.0.1 beta++:

…More rare is that these three human musicians are improvising with a machine called io 0.0.1 beta…. Io was constructed by Han-earl Park and is an integral part of this quartet…. Io… adds its own diverse yet fractured sounds to the blend. On “Pioneer: Dance” Mr. Coates plays slightly twisted alto sax while io adds similar textural sounds. If I didn’t know better, I would think that this was a successful session of European improv by a quartet of gifted yet thoughtful [human] players who take their time to explore similar textures and terrain together. I am not so sure that machines will ever take the place of human improvisers in the future, however this disc shows that someone is working in the right direction. [Read the rest…]

— Bruce Lee Gallanter (Downtown Music Gallery)

‘io 0.0.1 beta++’ (SLAMCD 531) with Han-earl Park, Bruce Coates and Franziska Schroeder is available from SLAM Productions. [More info…] [All reviews…] [Get the CD…]

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.