I will be moving to Los Angeles, California (and will be based there until the move to New York in December) over the next couple of days. As my working space (including my computer and phone) will be in flux (by the time you read this, my computer will be boxed), I may be offline, and will likely be difficult to get hold of (and apologies if I haven’t replied to your correspondence over the last few weeks). I’m still up for formal or ad-hoc playing opportunities (musicians, promoters, venues, please get in touch), but if you don’t hear from me, please feel free to nudge me in a couple of weeks.
Han-earl Park will be based in Los Angeles, California from June to December 2011, and is seeking formal or ad-hoc playing opportunities. Interested musicians, promoters, venues, please get in touch!
December 2011
New York
Han-earl Park will be based in New York from December 2011, and is seeking formal or ad-hoc playing opportunities. Interested musicians, promoters, venues, please get in touch!
late-2011/early-2012
Europe
Mathilde 253 (Charles Hayward: drums, percussion and melodica; Han-earl Park: guitar; and Ian Smith: trumpet and flugelhorn) is seeking performance opportunities in Europe in late-2011 or early-2012.
In addition, Han-earl Park (guitar) is available for formal or ad-hoc performances.
Interested promoters, venues and sponsors, please get in touch!
Franziska Schroeder and io 0.0.1 beta++ (Ó Riada Hall, Cork, May 25, 2010)
At the io 0.0.1 beta++ ’site, I’m posting short excerpts from the liner notes to ‘io 0.0.1 beta++’ (SLAMCD 531). Written by the California-based interactive media artist Sara Roberts, here’s the second excerpt:
io 0.0.1 beta++ is rather special in being both an instrument and a player. And given the two attributes it has a very particular sound, ‘sound’ here referring to both timbral quality and the broader sense of having an indelible identity, a style, having its own sound. [2]
io has an extravagant range of sounds made with superhuman amounts of air, and superhuman articulations of air resistance: a hummingbird trill that can go on without the limit of breath, bleats, blats, a grainy slur, shifts between piping and sandy sounds, elephant-like trumpeting, a faint spitty-sounding purr, slushy trills, a hoarse blast of full-spectrum noise, scumbling, whispery hisses ramping up to loud razzing. It can make delicate birdlike chirpings then abruptly sound like a power tool under duress, or render sounds reminiscent of emergency vehicles. [Original post at io 0.0.1 beta++…]
[2] George E. Lewis, ‘Interacting with Latter-Day Musical Automata’, Contemporary Music Review, Vol.18, No.3, 99–112 (1999).
I’ve shut the CD store because of the move back to the United States. I plan to reinstate the purchase option, but I can’t say when at the moment. Some of these CDs are available from other sources, and these are indicated below.
A couple of more reviews of Mathilde 253 (SLAMCD 528) including Ken Waxman at JazzWord who says that it’s a “textbook example of high-class improvising” (and I’m a “sharp-witted” guitarist):
Riveting in its scope and cohesion, this seven-track slice of Free Improv captures the sounds made one night at a London club by an ad-hoc assemblage of players, who ordinarily may not have been expected to jell so effectively….
Blowsy pedal-point from the trumpeter; shuffles and drags from [Charles] Hayward; and remarkable strategies from the guitarist which involve investing each string with a different weight as he coaxes tones from near the machine head all the way down past the bridge. Half-valve plunger work from [Ian] Smith includes bent note flutters; while the drummer’s railway signal-crossing-like bell ringing and repetitive cymbal slams provide perfect matches for the guitarist’s flattened string patterns and note extensions…. [Read the rest…]
How’s your Italian? Romualdo Del Noce apprently compares us to the four musketeers:
Ronzante, provocatorio, mai davvero eccessivo ma comunque sfuggente, il contributo di questi quattro moschettieri non è eccepibile sul piano del coinvolgimento, testimoniando un action-playing contemporaneamente colto, “palestrato” e pregno di flussi idiosincrasici. [Read the rest…]
Han-earl Park will be based in Los Angeles, California from June to December 2011, and is seeking formal or ad-hoc playing opportunities. Interested musicians, promoters, venues, please get in touch!
December 2011
New York
Han-earl Park will be based in New York from December 2011, and is seeking formal or ad-hoc playing opportunities. Interested musicians, promoters, venues, please get in touch!
late-2011/early-2012
Europe
Mathilde 253 (Charles Hayward: drums, percussion and melodica; Han-earl Park: guitar; and Ian Smith: trumpet and flugelhorn) is seeking performance opportunities in Europe in late-2011 or early-2012.
In addition, Han-earl Park (guitar) is available for formal or ad-hoc performances.
Interested promoters, venues and sponsors, please get in touch!
I will be moving to Los Angeles, California in June 2011, and will be based there until I head to New York in December 2011. As always, I’m up for formal or ad-hoc playing opportunities. Interested musicians, promoters, venues, please get in touch!