Thanks: Sirene 1009 (Belfast, London, Monmouth) and Park-Pugh (Derry)

Han-earl Park and Caroline Pugh (Derry, 03-08-17)

Four performances in March. (Another mini-tour, but, hey, for the first time, I’ve actually tied-together an album release and a tour—never happens!) A privilege to have shared the stage with smart, creative performers, and to have been performing to some wonderful community of listeners. So, quick thanks to everyone on/off stage at Monmouth, London, Belfast and Derry….

Big thanks to all the venues, promoters and supporters. Thanks, in particular, to Lyndon Owen, a person of apparently limitless enthusiasm, and the team at Monmouth (what a wonderful community); to Peter O’Doherty at Cultúrlann Uí Chanáin for the incredible work bootstrapping the Derry scene; to Eduard Solaz at IKLECTIK for running such a wonderful space; and to Brian Carson at Moving on Music, and to Simon Waters at SARC for presenting, promoting and hosting.

Thanks for David Bird at SARC for all his work above-and-beyond the call of duty. (Hey! I owe you and Craig a beer.) Kudos, David Lyttle for loaning us your double bass for a couple of days.

As always big, big thanks to everyone who came to listen. I’ll particularly remember the adventurous and genuinely interested listeners in Monmouth and Derry. And a special thanks to Jeremy (he’ll know why 😉 ).

Finally, thanks to all the performers: to James King for the gibberish; to the acoustic frenzy of FAINT (big thanks to Franziska for all her help (starting in February 2016!) getting the Belfast performance together—it’s been a long road, but worthwhile!); and, of course, biggest thanks to Dom, Mark and Caroline for the music (See you in April!)!

Happy New Year: 2015

Original photographs/images © 2014 Don Mount; © 2014 Dee Byrne/LUME; and (cc by-nc) 2014 Han-earl Park. Images/artwork pertaining to cuttlefish: design (cc by-nc) 2014 Peter O’Doherty; cover artwork © 2014 Ciarán Ó Dochartaigh; score/artwork © 2014 Han-earl Park; photo © 2013 Emilio Vavarella.
Original photographs/images © 2014 Don Mount; © 2014 Dee Byrne/LUME; and (cc by-nc) 2014 Han-earl Park. Images/artwork pertaining to cuttlefish: design (cc by-nc) 2014 Peter O’Doherty; cover artwork © 2014 Ciarán Ó Dochartaigh; score/artwork © 2014 Han-earl Park; photo © 2013 Emilio Vavarella. [Listen/watch 2014…]

cuttlefish: Study of Notation

cuttlefish, ‘Study in Notation.’
Design (cc by-nc) 2014 Peter O’Doherty. Cover artwork © 2014 Ciarán Ó Dochartaigh. Score/artwork © 2014 Han-earl Park. Photo © 2013 Emilio Vavarella.

I’m honored to find my concept thumbnail (‘Study in Notation’) in the pages of cuttlefish (issue #1, summer 2014), a “zine for contemporary culture, music, art, aesthetics, politics,” edited by Peter O’Doherty. The piece was accompanied by an excerpt from my interview with Miguel Copón:

I’m not sure at all where this is leading, but having through some combination of ideology and necessity (ain’t it always the way?) found myself somewhat involuntarily in the ‘Total Improvisation’ camp, I’m beginning to look on the other side of the fence. Let me be clear, the, to borrow Lewis’ term, Eurological conception of the score and the practice that surrounds it (theorized in detail by Small, Cusick, Nicholas Cook and others), with its limited models of control and dogma of reproducibility, and naive notions of aesthetics, does not interest me at all.

However, I’m feeling a gravitational tug. Maybe it’s due to coming into close contact with musicians who have a much more sophisticated (if often, from an non-practitioner’s POV, misunderstood and under theorized) relationship with the score and the possibilities of notation. But it’s a distinct pull. Still working—struggling—through some ideas, and studies, and have far, far more questions than answers about the possible role notation and the score might have in an improvisative context, but that’s the new thing that’s exciting me at the moment. [Read the rest…]

The theme of cuttlefish’s inaugural issue is “work-in-progress (sketches, doodles, journal entries, streams of consciousness…),” and features contributions by Wim Bollein, Laura Duran, Evgeniy Aleksandrovich (=dozen), Graham Holliday, ja’s ink on paper, Daniel Kan, Francisco Martins, Corey Mwamba, Ciarán Ó Dochartaigh, Peter O’Doherty, Han-earl Park, Kiyomitsu Saito, Tom Tebby, Nicolas P. Tschopp, Andrea Valle, Krysthopher Woods and Alice Xiang.

If you are interested in contributing to future issues of cuttlefish, please contact cuttlefish[at]peterodoherty.net.