Tomorrow (Sunday, September 15, 2019) at 5:30pm (doors at 5:00pm): Han-earl Park (guitar) performs as part of Improvised & Experimental No. 73 at Hošek Contemporary (MS Heimatland, close to Fisherinsel 3, 10179 Berlin). Also on the program are Simona Blahutová (sound installation), Gloria Damijan (toy piano), and Johnny Chang (viola). Suggested donation: €5–10.
See the performance diary for up-to-date info. [Hošek page…] [Facebook event…]
First, my thanks as always to those who came to listen and witness musicking in real-time collisions. It was great to see so many old friends and new faces; to hear from so many of how you made your way into this music. My heartfelt thanks to you for embarking on the journey with us!
I am so very grateful to all our hosts: a big, big, big thanks to Jazz em Agosto for making all this possible. My deepest gratitude to Rui Neves for first inviting this unruly trio to perform at the festival, and to his unerring belief in the necessity of difficult music. Thanks also to the super-professional sound and stage team; to Petra Cvelbar for the awesome photography; to João Brilhante for all the media work; and to the unshakable patience and enthusiasm of Inês Nunes who got this trio from A-to-B and back again (I expect big things in all your future endeavors).
Warmest thanks everyone at The Vortex for their generosity and enthusiasm—what a true community! In particular, thanks to the amazing Kathianne Hingwan for her kindness and generosity, to Kim Macari for the invitation to perform, and to our fantastic sound engineer Ali Ward for the faster-than-light energy. (And of course Nutmeg for greeting the band!)
Thanks to everyone behind the scenes at the Dublin event: to Note Productions (to Matthew Nolan for putting together the program), and to Improvise Music Company (to Aoife Concannon, Adam Nolan, Kenneth Killeen, and, in particular for the Question & Answer, to Caitríona O’Mahony). Thanks also to Zeropunkt (Fergus Cullen, Jamie Davis and Damien Lennon) for graciously sharing the stage with us.
Kudos, Sean Woodlock, mastermind behind Hackney Road Studios for the smoothest, quickest, most professional of setups, and for creating the most musically, technically, logistically and acoustically satisfying studio recording experience I’ve ever had. Truly, if anyone needs a recording, hit Sean up. (And thanks to Colin Webster for recommending the studio.)
Thanks to Laurent Carrier and everyone Colore for handling all the paperwork, and to the tireless Lee Paterson who helped negotiate the details, and guided this musician carefully through the whole paperwork process. You were just above-and-beyond, Lee! (And thanks to Ingrid Laubrock for introducing me to Lee, and to Alex Hawkins and Charles Hayward for BTS consultations.)
Kudos to Paul Acquaro and everyone at Free Jazz, to Mike Borella at Avant Music News, to Dave Foxall at a Jazz Noise, and Tim Owen of _____on Sound for their continued support, and help getting the word out about our music and these performances.
Last, but certainly not least, thanks go to my travel companions, both in musical and geographical space (and in hypothetical lived simulations and dream states). A big thanks to Catherine for the big note, the moments of harmonic serendipity, and the unexpectedly expected interjections; and to Nick for the super-critical noise, the human-controlled virtual reverb chamber, and for the dreamy soundscapes (or is that the sound dreamscapes). Thank you both for observing and noting the synchronicity in our travels (of foxes, of tango, of almost forgotten ancestors, of frozen assets). As we discussed on multiple occasions on the tour, the ensemble is the composition, and it was a pleasure to study this composition more fully with each performance: experiencing the music of changes from energetic play of weight and light (Vortex, London), high-risk explorations of the outer reaches of idiom (Hackney Road, London), games of serendipity and of disjunction (Lisbon), and music of counterpoint and real harmony (Dublin).
Eris 136199 (BAF001) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
© + ℗ 2018 Han-earl Park.
Anomic Aphasia (SLAMCD 559) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).
Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.
© 2015 Han-earl Park. ℗ 2015 SLAM Productions.
Tonight (Monday, August 12, 2019), at 8:00pm: the final date of the micro-tour, Eris 136199 (Han-earl Park: guitar; Catherine Sikora: saxophones; and Nick Didkovsky: guitar), presented by Improvised Music Company in association with Note Productions, performs at The Fumbally Stables (Fumbally Lane, Dublin 8). [Get tickets…]
Eris 136199 (BAF001) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
© + ℗ 2018 Han-earl Park.
Anomic Aphasia (SLAMCD 559) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).
Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.
© 2015 Han-earl Park. ℗ 2015 SLAM Productions.
Tomorrow (Sunday, August 11, 2019), at 6:30pm: Eris 136199 (Han-earl Park: guitar; Catherine Sikora: saxophones; and Nick Didkovsky: guitar) perform as part of Jazz em Agosto. The event takes place at Calouste Gulbenkian Foundation (Av. de Berna, 45A, 1067-001 Lisbon, Portugal).
Han-earl Park é daqueles músicos guiados por uma insatisfação permanente. Cada novo projeto a que se dedica é uma nova oportunidade para testar, com um empenho quase científico, os limites da melodia, do noise e da noção ciber-futurista da música que leva para palco. Em Eris 136199, o mistério começa desde logo na designação, alastrando depois à relação desafiante que a sua guitarra estabelece com o saxofone de Catherine Sikora e com a guitarra de Nick Didkovsky (fundador e líder do grupo Dr. Nerve, nome de referência da cena vanguardista da Downtown nova-iorquina). [Read the rest…]
Come along and hear what this gentlest of riotous ensembles can do is a beautifully acoustic environment. [Get tickets…]
August 12: Dublin, Ireland. [Details…]
Eris 136199 (BAF001) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
© + ℗ 2018 Han-earl Park.
Anomic Aphasia (SLAMCD 559) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).
Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.
© 2015 Han-earl Park. ℗ 2015 SLAM Productions.
Predilections, appetites, egos, histories and traditions? Can choices be apt to the point of prescient, or left-field to the point of inappropriate? What do I hope audiences get from my music? Does Jeff VanderMeer make another appearance in one of my interviews? and do I reveal myself a Marxist? Find out in Other Side Of The Tracks: Artist Q&A with Han-Earl Park, Eris 136199:
How would you describe the type of music that Eris 136199 creates?
Noisy. Discordant. Melodious. Pretty in its own not alway predictable way. And by discordant, I don’t mean in terms of harmonic intervals, but in terms of on-stage, real-time musical interactions; in terms of a kind of heterogeneity of idiom and tradition. For me, Eris’ is a music that doesn’t desire to create, necessarily, a synthesis or a coherence or even an agreement, but one which trusts, and takes pleasure, in interaction itself. It’s a music that’s, in a way, compromised, or a music which is a succession of collisions—of idioms, of traditions, of histories, of desires, of tactics. But the music creates a situation that is, in its own way, beautiful. [Read the rest…]
Many thanks to Caitriona O’Mahony at the Improvised Music Company for the questions.
Monday, August 12, 2019, at 8:00pm: Improvised Music Company in association with Note Productions presents Eris 136199 (Han-earl Park: guitar; Catherine Sikora: saxophones; and Nick Didkovsky: guitar). The event takes place at The Fumbally Stables (Fumbally Lane, Dublin 8). [Get tickets…]
August 8: London, England; and August 11: Lisbon, Portugal. [Details…]
Eris 136199 (BAF001) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
© + ℗ 2018 Han-earl Park.
Anomic Aphasia (SLAMCD 559) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).
Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.
© 2015 Han-earl Park. ℗ 2015 SLAM Productions.
This Thursday (August 8, 2019), at 8:00pm: get an earful of improvised goodness as Eris 136199 (Han-earl Park: guitar; Catherine Sikora: saxophones; and Nick Didkovsky: guitar) launch their second European mini-tour with a performance at the Vortex Jazz Club (11 Gillett Square, London N16 8AZ). It’s the first time we get to present our real-time collisions of awesome melodic logic, glitch’n’riff anthems, and systems music to London, Lisbon and Dublin. As Nick wrote before our previous tour:
I have never been able to detect any implicit rules, favorite things to do, implied directions, or aesthetic goals in this band. People start playing, they stop, start again, stop again… insofar as music is a temporal art, that’s pretty elemental behavior, and is about the only binding agreement in Eris 136199 that I have detected. Which I recognize is barely a statement, as the passage of time is inviolable in all contexts, be they free or restrictive. Physics doesn’t care. But Eris cares a lot. Time is a precious thing to Han and Catherine, and the action of scattering sound onto it is a sacred and mysterious ritual. [Read the rest…]
Am I excited? That’d be an understatement. Come and catch Eris in play, and, to quote a Jazz Noise, let the “insane brain surgeon in through your ear.” [Get tickets…] [Special offer…]
August 11: Lisbon, Portugal; and August 12: Dublin, Ireland. [Details…]
Eris 136199 (BAF001) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
© + ℗ 2018 Han-earl Park.
Anomic Aphasia (SLAMCD 559) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).
Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.
© 2015 Han-earl Park. ℗ 2015 SLAM Productions.
See the performance diary for up-to-date info. [Event details…] [Jazz em Agosto page (info/tickets)…]
Eris 136199 (BAF001) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
© + ℗ 2018 Han-earl Park.
Anomic Aphasia (SLAMCD 559) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).
Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.
© 2015 Han-earl Park. ℗ 2015 SLAM Productions.
In a field of experimentation and free music, Eris 136199 stands as singular.
— John Pietaro (The New York City Jazz Record)
Ein glorioser Bastard aus Noise und süßer Träumerei.
— Rigobert Dittmann (Bad Alchemy)
August 2019: Eris 136199 (Han-earl Park: guitar; Catherine Sikora: saxophones; and Nick Didkovsky: guitar) returns! bringing more harmonious discord and noisy melismata to three European capitals—London, Lisbon and Dublin (see the performance diary for up-to-date info).
I am very proud of this group and the beautiful racket we make, and so very, very grateful to be making more noise for you. See you in a few weeks!
Formed in New York in 2012, Eris 136199 is the quick-reacting cyborg virtuosity of Han-earl Park (Sirene 1009), the mighty melodic imagination and big tenor sound of Catherine Sikora (Clockwork Mercury), and the diamond-cut precision and grind-meets-experimentalism of Nick Didkovsky (Doctor Nerve). Eris 136199’s music has been hailed as “a beautiful noise” (KFJC 89.7 FM) and “exquisitely constructed, spontaneously messed-up, endless depth, kind of like letting an insane brain surgeon in through your ear” (a Jazz Noise).
Eris 136199 released their second album in 2018, the eponymous Eris 136199 (BAF001, 2018), funded by a successful Kickstarter campaign. The followup to their debut Anomic Aphasia (SLAMCD 559, 2015), the album captures the trio during the 2017 European tour. In August 2019, the trio will again tour Europe, performing in Jazz em Agosto (Lisbon) as well as in London and Dublin.
Han-earl Park is the instigator and mastermind behind Eris 136199, as well as groups including Sirene 1009 (with Dominic Lash, Mark Sanders and Caroline Pugh), and co-conspirator in projects with Richard Barrett and others. Park is the constructor of the machine improviser io 0.0.1 beta++, and of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder. His ensembles have performed at festivals including Freedom of the City (London), Brilliant Corners (Belfast), ISIM (New York), CEAIT (Los Angeles) and Sonic Acts (Amsterdam).
Saxophonist, improviser and composer Catherine Sikora works in a broad range of settings, from highly complex composed music, to folk songs, to free improvisation. She works regularly with Eric Mingus, Enrique Haneine, Brian Chase, Han-earl Park, Stanley Zappa, Christopher Culpo and Ross Hammond, as well as actively pursuing solo performance. In recent years Sikora has toured in Canada, the United States, Europe and Australia. She was a featured soloist in Eric Mingus’ radical reimagining of Tommy by the Who (Adelaide Festival 2015), and was artist in residence at the Centre Culturel Irlandais in Paris in 2014, working on a project inspired by stories from her female ancestors.
Guitarist, composer, and computer music programmer Nick Didkovsky has composed music for Kathleen Supove, Ethel, Bang on a Can All-Stars, Meridian Arts Ensemble, New Century Players, ARTE Quartett, as part of the Fred Frith Guitar Quartet, and his own bands Doctor Nerve, Vomit Fist, Häßliche Luftmasken, and others. His compositions and guitar performances appear on more than 50 records. His 2015 residency at The Stone in NYC resulted in numerous premiere performances of new works. His avant- metal big band Doctor Nerve has, over its 30 year history, released nine albums, and performed at numerous festivals including FI- MAV, Moers Festival, Musique Action, Creative Time, MIMI Festival, and ‘Whitney Live’ at the Whitney Museum of American Art.
Eris 136199 (BAF001) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
© + ℗ 2018 Han-earl Park.
Anomic Aphasia (SLAMCD 559) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).
Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.
© 2015 Han-earl Park. ℗ 2015 SLAM Productions.
This Sunday (July 21, 2019) at 8:00pm: CIMC presents Han-earl Park (guitar) at plugd, Upstairs @ The Roundy (Castle Street, Cork, Ireland). Also performing is Chris Engel. Admission: €5 at the door.
See the performance diary for up-to-date info. [Facebook event…]
I’ve collated material on io 0.0.1 beta++ (including audio and visual material, source code, and written pieces), and created a selective index of documentation on the construction of, and performance of and with, this machine musician:
io 0.0.1 beta++ is an interactive, semiautonomous technological artifact that, in partnership with its human associates, performs a deliberately amplified staging of a socio-technical network—a network in which the primary protocol is improvisation. Together the cyborg ensemble explores the performance of identities, hybrids and relationships, and highlights the social agency of artifacts, and the social dimension of improvisation. Engineered by Han-earl Park, io 0.0.1 beta++ is a descendant, and significant re-construction, of his previous machine musicians, and it builds upon the work done with, and address some of the musical and practical problems of, these previous artifacts.
Standing as tall as a person, io 0.0.1 beta++ whimsically evokes a 1950s B-movie robot, constructed from ad-hoc components including plumbing, kitchenware and missile switches. It celebrates the material and corporeal; embracing the localized and embodied aspects of sociality, performance and improvisation.
The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.
io 0.0.1 beta++ (SLAMCD 531) [details…]
Performers: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone). [About this project…]
© 2011 Han-earl Park.
℗ 2011 SLAM Productions.
| date | venue | time | details |
|---|---|---|---|
| July 21, 2019 | plugd Upstairs @ The Roundy Castle Street Cork, Ireland |
8:00pm | Han-earl Park (guitar) presented by CIMC. Also performing: Chris Engel. Admission: €5 at the door. [Details…] |
| August 8, 2019 | Vortex Jazz Club 11 Gillett Square London N16 8AZ England |
8:00pm | Eris 136199 (Han-earl Park: guitar; Catherine Sikora: saxophones; and Nick Didkovsky: guitar). Tickets: £10. [Details…] [Vortex page…] [Get tickets…] [Special offer…] |
| August 11, 2019 | Calouste Gulbenkian Foundation Av. de Berna, 45 A Lisbon, Portugal |
6:30pm | Eris 136199 (Han-earl Park: guitar; Catherine Sikora: saxophones; and Nick Didkovsky: guitar) as part of Jazz em Agosto. [Details…] [Jazz em Agosto page (info/tickets)…] |
| August 12, 2019 | The Fumbally Stables Fumbally Lane Dublin 8, Ireland |
8:00pm | Eris 136199 (Han-earl Park: guitar; Catherine Sikora: saxophones; and Nick Didkovsky: guitar) presented by Improvised Music Company in association with Note Productions. Also performing: Zeropunkt (Fergus Cullen, Jamie Davis and Damien Lennon). Tickets: €12 online/€15 at the door. [Details…] [IMC page…] [Get tickets…] |
| September 15, 2019 | Hošek Contemporary MS Heimatland Fischerinsel 3 10179 Berlin Germany |
5:30pm (doors: 5:00pm) | Han-earl Park (guitar) as part of Improvised & Experimental No. 73. Also on the program: Simona Blahutová (sound installation), Gloria Damijan (toy piano), and Johnny Chang (viola). Donations €5–10. [Hošek page…] |
Continue reading “performance diary (Berlin, Cork, Dublin, Lisbon, London) 07-06-19”
