A Little Brittle Music

‘A Little Brittle Music’ with Han-earl Park, Dominc Lash and Corey Mwamba (artwork copyright 2015, Han-earl Park)
Artwork © 2015 Han-earl Park.

Update: download no longer available (“Limited availability… until March 31, 2016”). For those who got it, big thanks for your support; wishing you good listening!

The complete recording of the May 2, 2015 performance by Han-earl Park (guitar), Dominic Lash (double bass) and Corey Mwamba (vibraphone and flute) is available (for a limited time), complete with a couple of hidden ‘bonus’ tracks (recorded May 4), for download via Bandcamp. [Bandcamp page…] [Download now…]

This bandcamp-hosted album offers the option to download the recording in multiple formats (mp3, Ogg and AAC) including lossless (FLAC and ALAC), and includes print-ready CD case cover and inlay artwork.

Price: €5 minimum (‘name your price’).

All proceeds go towards the maintenance of musical instruments (e.g. mallets, bow rehairing, etc.). Your generosity will help support the performers and their work. For reference:

  • €10 = set of guitar strings = keeps guitar(ist) happy for 3 weeks
  • €200 = double bass strings = happy bassist, 6–8 months

Incidentally, replacement of the components depicted in the cover art (potentiometers, capacitors, etc.) would be about €70.

Many thanks to David Birchall of Tubers Music, and Sibyl Madrigal and Alex Ward of Boat-ting for hosting the performance.

description

PLM? Uh, no… Pashwamba? Er, no, no, no…

Wait!

The Racially Diverse Trio of Nerdy Guys: or We Were Paid in Comics!

The Ultimate Han-earl Park, The Uncanny Dom Lash and The Astonishing Corey Mwamba demonstrate their formidable and generous musicality (a diabolical combination), making music, sometimes brittle, always unexpected, with no gesture lost in play. (Album includes two bonus tracks that demonstrate the effects of entropy, as the bridge pickup of the guitar cr*ps-out, and the bass develops a new buzz.)

Released: November 1, 2015. Limited availability (until March 31, 2016).

Price: €5 minimum (‘name your price’).

All proceeds go towards the maintenance of musical instruments (e.g. mallets, bow rehairing, etc.). Your generosity will help support the performers and their work. For reference:

  • €10 = set of guitar strings = keeps guitar(ist) happy for 3 weeks
  • €200 = double bass strings = happy bassist, 6–8 months

Incidentally, replacement of the components depicted in the cover art (potentiometers, capacitors, etc.) would be about €70.

personnel

Han-earl Park (guitar), Dominic Lash (double bass) and Corey Mwamba (vibraphone and flute; tracks 1–2).

track listing

Manchester Breakdown (24:29); Decomposition (Detemporization) (3:56); Bridge: Pickup and Collapse (15:31); Buzzing Decay (4:59). Total duration: 48:54. (Note: tracks 3–4 are hidden ‘bonus’ tracks.)

recording details

Tracks 1–2: music by Han-earl Park, Dominic Lash and Corey Mwamba. Tracks 3–4: music by Han-earl Park and Dominic Lash.

Tracks 1–2 recorded live at St. Margaret’s Church, Manchester on May 2, 2015 as part of the Tubers MiniFestival curated by David Birchall. Tracks 3–4 recorded live at Boat-ting, London on May 4, 2015 in an event curated by Sibyl Madrigal.
Recorded and mastered by Han-earl Park.
Design and artwork by Han-earl Park.

© 2015 Han-earl Park. ℗ 2015 Park/Lash/Mwamba.

about the performers

Han-earl Park, Dominic Lash and Corey Mwamba (Tubers MiniFestival, Manchester, May 2, 2015). Photo © 2015 Peter Fay.
Dominic Lash, Han-earl Park and Corey Mwamba (Manchester, May 2, 2015). Photo © 2015 Peter Fay.

Improviser, guitarist and constructor Han-earl Park has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces across Europe and the USA.

Park engages a radical, liminal, cyborg virtuosity in which mind, body and artifact collide. He is driven by the social and revolutionary potential of real-time interactive performance in which tradition and practice become creative problematics. As a constructor of musical automata, he is interested in partial, and partially frustrating, context-specific artifacts; artifacts that amplify social relations and corporeal identities and agencies.

Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder, and as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros.

Festival appearances include Freedom of the City (London), Sonorities (Belfast), ISIM (New York), dialogues festival (Edinburgh), CEAIT (Los Angeles) and Sonic Acts (Amsterdam). His recordings have been released by labels including Slam Productions, Creative Sources and DUNS Limited Edition.

Park taught improvisation at University College Cork, and founded and curated Stet Lab, a space for improvised music in Cork.

“Guitarist Han-earl Park is a musical philosopher…. Expect unexpected things from Park, who is a delightful shape-shifter….”

Brian Morton (Point of Departure)

Dominic Lash is a freely improvising double bassist, although his activities also range much more widely and include playing bass guitar and other instruments; both writing and performing composed music; and writing about music and various other subjects.

He has performed with musicians such as Tony Conrad (in duo and quartet formations), Joe Morris (trio and quartet), Evan Parker (duo, quartet and large ensemble) and the late Steve Reid. His main projects include The Dominic Lash Quartet, The Set Ensemble (an experimental music group focused on the work of the Wandelweiser collective) and The Convergence Quartet.

Based in Bristol, Lash has performed in the UK, Austria, Finland, France, Germany, the Netherlands, Norway, Spain, Switzerland, Turkey and USA. For nearly a decade he was based in Oxford and played a central role in the activities of Oxford Improvisers; much of 2011 was spent living in Manhattan. In 2013 and 2014 he is taking part in Take Five, the professional development programme administered by Serious.

Festival appearances include Akbank Jazz Festival (Istanbul), Audiograft (Oxford), Freedom of the City (London), Huddersfield Contemporary Music Festival, Hurta Cordel (Madrid), Konfrontationen (Nickelsdorf), LMC Festival (London), Manchester Jazz Festival and Tampere Jazz Happening.

His work has been broadcast on a number of radio stations, including BBC Radios 1 and 3 and Germany’s SWR2, and released on labels including Another Timbre, b-boim, Bead, Cathnor, Clean Feed, Compost and Height, Emanem, Erstwhile, FMR, Foghorn, Leo and NoBusiness.

Since moving to Bristol he has been involved in organising concerts under the banners of Bang the Bore and Insignificant Variation. A new venture is the monthly series happening every second Wednesday at the Arnolfini entitled Several 2nds. Events include performances, workshops, film screenings and discussions.

“Following in an illustrious lineage from Barry Guy through Simon Fell… breathtaking.”

John Sharpe (All About Jazz)

Born and based in Derby, Corey Mwamba’s commitment to jazz and improvised music in Britain and Ireland drives all aspects of his work, whether through composition, playing, or promoting new music.

Corey predominantly plays vibraphone; he also plays dulcimer and uses audio processing software. He is recognised as a highly creative improviser and composer working across a wide range of jazz and contemporary music, called to work with musicians such as Tony Kofi, Pat Thomas, Alexander Hawkins, Glasgow Improvisers Orchestra, Arun Ghosh, Quantic, Cerys Matthews, Mat Maneri, Lucian Ban and Ty.

Mwamba’s distinctive approach and tone can be heard in the critically acclaimed Yana with Dave Kane (bass) and Joshua Blackmore (drums). This group exemplifies a core ideal of creating an “open, living music”; listening and responding spontaneously as a unit to make music that has love, language and a groove. Their first studio release don’t overthink it was hailed as “engaging and evocative” (All About Jazz) and described as “the sound of three minds working together in a utopian zone, way beyond the individual ego – and producing something quite beautiful in the process” (Jazzwise). He is a member of the Anglo-French quartet Sonsale with bassist Andy Champion, drummer Sylvain Darrifourcq and cellist Valentin Ceccaldi. Corey also works with Andy in an improvising trio with saxophonist Ntshuks Bonga. He also plays in duos with saxophonist Rachel Musson; pianist Robert Mitchell; percussionists Martin Pyne and Walt Shaw; and the multi-instrumentalist Orphy Robinson.

Corey contributes to saxophonist Nat Birchall’s quintet, saxophonist and composer Martin Archer’s large ensemble Engine Room Favourites, and trumpeter Nick Malcolm’s quartet. He plays with Nick and drummer Simon Roth in Our Own Decay.

An active advocate of the arts, Corey Mwamba strives to argue the case for the arts. He petitioned for fair pay to artists during the London Olympics, and helped engineer a moratorium and review of arts funding cuts in Derby through debate with the city council; he has also worked with many regional arts organisations. He has held board positions for Derby Jazz, World Song Derby, Derby Cultural Diversity Arts Network, and Arts Council England (East Midlands). He is also an adventurous programmer of new music in Derby, setting up One Note Sunday and The Family Album as well as programming Derby Jazz’s improvised music stream called 2ndline.

Corey was granted a PRSF/Jerwood Foundation Take Five artist development award in 2007; was short-listed for the Innovation category in the BBC Jazz Awards in 2008; and was awarded an AHRC studentship for a Master of Research degree in Music at Keele University; he graduated with a distinction in 2014.

Also available for download [more…]

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)

Dunmall-Park-Sanders (Birmingham, 02-15-11) [details…]

Performers: Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums).

(cc) 2013 Paul Dunmall/Han-earl Park/Mark Sanders.

Murray Campbell, Randy McKean with Han-earl Park, plus Gino Robair and Scott R. Looney: Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011)

Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011) [details…]

Performers: Murray Campbell (violins, oboe and cor anglais), Randy McKean (saxophone, clarinets and flutes) with Han-earl Park (guitar), plus Gino Robair (energized surfaces, voltage made audible) and Scott R. Looney (hyperpiano).

(cc) 2012 Murray Campbell/Randy McKean/Han-earl Park/Gino Robair/Scott R. Looney.

Han-earl Park plus Marian Murray: Park+Murray (Cork, 07-29-10)

Park+Murray (Cork, 07-29-10) [details…]

Performers: Han-earl Park (guitar) plus Marian Murray (violin).

(cc) 2012 Han-earl Park/Marian Murray.

Jin Sangtae, Han-earl Park and Jeffrey Weeter: Jin-Park-Weeter (Cork, 01–24–11)

Jin-Park-Weeter (Cork, 01-24-11) [details…]

Performers: Jin Sangtae (electronics), Han-earl Park (guitar) and Jeffrey Weeter (drums and electronics).

(cc) 2012 Jin Sangtae/Han-earl Park/Jeffrey Weeter.

Han-earl Park and Franziska Schroeder: Park-Schroeder (Cork, 03-26-09)

Park-Schroeder (Cork, 03-26-09) [details…]

Performers: Han-earl Park (guitar) and Franziska Schroeder (saxophone).

(cc) 2012 Han-earl Park/Franziska Schroeder.

Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)

Sikora-Smith-Park (Cork, 04-04-11) [details…]

Performers: Catherine Sikora (saxophone), Ian Smith (trumpet) and Han-earl Park (guitar).

(cc) 2012 Catherine Sikora/Ian Smith/Han-earl Park.

updates

11-03-15: add video trailer.
04-01-16: no longer available for download.

performances: Han-earl Park, Dominic Lash and Mark Sanders plus Caroline Pugh (Birmingham, Bristol and London, December 2015)

Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (image copyright 2015 Han-earl Park)
Image © 2015 Han-earl Park.

Han-earl Park (guitar), Dominic Lash (double bass) and Mark Sanders (drums) plus Caroline Pugh (voice and electronics) will be doing a short tour of England in December 2015 (see the performance diary for up-to-date info):

[Press release (PDF)…]

Culture Ireland logo

Presented with funding from Culture Ireland, and support from SLAM Productions.

details

Expect playful, noisy and inventive musical interactions as the cyborgian virtuoso guitarist Han-earl Park performs with double bassist Dominic Lash, drummer Mark Sanders, and vocalist and electronics performer Caroline Pugh in Birmingham (1 December 2015), Bristol (2 December) and London (3 December). This three-date tour marks the first European performances of Han-earl Park’s Metis 9, a collection of improvisative tactics for ensemble performance.

Described as “a musical philosopher… a delightful shape-shifter” by Brian Morton in Point of Departure, guitarist Han-earl Park has performed with some of the best improvisers from the Americas, Asia and Europe. He is part of ensembles including the London-based Mathilde 253 with Charles Hayward and Ian Smith, the New York-based Eris 136199 with Nick Didkovsky and Catherine Sikora, and the Berlin-based Numbers with Richard Barrett.

The performances will feature Park’s trio with the virtuosic bassist, composer and sound artist Dominic Lash, and Mark Sanders, arguably the most sought-after avant-jazz and free improvisation drummer of his generation. Joining the group will be Belfast-based experimental folk singer and electronics performer Caroline Pugh, bringing an additional layer of levity and exuberance to the already playful interactions of the trio.

In addition to presenting other improvisative and traditional works, this tour will mark the European premiere of Park’s Metis 9, a playbook of interactive tactics for group improvisation. Initially conceived and performed in New York (in collaboration with New York-based musicians, Josh Sinton and Catherine Sikora), Metis 9 is documented on the album Anomic Aphasia recently released by SLAM Productions to great acclaim (“☆☆☆☆½” All About Jazz, “☆☆☆☆” Free Jazz).

With musicians representing diverse strands of present-day improvised musics, prepare for a performance that fragments and recombines musical histories, a performance that leaps unexpectedly between noise, melody, dissonance, harmony and rhythm.

The events take place: Tuesday, 1 December, Fizzle at The Lamp Tavern (Barford Street, Birmingham B5 6AH), 7:30pm; Wednesday, 2 December, Bang the Bore at Cafe Kino (108 Stokes Croft, Bristol BS1 3RU), 8:00pm; Thursday, 3 December, Cafe OTO (18–22 Ashwin Street, Dalston, London E8 3DL), 8:00pm.

Presented with funding from Culture Ireland, and support from SLAM Productions.

[Press release (PDF)…]

about the ensemble

Hear guitarist Han-earl Park push and pull on the guitar-amplifier dancing partners, Dominic Lash and his double bass damage hanging artwork, Mark Sanders excavate caverns in the smallest spaces for his percussion, and Caroline Pugh sing the lines that border the intelligible and the cryptic. Somewhere out there, there’s an SUV-sized violin tailgating, a No Wave guitarist desperately trying to survive in the Appalachian Mountains, someone dropping sheets of metal during a Jazz Session, an evolutionary biologist finding themselves speaking in tongues (awash in blue).

about the performers

Improviser, guitarist and constructor Han-earl Park has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces across Europe and the USA.

Park engages a radical, liminal, cyborg virtuosity in which mind, body and artifact collide. He is driven by the social and revolutionary potential of real-time interactive performance in which tradition and practice become creative problematics. As a constructor of musical automata, he is interested in partial, and partially frustrating, context-specific artifacts; artifacts that amplify social relations and corporeal identities and agencies.

Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder, and as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros.

Festival appearances include Freedom of the City (London), Sonorities (Belfast), ISIM (New York), dialogues festival (Edinburgh), CEAIT (Los Angeles) and Sonic Acts (Amsterdam). His recordings have been released by labels including Slam Productions, Creative Sources and DUNS Limited Edition.

Park taught improvisation at University College Cork, and founded and curated Stet Lab, a space for improvised music in Cork.

“Guitarist Han-earl Park is a musical philosopher…. Expect unexpected things from Park, who is a delightful shape-shifter….”

Brian Morton (Point of Departure)

Dominic Lash is a freely improvising double bassist, although his activities also range much more widely and include playing bass guitar and other instruments; both writing and performing composed music; and writing about music and various other subjects.

He has performed with musicians such as Tony Conrad (in duo and quartet formations), Joe Morris (trio and quartet), Evan Parker (duo, quartet and large ensemble) and the late Steve Reid. His main projects include The Dominic Lash Quartet, The Set Ensemble (an experimental music group focused on the work of the Wandelweiser collective) and The Convergence Quartet.

Based in Bristol, Lash has performed in the UK, Austria, Finland, France, Germany, the Netherlands, Norway, Spain, Switzerland, Turkey and USA. For nearly a decade he was based in Oxford and played a central role in the activities of Oxford Improvisers; much of 2011 was spent living in Manhattan. In 2013 and 2014 he is taking part in Take Five, the professional development programme administered by Serious.

Festival appearances include Akbank Jazz Festival (Istanbul), Audiograft (Oxford), Freedom of the City (London), Huddersfield Contemporary Music Festival, Hurta Cordel (Madrid), Konfrontationen (Nickelsdorf), LMC Festival (London), Manchester Jazz Festival and Tampere Jazz Happening.

His work has been broadcast on a number of radio stations, including BBC Radios 1 and 3 and Germany’s SWR2, and released on labels including Another Timbre, b-boim, Bead, Cathnor, Clean Feed, Compost and Height, Emanem, Erstwhile, FMR, Foghorn, Leo and NoBusiness.

Since moving to Bristol he has been involved in organising concerts under the banners of Bang the Bore and Insignificant Variation. A new venture is the monthly series happening every second Wednesday at the Arnolfini entitled Several 2nds. Events include performances, workshops, film screenings and discussions.

“Following in an illustrious lineage from Barry Guy through Simon Fell… breathtaking.”

John Sharpe (All About Jazz)

Mark Sanders has played with many renowned musicians from around the world including Evan Parker, Peter Brotzmann, Derek Bailey, Myra Melford, Paul Rogers, Henry Grimes, Roswell Rudd, Okkyung Lee, Barry Guy, Tim Berne, Otomo Yoshihide, Luc Ex, Ken Vandermark, Sidsel Endresen and Jean Francois Pauvrois, in duo and quartets with Wadada Leo Smith and trios with Charles Gayle with Sirone and William Parker.

New collaborative projects include ‘Riverloam Trio’ with Mikolaj Trzaska and Olie Brice, ‘Asunder’ with Hasse Poulsen and Paul Dunmall, duos with John Butcher and DJ Sniff, ‘Statics’ with Georg Graewe and John Butcher, and trio with Rachel Musson and Liam Noble.

Mark and John Edwards play as a rhythm section with many groups including Trevor Watts Quartet, ‘Foils’ with Frank Paul Schubert and Matthius Muller, Mathew Shipp’s ‘London Quartet,’ also playing with Fred Frith, Wadada Leo Smith and Shabaka Hutchins amongst many others.

Christian Marclay’s ‘Everyday’ project includes Mark with Christian, Steve Beresford, John Butcher and Alan Tomlinson, he also works regularly in the projects of Mikolaj Trzaska, Gail Brand, Paul Dunmall, Peter Jaquemyn, and Simon H. Fell.

Mark has performed in the USA, Canada, Brazil, Japan, Morrocco, South Africa, Mozambique and Turkey, playing at many major festivals including, Nickelsdorf, Ulrichsburg, Glastonbury, Womad, Vancouver, Isle of Wight, Roskilde, Berlin Jazz days, Mulhouse, Luz, Minniapolis, Banlieue Bleues, Son D’hiver and Hurta Cordel.

He has released over 120 CDs.

“A gifted player capable of seamless movement between free-rhythms and propulsive swing.”

John Fordham (The Guardian)

Scottish vocalist and composer Caroline Pugh borrows old-fangled technologies and honours oral histories to create new performances. With a background in both folk and improvisation, her solo works You’ve Probably Heard These Songs Before, Timing By Ear, Measuring By Hand and Platform Audio also draw on performance art and pinhole photography.

Originally from Edinburgh, Caroline has performed across Europe and North America with new improvisation performances including Los Angeles’ Betalevel in 2012, NIME 2011 in Oslo, Just Listening 2011 in Limerick and Experimentica09 in Cardiff. She is also in a band called ABODE and an improvisation collective called E=MCH.

Now based in Belfast, Caroline sings in a folk duo with Meabh Meir and together with Myles McCormack they run traditional song sessions at the Garrick Bar on Mondays from 7.30-10pm.

In 2011, Caroline was awarded an Art Council Northern Ireland grant for her solo work and gained a Distinction for her AHRC-funded Master of Music at Newcastle University. She coaches students at Queen’s University Belfast and has worked in collaboration with visual artists (Connecting through Scape 2008), theatre practitioners (hour8+9 2009), video artists (SAAB 2009), dancers and psychologists (Newcastle and Northumbria Universities 2010). She also got a BA in Scottish Music from the Royal Academy of Music and Drama in Glasgow, and studied Contemporary Music at the University of Central Lancashire for a wee while too.

“Every once in a while you happen upon a gig or event that’s so fundamentally unlike anything you’ve experienced before that you can’t help but reconsider your own thoughts on what defines music, performance and entertainment.”

Brian Coney (BBC Across The Line)

images

Iconography/graphics

.zip archive of .jpg files
.zip archive of .jpg images (© 2015 Han-earl Park).
.zip archive of .pdf files
.zip archive of .pdf files—solid color vector images (© 2015 Han-earl Park).

portraits

Han-earl Park (Photo © 2010 Seán Kelly)Dominic Lash (Photo © 2013 Peter Gannushkin)Mark Sanders (Photo by Andrew Putler)Caroline Pugh

All photographs copyright the respective photographer: respect the terms of usage where stated. (Thumbnail images, above L–R: © 2010 Seán Kelly; © 2013 Peter Gannushkin; and by Andrew Putler.)

From SLAM Productions…

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

Anomic Aphasia (SLAMCD 559) [details…]

Performers: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar), and Josh Sinton (baritone saxophone and bass clarinet).

© 2015 Han-earl Park.
℗ 2015 SLAM Productions.

updates

10–13-15: embed video teaser.
10–20-15: add Facebook events.
11–20-15: add Bang the Bore page.

beautiful noise (reviews: Anomic Aphasia)

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)
‘Anomic Aphasia’ (SLAMCD 559) © 2015 Han-earl Park

‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton makes Avant Music News Best of 2015 (So Far). Honored to find my work among such illustrious company. [Read the Avant Music News review…]

Meanwhile… “dynamic, articulate”? “jarring, discordant, loud and experimental”? “interesting acoustic altercations?” sounds that are simultaneously “alien and captivating”? (I certainly love the idea that my guitar “breaks constantly with magmatic rumblings.”) Accompanying the interview with Han-earl Park in jazzColo[u]rs, Andrew Rigmore and Antonio Terzo review ‘Anomic Aphasia’:

Votato all’improvvisazione basata su macro tattiche, artefice di un impiego ritmico—molto personale—della chitarra, e fautore di sonorità comunque aliene e trascinanti al tempo stesso, Han-earl Park è musicista conscio dei propri limiti, che cerca di superare con un approccio “alternativo”, umile e di ricerca. A beneficiarne, innanzitutto, la voce della sassofonista Catherine Sikora, sonora, multicolore e sfaccettata…. Mette in campo due diverse formazioni: la prima, stridente, discordante, rumorosa e sperimentale, con il chitarrista Nick Didkovsky, ossia l’Eris trio, l’altra, più dinamica, articolata e meno dissonante, invece, insieme al sassofonista—anche lui sui generis—Josh Sinton, ossia Metis 9…. Han-earl Park lo dice chiaramente: il terreno è, specie per Metis 9, quello della sperimentazione, e dal punto di vista pratico, siamo certo molto lontani da quel che si intende per jazz. Ma è anche vero che essere pratici spesso impedisce di vedere il possibile. E, soprattutto in arte, uccide la fantasia.

— Andrew Rigmore and Antonio Terzo (jazzColo[u]rs)

Elsewhere… you can get your copy of the CD from Downtown Music Gallery who call it “challenging music where all of the players help determine the direction and interaction”:

Mr. Park moved here for a few years not too long ago and worked with a number of Downtown musicians…. This is Mr. Park’s first disc with those Downtowners, an interesting cast from different scenes…. Mr. Park wrote or provided directions for each piece…. The first trio is for two guitars and Ms. Sikora on saxes. It is very long and both guitars sound well-integrated, Mr. Park played those fractured notes similar to Derek Bailey and Mr. Didkovsky using some sustain or other devices to thicken up his tone or provide alien textures. Ms. Sikora… works well in the two guitars or two saxes context here. This is a strong, long and spirited disc of challenging music where all of the players help determine the direction and interaction. Another great thing about this disc is getting to hear bari sax great Josh Sinton stretching out at length. [Read the rest…]

— Bruce Lee Gallanter (Downtown Music Gallery)

Finally, KFJC 89.7 FM hears music that spans “cacophony to melody”, and a “beautiful noise”:

It’s all about guitars versus sax. Sax versus guitars. Sax and guitars together. They are challenging and phenomenal works with the musicians playing off of each others ideas. The guitars are each unique in approach and Sikora goes for it with her sax taking them on note for note. There is pause and space, much needed allowing the listener to appreciate it all. Cacophony to melody…. What is clear is the stunning trio work…. The feeling is different but still crazy, intertwining each others notes, letting them stand, then facing off, blending, melding, challenging each other. A beautiful noise. Free jazz continuing to experiment. [Read the rest…]

Thanks to KFJC 89.7 FM for all the support over the years (shout outs to Carson Street, Edison Einstein, Cousin Mary, Dada Diogenes and Spliff Skankin!), and I’d like to take this opportunity to thank, in particular, WNUR 89.3 FM, CHRW 94.9 FM, KALX 90.7 FM and WFMU 91.1 FM for their airplay.

[About this recording…] [All reviews…]

More updates

In addition to Downtown Music Gallery, ‘Anomic Aphasia’ is now also available from Wayside Music. So you can now get your copy from:

[Downtown Music Gallery…] [Wayside Music…] [Disk Union…] [Improjazz…] [Crazy Jazz…] [Jazzcds…] [Proper Music (distributor)…] [More purchase options…]

And above is the latest trailer for the album. Watch, listen and share….

Also from SLAM Productions…

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

io 0.0.1 beta++ (SLAMCD 531) [details…]

Performers: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone). [About this project…]

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone). [About this ensemble…]

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

updates

09–23-15: update Downtown Music Gallery link.

video: studies (Cork, 04-24-15)

For those of you who were interested in such things… a couple of exercises/studies (the second inspired by one of Brahms’) I’ve been working on for a few days. Very rough, and very much work-in-progress. No commentary or breakdown (yet), but let me know if you have questions. More to come…

performance: Hilary Jeffery, Han-earl Park, Andrea Parkins and Simon Rose at Ma Thilda, Berlin

Thursday, March 26, 2015, at 9:00pm: Hilary Jeffery (trombone), Han-earl Park (guitar), Andrea Parkins (accordion and electronics) and Simon Rose (saxophone) perform at Ma Thilda (Wildenbruchstraße 68, Neukölln, 12045 Berlin, Germany). Admission free; donation recommended.

I had a blast performing with Andrea last time (as I said, “insanely fun!”); I look forward to playing with Simon in a small group context (last time was anything but); and, incredibly, this will be my first on-stage meeting with Hilary. I’m looking forward to this mightily.

See the performance diary for up-to-date info. [Facebook event…]

Above audio clip: last time I performed with Andrea Parkins. (Music © + ℗ 2015 Han-earl Park and Andrea Parkins. Retroactive visuals/video © 2015 Han-earl Park.)

Anomic Aphasia

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)
‘Anomic Aphasia’ (SLAMCD 559) © 2015 Han-earl Park

February 23, 2015: SLAM Productions releases ‘Anomic Aphasia’ (SLAMCD 559) featuring the ensemble Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora), and rendering of improvisative tactics Metis 9 by Park, Sikora and Josh Sinton. [SLAM Productions catalog page…] [Discography entry…]

The CD is available from Downtown Music Gallery, Wayside Music, Disk Union… and all AWESOME record stores.

[Get the CD from SLAM Productions…]
[Downtown Music Gallery…] [Wayside Music…] [Disk Union…] [Improjazz…] [Crazy Jazz…] [Jazzcds…] [Proper Music (distributor)…] [More stores…]

[Download from iTunes…]* [eMusic…]*

* Downloads, in contrast to the physical CDs, do not include the liner notes.

news and updates

September 4, 2018: Eris 136199 (BAF001)

October 9, 2018: Eris 136199’s eponymous album is out now (compact disc and digital download)! Eris 136199 is the quick-reacting cyborg virtuosity of Han-earl Park, the mighty melodic imagination and…

August 4, 2018: Eris 136199: in the works…

Coming soon (pre-orders in September): new album by Eris 136199 (Han-earl Park, Catherine Sikora and Nick Didkovsky)! Recorded during the 2017 European tour, the album is the trio’s followup to their…

[All articles on Anomic Aphasia…]

description

Challenging and phenomenal works with the musicians playing off of each others ideas…. A beautiful noise. [More…]

KFJC 89.7 FM

Putting this unlikely lineup together was almost as brilliant as the recording they have produced…. ‘Free’ is a barely sufficient to describe this approach, as the trios explore various angular constructs and effects. The vocabulary of sounds here is as broad as it is unconventional. [More…]

— Mike Borella (Avant Music News)

Impressive in scale, overwhelming in execution, it’s a cyclic frenzy of fragmented sounds without an ounce of entropy, yet somehow with a sense of clear movement and progression. Warning: close listening can produce altered states…. [More…]

— Dave Foxall (a Jazz Noise)

彼らは一緒になって、描き上げたばかりの集合肖像画に点を穿ち、所々に飛沫を散らし、時には引き裂く。そして切り取り、並べ替え、分割する。 [More…]

— Cisco Bradley (JazzTokyo)

Atmospheric as to become almost frightening [More…]

— Ken Waxman (The New York City Jazz Record)

Ein glorioser Bastard aus Noise und süßer Träumerei. [More…]

— Rigobert Dittmann (Bad Alchemy)

[More reviews…]

Anomic Aphasia documents two New York-based projects: the noisy, unruly complexity of the ensemble Eris 136199; and the interactive playbook Metis 9, a collection of improvisative tactics. Guitarists Han-earl Park (Mathilde 253) and Nick Didkovsky (Doctor Nerve), and reedists Catherine Sikora (Clockwork Mercury) and Josh Sinton (Ideal Bread) render a space of unexpected collisions, weaving orbital paths, and playful discord.

Eris 136199 plays on the crossroads of noise, melody, rhythm, space, density, contrast, synchronicity, asymmetry, serendipity and contradiction. Eris 136199 is the noisy, unruly complexity of composer, computer artist and guitarist Nick Didkovsky, the corporeal, cyborg virtuosity of constructor and guitarist Han-earl Park, and the no-nonsense melodic logic of composer and saxophonist Catherine Sikora.

Together, Didkovsky, Park and Sikora forges an improvisative space where melody can be melody, noise can be noise, meter can be meter, metal becomes metal, bluegrass turns to bluegrass, jazz transforms into jazz, all there, all necessary without imploding under idiomatic pressures.

Metis 9 is a collection of improvisative tactics, and higher-level interactive macros for ensemble performance designed, designated and specified by Han-earl Park in collaboration with Josh Sinton and Catherine Sikora.

Metis 9 has ‘glorious noise’ or ‘frenzy’ at its root, yet it is not so much structuring the noise as it is a meta-layer of complexity that performers can introduce at will. Metis 9 does not tell the performer what to play, or provide all the details of how to interact, but it is an additional network protocol for interactive possibilities. Group improvisation is always the primary protocol; Metis 9 provides secondary or tertiary tactics that create an additional focused complexity. The decision for each bloop and bleep is still retained by the ensemble. These macros enable specific interactionist schemes to be expressed in an open improvisative context; it is improvisative play channeled by group consent.

trailer

personnel

Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).

track listing

Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.

recording details

Tracks 1 and 5: music by Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora). Tracks 2–4: music by Han-earl Park, Catherine Sikora and Josh Sinton. Tracks 2–3: tactical macros (‘Metis 9’) devised and specified by Han-earl Park.

Tracks 1 and 5 recorded live at Douglass Street Music Collective, Brooklyn on June 5, 2013. Recording engineered by Scott Friedlander.
Tracks 2–4 recorded live at Harvestworks, New York City on October 29, 2013. Recording engineered by Kevin Ramsay. Mixed by Han-earl Park.
Design and artwork by Han-earl Park.

Thanks to Scott Friedlander, Kevin Ramsay, Carol Parkinson, Hans Tammen, Melanie L Marshall, Caroline Pugh, Richard Barrett, Ras Moshe, John Pietaro, Shayna Dulberger and Emilio Vavarella.

© 2015 Han-earl Park. ℗ 2015 SLAM Productions.

about the performers

Improviser, guitarist and constructor Han-earl Park (박한얼) has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces across Europe and the USA.

Park engages a radical, liminal, cyborg virtuosity in which mind, body and artifact collide. He is driven by the social and revolutionary potential of real-time interactive performance in which tradition and practice become creative problematics. As a constructor of musical automata, he is interested in partial, and partially frustrating, context-specific artifacts; artifacts that amplify social relations and corporeal identities and agencies.

Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder, and as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros.

Festival appearances include Freedom of the City (London), Sonorities (Belfast), ISIM (New York), dialogues festival (Edinburgh), CEAIT (Los Angeles) and Sonic Acts (Amsterdam). His recordings have been released by labels including Slam Productions, Creative Sources and DUNS Limited Edition.

Park taught improvisation at University College Cork, and founded and curated Stet Lab, a space for improvised music in Cork.

Since making her way to New York City from West Cork, Ireland to study abstract improvisation, Catherine Sikora has become a well-known face and sound in New York creative music circles. She has worked with Elliott Sharp, Eric Mingus, Michael Evans, Enrique Haneine, Karl Berger, Matt Lavelle, Jeremy Bacon, François Grillot and Burnt Sugar The Arkestra Chamber, among many others. Her undeniably unique approach sets her apart from everyone else, even when surrounded by the most original and creative voices in New York City. Sikora is a contributing writer to the book “Silent Solos-Improvisers Speak” (Buddy’s Knife Publishing, Köln, DE).

Current working projects include Clockwork Mercury (duo with Eric Mingus) and an improvising duo with drummer Brian Chase; Sikora’s first solo recording will be released in fall 2015.

“Sikora is a free-blowing player’s player with a spectacular harmonic imagination and an evolved understanding of the tonal palette of the saxophone.”

— Chris Elliot (Seacoast Online)

With a musical career spanning 30 years, Nick Didkovsky is a guitarist, composer, and music software programmer. He founded the rock band Doctor Nerve in 1983 and is a member of the Fred Frith Guitar Quartet. He has composed for Bang On A Can All-Stars, Meridian Arts Ensemble, ETHEL, and others. His compositions and guitar work appear on over 50 records.

His Black Sabbath Guitar Lessons on YouTube have been received with great enthusiasm by metal fans all over the world. His metal band Häßliche Luftmasken premiered in June 2011.

With computer music pioneer Phil Burk, Didkovsky created Java Music Specification Language which is used by composers all over the world. He has taught JMSL at Dartmouth College, CalArts, Columbia University, and NYU. With composer Georg Hajdu, he has created MaxScore, an object that uses JMSL to bring music notation to Max/MSP.

His Punos Music record label serves up his more extreme musical projects.

Brooklyn-based saxophonist/clarinetist/composer Josh Sinton is probably best known as the leader of Ideal Bread, the Steve Lacy repertory band. He also performs regularly with Andrew D’Angelo’s DNA big band, Darcy James Argue’s Secret Society, the Nate Wooley Quintet and Anthony Braxton’s Tricentric Orchestra. He’s played with avant-garde luminaries such as Roswell Rudd, Karl Berger and John Butcher, newer voices Ingrid Laubrock, Matana Roberts and Jeremiah Cymerman and pop singers Michael Buble and Norah Jones.

In 2012, Sinton released his autobiographical album Pine Barren (featuring Jon Irabagon, Jonathan Goldberger, Peter Bitenc and Mike Pride) with accompanying essays on the Prom Night Records label to critical acclaim (“deeply confessional and emotionally revealing” – Shaun Brady, Downbeat, Nov. 2012). This year he will release another record on Prom Night, anomonous on which he freely improvises on the amplified contrabass clarinet with Denman Maroney (hyperpiano) and Ben Miller (electronics). Currently he’s in the midst of finishing arrangements for the next Ideal Bread record, an ambitious re-recording of all the material Steve Lacy put out on the Saravah label in the 1970’s and was recently repackaged as Scratching the Seventies. The working title of this work-in-progress is Beating the Teens.

Sinton grew up in the Pine Barrens of southern New Jersey, came of musical age attending AACM classes in Chicago and completed his classroom education in Boston at the New England Conservatory of music. Along the way, he’s toured and played in India, Israel, Japan, France, Germany, the Netherlands and Finland. Currently he happily resides in Brooklyn, NY with his wife Laura and daughter Zosia.

Also available as part of…

The Complete Eris 136199 on CD

The Complete Eris 136199 on CD

Limited number of Eris 136199’s two CDs at a special price.

Eris 136199 (BAF001, 2018).
• Anomic Aphasia (SLAMCD 559, 2015) with Josh Sinton.

[Get the set…]

Also by Eris 136199…

Cover of ‘Eris 136199’ (BAF001) by Han-earl Park, Catherine Sikora and Nick Didkovsky (artwork copyright 2018, Han-earl Park)

Eris 136199 (BAF001) [details…]

Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar). [About this ensemble…]

© + ℗ 2018 Han-earl Park.

Also from SLAM Productions…

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

io 0.0.1 beta++ (SLAMCD 531) [details…]

Performers: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone). [About this project…]

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone). [About this ensemble…]

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

updates

03–06-15: add news and updates feed.
04–22-15: add purchase links (Improjazz, Crazy Jazz, Jazzcds, Proper Music, iTunes and eMusic).
06–02-15: add Disk Union link.
08–13-15: add Wayside Music link.
08–15-15: add new video trailer.
09–18-15: add Downtown Music Gallery link.
09–23-15: update Downtown Music Gallery link.
11–24-16: added reviews.
03–24-19: added BAF001 album.

Happy New Year: 2015

Original photographs/images © 2014 Don Mount; © 2014 Dee Byrne/LUME; and (cc by-nc) 2014 Han-earl Park. Images/artwork pertaining to cuttlefish: design (cc by-nc) 2014 Peter O’Doherty; cover artwork © 2014 Ciarán Ó Dochartaigh; score/artwork © 2014 Han-earl Park; photo © 2013 Emilio Vavarella.
Original photographs/images © 2014 Don Mount; © 2014 Dee Byrne/LUME; and (cc by-nc) 2014 Han-earl Park. Images/artwork pertaining to cuttlefish: design (cc by-nc) 2014 Peter O’Doherty; cover artwork © 2014 Ciarán Ó Dochartaigh; score/artwork © 2014 Han-earl Park; photo © 2013 Emilio Vavarella. [Listen/watch 2014…]

thanks: Han-earl Park, Dominic Lash and Mark Sanders (Birmingham and London, October 2014)

Quick note of thanks to all involved in the October 28 and October 30 performances. Thanks mightily to Cath Roberts and Dee Byrne, instigators of LUME, and Andrew Woodhead, the new mastermind behind Fizzle, for hosting the performances, and for their support and enthusiasm. Thanks to Ben Lee (who also managed Fizzle on the night) and Roberto Sassi (and Roland Ramanan for the intro) for allowing this itinerant guitarist to borrow the use of their amplifiers. Thanks to the other ensembles who shared the bill: Lee Allatson, Stewart Brackley and Bruce Coates (Lee, Bruce, great to see you guys again!); and Sam Andreae and Rodrigo Constanzo.

Mondo kudos to Dom Lash and Mark Sanders. I am indebted to these two smart, perceptive, crafty and imaginative improvisers. They make every moment sound that much more brilliant, and every turn that much more unexpected. Looking forward to playing again! (tell your local music org to book us! 😉

Finally, as always, thanks to all who came to listen to the real-time noise, and to witness the jump-cuts between chaotic frenzy and delicate, pretty open spaces. It’s been a while since I performed in these two cities; always a pleasure.

excerpt: Han-earl Park, Dominic Lash and Mark Sanders at Fizzle, Birmingham

In anticipation of the performance tonight (October 30) with Dominic Lash and Mark Sanders, I’ve uploaded a short clip from our October 28 performance at Fizzle, Birmingham. Taken from the last few minutes of our first improvisation, I think the breadth of landscape the ensemble covers in that short time is impressive. [More about this performance…]

In a few hours, Han-earl Park, Dominic Lash and Mark Sanders will be performing at LUME (Long White Cloud, 151 Hackney Road, London E2 8JL). Come down for more real-time, interactive noise and serendipity.

video discography

I’ve created a video discography—a YouTube playlist of video ‘trailers’ for selected albums. (This now joins the video playlist of selected performances and 13 hours or so of ‘recent’ performances.)

The albums currently represented in the playlist are Numbers (CS 201 cd) with Richard Barrett [more info (get the CD)…]; io 0.0.1 beta++ (SLAMCD 531) with Bruce Coates and Franziska Schroeder [more (CD/download)…]; and Mathilde 253 (SLAMCD 528) with Charles Hayward and Ian Smith plus Lol Coxhill [more (CD/download)…]; with more to come.

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)

Numbers (CS 201 cd) [details…]

Performers: Richard Barrett (electronics) and Han-earl Park (guitar). [About this duo…]

© + ℗ 2012 Creative Sources Recordings.

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

io 0.0.1 beta++ (SLAMCD 531) [details…]

Performers: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone). [About this project…]

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone). [About this ensemble…]

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

updates

09–22–14: embedded playlist starts with Numbers.

site update: Han-earl Park bio plus YouTube playlist

Although nowhere near a big a revision as the last major update, I’ve made some significant changes to my bio. Below is the new verbose, everything-but-the-kitchen-sink, 472 word version [shorter versions…].

Improviser, guitarist and constructor Han-earl Park (박한얼) (www.busterandfriends.com) has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces in Austria, Denmark, Germany, England, Ireland, The Netherlands, Scotland and the USA.

Park engages a radical, liminal, cyborg virtuosity in which mind, body and artifact collide. He is driven by the social and revolutionary potential of real-time interactive performance in which tradition and practice become creative problematics. As a constructor of musical automata, he is interested in partial, and partially frustrating, context-specific artifacts; artifacts that amplify social relations and corporeal identities and agencies.

Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder. He has guested with Gargantius Effect (Murray Campbell and Randy McKean), the Mark Hanslip/Dominic Lash/Phillip Marks Trio, and Swim This (Nick Didkovsky, Gerry Hemingway and Michael Lytle); performed as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros; and participated in improvisative meetings with Gerald Cleaver, Andrea Parkins, Tom Rainey, Mike Pride, Anna Webber, Jack Wright and Ingrid Laubrock. He has studied with improviser-composers Wadada Leo Smith, Richard Barrett, Joel Ryan, Mark Trayle, Chick Lyall and David Rosenboom, composers Clarence Barlow and Marina Adamia, and interactive media artist Sara Roberts.

Festival appearances include Freedom of the City (London), Sonorities (Belfast), International Society for Improvised Music (New York), dialogues festival (Edinburgh), VAIN Live Art (Oxford), Center for Experiments in Art, Information and Technology Festival (Los Angeles) and Sonic Acts (Amsterdam). In addition to numerous self-released albums, his recordings have been released by Slam Productions, Creative Sources, Vicmod Records, FrImp, Owlhouse Recordings and DUNS Limited Edition. His music has been featured on anthologies released by Bridge Records, farpoint recordings and Frog Peak Music. He has performed live on Resonance FM (London), Drift Radio (Scotland), and KVMR 89.5 FM (Nevada County), interviewed on RTÉ Morning Ireland and RTÉ Nova (Ireland), and his recordings have been broadcast around the world.

Park taught improvisation at University College Cork (2006–2011), and founded and curated (2007–2011) Stet Lab, a space for improvised music in Cork. He is a recipient of grants from the Arts Council of Ireland (2007, 2008 and 2009) and Music Network (2009 and 2010), and of the Ahmanson Foundation Scholarship (1999) and the CalArts Scholarship (1999 and 1999–2000).

[Han-earl Park’s biography (16–472 words) plus press quotes…]

I’ve also taken the opportunity to create a new video playlist of selected performances. With 52 videos, and clocking in at around 13 hours, my previous playlist of ‘recent’ performances was no longer able to be an effective portfolio reel. Thanks as always to the videographers (Don Mount, Kevin Reilly and Scott Friedlander), and to all the performers.

online: Paul Dunmall and Han-earl Park, ‘Boolean Transforms’

The entire catalog of Paul Dunmall’s record label, DUNS Limited Edition, is now online:

Duns Limited Edition has ceased production, but during its lifetime it was pretty prolific. Having founded the label himself, Paul relished in the freedom to record and release on cdr a multitude of projects, playing with like-minded, creative musicians at his invitation. All the music is totally freely improvised. [Read the rest…]

[DUNS on YouTube…] [Facebook…]

And, as part of that catalog, you’ll find Boolean Transforms (DLE-067) by Paul Dunmall and Han-earl Park recorded way back in November 2009. Physical copies of this and some other DUNS albums are still available from Downtown Music Gallery and from Mind Your Own Music, and you can view some video footage from this concert.

Also by Paul Dunmall and Han-earl Park

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)

Dunmall-Park-Sanders (Birmingham, 02-15-11) [details…]

Performers: Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums).

(cc) 2013 Paul Dunmall/Han-earl Park/Mark Sanders.

Han-earl Park, Paul Dunmall, Mark Sanders and Jamie Smith: Live at the Glucksman gallery, Cork (owlcd002) CD cover (copyright 2012, Owlhouse Recordings)

Live at the Glucksman gallery, Cork (owlcd002) [details…]

Performers: Han-earl Park (guitar), Paul Dunmall (saxophone), Mark Sanders (drums) and Jamie Smith (guitar).

© 2009 by Owlhouse Recordings.
℗ 2009 Han-earl Park/Paul Dunmall/Mark Sanders/Jamie Smith.