Eris 136199

Eris 136199

Eris 136199: Han-earl Park, Catherine Sikora and Nick Didkovsky (Douglass Street Music Collective, Brooklyn, June 5, 2013). Photo copyright 2013 Scott Friedlander.

Eris 136199: Han-earl Park, Catherine Sikora and Nick Didkovsky (Douglass Street Music Collective, Brooklyn, June 5, 2013). Photo © 2013 Scott Friedlander. [More images…]

Eris 136199 is reuniting for a European tour complete with a second album. All we need is YOU. Find out more, and join the project: [Kickstarter page…]

about Eris 136199

Han-earl Park (guitar)
Nick Didkovsky (guitar)
Catherine Sikora (saxophones)

Eris 136199 plays on the crossroads of noise, melody, rhythm, space, density, contrast, synchronicity, asymmetry, serendipity and contradiction. Eris 136199 is the corporeal, cyborg virtuosity of constructor and guitarist Han-earl Park; the noisy, unruly complexity of composer, computer artist and guitarist Nick Didkovsky; and the no-nonsense melodic logic of composer and saxophonist Catherine Sikora.

Described by Brian Morton as “a musical philosopher… a delightful shape-shifter”, Han-earl Park is drawn to real-time cyborg configurations in which artifacts and bodies collide. He has performed with some of the finest practitioners of improvised music, leads Sirene 1009 with Dominic Lash, Mark Sanders and Caroline Pugh, and is part of Numbers with Richard Barrett.

A composer who enjoys blurry boundaries, Nick Didkovsky founded the avant-rock big band Doctor Nerve, and is a member of Swim This with Gerry Hemingway and Michael Lytle. He is a pioneer of small-systems computer music, and has composed music for ensembles including Bang On A Can All Stars, ETHEL, and the Meridian Arts Ensemble.

Catherine Sikora is “a free-blowing player’s player with a spectacular harmonic imagination and an evolved understanding of the tonal palette of the saxophone” (Chris Elliot, Seacoast Online). She has a long-standing duo project with Eric Mingus, and has performed as part of ensembles led by Elliott Sharp, François Grillot, Ross Hammond, and Ursel Schlicht.

Together, Park, Didkovsky and Sikora forge an improvisative space where melody can be melody, noise can be noise, meter can be meter, metal becomes metal, bluegrass turns to bluegrass, jazz transforms into jazz, all there, all necessary without imploding under idiomatic pressures.

Side effects of Eris 136199 may include temporary deafness, involuntary teleportation, spontaneous combustion, and molecular implosion. In addition, lab animals have been shown to dance without skill to the sound of double guitars and saxophone. …But you’ll love what it does to your mind-body! 😉

news and performances

October 14, 2017: Eris 136199 (Hamburg, Copenhagen, Cheltenham, Derby and Newcastle, November 2017)

https://www.youtube.com/playlist?list=PL5q2-_ENer6mY0iz7CByqal_9uGkNqsUH November 2017: Eris 136199 (Han-earl Park: guitar; Catherine Sikora: saxophones; and Nick Didkovsky: guitar) will perform in Hamburg, Copenhagen, Cheltenham, Derby and Newcastle (see the performance diary for up-to-date info). Hamburg,…

October 14, 2017: performance diary 10-14-17 (Cheltenham, Copenhagen, Derby, Hamburg, Munich, Newcastle)

upcoming performances date venue time details November 1, 2017 MS Stubnitz Kirchenpauerkai 29, 20457 Hamburg, Germany 8:30pm (doors: 8:00pm) Eris 136199 (Han-earl Park: guitar; Catherine Sikora: saxophones; and Nick Didkovsky: guitar). Presented with funding from Verband für aktuelle Musik…

October 5, 2017: Eris 136199 will be on tour and on record thanks to you!

€2,184 pledged. 109% funded. 51 backers. You did it! Thank you to all our backers. You have been above and beyond awesome. Pour yourself something nice; you deserve it. Cheers! Han-earl. P.S. News and details…

October 1, 2017: Congratulations! You did it! (Eris 136199: Kickstarter)

€2,073 pledged. 103% funded. 47 backers. 3 days to go To our amazing, wonderful, awe-inspiring backers, To the seekers of the mellifluous in cacophony, the rhythm in chaos, To those who believed that…

[All news articles on the Eris 136199]

video

discography

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

Anomic Aphasia (SLAMCD 559) [details…]

Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).

Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.

© 2015 Han-earl Park.
℗ 2015 SLAM Productions.

press and quotes

“Challenging and phenomenal works with the musicians playing off of each others ideas…. A beautiful noise.”

KFJC 89.7 FM

“Putting this unlikely lineup together was almost as brilliant as the recording they have produced…. ‘Free’ is a barely sufficient to describe this approach, as the trios explore various angular constructs and effects. The vocabulary of sounds here is as broad as it is unconventional.”

— Mike Borella (Avant Music News)

“Impressive in scale, overwhelming in execution, it’s a cyclic frenzy of fragmented sounds without an ounce of entropy, yet somehow with a sense of clear movement and progression.”

— Dave Foxall (a Jazz Noise)

「彼らは一緒になって、描き上げたばかりの集合肖像画に点を穿ち、所々に飛沫を散らし、時には引き裂く。そして切り取り、並べ替え、分割する。」

— Cisco Bradley (JazzTokyo)

“Atmospheric as to become almost frightening.”

— Ken Waxman (The New York City Jazz Record)

“Ein glorioser Bastard aus Noise und süßer Träumerei.”

— Rigobert Dittmann (Bad Alchemy)

about the performers

Improviser, guitarist and constructor Han-earl Park has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces across Europe and the USA.

Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder. His recordings have been released by labels including Slam Productions, Creative Sources and DUNS Limited Edition.

“Guitarist Han-earl Park is a musical philosopher…. Expect unexpected things from Park, who is a delightful shape-shifter….”

— Brian Morton (Point of Departure)

“Though short, percussive, hard-to-notate sounds dominate Han-earl Park’s sound, he does utilize the totality of the guitar’s sonorities—just not in the proportions demanded by the nostalgic (retrospective, reactionary, etc.) owners of major media….”

— Stanley Zappa (The New York City Jazz Record)

Nick Didkovsky is a guitarist, composer, and computer music programmer. His non-didactic approach to combining human and machine creativity is a unique musical fingerprint. Didkovsky has composed new music for Kathleen Supove, Ethel, Bang on a Can All-Stars, Meridian Arts Ensemble, New Century Players, ARTE Quartett, his own bands Doctor Nerve, Vomit Fist, Häßliche Luftmasken, and others. His compositions and guitar performances appear on more than 50 records.

For over 30 years, Doctor Nerve has fueled Didkovsky’s intricate compositions with the energy of rock, often challenging the boundaries between heavy metal, contemporary music, and improvisation. Doctor Nerve has released nine albums of more than 50 of his compositions. The band has performed at numerous festivals including FIMAV, the Moers Festival, Musique Action, Creative Time, MIMI Festival, and ‘Whitney Live’ at the Whitney Museum of American Art.

As a guitarist and composer, Didkovsky was a member of the Fred Frith Guitar Quartet, contributing twelve compositions to its repertoire. Didkovsky’s electric guitar compositions continue to be performed by newer ensembles such as Dither Quartet, E-Werk, and Fracture Guitar Quartet, and by soloists such as Kevin Gallagher, Marco Cappelli, and Wiek Hijmans. As a soloist, he has performed at numerous events such as Bang On A Can festival, Guitarévolutions in Montreal, New Ballet festival at the Miller Theatre, and John Zorn’s East Asian Bar Bands. His 2015 Residency at The Stone in NYC resulted in numerous premiere performances of new works.

Collaborating with computer music pioneer Phil Burk, Didkovsky began developing Java Music Specification Language in 1997.

“Musicians (and listeners) who approach Didkovsky’s work find that part of the challenge derives from his mastery of unpredictability.”

— Linda Leseman (The Village Voice)

Saxophonist, improviser and composer Catherine Sikora was born and raised in West Cork, Ireland. Self taught to begin with, she moved to New York City to study and play with great improvisers.

Sikora works in a broad range of settings, from highly complex composed music, to folk songs, to free improvisation. She works regularly with Eric Mingus, Enrique Haneine, Brian Chase, Han-earl Park, Stanley Zappa, Christopher Culpo and Ross Hammond, as well as actively pursuing solo performance.

In the past few years Sikora has toured in Canada, the United States, Europe and Australia. She was a featured soloist in Eric Mingus’ radical reimagining of Tommy by the Who (Adelaide Festival 2015), and was artist in residence at the Centre Culturel Irlandais in Paris for the fall of 2014, working on a project inspired by stories from her female ancestors. Catherine’s first solo album ‘Jersey’ was released on Relative Pitch Records in July 2016.

Current working projects include Clockwork Mercury (duo with Eric Mingus) and an improvising duo with drummer Brian Chase; Sikora’s first solo recording will be released in fall 2015.

“Sikora has invited us into her musical world, and like the neighbor from Queens, it is our good fortune to be in its midsts.”

— Paul Acquaro (Free Jazz)

“There is almost always one enigmatic person at every gathering…. Inevitably, there is an expert storyteller there as well. With any luck, it happens to be the same person. These rare folk have the ability to spin a tale you have possibly heard before but can retell it with such clarity that you are captivated or better yet hypnotized. They can give you a new understanding of something you thought you already knew. This is a beautiful power and an ability that is rare to possess. Catherine Sikora is such a person/player.”

— Philip Coombs (Free Jazz)

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