Han-earl Park is also performing in London with Lara Jones and Pat Thomas (March 20), performing a solo set in Leeds (22), and, with rit. and Una Lee, in Dublin (24), Letterkenny (25), Derry (26) and Belfast (27). See the performance diary for details.
Funded by Berlin Senate Department for Culture and Europe.
Cyborgs, bodies, chaos, simulation and improvisation…
Han-earl Park will visit Newcastle to perform solo, and discuss [with Corey Mwamba and Graeme Wilson] his ongoing interest in chaotic systems, computation, and the collision of physiology and physics in his music, from guitar technique to the construction of musical automata.
Also performing will be Johnny Hunter’s ‘Pale Blue Dot’ Sextet (Johnny Hunter: drums; Mark Hanslip: saxophone; Seth Bennett: bass; Gemma Bass: violin; Aby Vulliamy: viola; and Michael Bardon: ’cello).
To celebrate British Science Week 2022 music promoters Jazz North East are proud to present ‘The Sound of Science.’ With additional support from Newcastle University’s Faculty of Science and Gosforth Civic Theatre, audiences are welcomed to experience a series of concerts and discussions drawing connections between science and music.
Programmed events will specifically explore the interplay of chemistry, physics, ecology and biology, and the ways in which these disciplines have been employed by, and communicated through, composers and musicians. We will hear from 28 musicians, artists and scientists across the four day event.
“From climate change to vaccines, the importance of science to the way we live has never been clearer. Its relationship to music however is rarely explored and it is for that reason we have assembled those working in and between these two seemingly disparate fields. Our events shine a spotlight on the role of science within music composition and improvisation, with a view to inspiring audiences new to one or both subjects.
“Presented and discussed through music making practice, this project aims to increase understanding of science and its social implications, and build audience confidence in discussing these issues. Inviting all ages and every level of expertise, the festival will spark new ideas around how science and music can be communicated and combined.” — Wesley Stephenson (Festival Producer)
Acknowledgements and Thanks
Jazz North East gratefully acknowledges and thanks the support of Arts Council England, Golsoncott Foundation, Scops Arts Trust, the Royal Society of Chemistry, Newcastle University Faculty of Science, British Science Association, Soapbox Science, Euan Preston and Palace of Science, Berlin Senate Department for Culture and Europe, Fonds Podium Kunsten Performing Arts Fund NL, Jazz North, Sound and Music, Sunderland Culture, New Jazz and Improvised Music Recordings and Gosforth Civic Theatre.
Also in March 2022
Han-earl Park is also performing in and Leeds, and in London with Lara Jones and Pat Thomas, and, with rit. and Una Lee, in Dublin, Letterkenny, Derry and Belfast. See the performance diary for details.
Funded by Berlin Senate Department for Culture and Europe.
The Sampler has just published ‘Broken Families: Collectivism, Violence, Imagined Utopias and Improvisation,’ my piece about the possibilities of improvisation—sometimes profound, radical and creative, sometimes regressive, hegemonic and abusive—about trust, consent and power, and how the denial of violence may itself be damaging to the project of building better communities and practices:
These are stories about failures. Failures of imagination, of peoples and groups, of how lofty goals can be deceptions. And those deceptions can be limiting, and affect violence. I want to move to a point where we can discuss, critically, both the utopian promises of the practices, processes, tribes and communities surrounding improvisation, and their destructive and violent potentials.
I don’t think it’s a coincidence that the above stories of improvisation-in-crisis are from events with self-professed lofty goals…. I think, in both cases, those of us involved took community, solidarity, resilience, trust and empathy for granted. It’s not just that the groundwork of trust and safety was never established for the group (although that’s part of it), but that we lazily subscribed to the dogma that the nature of improvisation would itself somehow save us. [Read the rest…]
Thanks to Laonikos Psimikakis-Chalkokondylis at The Sampler for asking me to write the piece. In writing this piece I’m indebted to exchanges and conversations with several improvisers. Big thanks, in particular, to Caroline Kraabel, Corey Mwamba, and Lauren Sarah Hayes.
