Normally, nothing runs through my head when improvising. Occasionally, a thought will suggest, in an unobtrusive way, “Oh, that’s quite cool, you should copy that”. Or, as when I was first messing around with extended techniques on my bass, “My luthier’s gonna kill me…” But, at this Stet Lab, for the first time, a thought sounded loud and clear in my head almost immediately, and brought forth an emotional response which I don’t think left me for the whole performance. The emotion was panic, and the thought that caused it was, “Oh Christ, it’s too melodic…” Continue reading ‘Lab report July 10th 2008: consequences of a noisy head’
It’s good, I think, to think tactically about improvisation, and group improvisation in particular. You know, however, that you’ve lost the game in improvisation when you’re preempting the music. You don’t want to be thinking this is how it should be, goddamnit, and I will fit that square piece into that triangular hole. Continue reading ‘Lab report July 10th 2008: fitting the square piece into that triangular hole’
I’ve often wondered what goes through an improviser’s head during group improvisation. The improvised public performances I’ve participated in before have been more like improvised compositions in a sense—one person takes charge, or there’s a kind of plan vaguely sketched out (usually with the proviso that things might happen differently). This was my first time going in ‘cold’, without a plan. Continue reading ‘Lab report June 12th 2008: thoughts of a newbie improviser’
There’s a lot to be said for being the odd-one-out: you can be lazy.
There’s also a lot to be said for putting two ‘alikes’ together; be it the same instrumentation, or people who share a name. Okay, AFAIK, tactically, as an improviser, that latter factor doesn’t make an iota of difference, but I can vouch for the former. Continue reading ‘Lab report June 12th 2008: being the odd-one-out’
“This was possibly the noisiest ‘hoedown’ ever………………………………………” —Everybody’s sub-conscious
Anyway, it began with several short burst to get things started, from the house band of the evening. This comprised Eoin Callery (mountain dulcimer), Susan Geaney (flute), Tony O’Connor (bass guitar) and Barry Twomey (guitar). A very well behaved bass player who could have crush the puny acoustic forces, swelled and tinkered over the guitar and dulcimer duel. Continue reading ‘Lab report June 12th 2008: noisiest ‘hoedown’’
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