Four performances in March. (Another mini-tour, but, hey, for the first time, I’ve actually tied-together an album release and a tour—never happens!) A privilege to have shared the stage with smart, creative performers, and to have been performing to some wonderful community of listeners. So, quick thanks to everyone on/off stage at Monmouth, London, Belfast and Derry….
Big thanks to all the venues, promoters and supporters. Thanks, in particular, to Lyndon Owen, a person of apparently limitless enthusiasm, and the team at Monmouth (what a wonderful community); to Peter O’Doherty at Cultúrlann Uí Chanáin for the incredible work bootstrapping the Derry scene; to Eduard Solaz at IKLECTIK for running such a wonderful space; and to Brian Carson at Moving on Music, and to Simon Waters at SARC for presenting, promoting and hosting.
Thanks for David Bird at SARC for all his work above-and-beyond the call of duty. (Hey! I owe you and Craig a beer.) Kudos, David Lyttle for loaning us your double bass for a couple of days.
As always big, big thanks to everyone who came to listen. I’ll particularly remember the adventurous and genuinely interested listeners in Monmouth and Derry. And a special thanks to Jeremy (he’ll know why 😉 ).
Finally, thanks to all the performers: to James King for the gibberish; to the acoustic frenzy of FAINT (big thanks to Franziska for all her help (starting in February 2016!) getting the Belfast performance together—it’s been a long road, but worthwhile!); and, of course, biggest thanks to Dom, Mark and Caroline for the music (See you in April!)!
Faint has been playing free improvised music since 2007, recording their first album on the Creative Source label. For this performance the trio will be joined by Lisbon-based improviser Ricardo Jacinto, to make Faint+.
Sirene 1009 features improviser, guitarist and constructor Han-earl Park. The molten, musical core of the ensemble comprises of virtuosic bassist, composer and sound artist Dominic Lash, with arguably the most sought-after avant-jazz and free improvisation drummer of his generation, Mark Sanders. The experimental folk singer and electronics performer Caroline Pugh brings an additional layer of levity and exuberance to the already playful trio.
With such a diverse collection of performers, it is only wise to prepare for a performance that fragments and recombines musical lines, leaping unexpectedly between noise, melody, dissonance, harmony and rhythm.
Performed at the Sonic Arts Research Centre, Sirene 1009 will make full use of the cutting-edge audio space, for an experience that simply couldn’t be replicated in any other Belfast venue.
By Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh