…The trio interplay starts back up into territory that’s not quite free-jazz, not quite stereotypical British free improv, but somewhere in-between, with a slight rock-ist tinge. The stop/start modus continues, little cells erupting, sprawling and then halting, leaving guitar exposed again. [Han-earl] Park is the one to pay close attention to here, the development of his ideas is fascinating and very logical, and the other two players are embellishing and commenting on his story….
A section in which [Ian] Smith engages in high frequency squeaks makes my ears prick up, and what follows; ratcheting metallics, ringing scraped cymbals and odd muttering, is quite arresting…. On the last two pieces Lol Coxhill’s familiar sweet and sour tone joins in, initially in a duet with Park’s note-salad, as a carefully considered dialogue begins…. Coxhill seems to be having a lot of fun here, rubbing against the other’s ideas, or at times suggesting completely different areas for exploration. [Read the rest…]