Shifting and switching from No Wave skronk to interstellar guitarist-as-drummer virtuosity, from stampedes of miniature Pomeranian Buffalos to All-You-Zombies heterophonies, Han-earl Park (박한얼) has been performing beautifully messy, joyously difficult, ambiguous and discordant improvised musics for over twenty years. Park is the mastermind behind ensembles including Eris 136199 with Catherine Sikora and Nick Didkovsky; Juno 3 with Lara Jones and Pat Thomas; and Gonggong 225088 with Yorgos Dimitriadis and Camila Nebbia; and performs as part of a duo with Richard Barrett. [More…]
A short, improvisative meditation on snaps and grids (or should that be unsnaps and degrids?). Simple, modest—nothing at all complicated—but it does exactly what I set out to do.
It’s been a couple of months since this trio last hit the stage, but each time is different, and every time is special. I am so very much looking forward to playing again with Camila and Yorgos, and excited to be finally taking this trio out of its birth city. See you at Manufaktur!
Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.
I love what’s recorded (and sculpted) here as sound. There are behind-the-scenes stories about an impossible group emerging from the debris of lockdown and the tangles of inter-border bureaucracy (stories for another time). But also, to my ears as a listener, there’s something tricky and oblique about our music—an origami of fire music and improvisative mischief—knotted, folded-on-itself, and, at time, joyously vexed.
Yet, the feeling on-stage, it’s all near effortless ‘and then’s and ‘therefore’s; of effects and reactions, but also reframings and reflections and retroactions. We went, I think, to a lot of unexpected places in that one session.
So sit-back in your favorite sofa or beanbag, or, headphones ready, go for a wander and a walk, or maybe sit at the table with a good book, and enjoy the journey. [Read the rest…]
I’m very, very happy with the music on this album, and feel very privileged to have shared this journey with the creative people on-stage, and behind-the-scenes. Please enjoy the noise!
Catch a track (‘Autopoiesis VI’) from Gonggong 225088! The extended preview will premiere at 5pm CEST* on Thursday, May 23, 2024! [Click ‘notify me’…]
By turns light-as-a-feather, and heavy and prickly as a bucket of rusty nails, the music is of contradiction and ambiguity. Leaps into ’90s HatHut pastiche are followed by truckers-in-space-engine-rumbles; slow-crawls-from-the-swap of irony-free ‘bells’n’smells’ sound art followed by turns-turns-turns-on-a-dime mutant Free Funk. [More…]
Click ‘notify me’, and be ready with your headphones (and popcorn), and join me on Thursday for some origami fire music!
* 17:00 CEST, 15:00 UTC, 11:00 EST, and 8:00 PST. (Or: 12am in Seoul, 6pm in Athens, 12pm in Buenos Aires, and 5pm in Berlin.).
Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.
PAS
Kaiserin Augusta Allee 101
10553 Berlin
Germany
8:30pm (doors: 8pm)
Han-earl Park (guitar) Yorgos Dimitriadis (percussion and electronics) and Camila Nebbia (saxophone) performs as part of DISSIDENTS LIX. Also performing: Luís (piano) and Lorena Izquierdo (voice action), and VÍZ (voice and electronics). [Details…]
[PAS page…] [Facebook event…]
May 15, 2024
Gemeinde Köln
Ebertplatzpassage, Laden 7
50668 Köln
Germany
8:00pm
Han-earl Park (guitar) as part of Bruitkasten. Also performing: Emily Wittbrodt (’cello) and Simon Camatta (drums), and Melchior Mahnig (gravoblitz), Balthasar Belm (hologlotar) and Kasimir Kengel (semi-ionic trafoplex).
[Details…]
[Impakt page…]
The Zen of Frustration, or: ever had one of those days (or weeks)? This is probably as spontaneous as it gets. I felt better* by the end, but, I don’t know, as a listener, does this bring you frustration or relief?
* Autocorrect suggested ‘battered.’ Nice try, but no cigar.
Kaffe and I have been playing since December, and it’s been an evolving, rewarding creative process. This performance will be the first time we get to present our music in public (a big, big thanks to Ligia Liberatori and Isabel Rößler for hosting us), and I’m very excited to finally share our noise!
My latest study in the #onetakestudy series is a super simple, quick little improvisation. This one is partly a response to some of the issues I had with study Nº 6. This study does, I think, what it needs to do, and no more. Enjoy.
Track listing: Autopoiesis I (≥ 10:14), Autopoiesis II (≥ 4:29), Niche Shift I (16:09), Niche Shift II (≥ 4:45), Niche Shift III (4:35), Niche Shift IV (≥ 12:52), Autopoiesis III (3:26), Autopoiesis IV (≥ 5:03), Autopoiesis V (≥ 3:17), Autopoiesis VI (3:37). Total duration ≥ 70:14.
