Harmonious Discord (reviews: Anomic Aphasia)

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

‘Anomic Aphasia’ (SLAMCD 559) © 2015 Han-earl Park

First set of reviews of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton. Avant Music News selects the recording as for a Pick of the Week, and hails the trio*2 on the recording as “a variable supergroup”:

Putting this unlikely lineup together was almost as brilliant as the recording they have produced….

‘Free’ is a barely sufficient to describe this approach, as the trios explore various angular constructs and effects. The vocabulary of sounds here is as broad as it is unconventional. Park and/or Didkovsky might strum or pick a string or two, then spend time rubbing it with their fingertips. Sikora and/or Sinton might blast percussively between more discernable notes. While an occasional interlocking harmony might emerge from all of this innovation, it is quickly shattered by unexpected Möbius twists….

An exercise in texture as much as it is in melody, Park, Sikora, Didkovsky, and Sinton don’t just break molds here – they disintegrate anything that resembles the ordinary with authority and prejudice. [Read the rest…]

— Mike Borella (Avant Music News)

Meanwhile, Rigobert Dittmann (a.k.a. rbd) in Bad Alchemy [BA 84] hears a “glorious bastard of noise and sweet dreams”:

Einmal Musik als discordia concors, Kollisionen in zwieträchtiger Eintracht. Oder als Grenzverletzungen mit merkurialem Scharfsinn. So oder so, man muss sich einhören auf einen Gitarristen [Han-earl Park], der Schlagzeuger und die Bläser Wadada Leo Smith und Paul Dunmall als maßgebend für sein Spiel nennt, ein Spiel, das er mit ‘weirderation’ charakterisiert als etwas, das bei jeder Wiederholung nur sonderbarer und eigenartiger wird. Simpler gesagt: Statt Plinkplonking gibt es pleomorphe Cockophonien mit krätzigem Gepixel und schartigem Gebröckel und Geprickel der Gitarristen im Kontrast mit immer wieder sonorem Sinnieren seitens Sikoras. Aber dann lässt Didkovsky auch die Finger fliegen und die Töne Dudelsack trillern oder entgleisen wie bei seinen heißen Doctor Nerve-Solos. Wobei er freilich seine Partner einlädt, ihm den Buckel rauf zu rutschen oder sich wimmernd in seine Arme zu kuscheln. Sikora spinnt Sopranolyrismen, die Didkovsky fuzzy überrauscht. Und so ad infinitum, ein glorioser Bastard aus Noise und süßer Träumerei.

— Rigobert Dittmann (Bad Alchemy)

“Broad as it is unconventional”? “Music as discordia concors, collisions in dual unity, or as border infringements with mercurial acuity”? or, as The Wire calls it, “curiously charmless”? (Probably better less said about the last 😉 )

[About this recording…] [All reviews…]

Also from SLAM Productions…

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

io 0.0.1 beta++ (SLAMCD 531) [details…]

Performers: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone). [About this project…]

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone). [About this ensemble…]

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

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