DISTORTIONS: SPLICE II

DISTORTIONS: SPLICE II (postcard) with text: “improvised music + moving images / DISTORTIONS: SPLICE II / Carina Khorkhordina / Camila Nebbia / Han-earl Park / Sara Neidorf / Yorgos Dimitriadis / 14.11.2025 / 15.11.2025 / Morphine Raum, Berlin”
Image © 2025 Camila Nebbia. Design © 2025 Han-earl Park.

This November (Friday, 14th, and Saturday, 15th): Two evenings of improvised music and moving images with new works by Carina Khorkhordina, Camila Nebbia, and Han-earl Park, with Sara Neidorf and Yorgos Dimitriadis. The events will take place at Morphine Raum (Köpenicker Str. 147, 10997 Berlin).

See the performance diary for up-to-date info.

about the artists

Camera shooting Sara Neidorf sitting at drumkit
Behind-the-scenes. © 2025 Han-earl Park.

Carina Khorkhordina (b. 1991) is a trumpet player, composer, photographer, video-maker, and interdisciplinary artist from Kaliningrad, Russia, and living in Berlin since 2014. Aside from developing her music on the trumpet and playing concerts she is working on a series of site-specific performances in the public space of Berlin and other places in collaboration with different musicians, presented as short films and bringing together her interest in urban space, sonic possibilities of the trumpet, field recordings and video documentation.

She has been performing in the context of improvised and experimental music since 2017. The active groups include the duo with Eric Bauer, Slurge (with Eric Bauer, Burkhard Beins, Wolfgang Seidel), Klub Demboh, the duo with Axel Dörner and the trio with Eric Bauer and Lena Czerniawska, as well as a variety of ongoing collaborations.

Since 2020 she has been working on a series of site-specific compositions in Berlin’s public space together with various musicians, presented in the form of short films focusing on individual trumpet sound and musical language in the context of urban space, as well as field recordings and video. She is also an artist who works with photography. Between 2016 and 2020 she was a student of various photography programs at FotoDepartament Institute in St. Petersburg, Russia. Between 2009 and 2020 she participated in several photographic and interdisciplinary exhibitions.

Camila Nebbia is a saxophone player, composer, improviser, visual artist, curator and educator debasing hierarchical systems by exploring migrational counterpoints through multiple, but minimally separated, mediums. From Buenos Aires, Argentina, based in Berlin, Germany, the multidisciplinary artist layers her practice through the creation and destruction of archival memory. Has released as a band leader and solo performer ‘A veces la luz de lo que existe resplandece solamente a la distancia’ (Kuai 2017), ‘De este lado’ (Club del disco 2019), Aura (ears&eyes records 2020), ‘Corre el río de la memoria’ (ramble records 2021), ‘Presencias’ (Sound Holes 2021), ‘Una ofrenda a la ausencia’ (Relative Pitch Records 2023), ‘La permanencia de los ecos’ (577 Records 2023). Played and recorded with many artists of the international scene such as Valentin Garvie, El devenir del río, Burka, Paula Shocron, Barbara Togander, Patrick Shiroishi, Paul Pignon, Vinnie Sperrazza, Katt Hernandez, Kenneth Jimenez, Lesley Mok, Violeta García, Axel Filip, Susana Santos Silva, Tom Rainey, Elsa Bergman, l’ Arfi collective of Lyon, Joanna Mattrey, Micheal Formaneck, Vincent Drombowski’s Flow regulator, Sofia Borges, John Hughes, among others. Co-creator and curator of the collective interdisciplinary group and improvised music series ‘La Jaula se ha vuelto pájaro y se ha volado,’ the interdisciplinary festival Guillotina Fest and creator and curator of the streaming concert series called ‘A door in the mountain.’ Runs the concert series and independent label ‘Disfigured Rivers’ based in Berlin. Participated of many festivals around the world such as Winter Jazz Fest NYC co-presented with M3 (U.S), Buenos Aires Jazz Festival (ARG), Lima Jazz Festival (PE), Diskurs Festival (DE), Ultima Oslo (NO), among others, and has assisted to several residencies such as, ART OMI (NYC), SIM (NYC) Jazz & Creative Music dictated by Tyshawn Sorey and Vijay Iyer (CA), Konvent Zero (ES) UNCOOL (CH), Ensemble Evolution (US), CirkusVranen (SE), CCK with Tim Berne, Marilyn Crispell & Ben Goldberg (AR), among others.

Shifting and switching from No Wave skronk to interstellar guitarist-as-drummer virtuosity, from stampedes of miniature Pomeranian Buffalos to All-You-Zombies heterophonies, Han-earl Park (박한얼) has been performing beautifully messy, joyously difficult, ambiguous and discordant improvised musics for over twenty years.

Park is drawn to the noisy poetry of interactive play; its pleasurable complexities, and joyous discords. He has become increasingly fascinated by the possibilities of refracting the improvisative through narrative tropes and forms, sometimes transposing techniques from fiction and cinema. He seeks musics that are ‘inconvenient,’ that resist easy resolution, and seeks practices that, despite understanding that connection is, in a way, unknowable, take seriously consent, affinity, agency, trust and compassion.

Park is the mastermind behind ensembles including Eris 136199 with Catherine Sikora and Nick Didkovsky, Juno 3 with Lara Jones and Pat Thomas, and Gonggong 225088 with Yorgos Dimitriadis and Camila Nebbia. Park also performs as part of a duo with Richard Barrett, and as part of Thoughts of Trio’s dark extemporizations, the avant-disco of QLH, and The Names’ hyper-lyricism. He has performed with Wadada Leo Smith, Paul Dunmall, Pauline Oliveros, Charles Hayward, Mark Sanders, Lol Coxhill, Louise Dam Eckardt Jensen, Evan Parker, Ingrid Laubrock, Josh Sinton and Franziska Schroeder. His constructions and compositions include ‘Bandwidth,’ a videographic work for improvisation; the online #lockdownminiature series; the machine improviser io 0.0.1 beta++; and Metis 9, a playbook of improvisative tactics.

His ensembles have appeared at festivals including Jazz em Agosto (Lisbon), EFG London Jazz Festival, Brilliant Corners (Belfast), Freedom of the City (London), ISIM (New York), dialogues festival (Edinburgh) and Sonic Acts (Amsterdam). Park’s recordings have been released by labels including NEWJAiM, Waveform Alphabet, Ramble Records, SLAM Productions, Creative Sources and DUNS Limited Edition.

Sara Neidorf (they/them, b. 1990, Philadelphia) is a Berlin-based drummer and film curator. Neidorf drums in the genre-expansive, heavy bands Mellowdeath, Mad Kate | The Tide, Soporose, and Sarattma. As a session musician, they’ve recorded and toured internationally with such artists as The Brian Jonestown Massacre, Peaches, and Sometimes With Others, and have also drummed for theater and dance productions at the Volksbühne, Berliner Ensemble, Sophiensaele, Radialsystem, and at festivals such as Berlin Atonal, Tanztage, 3hd, and Grauzone. As an instructor, Neidorf has focussed their teaching efforts on women, queer, and non-binary students and has formerly taught at organizations as varied as BIMM University Berlin and Girls Rock Philly. When not drumming, Neidorf co-directs Final Girls Berlin Film Fest, which showcases horror made by women and NB filmmakers.

Yorgos Dimitriadis, born 1964 in Thessaloniki Greece, is an experimental musician, composer performer based in Berlin. Using percussion, microphones, field recordings and minimal electronics his music focuses on real time sonic landscapes, with an emphasis on timbre, sound color and long durations.

Since 2006 he lives in Berlin and appears at festivals and concert series worldwide. He has performed/recorded as a soloist and in collaboration with an array of renowned international artists like Audrey Chen, Paul Dunmall, Tristan Honsinger, Alexander von Schlippenbach, Matthias Bauer, Frank Gratkowski, Lori Freedman, Michel Doneda, Amir ElSaffar, Tobias Delius, Marc Turner, Hilary Jeffery, Robin Hayward, Oguz Büyükberber, Meinrad Kneer, Silke Eberhard and many more.

Current projects include: “14 20 22” (Solo for drums & electronics), Duos with Achim Kaufmann, Andrea Parkins, Michael Thieke, Floros Floridis, DYET with Erato Tzavara (video), Trios GRIX (w/Antonis Anissegos, Floros Floridis), Van Huffel/Kneer/Dimitriadis, GLUE (w/Tom Arthurs, Miles Perkin), KERN (w/Edith Steyer, Matthias Müller), TWIRLS Quartet, FABRIC (w/Frank Paul Schubert, Mike Majkowski) and BeingFive (w/Axel Dörner/ Lori Freedman/ Andrea Parkins/ Christopher Williams).

Festival appearances at Festival International de Musique Actuelle de Victoriaville, Jazzfest Berlin, Jazzdor Berlin/Strasbourg, Suoni Per Il Popolo Montreal, Something Else Festival Hamilton, Enjoy Jazz, Onassis Cultural Center Athens, Nice Jazz Festival, Theatre de la Bastille, Paleo Festival Nyon, Jazz and More Festival, Konstanzer Jazzherbst, Soundance Festival, Berlin Solo Impro, Moving Silence Nicosia and others. Yorgos Dimitriadis can be heard on Relative Pitch, Room40, Jazzwerkstatt, NoBusiness, Creative Sources, FMR, Trouble In The East, Evil Rabbit and Wide Ear record labels.

This Saturday! Gonggong 225088 at Sowieso, Berlin

Gonggong 225088 returns this Saturday (September 20, 2025)! Dream a little noisy, sweetly disquieting dream with Han-earl Park (guitar), Yorgos Dimitriadis (percussion and electronics) and Camila Nebbia (saxophone) at Sowieso (Weisestraße 24, 12049 Berlin).

It’s been far, far too long since Yorgos, Camila and I have hit the stage together. I deeply appreciate the imaginative flow, and the joyous, perpetual-motion energy of this trio, and I look forward to the new things that each artist brings to the group on Saturday.

See the performance diary for up-to-date info. [Sowieso listing…] [Facebook event…]

Out on Waveform Alphabet

Gonggong 225088 cover art (copyright 2024 Han-earl Park)

Gonggong 225088 (wa008) [details…]

Personnel: Han-earl Park (guitar), Yorgos Dimitriadis (percussion and electronics) and Camila Nebbia (saxophone).

Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.

© 2024 Han-earl Park. ℗ 2024 Waveform Alphabet.

DISTORTIONS: SPLICE II (work in progress)

Camera shooting Sara Neidorf sitting at drumkit
DISTORTIONS: Behind-the-scenes with Sara Neidorf. Image © 2025 Han-earl Park.

This November (Friday, 14th, and Saturday, 15th): Two evenings of improvised music and moving images with new works by Carina Khorkhordina, Camila Nebbia, Han-earl Park, with Sara Neidorf and Yorgos Dimitriadis. The events will take place at Morphine Raum (Köpenicker Str. 147, 10997 Berlin).

Details to follow. For updates, you can sign-up to Han-earl Park’s newsletter:

Signup to the newsletter [details…].

[About the newsletter…]

Gonggong 225088 at Sowieso, Berlin

Gonggong 225088 returns!

Here be dragons.

Saturday, September 20, 2025, at 8:30pm (doors: 8pm): Dream a little noisy, sweetly disquieting dream with Han-earl Park (guitar), Yorgos Dimitriadis (percussion and electronics) and Camila Nebbia (saxophone) at Sowieso (Weisestraße 24, 12049 Berlin).

See the performance diary for up-to-date info. [Sowieso listing…] [Facebook event…]

Out on Waveform Alphabet

Gonggong 225088 cover art (copyright 2024 Han-earl Park)

Gonggong 225088 (wa008) [details…]

Personnel: Han-earl Park (guitar), Yorgos Dimitriadis (percussion and electronics) and Camila Nebbia (saxophone).

Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.

© 2024 Han-earl Park. ℗ 2024 Waveform Alphabet.

Fractal Meat on a Spongy Bone (guest mix)

Artist-musician, Graham Dunning invited me a few months ago to put together a mix for his radio show, Fractal Meat on a Spongy Bone (NTS Radio). You can listen to that episode now!

Here’s the track list for my guest mix:

[Listen now…]

Thanks so much to Graham for inviting me to contribute something for his show, and for giving me the opportunity to share some of the noise I’ve made, and the noise that has impressed and moved me recently.

I wish I could say there was a theme beyond selecting music that I had just been listening to, and a selection from some of my more recent recordings. Considering the haphazard way I put the thing together, I’m as surprised as anyone by the way the overall mix flows—from how Catherine takes-off from where Theresa Wong lands; to how Isabel and Sara reassert, reframe and re-grid Yorgos and Camila’s snaps’n’clangs; to the futz, fuzz and buzzes that bridges Steph Richards’ Fullmoon, Juno 3’s Proxemics, and Nick’s Phantom Words.

Enjoy, and please, please check out the music of these artists (including those featured by Graham during the rest of the show)—I think you’ll be inspired.

Photo © Jazz em Agosto / Petra Cvelbar.

Featured discography

Proxemics cover art (copyright 2025 Han-earl Park)

Proxemics (BAF003) [details…]

Personnel: Han-earl Park (guitar), Lara Jones (saxophone and electronics) and Pat Thomas (electronics).

Track listing: Derealization I (4:07), Derealization II (4:57), Derealization III (3:52), Derealization IV (6:19), Derealization V (5:55), Derealization VI (3:47), Proxemics I (5:05), Proxemics II (3:54), Proxemics III (6:10), Proxemics IV (7:15), Proxemics V (6:10), Proxemics VI: Rumble (5:13). Total duration: 62:44.

© and ℗ 2025 Han-earl Park.

Gonggong 225088 cover art (copyright 2024 Han-earl Park)

Gonggong 225088 (wa008) [details…]

Personnel: Han-earl Park (guitar), Yorgos Dimitriadis (percussion and electronics) and Camila Nebbia (saxophone).

Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.

© 2024 Han-earl Park. ℗ 2024 Waveform Alphabet.

cover art (copyright 2021 NEWJAiM)

Of Life, Recombinant (NEWJAiM9) [details…]

Personnel: Han-earl Park (guitar) with Anne Wellmer (voice on track 4).

Track listing: Game: Mutation (5:38); Naught Opportune (≥ 10:42); Are Variant (≥ 8:06); Of Life, Recombinant (≥ 29:22). Total duration ≥ 53:48.

© 2021 NEWJAiM Recordings.
℗ 2021 Han-earl Park.

Performance diary (Berlin) 073125

upcoming performances
date venue time details
September 7, 2025 Morphine Raum
Köpenicker Str. 147
10997 Berlin
Germany
8:30pm (doors: 8pm) Han-earl Park (guitar) and Sara Neidorf (drums).
[Details…]
[Morphine page…] [Facebook event…]
September 20, 2025 Sowieso
Weisestraße 24
12049 Berlin
Germany
8:30pm (doors: 8pm) Gonggong 225088 (Han-earl Park: guitar; Yorgos Dimitriadis: percussion and electronics; and Camila Nebbia: saxophone).
[Details…]
[Sowieso listing…] [Facebook event…]
November 5, 2025 Richten25
Gerichtstraße 25
13347 Berlin
Germany
8:00pm (doors: 7pm) Kaffe Matthews (live sampling alchemical electronics) and Han-earl Park (guitar). Also performing: Bor (Barbara Klinker, AGogol, Martin Perlbach and Jo Zahn). [Facebook event…]
November 14, 2025 Morphine Raum
Köpenicker Str. 147
10997 Berlin
Germany
8:30pm (doors: 8pm) DISTORTIONS: First of two evenings of improvised music and videographic compositions.
New works by Carina Khorkhordina, and by Camila Nebbia.
Performed by Han-earl Park (guitar).
[Details…]
[Facebook event…]
Initiative Neue Musik Berlin
November 15, 2025 Morphine Raum
Köpenicker Str. 147
10997 Berlin
Germany
8:30pm (doors: 8pm) DISTORTIONS: Second of two evenings of improvised music and videographic compositions.
New works by Han-earl Park.
Performed by Sara Neidorf (drums), and by Camila Nebbia (saxophone) and Yorgos Dimitriadis (drums).
[Details…]
[Facebook event…]
Initiative Neue Musik Berlin

Continue reading “Performance diary (Berlin) 073125”

Intelligent Dissonances in Improvisation (Percorsi Musicali interview)

Group improvisation as triangulation? Fierce solidarity? Wet, squishy electrochemical processes? And science fiction, and the fictions of science? In Ettore Garzia’s Percorsi Musicali article, Garzia asks me about my thoughts on “art and on the way we should approach the reality of the twenty-first century”:

As for the present-day hellfire 2.0 of the world, whether from strong-men political figures, or the next tech breakthrough, we’re surrounded by promises of simple solutions, and seductive stories of salvation and redemption. In this context, creative peoples, I think, can offer counter-narratives to complicate and refute those easy solutions; to instead help us face the complex, the contradictory, the uncertain and ambiguous.

As for me, empathy, compassion and solidarity remain the reasons I continue to engage with interactive, social music practices and communities. But these practices and communities are flawed and imperfect—they are deeply, deeply human after all—and I think it’s important that we remain aware of the possibility of violence and abuse in our practices, and work to take consent, power, conflict, desire and agency seriously. [Read the rest…]

And elsewhere Garzia asks about the albums Of Life, Recombinant, and Juno 3’s upcoming release:

Proxemics spreads electroacoustic power and a sense of movement, thanks to many elements, the fragmentation of the guitar, the plethora of unnatural sounds brought into play by Thomas and the small and intermittent manipulations of Lara’s sax. I discover a narration inside, but also a void, a melancholic vein. Is that so?

Lara [Jones] and Pat [Thomas] are doing some of the most exciting work in enrolling electronics into improvised performance right now. Their approaches, as different as they are, are informed by present-day technological developments while being irreverent towards those same tech enterprises; they are as avant-garde as they come while deeply engaging with the electronic dance vernacular.

I also hear that messy, contradictory, rolling narrative side to Juno 3, but, more than melancholy, I hear, with Proxemics, something angrier and confrontational—I feel, at times, that the music spits and snarls. [Read the rest…]

Read the rest of the article to catch me talking about how the works of certain writers and filmmakers have affected my work in refracting improvisation through narrative techniques and tropes; the reason for choosing the trio context (and the differences between Eris 136199, Juno 3 and Gonggong 225088); and whether I would ever return to constructing musical automata in this post-ChatGPT condition.

Selected Discography

Proxemics cover art (copyright 2025 Han-earl Park)

Proxemics (BAF003) [details…]

Personnel: Han-earl Park (guitar), Lara Jones (saxophone and electronics) and Pat Thomas (electronics).

Track listing: Derealization I (4:07), Derealization II (4:57), Derealization III (3:52), Derealization IV (6:19), Derealization V (5:55), Derealization VI (3:47), Proxemics I (5:05), Proxemics II (3:54), Proxemics III (6:10), Proxemics IV (7:15), Proxemics V (6:10), Proxemics VI: Rumble (5:13). Total duration: 62:44.

© and ℗ 2025 Han-earl Park.

Gonggong 225088 cover art (copyright 2024 Han-earl Park)

Gonggong 225088 (wa008) [details…]

Personnel: Han-earl Park (guitar), Yorgos Dimitriadis (percussion and electronics) and Camila Nebbia (saxophone).

Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.

© 2024 Han-earl Park. ℗ 2024 Waveform Alphabet.

cover art (copyright 2021 NEWJAiM)

Of Life, Recombinant (NEWJAiM9) [details…]

Personnel: Han-earl Park (guitar) with Anne Wellmer (voice on track 4).

Track listing: Game: Mutation (5:38); Naught Opportune (≥ 10:42); Are Variant (≥ 8:06); Of Life, Recombinant (≥ 29:22). Total duration ≥ 53:48.

© 2021 NEWJAiM Recordings.
℗ 2021 Han-earl Park.

cover art (copyright 2020 Han-earl Park)

Peculiar Velocities (BAF002) [details…]

Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).

Track listing: Ballad of Tensegrity I (≥ 5:12), Ballad of Tensegrity II (2:28), Peculiar Velocities I (3:46), Peculiar Velocities II (3:36), Sleeping Dragon (5:22), D-Loop I (≥ 6:16), D-Loop II (5:13), Polytely I (≥ 5:01), Polytely II: Breakdown (5:33), Anagnorisis I (2:09), Anagnorisis II (2:19). Total duration ≥ 46:54.

© + ℗ 2020 Han-earl Park.

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

io 0.0.1 beta++ (SLAMCD 531) [details…]

Personnel: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone).

Track listing: Pioneer: Variance (11:52); Pioneer: Dance (13:13); Ground-Based Telemetry (1:42); Discovery: Intermodulation (9:08); Discovery: Decay (5:08); 4G (0:59); Laplace: Perturbation (10:21); Laplace: Instability (3:08); Return Trajectory (8:24). Total duration: 63:57.

© 2011 Han-earl Park. ℗ 2011 SLAM Productions.

Gonggong 225088 at Kühlspot, Berlin

Next week (Tuesday, November 19, 2024), at 8:30pm (doors: 8pm): Dream a little noisy, sweetly disquieting dream with Gonggong 225088 as Han-earl Park (guitar), Yorgos Dimitriadis (percussion and electronics) and Camila Nebbia (saxophone) perform at Kühlspot Social Club (Lehderstraße 74–79, 13086 Berlin).

Blue-green iridescence
(Crunch and more scatter)
A vacuum of warning

Here be dragons.

It’s been a while since Gonggong played in the trio’s hometown, and it’s been longer since we’ve had an opportunity to really stretch out (we’ll be playing two complete sets at Kühlspot). It’s always a joy to be performing with Camila and Yorgos, and I am super excited to see where the music takes us (and where we take the music). One of the many things I love about this group is how everyone is inviting the others to occupy spaces by actively creating constantly shifting gaps and cracks in the arrangement and moment-by-moment composition.

See the performance diary for up-to-date info. [Kühlspot listing…] [Facebook event…]

Out now on Waveform Alphabet

Gonggong 225088 cover art (copyright 2024 Han-earl Park)

Gonggong 225088 (wa008) [details…]

Personnel: Han-earl Park (guitar), Yorgos Dimitriadis (percussion and electronics) and Camila Nebbia (saxophone).

Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.

© 2024 Han-earl Park. ℗ 2024 Waveform Alphabet.

Gonggong 225088: ‘Niche Shift I’

New video (‘Niche Shift I’) from Gonggong 225088! As I wrote in the chat:

This was one of those videos that I almost decided against posting. ​​I think this one really highlights the discrepancy, or dissonance, between the visual and the auditory. ​​I felt like maybe uploading the video might take away from the magic of the listening experience (if that makes sense). ​​Reveal[ing] too much of the nuts’n’bolts and pulleys’n’curtains’n’backdrops behind the sounding processes. ​​Anyway, I love the pace—tides ebb’n’flow—that Yorgos and Camila created here. [More…]

What became ‘Niche Shift I’ was, for me, the key transitional passage from the album—the part of the performance that really caught the entire trio by surprise on the evening. Enjoy.

Out now on Waveform Alphabet

Gonggong 225088 cover art (copyright 2024 Han-earl Park)

Gonggong 225088 (wa008) [details…]

Personnel: Han-earl Park (guitar), Yorgos Dimitriadis (percussion and electronics) and Camila Nebbia (saxophone).

Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.

© 2024 Han-earl Park. ℗ 2024 Waveform Alphabet.

Gonggong 225088 at Parallel Universe, München

This Friday (October 18, 2024): Dream a little noisy, sweetly disquieting dream with Gonggong 225088 as Han-earl Park (guitar), Yorgos Dimitriadis (percussion and electronics) and Camila Nebbia (saxophone) perform as part of Parallel Universe presented by Offene Ohren.

Gonggong 225088 entführt die Zuhörerschaft in eine Traumwelt voller Gegensätze: krachend-subtil, irritierend-melodisch, wundervoll dissonant.

Das international besetzte Trio… changiert mühelos zwischen Kulturen, mechanischen Effekten und tonalen Wechselwirkungen in einem beständig vorantreibenden Prozess. [Read the rest…]

The festival takes place at Schwere Reiter (Dachauer Straße 114a80636 München / Kreativquartier), and the event starts at 6:00pm (our set expected to be around 7:30pm). Also performing that evening are Espresso & Mud invites Ute Wassermann, and Le 7ème Continent.

See the performance diary for up-to-date info. [Offene Ohren page…] [Get tickets…]

Out now on Waveform Alphabet

Gonggong 225088 cover art (copyright 2024 Han-earl Park)

Gonggong 225088 (wa008) [details…]

Personnel: Han-earl Park (guitar), Yorgos Dimitriadis (percussion and electronics) and Camila Nebbia (saxophone).

Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.

© 2024 Han-earl Park. ℗ 2024 Waveform Alphabet.

Performance diary (Berlin and München) 092024

upcoming performances
date venue time details
October 13, 2024 PAS
Kaiserin Augusta Allee 101
10553 Berlin
Germany
8:30pm (doors: 8pm) Han-earl Park (guitar). Also performing: Marcus Wärnheim (alto saxophone) and Thomas Jaspers (drums). [Details…]
[PAS page…] [Facebook event…]
October 18, 2024 Schwere Reiter
Dachauer Straße 114a
80636 München (Kreativquartier)
Germany
6:00pm Gonggong 225088 (Han-earl Park: guitar; Yorgos Dimitriadis: percussion and electronics; and Camila Nebbia: saxophone) performs as part of Parallel Universe presented by Offene Ohren. Also performing: Espresso & Mud invites Ute Wassermann, and Le 7ème Continent. [Details…]
[Offene Ohren page…] [Get tickets…]
November 5, 2024 PAS
Kaiserin Augusta Allee 101
10553 Berlin
Germany
8:30pm (doors: 8pm) Hugo Costa (alto saxophone), Han-earl Park (guitar) and Rudi Fischerlehner (drums). Also performing: Guilherme Rodrigues (’cello), Camila Nebbia (tenor saxophone), Davide Piersanti (trombone) and Evi Filippou (vibraphone). [Details…]
[PAS page…] [Facebook event…]
November 17, 2024 PAS
Kaiserin Augusta Allee 101
10553 Berlin
Germany
8:30pm (doors: 8pm) The Names (Heather Frasch: flute; Carina Khorkhordina: trumpet; Koen Nutters: upright bass; Han-earl Park: guitar; and Quentin Tolimieri: melodica). Also performing: Masahide Tokunaga (alto saxophone), Takako Suzuki (dance, movements) and Lucio Capece (bass clarinet, mini speakers in feedback); and Hugo Costa (alto saxophone), Johannes Fink (’cello) and Jan Leipnitz (drums). [Details…]
[PAS page…] [Facebook event…]
November 19, 2024 Kühlspot Social Club
Lehderstraße 74–79
13086 Berlin
Germany
8:30pm (doors: 8pm) Gonggong 225088 (Han-earl Park: guitar; Yorgos Dimitriadis: percussion and electronics; and Camila Nebbia: saxophone).
[Details…]
[Kühlspot calendar…] [Facebook event…]
November 20, 2024 Richten25
Gerichtstraße 25
13347 Berlin
Germany
8:00pm (doors: 7pm) The Names (Heather Frasch: flute; Carina Khorkhordina: trumpet; Koen Nutters: upright bass; Han-earl Park: guitar; Quentin Tolimieri: melodica; and Gert-Jan Prins: percussion). Also performing: Pierre Borel (alto saxophone). [Details…]
[Facebook event…]

Continue reading “Performance diary (Berlin and München) 092024”

Performance diary (Berlin and München) 080624

upcoming performances
date venue time details
August 21, 2024 Kühlspot Social Club
Lehderstraße 74–79
13086 Berlin
Germany
8:30pm (doors: 8pm) Han-earl Park (guitar). Also performing: Simon Rose (baritone saxophone), Jan Roder (double bass) and Willi Kellers (drums). Simon Rose (saxophone) and Youjin Sung (gayageum). [Details…]
[Kühlspot listing…] [Facebook event…]
October 18, 2024 Schwere Reiter
Dachauer Straße 114a
80636 München (Kreativquartier)
Germany
6:00pm Han-earl Park (guitar), Yorgos Dimitriadis (percussion and electronics) and Camila Nebbia (saxophone) perform as part of Parallel Universe presented by Offene Ohren. Also performing: Espresso & Mud invites Ute Wassermann, and Le 7ème Continent. [Offene Ohren page…]
November 19, 2024 Kühlspot Social Club
Lehderstraße 74–79
13086 Berlin
Germany
8:30pm (doors: 8pm) Han-earl Park (guitar), Yorgos Dimitriadis (percussion and electronics) and Camila Nebbia (saxophone).
Details to follow…

Continue reading “Performance diary (Berlin and München) 080624”