Audio recordings of the February 2010 Stet Lab are now online.
-
News
- [More news…] [News feed…]
Tag Archives: han-earl park
Lab report January 11th 2010: get together and make weird noises
February 7, 2010 – 6:55 pm
I was on my way, one Monday evening in January, to a trad session with my melodica, when a different music drew me into Stet Lab at The Roundy. Han-earl Park was making good interesting sounds on guitar and pedals and stuff; Kevin Terry played the cello, what a lovely sound, and later Jesse Ronneau found some fun wacky stuff to do with it; [...]
Stet Lab January 11th 2010: audio recordings
January 19, 2010 – 12:21 pm
Audio recordings of the January 2010 Stet Lab are now online.
Stet Lab January 11th 2010 (reminder)
January 5, 2010 – 1:57 pm
Stet Lab takes place this coming Monday (January 11th), upstairs @ The Roundy. The event will feature the unique techno-virtuosity of Istanbul-based improviser Korhan Erel.
Stet Lab January 11th 2010 (update)
December 24, 2009 – 12:21 pm
Stet Lab featuring Korhan Erel, plus Han-earl Park, Jesse Ronneau and Veronica Tadman, takes place on Monday, 11 January 2010, upstairs @ The Roundy, Castle Street, Cork, Ireland.
Stet Lab December 7th 2009: audio recordings
December 10, 2009 – 11:14 pm
Audio recordings of the December 7th Stet Lab are now online.
Support the Lewis Glucksman Gallery
November 26, 2009 – 7:46 pm
The flooding in Cork city has affected the Lewis Glucksman Gallery. The Gallery has offered generous behind-the-scenes support to Stet Lab, and they’ve hosted improvised music performances by guests of the Lab (including Paul Dunmall, Don Malone, Mark Sanders, John Godfrey, Mick O’Shea, Franziska Schroeder, Bruce Coates and Jamie Smith), numerous Stet Lab (ir)regulars and occasional drop-ins (including Han-earl Park, Neil O’Loghlen, Niwel Tsumbu and Christian Martin).
Lab report November 10th 2009: history and lineage
November 21, 2009 – 7:39 pm
I’m sitting in London writing this. [I’m typing this up in Cork several days later, however….] My initial idea for this report, fueled by my less-than-wonderful playing with Paul Dunmall (Paul, of course, is never less than fantastic) [info on this performance…], was to write about the tightrope balancing act between playing something—crafting something—‘musically’ satisfactory (however [...]