Performance diary (Belfast, Berlin, Derry, Dublin, Letterkenny, Leeds, London, Newcastle, Wiesbaden) 121621

upcoming performances
date venue time details
January 6, 2022 Sowieso
Weisestraße 24
12049 Berlin
Germany
8:30pm (doors: 8:00pm) QLH (Quentin Tolimieri: organ; Luca Marini: drums; and Han-earl Park: guitar) with Louise Dam Eckardt Jensen (saxophone).
[Details…] [Reserve seat…]
Musikfonds / Neustart Kultur
January 7, 2022 Secret Location*
Berlin
Germany * Contact me for details.
9:00pm (doors: 8:00pm) QLH (Quentin Tolimieri: organ; Luca Marini: drums; and Han-earl Park: guitar) with Louise Dam Eckardt Jensen (saxophone). Also performing: Dirar Kalash. [Details…]
Musikfonds / Neustart Kultur
January 13, 2022 Au Topsi Pohl
Pohlstraße 64
10785 Berlin
Germany
8:00pm QLH (Quentin Tolimieri: organ; Luca Marini: drums; and Han-earl Park: guitar). Also performing: Jasper Stadhouders (guitar) and Christian Marien (drums). [Au Topsi program…]
Musikfonds / Neustart Kultur
January 14, 2022 Petersburg Art Space
Kaiserin Augusta Allee 101
10553 Berlin
Germany
8:00pm QLH (Quentin Tolimieri: organ; Luca Marini: drums; and Han-earl Park: guitar) with Catherine Sikora John Dikeman (saxophone). Also performing: Deep Turtle (Conor Cunningham, Alessandro and Joey Gavin). [PAS program…]
Musikfonds / Neustart Kultur
January 15, 2022 TBA
Wiesbaden
Germany
TBA QLH (Quentin Tolimieri: organ; Luca Marini: drums; and Han-earl Park: guitar).
Details to follow…
March 19, 2022 Gosforth Civic Theatre
Regent Farm Road
Gosforth
Newcastle NE3 3HD
England
7:00pm (doors: 6:30pm) Han-earl Park (guitar). A solo performance, plus a discussion (with Corey Mwamba) as part of The Sound of Science. Also performing and presenting: Johnny Hunter’s Pale Blue Dot with Mark Hanslip, Seth Bennett, Gemma Bass, Aby Vulliamy and Michael Bardon. Presented by Jazz North East.
Details to follow…
Berlin Senate Department for Culture and Europe
March 20, 2022 Cafe OTO
18–22 Ashwin Street
Dalston
London E8 3DL
England
8:00pm Han-earl Park (guitar), Lara Jones (saxophone) and Pat Thomas (keyboards).
£12, £10 advance, £6 members.
[OTO page/tickets…]
Details to follow…
Berlin Senate Department for Culture and Europe
March 22, 2022 Hyde Park Book Club
27–29 Headingley Lane
Leeds LS6 1BL
England
8:00pm Han-earl Park (guitar). Also performing: James Banner and Stephanie Lamprea. Presented by Fusebox.
£5 (free to Leeds Conservatoire students).
Details to follow…
Berlin Senate Department for Culture and Europe
March 24, 2022 Unit 44
44 Prussia Street
Dublin
Ireland
TBA Han-earl Park (guitar) plus Una Lee (voice and electronic) and rit. (voice and electronics).
Presented by Northern Lights Project.
Details to follow…
Berlin Senate Department for Culture and Europe
March 25, 2022 Regional Cultural Centre
Cove Hill, Port Road
Gortlee
Letterkenny
Ireland
TBA Han-earl Park (guitar) plus Una Lee (voice and electronic) and rit. (voice and electronics).
Presented by Northern Lights Project.
Details to follow…
Berlin Senate Department for Culture and Europe
March 26, 2022 Cultúrlann Uí Chanáin
37 Great James Street
Derry BT48 7DF
N. Ireland
TBA Han-earl Park (guitar) plus Una Lee (voice and electronic) and rit. (voice and electronics).
Presented by Northern Lights Project.
Details to follow…
Berlin Senate Department for Culture and Europe
March 27, 2022 The Black Box
8–22 Hill Street
Belfast BT1 2LA
N. Ireland
TBA Han-earl Park (guitar) plus Una Lee (voice and electronic) and rit. (voice and electronics).
Presented by Northern Lights Project.
Details to follow…
Berlin Senate Department for Culture and Europe

Continue reading “Performance diary (Belfast, Berlin, Derry, Dublin, Letterkenny, Leeds, London, Newcastle, Wiesbaden) 121621”

improvisation, animation, sociality, tradition and politics (a Jazz Noise: 7 Questions)

Want to know what and who I’ve been listening to? or what I’ve got planned (hint: see video above)? read my take on the late-capitalist (spotified, airbnbified, uberized) bootleg economy? or how about my non-musical influences:

Politics.

Even in these so-called cynical times I find politics (in, for example, the interactions between basement-level activism, and the, to quote Zappa, ‘entertainment division of the military-industrial complex’; in the friction between good, sometimes great, journalism, and the for-profit-lubricated popularity-contest we call publishing) inspiring.

Other things…?

Animators whose subject matter are things like movement, weight, physics, physiology, intent, volition, presence, personality, empathy, when their materials, in many respects, are working against those expressions. It helps to remind those of us who work in practices where it is too easy to take those same things—movement, weight, physics, physiology, etc.—for granted because they are so effortlessly part of the form. [Read the rest…]

Over at a Jazz Noise, you can read my answers to Dave Foxall’s 7 Questions such as my take on collaboration or what I seek in collaborators:

Imagination, skill and reliability. In that order.

Probably.

Someone who has a levelheaded understanding (consciously or not) of their niche within the transnational improvised music ecology….

I gravitate towards improvisers who are always prepared for that which is, in a way, unforeseeable.

Also people who can patch the holes and weaknesses in my musical skill-set. So, thinking about those three-quarters of Sirene 1009, I think: Dom Lash’s assured, steady-handed control of his technique and sound-making; Mark Sanders’ range, seemingly boundless imagination, ability anticipate anything and everything, and ability to make sense musically regardless of what surrounds him; and Caroline Pugh’s handle and knowledge of genre, and how she seemingly can just jump in regardless of context. I think the various ways we move—our bodies and their relationship with the instruments, say—complement each other.

(I’ve said this before, but getting a group together is a kind of composition.) [Read the rest…]

Plus, the “opening track [from ‘Sirene 1009’ (BAF000)]—Psychohistory III (very Asimov!)—[is] exclusively available to a Jazz Noise readers (hear it here and nowhere else, folks) for this interview.” [Listen/read the rest…].

selected discography

Cover of ‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)

Sirene 1009 (BAF000) [details…]

Personnel: Han-earl Park (guitar), Dominic Lash (double bass), Mark Sanders (drums) and Caroline Pugh (voice and tape recorder).

© + ℗ 2017 Han-earl Park.

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

Anomic Aphasia (SLAMCD 559) [details…]

Performers: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar), and Josh Sinton (baritone saxophone and bass clarinet).

© 2015 Han-earl Park.
℗ 2015 SLAM Productions.