In familiar ensembles, with performers you’ve worked with a lot, it’s often fruitful (and fun) to push and pull, and discover alternative relationships, and observe the network respond, change and reconfigure itself. Similarly, in a musical meeting between strangers, it’s also interesting to ‘test’ the network; to ascertain the wheres, whens, and under what conditions, of performers’ responses.
But between those two, for me, lies an interesting gray area (I encounter this situation less often than the other two). Continue reading ‘Lab report October 9th 2008: being Paul Desmond’
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