Although nowhere near a big a revision as the last major update, I’ve made some significant changes to my bio. Below is the new verbose, everything-but-the-kitchen-sink, 472 word version [shorter versions…]. Improviser, guitarist and constructor Han-earl Park (박한얼) (www.busterandfriends.com) has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics […]
Tag Archives: Han-earl Park
online: Paul Dunmall and Han-earl Park, ‘Boolean Transforms’
The entire catalog of Paul Dunmall’s record label, DUNS Limited Edition, is now online: Duns Limited Edition has ceased production, but during its lifetime it was pretty prolific. Having founded the label himself, Paul relished in the freedom to record and release on cdr a multitude of projects, playing with like-minded, creative musicians at his […]
cuttlefish: Study of Notation
I’m honored to find my concept thumbnail (‘Study in Notation’) in the pages of cuttlefish (issue #1, summer 2014), a “zine for contemporary culture, music, art, aesthetics, politics,” edited by Peter O’Doherty. The piece was accompanied by an excerpt from my interview with Miguel Copón: I’m not sure at all where this is leading, but […]
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Also tagged 13 Questions, Alice Xiang, Andrea Valle, Bridges 4029, Christopher Small, Ciarán Ó Dochartaigh, Corey Mwamba, cuttlefish, Daniel Kan, Dominic Lash, dozen, Emilio Vavarella, Evgeniy Aleksandrovich, Francisco Martins, Franziska Schroeder, George E Lewis, Graham Holliday, Harvestworks, ja’s ink on paper, Kiyomitsu Saito, Krysthopher Woods, Laura Duran, Mark Sanders, Miguel Copón, Nicholas Cook, Nicolas P Tschopp, Peter O’Doherty, Prepared Guitar, press, score, Study of Notation, Suzanne Cusick, Tom Tebby, website, Wim Bollein
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thanks: Eris 136199 (ISIM, NYC), Rasmussen-Foster-Niggenkemper-Park (DMG, NYC) and Park-Rainey (Why Not Jazz Room, NYC)
A belated note of thanks for all involved in the June 6, June 6 (no that’s not a typo—two performances on that day), and June 8 events. Thanks to the folk at ISIM, and in particular to Richard Robeson, Billy Satterwhite and Ed Sarath for organizing, curating and facilitating the event, and to Christopher Hoffman […]
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Also tagged Alias Ra, Andrea Wolper, Billy Satterwhite, Bruce Lee Gallanter, Catherine Sikora, Christopher Hoffman, Cross-Cultural Improvisation III, Don Mount, Downtown Music Gallery, Ed Sarath, Eris 136199, International Society for Improvised Music, Juan Ant, Mette Rasmussen, Michael Foster, New York, Nick Didkovsky, Pascal Niggenkemper, performance, Peter Gannushkin, photographs, recordings, Richard Robeson, The New School, The New School for Jazz and Contemporary Music, Tom Rainey, video recordings, Why Not Experiment? Series, Why Not Jazz Room
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Lost at the Border: Improvisation, Conservation and Transformation (a twitter transcript)
Previte: “I’m a bit of a mongrel.” #isim2014 …and w/ that simple statement, is not the enterprise of Cross-Cultural Improvisation nuked? #isim2014 More tweets from an institutionally unaffiliated, sometimes teacher, amateur scholar and anthropologist [a previous twitter transcript…]. Below is an unedited transcript of my observations from ISIM: Cross-Cultural Improvisation III. My original observations came […]
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Also tagged Alex Koi, Alex Rodriguez, American Musicological Society, Andrea Wolper, Anthony Braxton, Association for the Advancement of Creative Musicians, Bobby Previte, Catherine Sikora, Chris Cutler, Cody Kommers, Corey Mwamba, Cross-Cultural Improvisation III, Douglas Ewart, Ed Sarath, Eris 136199, Gamin, Hesperus, International Society for Improvised Music, Ishmael Wadada Leo Smith, Jeff Kaiser, Ji Eun Moon, Jin Hi Kim, Mark Miller, Mark Sanders, Mark Summers, Melanie L Marshall, New York, Nick Didkovsky, Nick Reynolds, Paul Berg, performance, Philip Glass, Renaissance Society of America, Richard Robeson, Samir Chatterjee, Steve Lacy, Ted Chiang, The New School, The New School for Jazz and Contemporary Music, Tina Chancey, Tom Rainey, Twitter, Vijay Iyer
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reminder: Han-earl Park and Tom Rainey at Why Not Jazz Room, New York
Tomorrow (Sunday, June 8, 2014), at 7:30pm: a performance by Han-earl Park (guitar) and Tom Rainey (drums), presented as part of Andrea Wolper’s Why Not Experiment? Series, takes place at Why Not Jazz Room (14 Christopher Street, New York, NY 10014) [map…]. Recommended donation: $10 per set. A long-time fan of Mr Rainey’s work, I’m […]
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Also tagged Andrea Wolper, New York, performance, Tom Rainey, Why Not Experiment? Series, Why Not Jazz Room
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tonight: ‘Alias Ra’ with Michael Foster, Pascal Niggenkemper and Han-earl Park, New York
Tonight (Friday, June 6, 2014), at 7:00pm: a performance by ‘Alias Ra’ (saxophones) with Michael Foster (saxophones), Pascal Niggenkemper (doubles bass) and Han-earl Park (guitar). Also performing at 6:00pm are Gianni Mimmo (saxophone) and Alison Blunt (violin). The event takes place at Downtown Music Gallery (13 Monroe Street, New York, NY 10002-7351) [map…]. Free admission.
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Also tagged Alias Ra, Alison Blunt, Downtown Music Gallery, Gianni Mimmo, Mette Rasmussen, Michael Foster, New York, Pascal Niggenkemper, performance
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reminder: Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) at ISIM, New York
ISIM: Cross-Cultural Improvisation III kicks-off this week, and on Friday (June 6, 2014), at 3:00pm, Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones) will be performing at The New School for Jazz and Contemporary Music (55 West 13th Street, New York, NY 10011). Conference fees from $25 to $200 [more info […]
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Also tagged Alias Ra, Catherine Sikora, Cross-Cultural Improvisation III, Downtown Music Gallery, Eris 136199, International Society for Improvised Music, Mette Rasmussen, Michael Foster, New York, Nick Didkovsky, Pascal Niggenkemper, performance, The New School, The New School for Jazz and Contemporary Music
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site update: scrapbook redux reboot
Another summary of the updates to my scrapbook since the last review. A few newer clips from Brooklyn and New York which include some of the best music I’ve been involved in (the duo with Gerald Cleaver, in particular, has, for me, some of my best playing), plus a blast from the past: Mathilde 253 […]
Posted in media, video recordings, website
Also tagged Alex Fiennes, Bleeding Edge Trio, Brooklyn, Catherine Sikora, Charles Hayward, Cork, Cork Opera House, Don Mount, Douglass Street Music Collective, Evan Parker, Gerald Cleaver, Half Moon Theatre, Ian Smith, John Hough, Mathilde 253, Mike Pride, Music Network, New York, Okkyung Lee, Peter Evans, recordings, Spectrum, The Stone, UCC, UCC School of Music, video recordings, YouTube
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performance: ‘Alias Ra’ with Michael Foster, Pascal Niggenkemper and Han-earl Park, Brooklyn
Stop Press: New venue! Friday, June 6, 2014, at 7:00pm: a performance by the mystery saxophonist, ‘Alias Ra’ with Michael Foster (saxophones), Pascal Niggenkemper (doubles bass) and Han-earl Park (guitar) as part of Soup and Sound House Concert. Also performing are Chris Stover (trombone), Russ Johnson (trumpet), Niels Praestholm (bass) and Andrew Drury (drums). The […]
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Also tagged Alias Ra, Andrew Drury, Brooklyn, Chris Stover, Mette Rasmussen, Michael Foster, New York, Niels Praestholm, Pascal Niggenkemper, performance, Russ Johnson, Soup and Sound House Concert
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performance diary 05-22-14 (Brooklyn, New York)
June-06-2014: New York, NY
June-06-2014: New York, NY [Relocated]
June-08-2014: New York, NY
Sep/Oct-2014: Europe
Posted in diary, gigs
Also tagged Alias Ra, Alison Blunt, Andrea Wolper, Andrew Drury, Brahim Fribgane, Brooklyn, Catherine Sikora, Chris Stover, Cross-Cultural Improvisation III, Downtown Music Gallery, Eris 136199, Gianni Mimmo, International Society for Improvised Music, Lamy Istrefi, Lawrence Leathers, Mette Rasmussen, Michael Foster, New York, Nick Didkovsky, Niels Praestholm, Pascal Niggenkemper, performance, Russ Johnson, Soup and Sound House Concert, The New School, The New School for Jazz and Contemporary Music, Tom Rainey, TransAtlantico, Why Not Experiment? Series, Why Not Jazz Room
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reminder: Han-earl Park, Kevin Terry and Dan Walsh at CIMC, Cork
This Sunday (May 18, 2014), at 9:30pm: Han-earl Park (guitar), Kevin Terry (guitar) and Dan Walsh (drums), presented as part of CIMC, perform at the Gulpd Café (Triskel Arts Centre, Tobin Street, Cork, Ireland) [map…]. Admission free. updates 05–17–14: event starts at 9:30pm.
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Also tagged CIMC, Cork, Dan Walsh, Gulpd Café, Kevin Terry, performance, Triskel Arts Centre
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