Two more reviews of ‘io 0.0.1 beta++’ (SLAMCD 531) with two contrasting takes on the meeting between human and machine musicians. Ken Waxman, on the one hand, juxtaposes the “unobtrusive and egoless” machine with the human improvisers who display, for example, “thoughtful pauses”:
…Han-earl Park personifying Dr. Frankenstein, has created a non-human artificial musician from ad-hoc components including speakers, kitchenware and missile switches. This CD is a literal record of how the non-human, prosaically named io 0. 0. 1 beta++, sounds in concert with flesh-and-blood counterparts….
io 0. 0. 1 beta++ is unobtrusive and egoless enough… to warble its staccato particle contributions without trying to engulf or show up the humans. Its contributions are unique enough on their own.
For instance on the initial ‘Pioneer: Variance’ and ‘Pioneer: Dance’ contrasting alto and soprano saxophone trills and squeaks are put into bolder relief as the otherworldly flutters, oscillated tones and flanged rotations of the machine are kept in a straight line by Park’s legato picking. The thoughtful pauses audible in the guitar playing confirms Park’s human-ness, especially when compared to the grainy whistles and juddering vibrations that arise from io 0. 0. 1 beta++….
Nonetheless the machine further demonstrates its versatility on the 59-second ‘4G’, with metallic muted trombone-like snores and even raises the question as to whether io 0. 0. 1 beta++ or extended saxophone techniques are creating the air pops and abrasive tongue flutters on subsequent tracks. In the main crackling reductionist resonations are attributed to its properties, while any legato or lyrical intermezzos are, more likely than not, propelled from the instruments and imaginations of full-fledged Homo sapiens.
Succinctly as the three demonstrate on ‘Return Trajectory’, during which io 0. 0. 1 beta++ appears to have taken five, an additional voice—human or otherwise—is necessary to create a pleasing sound picture. The guitarist’s connective down strokes plus the swelling layers of contrapuntal reed timbres are distinctive and solipsistic enough on their own. [Read the rest…]
— Ken Waxman (JazzWord)
Romualdo Del Noce at Jazz Convention, on the other hand, hears a “charmingly imperfect interplay” between human and machine musicians becomes a drama of the ‘human,’ the ‘other,’ and of cyborgs. An interplay in which Han-earl Park improvises a “rugged plateau” and “hyperacid notes”, and Franziska Schroeder enriches “the other half of the sax… with a naked and experimental voice, together in harmony and dissonance with parallel and converging streams of the thoroughbred free-player Bruce Coates”.
Le corde tese di Park imbastiscono un plateau scabro ma di lungo e persistente respiro, vivente nelle articolazioni e nella tessitura della sua fisica elettroacustica; mentre sul versante “meccanico” dell’instrumentarium i modi performanti di Franziska Schroeder arricchiscono l’altra metà del sax (a fianco delle Matana Roberts, Alexandra Grimal, Ingrid Laubrock etc.) di una voce sperimentante e nuda, in sintonia e insieme dissonanza con i flussi paralleli e convergenti del free-player purosangue Bruce Coates, e il tutto si dipana entro uno svolgimento a canovaccio libero e istantaneo, lungo il suo deviante svolgimento interrogandosi (senza eccessivo paradosso) se l’autentica “alienità” sia rispettivamente appannaggio della cosa o, piuttosto e viceversa, dell’ “umano”….
Insomma, l’avanguardia è tornata: non che fosse mai stata davvero latitante, ma gli interrogativi sonori, lacerati e critici, del trio pongono come oggetto radicale la disumanizzazione progressiva e le implicazioni del sempre più preponderante avvento della macchina, forse retrodatando le intenzioni alle prime decadi del secolo scorso e alle relative allarmistiche dottrine, ma riprendendole lungo le forme acutamente nervose e l’attenzione creativa dei medianici e cyborghiani performers e del loro interplay attrattivamente imperfetto. [Read the rest…] [English translation…]
— Romualdo Del Noce (Jazz Convention)
‘io 0.0.1 beta++’ (SLAMCD 531) with Han-earl Park, Bruce Coates and Franziska Schroeder is available from SLAM Productions. [More info…] [All reviews…] [Get the CD…]
The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.