The Eris 136199 tour was made possible through the support from Jazz North East, Jvtlandt, Jazz Club Loco, OUT FRONT!, Xposed Club, Verband für aktuelle Musik Hamburg, and MS Stubnitz, and the awe-inspiring generosity of the backers of our Kickstarter project:
Cath Roberts, Franziska Schroeder, Owen Green, Han-Ter Park, Richard Hollis, Tom Duff, Jan Langedijk, Thomas Buckner, Liam Nagle, Andrew Raffo Dewar, Randy McKean, Anton Hunter, Marte van der Loop, Ian Boswell, Nancy Meli Walker, David M. Morris, Nicholas Croft, Eva Zelig, Bart Mallio, Jeremy Clarke, Martin Pyne, Josh Sinton, Moon Soon Han, Eun-He Moon, Yoon-Mi Cho, 고항심, Katie O’Looney, Jamie Smith, Phil Burk, Andrea Wolper, Kyoko Kitamura, DIDI, Caroline Pugh, Edozie Edoga, Yu Seon Hee, Danny McCarthy, Richard Barrett, Leejiyoung, Ed Bennett, Young-Shin Park, Ga Hyun Noh, Inkyung Kim, Keith Stonell, Peter O’Doherty, Viv Corringham, Korhan Erel, Tony O’Connor, Vikram Kapur and Maneesha Chawala, and our anonymous backers.
Belated kudos—I’ve been stuck in a bit of behind-the-scenes scheming (more on that soon…)—to all involved in the recent series of performances (and workshop) in Cork…
Thanks to all the people and the partner organizations in helping us make music: to Paul O’Donnell and Kelly Boyle of FUAIM; to John Godfrey and Christine Dennehy at the UCC Music Department; to Franziska Schroeder and Simon Waters at SARC; and to the Arts Council for their generous support. Special thanks to Hugh McCarthy of CIT Cork School of Music for coming forward with a new venue help us patch a date, to Mike McGrath-Bryan and Ann Rea (at the Firkin Crane) who helped in that process, and to Jonathan Stock who supported the project right from its inception back in May 2016.
For the all their technical support and know-how, big thanks to David Bird (SARC), David Slevin (CSM), and John Hough (UCC). (Thanks also for the photography, John!) Thanks to Dave Whitla and Niall McGuinness for helping source a double bass for Dom. Thanks to Ros Steer, Kevin Terry and Megan Gallen for the essential FOH work. And a big thanks to Alex Fiennes for his sound creativity—always a pleasure!
As always the warmest thanks to everyone who came to listen.
Finally, thanks to all the performers: thanks to Dan Walsh (or CIMC) and Catherine Sikora for their faultless and unfaltering musicality, and to Dom, Mark and Caroline! As I said in an interview published in the Evening Echo the day before our last performance:
Here’s what the group sounds/looks like from where I sit on stage: Dom Lash’s confident and enthusiastic interjections in sound and line; Mark Sander’s unerring inventiveness—leaping any and all obstacles to musicality with gestures small and large; and Caroline Pugh’s pulling in-and-out of musical and linguistic spaces with her spontaneous conlangs.