Thanks to our hosts Freddy’s and, in particular, Michael Evans of On The Way Out for their generosity in offering us the stage to perform last night (July 24, 2012). Thanks also to Jesse Stacken and Don Mount for the recording and documentation, to Christine Bard’s cast of thousands for sharing the stage, and to all who came to listen.
And of course my thanks to the always creative Nick Didkovsky and endlessly imaginative Catherine Sikora. After the swift, seemingly effortlessness of the first performance by Eris 136199, this was much more of a struggle for me (in the best possible sense), ranging as it did from the loud, heavy machinery noises to the quiet, delicate sounds. Thanks, Nick, Catherine, for pushing and pulling the music into ever more interesting spaces. Really looking forward to the next time we get to play!
Side effects of Eris 136199 may include temporary deafness, involuntary teleportation, spontaneous combustion, and molecular implosion. In addition, lab animals have been shown to dance without skill to the sound of double guitars and saxophone. …But you’ll love what it does to your brain! ;-)
02–13–13: updated video: complete performance now available to view.