performances: Han-earl Park, Dominic Lash and Mark Sanders (Birmingham and London, October 2014)

Han-earl Park, Dominic Lash and Mark Sanders
October 2014: performances by Han-earl Park (guitar), Dominic Lash (double bass) and Mark Sanders (drums), Birmingham and London, England.

See the performance diary for up-to-date info.

about the performers

Improviser, guitarist and constructor Han-earl Park has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces across Europe and the USA.

Park engages a radical, liminal, cyborg virtuosity in which mind, body and artifact collide. He is driven by the social and revolutionary potential of real-time interactive performance in which tradition and practice become creative problematics. As a constructor of musical automata, he is interested in partial, and partially frustrating, context-specific artifacts; artifacts that amplify social relations and corporeal identities and agencies.

Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder, and as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros.

Festival appearances include Freedom of the City (London), Sonorities (Belfast), ISIM (New York), dialogues festival (Edinburgh), CEAIT (Los Angeles) and Sonic Acts (Amsterdam). His recordings have been released by labels including Slam Productions, Creative Sources and DUNS Limited Edition.

Park taught improvisation at University College Cork, and founded and curated Stet Lab, a space for improvised music in Cork.

“Guitarist Han-earl Park is a musical philosopher…. Expect unexpected things from Park, who is a delightful shape-shifter….”

Brian Morton (Point of Departure)

Dominic Lash is a freely improvising double bassist, although his activities also range much more widely and include playing bass guitar and other instruments; both writing and performing composed music; and writing about music and various other subjects.

He has performed with musicians such as Tony Conrad (in duo and quartet formations), Joe Morris (trio and quartet), Evan Parker (duo, quartet and large ensemble) and the late Steve Reid. His main projects include The Dominic Lash Quartet, The Set Ensemble (an experimental music group focused on the work of the Wandelweiser collective) and The Convergence Quartet.

Based in Bristol, Lash has performed in the UK, Austria, Finland, France, Germany, the Netherlands, Norway, Spain, Switzerland, Turkey and USA. For nearly a decade he was based in Oxford and played a central role in the activities of Oxford Improvisers; much of 2011 was spent living in Manhattan. In 2013 and 2014 he is taking part in Take Five, the professional development programme administered by Serious.

Festival appearances include Akbank Jazz Festival (Istanbul), Audiograft (Oxford), Freedom of the City (London), Huddersfield Contemporary Music Festival, Hurta Cordel (Madrid), Konfrontationen (Nickelsdorf), LMC Festival (London), Manchester Jazz Festival and Tampere Jazz Happening.

His work has been broadcast on a number of radio stations, including BBC Radios 1 and 3 and Germany’s SWR2, and released on labels including Another Timbre, b-boim, Bead, Cathnor, Clean Feed, Compost and Height, Emanem, Erstwhile, FMR, Foghorn, Leo and NoBusiness.

Since moving to Bristol he has been involved in organising concerts under the banners of Bang the Bore and Insignificant Variation. A new venture is the monthly series happening every second Wednesday at the Arnolfini entitled Several 2nds. Events include performances, workshops, film screenings and discussions.

“Following in an illustrious lineage from Barry Guy through Simon Fell… breathtaking.”

John Sharpe (All About Jazz)

Mark Sanders has played with many renowned musicians from around the world including Evan Parker, Peter Brotzmann, Derek Bailey, Myra Melford, Paul Rogers, Henry Grimes, Roswell Rudd, Okkyung Lee, Barry Guy, Tim Berne, Otomo Yoshihide, Luc Ex, Ken Vandermark, Sidsel Endresen and Jean Francois Pauvrois, in duo and quartets with Wadada Leo Smith and trios with Charles Gayle with Sirone and William Parker.

New collaborative projects include ‘Riverloam Trio’ with Mikolaj Trzaska and Olie Brice, ‘Asunder’ with Hasse Poulsen and Paul Dunmall, duos with John Butcher and DJ Sniff, ‘Statics’ with Georg Graewe and John Butcher, and trio with Rachel Musson and Liam Noble.
Mark and John Edwards play as a rhythm section with many groups including Trevor Watts Quartet, ‘Foils’ with Frank Paul Schubert and Matthius Muller, Mathew Shipp’s ‘London Quartet,’ also playing with Fred Frith, Wadada Leo Smith and Shabaka Hutchins amongst many others.
Christian Marclay’s ‘Everyday’ project includes Mark with Christian, Steve Beresford, John Butcher and Alan Tomlinson, he also works regularly in the projects of Mikolaj Trzaska, Gail Brand, Paul Dunmall, Peter Jaquemyn, and Simon H. Fell.
Mark has performed in the USA, Canada, Brazil, Japan, Morrocco, South Africa, Mozambique and Turkey, playing at many major festivals including, Nickelsdorf, Ulrichsburg, Glastonbury, Womad, Vancouver, Isle of Wight, Roskilde, Berlin Jazz days, Mulhouse, Luz, Minniapolis, Banlieue Bleues, Son D’hiver and Hurta Cordel.

He has released over 120 CDs.

“A gifted player capable of seamless movement between free-rhythms and propulsive swing.”

John Fordham (The Guardian)

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performance diary 08-16-14 (Birmingham, London)

upcoming performances
date venue time details
October 28, 2014 The Lamp Tavern
Barford Street
Birmingham B5 6AH
England
8:00pm Han-earl Park (guitar), Dominic Lash (double bass) and Mark Sanders (drums) presented by Fizzle. Also performing: A, B & C (Lee Allatson: drums; Stewart Brackley: bass and voice; and Bruce Coates: saxophones). Admission: £5 (£3).
[Details…]
October 30, 2014 Long White Cloud
151 Hackney Road
London E2 8JL
England
8:30pm (doors: 8:00pm) Han-earl Park (guitar), Dominic Lash (double bass) and Mark Sanders (drums) presented by LUME. Also performing: Strikethrough Me & You (Sam Andreae and Rodrigo Constanzo). Admission: £5.
[Details…] [LUME calendar…]
2014– Europe I am based in Europe as of 2014, and I am seeking performance opportunities for, in particular, my Europe-based projects including Numbers (with Richard Barrett), Mathilde 253 (with Charles Hayward and Ian Smith). Interested promoters, venues and sponsors, please get in touch!
2015 UK Seeking performance opportunities for the quartet of Josh Sinton (saxophone and clarinet), Han-earl Park (guitar), Adam Hopkins (double bass) and Dominic Lash (double bass) in the UK, early/mid 2015. Interested promoters, venues and sponsors, please get in touch!

Read More »

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site update: Han-earl Park bio plus YouTube playlist

Although nowhere near a big a revision as the last major update, I’ve made some significant changes to my bio. Below is the new verbose, everything-but-the-kitchen-sink, 472 word version [shorter versions…].

Improviser, guitarist and constructor Han-earl Park (박한얼) (www.busterandfriends.com) has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces in Austria, Denmark, Germany, England, Ireland, The Netherlands, Scotland and the USA.

Park engages a radical, liminal, cyborg virtuosity in which mind, body and artifact collide. He is driven by the social and revolutionary potential of real-time interactive performance in which tradition and practice become creative problematics. As a constructor of musical automata, he is interested in partial, and partially frustrating, context-specific artifacts; artifacts that amplify social relations and corporeal identities and agencies.

Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder. He has guested with Gargantius Effect (Murray Campbell and Randy McKean), the Mark Hanslip/Dominic Lash/Phillip Marks Trio, and Swim This (Nick Didkovsky, Gerry Hemingway and Michael Lytle); performed as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros; and participated in improvisative meetings with Gerald Cleaver, Andrea Parkins, Tom Rainey, Mike Pride, Anna Webber, Jack Wright and Ingrid Laubrock. He has studied with improviser-composers Wadada Leo Smith, Richard Barrett, Joel Ryan, Mark Trayle, Chick Lyall and David Rosenboom, composers Clarence Barlow and Marina Adamia, and interactive media artist Sara Roberts.

Festival appearances include Freedom of the City (London), Sonorities (Belfast), International Society for Improvised Music (New York), dialogues festival (Edinburgh), VAIN Live Art (Oxford), Center for Experiments in Art, Information and Technology Festival (Los Angeles) and Sonic Acts (Amsterdam). In addition to numerous self-released albums, his recordings have been released by Slam Productions, Creative Sources, Vicmod Records, FrImp, Owlhouse Recordings and DUNS Limited Edition. His music has been featured on anthologies released by Bridge Records, farpoint recordings and Frog Peak Music. He has performed live on Resonance FM (London), Drift Radio (Scotland), and KVMR 89.5 FM (Nevada County), interviewed on RTÉ Morning Ireland and RTÉ Nova (Ireland), and his recordings have been broadcast around the world.

Park taught improvisation at University College Cork (2006–2011), and founded and curated (2007–2011) Stet Lab, a space for improvised music in Cork. He is a recipient of grants from the Arts Council of Ireland (2007, 2008 and 2009) and Music Network (2009 and 2010), and of the Ahmanson Foundation Scholarship (1999) and the CalArts Scholarship (1999 and 1999–2000).

[Han-earl Park’s biography (16–472 words) plus press quotes…]

I’ve also taken the opportunity to create a new video playlist of selected performances. With 52 videos, and clocking in at around 13 hours, my previous playlist of ‘recent’ performances was no longer able to be an effective portfolio reel. Thanks as always to the videographers (Don Mount, Kevin Reilly and Scott Friedlander), and to all the performers.

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online: Paul Dunmall and Han-earl Park, ‘Boolean Transforms’

The entire catalog of Paul Dunmall’s record label, DUNS Limited Edition, is now online:

Duns Limited Edition has ceased production, but during its lifetime it was pretty prolific. Having founded the label himself, Paul relished in the freedom to record and release on cdr a multitude of projects, playing with like-minded, creative musicians at his invitation. All the music is totally freely improvised. [Read the rest…]

[DUNS on YouTube…] [Facebook…]

And, as part of that catalog, you’ll find Boolean Transforms (DLE-067) by Paul Dunmall and Han-earl Park recorded way back in November 2009. Physical copies of this and some other DUNS albums are still available from Downtown Music Gallery and from Mind Your Own Music, and you can view some video footage from this concert.

Also by Paul Dunmall and Han-earl Park

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)

Dunmall-Park-Sanders (Birmingham, 02-15-11) [details…]

Performers: Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums).

(cc) 2013 Paul Dunmall/Han-earl Park/Mark Sanders.

Han-earl Park, Paul Dunmall, Mark Sanders and Jamie Smith: Live at the Glucksman gallery, Cork (owlcd002) CD cover (copyright 2012, Owlhouse Recordings)

Live at the Glucksman gallery, Cork (owlcd002) [details…]

Performers: Han-earl Park (guitar), Paul Dunmall (saxophone), Mark Sanders (drums) and Jamie Smith (guitar).

© 2009 by Owlhouse Recordings.
℗ 2009 Han-earl Park/Paul Dunmall/Mark Sanders/Jamie Smith.

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cuttlefish: Study of Notation

I’m honored to find my concept thumbnail (‘Study in Notation’) in the pages of cuttlefish (issue #1, summer 2014), a “zine for contemporary culture, music, art, aesthetics, politics,” edited by Peter O’Doherty. The piece was accompanied by an excerpt from my interview with Miguel Copón:

I’m not sure at all where this is leading, but having through some combination of ideology and necessity (ain’t it always the way?) found myself somewhat involuntarily in the ‘Total Improvisation’ camp, I’m beginning to look on the other side of the fence. Let me be clear, the, to borrow Lewis’ term, Eurological conception of the score and the practice that surrounds it (theorized in detail by Small, Cusick, Nicholas Cook and others), with its limited models of control and dogma of reproducibility, and naive notions of aesthetics, does not interest me at all.

However, I’m feeling a gravitational tug. Maybe it’s due to coming into close contact with musicians who have a much more sophisticated (if often, from an non-practitioner’s POV, misunderstood and under theorized) relationship with the score and the possibilities of notation. But it’s a distinct pull. Still working—struggling—through some ideas, and studies, and have far, far more questions than answers about the possible role notation and the score might have in an improvisative context, but that’s the new thing that’s exciting me at the moment. [Read the rest…]

The theme of cuttlefish’s inaugural issue is “work-in-progress (sketches, doodles, journal entries, streams of consciousness…),” and features contributions by Wim Bollein, Laura Duran, Evgeniy Aleksandrovich (=dozen), Graham Holliday, ja’s ink on paper, Daniel Kan, Francisco Martins, Corey Mwamba, Ciarán Ó Dochartaigh, Peter O’Doherty, Han-earl Park, Kiyomitsu Saito, Tom Tebby, Nicolas P. Tschopp, Andrea Valle, Krysthopher Woods and Alice Xiang.

If you are interested in contributing to future issues of cuttlefish, please contact cuttlefish[at]peterodoherty.net.

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thanks: Eris 136199 (ISIM, NYC), Rasmussen-Foster-Niggenkemper-Park (DMG, NYC) and Park-Rainey (Why Not Jazz Room, NYC)

A belated note of thanks for all involved in the June 6, June 6 (no that’s not a typo—two performances on that day), and June 8 events. Thanks to the folk at ISIM, and in particular to Richard Robeson, Billy Satterwhite and Ed Sarath for organizing, curating and facilitating the event, and to Christopher Hoffman for the tech support; to Bruce and everyone at Downtown Music Gallery, the World’s Greatest Record Store (seriously, go buy a record from them right now); and to Andrea Wolper and her amazing series, and to Why Not Jazz Room. Thanks also to the multiple documentarists: videographers Don Mount and Juan Ant [watch/listen…], and to photographer Peter Gannushkin [see…].

As always, big thanks to the creative folk who shared the stage with me; it’s always a privilege. Applaud these folk: Mette Rasmussen, Michael Foster, Pascal Niggenkemper; Tom Rainey (how does one perform with a drummer who can anticipate every move?); and the two that complete Eris 136199: Nick Didkovsky and Catherine Sikora (always a blast).

Finally, thanks to all who came to listen. That’s to be my last visit to New York for sometime, and, audience big or small, it’s always a pleasure to perform for you.

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Lost at the Border: Improvisation, Conservation and Transformation (a twitter transcript)

Previte: “I’m a bit of a mongrel.” #isim2014
…and w/ that simple statement, is not the enterprise of Cross-Cultural Improvisation nuked? #isim2014

More tweets from an institutionally unaffiliated, sometimes teacher, amateur scholar and anthropologist [a previous twitter transcript…]. Below is an unedited transcript of my observations from ISIM: Cross-Cultural Improvisation III. My original observations came in the form of live tweets via @hanearlpark that spanned the opening ceremony on June 5, the conference plus performances between June 6 and 8, plus some post-event reflections.

My questions and observations are indebted to discussions with @AndreaWolper, @jkais, @nickreynoldsatw, @MarkImprov, @drmelmarshall and @coreymwamba both on- and off- the twitterverse.

My rants, however, are entirely my own ;-) Read More »

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reminder: Han-earl Park and Tom Rainey at Why Not Jazz Room, New York

Tomorrow (Sunday, June 8, 2014), at 7:30pm: a performance by Han-earl Park (guitar) and Tom Rainey (drums), presented as part of Andrea Wolper’s Why Not Experiment? Series, takes place at Why Not Jazz Room (14 Christopher Street, New York, NY 10014) [map…]. Recommended donation: $10 per set.

A long-time fan of Mr Rainey’s work, I’m tremendously honored and excited to be sharing a stage with him. And multiply that with Andrea Wolper’s series which promises an open, intimate space for artistic experimentation.

Above video: last time I performed with Tom Rainey. The set with Ken Filiano and Ingrid Laubrock took place as part of Gowanus Company at Douglass Street Music Collective, Brooklyn. Video by Scott Friedlander. [Watch the rest…]

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tonight: ‘Alias Ra’ with Michael Foster, Pascal Niggenkemper and Han-earl Park, New York

‘Alias Ra’ with Michael Foster, Pascal Niggenkemper and Han-earl Park
Tonight (Friday, June 6, 2014), at 7:00pm: a performance by ‘Alias Ra’ (saxophones) with Michael Foster (saxophones), Pascal Niggenkemper (doubles bass) and Han-earl Park (guitar). Also performing at 6:00pm are Gianni Mimmo (saxophone) and Alison Blunt (violin). The event takes place at Downtown Music Gallery (13 Monroe Street, New York, NY 10002-7351) [map…]. Free admission.

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reminder: Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) at ISIM, New York

ISIM: Cross-Cultural Improvisation III kicks-off this week, and on Friday (June 6, 2014), at 3:00pm, Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones) will be performing at The New School for Jazz and Contemporary Music (55 West 13th Street, New York, NY 10011). Conference fees from $25 to $200 [more info and get tickets…].

Incidentally, the performance with ‘Alias Ra,’ Michael Foster and Pascal Niggenkemper that was to take place on the evening of Eris 136199’s performance has been relocated to Downtown Music Gallery, New York. As always see the performance diary for up-to-date info.

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site update: scrapbook redux reboot

web audio player widget
Another summary of the updates to my scrapbook since the last review. A few newer clips from Brooklyn and New York which include some of the best music I’ve been involved in (the duo with Gerald Cleaver, in particular, has, for me, some of my best playing), plus a blast from the past: Mathilde 253 in Cork. With the latest updates, I’ve also taken the opportunity to split the scrapbook across two pages (with so much embedded media, it was getting near impossible for those with slower computers and/or connections to load the page).

Please note that all music and audio recordings © + ℗ their respective owners (i.e. these are not covered by a Creative Commons License).

Han-earl Park (guitar), Catherine Sikora (saxophones) and Mike Pride (drums).

Music by Han-earl Park, Catherine Sikora and Mike Pride.
Recorded live, April 2, 2014 at Spectrum, New York.
Recorded by Don Mount.

Evan Parker (saxophone) and Han-earl Park (guitar), plus Peter Evans (trumpet) and Okkyung Lee (’cello).

Music by Evan Parker and Han-earl Park, plus Peter Evans and Okkyung Lee.
Recorded live, September 19, 2013 at The Stone, New York.
Recorded by Don Mount.

Gerald Cleaver (drums) and Han-earl Park (guitar).

Music by Gerald Cleaver and Han-earl Park
Recorded live, August 13, 2013 at Douglass Street Music Collective, Brooklyn.
Recorded by Don Mount.

Mathilde 253 (Han-earl Park: guitar; Charles Hayward: drums; and Ian Smith: trumpet).

Music by Mathilde 253.
Recorded live, March 30, 2011 at Half Moon Theatre, Cork.
Presented with funding from the Music Network Performance and Touring Award, and support from the UCC School of Music and the Cork Opera House.
Recorded by John Hough. Live sound by Alex Fiennes.

[About this project…]

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performance: ‘Alias Ra’ with Michael Foster, Pascal Niggenkemper and Han-earl Park, Brooklyn

Stop Press: New venue!
‘Alias Ra’ with Michael Foster, Pascal Niggenkemper and Han-earl Park
Friday, June 6, 2014, at 7:00pm: a performance by the mystery saxophonist, ‘Alias Ra’ with Michael Foster (saxophones), Pascal Niggenkemper (doubles bass) and Han-earl Park (guitar) as part of Soup and Sound House Concert. Also performing are Chris Stover (trombone), Russ Johnson (trumpet), Niels Praestholm (bass) and Andrew Drury (drums). The event takes place at Andrew Drury’s home in Lefferts Gardens, Brooklyn (contact him for the location). Recommended donation: $15. Also performing are Gianni Mimmo (saxophone) and Alison Blunt (violin) at 6:00pm. The event takes place at Downtown Music Gallery (13 Monroe Street, New York, NY 10002-7351) [map…]. Free admission.

See the performance diary for up-to-date info.

updates

06–02–14: cancelation.
06–02–14: new venue.

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