thanks: Eris 136199 (Hamburg, Copenhagen, Cheltenham, Derby and Newcastle, November 2017)

Eris 136199

This has been my favorite tour! Excellent company; exemplary hosts; faultless, above-and-beyond support from all. Everyone here worked so hard for no material gain to make the musicians’ journey as effortless as possible. My hosts have reminded me why we all do this; that creative music brings gradations and spectra to the sometimes hard-edged world, that it refuses and resists and rewrites the 1-bit world into something altogether more colorful and toneful and rhythmic and noisy.

I am forever grateful; it was a true pleasure to work with y’all.

Thanks to Rica Zinn and the entire creative crew of the MS Stubnitz! Thank you for the force-of-nature hospitality (plus the best shower, and the best stock-and-carrots combination), the sound, and the acoustics! Thanks to Georg Hajdu who initially got us in touch with Rica, to Heinrich Metzger and Michael Maierhof of Verband für aktuelle Musik Hamburg for their support, and to Steffen Schindler for the awesome photography.

Thanks to Jakob Drong Jensen, Jonas Vognsen, Troels Bech Jessen, and everyone at Jazz Club Loco, Bryggekælderen, and Jvtlandt for putting together an awesome gig (tied, musically, as my favorite of the tour).

Warmest thanks to Stuart Wilding for being a truly wonderful host; cooking wonderful meals, bringing together a great company of people (including Mark Unsworth for the playful and fascinating visuals, Anthea Millier for the gezellig accommodation, and Jamie Dawson for the amplifiers), and allowing us to play in that fantastic space.

To the mastermind behind OUT FRONT!, the busiest man I know, Corey Mwamba! Thank you so, so much for finding time in your busy schedule to put on a performance, and thanks for your apparently limitless enthusiasm for creative music! Thanks also to Walt Shaw for helping at the door, and to the fantastic Chris Trent for documenting the performance.

Thanks to everyone at the mighty Jazz North East: to Paul Bream for securing the work permits; to Ken Drew for the photography; to Charlie McGovern for the recording; and especially to Wesley Stephenson for his indefatigable work organizing this event, and patiently and graciously addressing my queries. What a great team, great city, and what a great way to end the tour!

Special thanks to all the musicians who graciously shared the bill with Eris: to Eugene Chadbourne; to Sonja LaBianca and Heine Thorhauge Mathiasen; and to Herve Perez, Martin Archer and Peter Fairclough (a.k.a. Inclusion Principle). And thanks to John Pope for hosting an informal session the day after the tour.

Kudos, Avant Music News, for their continued support; and to Josh Sinton, Cath Roberts, Anton Hunter, Cisco Bradley of Jazz Right Now, A Jazz Noise, Alloy, Don Mount, Scott Friedlander, Kevin Reilly, and folk who responded to crowd-funding rewards poll, for the help with our Kickstarter campaign.

And, of course, none of this would be possible without the awe-inspiring generosity of the backers of our Kickstarter project: Cath Roberts, Franziska Schroeder, Owen Green, Han-Ter Park, Richard Hollis, Tom Duff, Jan Langedijk, Thomas Buckner, Liam Nagle, Andrew Raffo Dewar, Randy McKean, Anton Hunter, Marte van der Loop, Ian Boswell, Nancy Meli Walker, David M. Morris, Nicholas Croft, Eva Zelig, Bart Mallio, Jeremy Clarke, Martin Pyne, Josh Sinton, Moon Soon Han, Eun-He Moon, Yoon-Mi Cho, 고항심, Katie O’Looney, Jamie Smith, Phil Burk, Andrea Wolper, Kyoko Kitamura, DIDI, Caroline Pugh, Edozie Edoga, Yu Seon Hee, Danny McCarthy, Richard Barrett, Leejiyoung, Ed Bennett, Young-Shin Park, Ga Hyun Noh, Inkyung Kim, Keith Stonell, Peter O’Doherty, Viv Corringham, Korhan Erel, Tony O’Connor, Vikram Kapur and Maneesha Chawala, and our anonymous backers.

And my warmest thanks to Nick and Catherine. From the unexpected to the unexpected: from concise chamber noise (Hamburg), to the forged-by-sheer-force-of-will difficult music (Copenhagen), to soaring, luxurious sci-fi spirituals (Cheltenham), to the creative reexaminations and revisitations (Derby), to the pitch-perfect distillations of discord and affinity (Newcastle). I could not have asked for better travel companions; artists who revel in the unknown and unknowable with spirit and good humor. A no-brainer (or plush-pony)—there be prawn crackers of silent screams—I think we kept the poodle warm on the toaster 😉

Finally, as always, thanks to all who came to listen. For those who continue to patronize these events at Stubnitz/VAHM, Bryggekælderen/Loco/Jvtlandt, Xposed, OUT FRONT!, and Jazz North East, know that you are part of something alive and so very, very special.

by Han-earl Park, Nick Didkovsky and Catherine Sikora

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

Anomic Aphasia (SLAMCD 559) [details…]

Performers: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar), and Josh Sinton (baritone saxophone and bass clarinet).

© 2015 Han-earl Park.
℗ 2015 SLAM Productions.

updates

02-18-18: add Troels’ name.

Happy New Year: 2015

Original photographs/images © 2014 Don Mount; © 2014 Dee Byrne/LUME; and (cc by-nc) 2014 Han-earl Park. Images/artwork pertaining to cuttlefish: design (cc by-nc) 2014 Peter O’Doherty; cover artwork © 2014 Ciarán Ó Dochartaigh; score/artwork © 2014 Han-earl Park; photo © 2013 Emilio Vavarella.
Original photographs/images © 2014 Don Mount; © 2014 Dee Byrne/LUME; and (cc by-nc) 2014 Han-earl Park. Images/artwork pertaining to cuttlefish: design (cc by-nc) 2014 Peter O’Doherty; cover artwork © 2014 Ciarán Ó Dochartaigh; score/artwork © 2014 Han-earl Park; photo © 2013 Emilio Vavarella. [Listen/watch 2014…]

site update: Han-earl Park bio plus YouTube playlist

Although nowhere near a big a revision as the last major update, I’ve made some significant changes to my bio. Below is the new verbose, everything-but-the-kitchen-sink, 472 word version [shorter versions…].

Improviser, guitarist and constructor Han-earl Park (박한얼) (www.busterandfriends.com) has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces in Austria, Denmark, Germany, England, Ireland, The Netherlands, Scotland and the USA.

Park engages a radical, liminal, cyborg virtuosity in which mind, body and artifact collide. He is driven by the social and revolutionary potential of real-time interactive performance in which tradition and practice become creative problematics. As a constructor of musical automata, he is interested in partial, and partially frustrating, context-specific artifacts; artifacts that amplify social relations and corporeal identities and agencies.

Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder. He has guested with Gargantius Effect (Murray Campbell and Randy McKean), the Mark Hanslip/Dominic Lash/Phillip Marks Trio, and Swim This (Nick Didkovsky, Gerry Hemingway and Michael Lytle); performed as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros; and participated in improvisative meetings with Gerald Cleaver, Andrea Parkins, Tom Rainey, Mike Pride, Anna Webber, Jack Wright and Ingrid Laubrock. He has studied with improviser-composers Wadada Leo Smith, Richard Barrett, Joel Ryan, Mark Trayle, Chick Lyall and David Rosenboom, composers Clarence Barlow and Marina Adamia, and interactive media artist Sara Roberts.

Festival appearances include Freedom of the City (London), Sonorities (Belfast), International Society for Improvised Music (New York), dialogues festival (Edinburgh), VAIN Live Art (Oxford), Center for Experiments in Art, Information and Technology Festival (Los Angeles) and Sonic Acts (Amsterdam). In addition to numerous self-released albums, his recordings have been released by Slam Productions, Creative Sources, Vicmod Records, FrImp, Owlhouse Recordings and DUNS Limited Edition. His music has been featured on anthologies released by Bridge Records, farpoint recordings and Frog Peak Music. He has performed live on Resonance FM (London), Drift Radio (Scotland), and KVMR 89.5 FM (Nevada County), interviewed on RTÉ Morning Ireland and RTÉ Nova (Ireland), and his recordings have been broadcast around the world.

Park taught improvisation at University College Cork (2006–2011), and founded and curated (2007–2011) Stet Lab, a space for improvised music in Cork. He is a recipient of grants from the Arts Council of Ireland (2007, 2008 and 2009) and Music Network (2009 and 2010), and of the Ahmanson Foundation Scholarship (1999) and the CalArts Scholarship (1999 and 1999–2000).

[Han-earl Park’s biography (16–472 words) plus press quotes…]

I’ve also taken the opportunity to create a new video playlist of selected performances. With 52 videos, and clocking in at around 13 hours, my previous playlist of ‘recent’ performances was no longer able to be an effective portfolio reel. Thanks as always to the videographers (Don Mount, Kevin Reilly and Scott Friedlander), and to all the performers.

thanks: Eris 136199 (ISIM, NYC), Rasmussen-Foster-Niggenkemper-Park (DMG, NYC) and Park-Rainey (Why Not Jazz Room, NYC)

A belated note of thanks for all involved in the June 6, June 6 (no that’s not a typo—two performances on that day), and June 8 events. Thanks to the folk at ISIM, and in particular to Richard Robeson, Billy Satterwhite and Ed Sarath for organizing, curating and facilitating the event, and to Christopher Hoffman for the tech support; to Bruce and everyone at Downtown Music Gallery, the World’s Greatest Record Store (seriously, go buy a record from them right now); and to Andrea Wolper and her amazing series, and to Why Not Jazz Room. Thanks also to the multiple documentarists: videographers Don Mount and Juan Ant [watch/listen…], and to photographer Peter Gannushkin [see…].

As always, big thanks to the creative folk who shared the stage with me; it’s always a privilege. Applaud these folk: Mette Rasmussen, Michael Foster, Pascal Niggenkemper; Tom Rainey (how does one perform with a drummer who can anticipate every move?); and the two that complete Eris 136199: Nick Didkovsky and Catherine Sikora (always a blast).

Finally, thanks to all who came to listen. That’s to be my last visit to New York for sometime, and, audience big or small, it’s always a pleasure to perform for you.

site update: scrapbook redux reboot

web audio player widget
Another summary of the updates to my scrapbook since the last review. A few newer clips from Brooklyn and New York which include some of the best music I’ve been involved in (the duo with Gerald Cleaver, in particular, has, for me, some of my best playing), plus a blast from the past: Mathilde 253 in Cork. With the latest updates, I’ve also taken the opportunity to split the scrapbook across two pages (with so much embedded media, it was getting near impossible for those with slower computers and/or connections to load the page).

Please note that all music and audio recordings © + ℗ their respective owners (i.e. these are not covered by a Creative Commons License).

Han-earl Park (guitar), Catherine Sikora (saxophones) and Mike Pride (drums).

Music by Han-earl Park, Catherine Sikora and Mike Pride.
Recorded live, April 2, 2014 at Spectrum, New York.
Recorded by Don Mount.

Evan Parker (saxophone) and Han-earl Park (guitar), plus Peter Evans (trumpet) and Okkyung Lee (’cello).

Music by Evan Parker and Han-earl Park, plus Peter Evans and Okkyung Lee.
Recorded live, September 19, 2013 at The Stone, New York.
Recorded by Don Mount.

Gerald Cleaver (drums) and Han-earl Park (guitar).

Music by Gerald Cleaver and Han-earl Park
Recorded live, August 13, 2013 at Douglass Street Music Collective, Brooklyn.
Recorded by Don Mount.

Mathilde 253 (Han-earl Park: guitar; Charles Hayward: drums; and Ian Smith: trumpet).

Music by Mathilde 253.
Recorded live, March 30, 2011 at Half Moon Theatre, Cork.
Presented with funding from the Music Network Performance and Touring Award, and support from the UCC School of Music and the Cork Opera House.
Recorded by John Hough. Live sound by Alex Fiennes.

[About this project…]

thanks: Park-Pride-Sikora (Spectrum, NYC) and Velez-Wright-Drury-Park-Tabuenca (Soup and Sound, Brooklyn)

Thanks to all involved in the April 2 and April 3 performances. Thanks to the hosts at Spectrum (Glenn Cornett and the multi-talented Lester St. Louis), and at Soup and Sound (I thank the Cosmos for people like Andrew Drury and Alissa Schwartz who open their homes, and welcome the arts and artists). Thanks to the efforts of the multiple documentarists at the events: Kevin Reilly, Don Mount, Michael Lytle, Adrian Knight and Lawrence de Martin (who provided the experimental speaker cabinet for the Spectrum performance).

I take my hat off to all the musicians who shared the stage: Javier Areal Velez, Jack Wright, Luis Tabuenca and Andrew Drury, and a big, big thanks to Mike Pride and Catherine Sikora for their awesome musicianship and peerless inventiveness. Finally, thanks to all who came to listen!

Next up: performance in Cork, May 3 as part of Sonic Vigil 8. See the performance diary for up-to-date info.

Happy New Year: 2014

Original images © 2013 Emilio Vavarella; © 2013 Scott Friedlander; © 2013 Don Mount; and © 2013 Han-earl Park.
Original photographs/images © 2013 Emilio Vavarella; © 2013 Scott Friedlander; © 2013 Don Mount; and (cc) 2013 Han-earl Park.

farewell, Brooklyn, it’s been a blast

Let’s start with a kind of personal Top Ten. In no particular order: Han-earl Park with Ingrid Laubrock; with Tim Perkis and Harris Eisenstadt; as part of Eris 136199 with Nick Didkovsky and Catherine Sikora; with Louise Dam Eckardt Jensen and Michael Evans; Gerald Cleaver; Tom Blancarte; Dominic Lash; Catherine Sikora and Josh Sinton; and with Evan Parker, Brooklyn and New York, 2012–2013. Videos by Scott Friedlander, Don Mount and Kevin Reilly.

I moved to Brooklyn back in December 2011, and I’m grateful and privileged to have been part of, even briefly, such a gracious, vibrant, creative, fun and welcoming community.

I’m particularly indebted to Andrew, Jesse, Michael, Adam, Anna and Andrea for introducing me to the (cultural) geography/neighborhood(s); to Bruce, Wadada and Ras who gave me my first few gigs; and to Tim and Evan for offering me sideman gigs. And a very big thanks to Josh, Catherine and Nick for much of the above, and for collaborating on some long-term projects. To everyone, I hope to repay the your generosity (and hope to catch up when I’m back in Brooklyn/NYC).

Now back in Cork, and, for what feel like the first time in a long time, I’m arriving without a gig in town (and, to my surprise, I’m not too unhappy about that). Some plans ahead (solo performance at SARC for starters), fingers crossed, something will work out.

Anyway, as posted earlier, I’m seeking performances for Numbers (Richard Barrett and Han-earl Park), Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) and Mathilde 253 (Charles Hayward, Han-earl Park and Ian Smith). Interested promoters, venues, festivals and sponsors, please get in touch! [Details…]

thanks: Parker-Park (The Stone, NYC), Park-Sikora-Sinton (DSMC, Brooklyn) and Park-Parkins (The Living Gallery, Brooklyn)

Three gigs; and I couldn’t ask for a more varied and musically valuable seven days.

I learned a heck of a lot (about my capabilities as an improviser, and about the social dynamics of interactive play) performing with Evan Parker. Still reeling from the experience, I’m grateful for the opportunity to play with Mr Parker again, and to have sat in with the Bleeding Edge Trio.

The performance with Catherine Sikora and Josh Sinton was the most craftily accomplished. We’ve been engineering, navigating and negotiating these improvisative, tactical considerations since February, and it’s been a pleasure and a privilege to be working with two imaginative and gutsy performers. I expect our performance at Harvestworks in October will be something else. (Plus thanks to Josh for the post-gig reflections.)

If I had to choose just one of these gigs as a stand-out though, it might have to be the duo with the stupendously creative Andrea Parkins. Insanely fun! Despite (or perhaps becuase of) severe technical limitations, I found myself in some very odd places. (Andrea was one of the first NYC people I contacted before moving here, so this performance was looong overdue.) Let’s play again. I had a blast.

Big thanks to coconspirators Michael Foster and Lisa Mezzacappa, to Mike Pride for the funniest post-gig story telling, and to the documetarists Don Mount and Jeremiah Cymerman. Finally, special thanks to Louise and Tom for bringing their new family to The Stone.

Next up: performances coming up in October as part of Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora), and with Catherine Sikora and Josh Sinton for another round with Metis 9. See the performance diary for up-to-date info.

video recordings: YouTube playlist… redux

Thanks to the efforts of the Downtown documentarists—Don Mount, Kevin Reilly and Scott Friedlander—there’s been a lot of changes to my YouTube channel and playlists since my last announcement almost a year ago. In terms of project specific playlists, I’ve updated the Eris 136199 playlist [watch…], and created one for Metis 9 [watch…]

video: Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) at Douglass Street Music Collective, Brooklyn

I’ve uploaded the video of ‘Monopod’ from the June 5 performance by Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora). With the second improvisation, already uploaded back in June, you can now hear/watch the entire set. Thanks again to Scott Friedlander for the videography. ‘Monopod’ is dedicated to Don Mount.

Whether it’s the most creative interjections from Catherine, the merging of Nick and Catherine’s sounds, the moments of Roscoe-Mitchell-plays-the-music-of-Napalm-Death, or something akin to the sound of a broken ECM record, I’m enormously proud of this performance and this ensemble.

Eris 136199 is next performing on October 27, 2013 at Downtown Music Gallery, NYC. See the performance diary for up-to-date info.

thanks: Gerald Cleaver and Han-earl Park at Douglass Street Music Collective, Brooklyn

Like I said last time, necessity is the mother of invention. Two things sparked this second duo*3 event at DSMC: Gerald Cleaver was going to be available (been trying to corner him with a gig since January), and Viv Corringham had just moved to New York. I then asked Chris Pitsiokos if he’d like to contribute a set after Anna Webber had to drop out (as much as I enjoyed Chris and Philip White’s set, and I wouldn’t substitute it for anything else, would loved to have heard what Anna might have brought to the table—next time). And like the last duo*3 event, because of the performers, the results were unimaginably better than the minimal curatorial hand I played.

So big, big thanks to all the performers at the August 13 event: to Chris and Philip White for their sense of play (and for consistently hitting the resonance frequency of the DSMC buzzer); to Viv and Andrea Parkins for a performance full of humor, and a kind of cargo-cult elegance; and to Gerald for his limitless imagination, for the 45 minute creative, musical and physical workout, and for making the set sound just that much better. And kudos again to Don Mount for the indefatigable work as video documentarist [watch/listen…].

Next up: performances coming up in September with Evan Parker as part of his residency at The Stone, and with Catherine Sikora and Josh Sinton playing Metis 9. See the performance diary for up-to-date info.