Gonggong 225088 entführt die Zuhörerschaft in eine Traumwelt voller Gegensätze: krachend-subtil, irritierend-melodisch, wundervoll dissonant.
Das international besetzte Trio… changiert mühelos zwischen Kulturen, mechanischen Effekten und tonalen Wechselwirkungen in einem beständig vorantreibenden Prozess. [Read the rest…]
The festival takes place at Schwere Reiter (Dachauer Straße 114a80636 München / Kreativquartier), and the event starts at 6:00pm (our set expected to be around 7:30pm). Also performing that evening are Espresso & Mud invites Ute Wassermann, and Le 7ème Continent.
Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.
Han-earl Park (guitar). Also performing: Simon Rose (baritone saxophone), Jan Roder (double bass) and Willi Kellers (drums). Simon Rose (saxophone) and Youjin Sung (gayageum).[Details…]
[Kühlspot listing…] [Facebook event…]
October 18, 2024
Schwere Reiter
Dachauer Straße 114a
80636 München (Kreativquartier)
Germany
PAS
Kaiserin Augusta Allee 101
10553 Berlin
Germany
8:30pm (doors: 8pm)
Han-earl Park (guitar). Also performing: HOCUS (João Almeida: trumpet, electronics, fx), and Ian Douglas-Moore (electroacoustic guitar) and Eric Wong (electronics, speakers). [Details…]
[PAS page…] [Facebook event…]
It’s been a couple of months since this trio last hit the stage, but each time is different, and every time is special. I am so very much looking forward to playing again with Camila and Yorgos, and excited to be finally taking this trio out of its birth city. See you at Manufaktur!
Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.
I love what’s recorded (and sculpted) here as sound. There are behind-the-scenes stories about an impossible group emerging from the debris of lockdown and the tangles of inter-border bureaucracy (stories for another time). But also, to my ears as a listener, there’s something tricky and oblique about our music—an origami of fire music and improvisative mischief—knotted, folded-on-itself, and, at time, joyously vexed.
Yet, the feeling on-stage, it’s all near effortless ‘and then’s and ‘therefore’s; of effects and reactions, but also reframings and reflections and retroactions. We went, I think, to a lot of unexpected places in that one session.
So sit-back in your favorite sofa or beanbag, or, headphones ready, go for a wander and a walk, or maybe sit at the table with a good book, and enjoy the journey. [Read the rest…]
I’m very, very happy with the music on this album, and feel very privileged to have shared this journey with the creative people on-stage, and behind-the-scenes. Please enjoy the noise!
Catch a track (‘Autopoiesis VI’) from Gonggong 225088! The extended preview will premiere at 5pm CEST* on Thursday, May 23, 2024! [Click ‘notify me’…]
By turns light-as-a-feather, and heavy and prickly as a bucket of rusty nails, the music is of contradiction and ambiguity. Leaps into ’90s HatHut pastiche are followed by truckers-in-space-engine-rumbles; slow-crawls-from-the-swap of irony-free ‘bells’n’smells’ sound art followed by turns-turns-turns-on-a-dime mutant Free Funk. [More…]
Click ‘notify me’, and be ready with your headphones (and popcorn), and join me on Thursday for some origami fire music!
* 17:00 CEST, 15:00 UTC, 11:00 EST, and 8:00 PST. (Or: 12am in Seoul, 6pm in Athens, 12pm in Buenos Aires, and 5pm in Berlin.).
Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.
PAS
Kaiserin Augusta Allee 101
10553 Berlin
Germany
8:30pm (doors: 8pm)
Han-earl Park (guitar) Yorgos Dimitriadis (percussion and electronics) and Camila Nebbia (saxophone) performs as part of DISSIDENTS LIX. Also performing: Luís (piano) and Lorena Izquierdo (voice action), and VÍZ (voice and electronics). [Details…]
[PAS page…] [Facebook event…]
May 15, 2024
Gemeinde Köln
Ebertplatzpassage, Laden 7
50668 Köln
Germany
8:00pm
Han-earl Park (guitar) as part of Bruitkasten. Also performing: Emily Wittbrodt (’cello) and Simon Camatta (drums), and Melchior Mahnig (gravoblitz), Balthasar Belm (hologlotar) and Kasimir Kengel (semi-ionic trafoplex).
[Details…]
[Impakt page…]
Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.
Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.
I love what’s recorded (and sculpted) here as sound. There are behind-the-scenes stories about an impossible group emerging from the debris of lockdown and the tangles of inter-border bureaucracy (stories for another time). But also, to my ears as a listener, there’s something tricky and oblique about our music—an origami of fire music and improvisative mischief—knotted, folded-on-itself, and, at time, joyously vexed.
Yet, the feeling on-stage, it’s all near effortless ‘and then’s and ‘therefore’s; of effects and reactions, but also reframings and reflections and retroactions. We went, I think, to a lot of unexpected places in that one session.
So sit-back in your favorite sofa or beanbag, or, headphones ready, go for a wander and a walk, or maybe sit at the table with a good book, and enjoy the journey.
Fluid, pliable motion…. The synergy between them is electrifying….
— Corey Mwamba (Freeness, BBC Radio 3)
Blue-green iridescence
(Crunch and more scatter)
A vacuum of warning
The latest project from Korean-American guitarist, improviser and composer Han-earl Park, Gonggong 225088 is his trio with Argentinian saxophonist, composer and visual artist Camila Nebbia, and Greek drummer, improviser and sound artist Yorgos Dimitriadis. Based in Berlin, the group emerged, piece-by-piece, from the darkly hazy, collective dream of masks, remote work, and social distancing.
By turns light-as-a-feather, and heavy and prickly as a bucket of rusty nails, the music is of contradiction and ambiguity. Leaps into ’90s HatHut pastiche are followed by truckers-in-space-engine-rumbles; slow-crawls-from-the-swap of irony-free ‘bells’n’smells’ sound art followed by turns-turns-turns-on-a-dime mutant Free Funk. Gonggong 225088 find overlapping-through-time, All-You-Zombies guitar gestures; stompbox-assisted saxophone punk ventriloquisms; and hive-mind metallophone creatures that migrate across the stereo field.
Here be dragons.
It’s music that is simultaneously earnest and full of ironic glee; a spaghetti junction of noise held together by a deep love of connection, and a constantly shifting center of balance found only in ensemble play.
Recorded with skill and sensitivity by Rabih Beaini, mixed by Han-earl Park to place the listener within the ensemble, and mastered for presence’n’punch by Andrew Weathers, this eponymous debut album captures Park, Dimitriadis and Nebbia in live performance at Morphine Raum.
Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.
Catch the first ten minutes (‘Autopoiesis I’) from Gonggong 225088! The extended preview will premiere at 5pm CET* on Friday, March 1, 2024! [Click ‘notify me’…]
By turns light-as-a-feather, and heavy and prickly as a bucket of rusty nails, the music is of contradiction and ambiguity. Leaps into ’90s HatHut pastiche are followed by truckers-in-space-engine-rumbles; slow-crawls-from-the-swap of irony-free ‘bells’n’smells’ sound art followed by turns-turns-turns-on-a-dime mutant Free Funk. [More…]
I am super, super excited to finally be able to share this with you. The session was awesome: Rabih Beaini and his team did phenomenal work with the recording (it was a pleasure to mix), and I’m so happy that Carina Khorkhordina made time to be there and capture the performance on video.
Click ‘notify me’, and be ready with your headphones (and popcorn), and join me on Friday for some origami fire music!
* 17:00 CET, 16:00 GMT, 11:00 EST, and 8:00 PST. Or: 1:00 in Seoul, 18:00 in Athens, 13:00 in Buenos Aires, and 17:00 in Berlin.
