This digital-only album was originally made available exclusively to our Kickstarter-backers in 2018. We’re now making this available for a short time for everyone who missed out the first time.
Download: €5.00 minimum (‘name your price’).
Album available to stream via the free Bandcamp app, and to download in multiple formats including lossless.
And please remember that 𝑿: Eris 136199 Decennial is still available, and that you have only a couple of more weeks to download Cryptogenic Animals before that goes back to where all the good limited editions go.
Track listing: Ballad of Tensegrity I (≥ 5:12), Ballad of Tensegrity II (2:28), Peculiar Velocities I (3:46), Peculiar Velocities II (3:36), Sleeping Dragon (5:22), D-Loop I (≥ 6:16), D-Loop II (5:13), Polytely I (≥ 5:01), Polytely II: Breakdown (5:33), Anagnorisis I (2:09), Anagnorisis II (2:19). Total duration ≥ 46:54.
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
Folk (including many new listeners who’d missed out on the crowdfunders) have, over the last few years, been asking about the availability of Eris 136199’s limited-edition recordings. For the trio’s decennial we’ll be rolling a few of these out again. The digital-only albums Problematica (recorded at Out Front, Derby), and Parabiosis (The Vortex Jazz Club, London) will be rereleased in the following months, but available from today is Cryptogenic Animals recorded at Xposed Club, Cheltenham, November 2017.
Download: €5.00 minimum (‘name your price’).
Album available to stream via the free Bandcamp app, and to download in multiple formats including lossless.
Description
Repurposing melodic atoms? Dueling amplifiers? By turns riding and submerging into reverberant spaces? Here’s how I described the recording on its release in 2018:
While the Copenhagen and Newcastle performances are documented in an upcoming album by the trio Eris 136199, Cryptogenic Animals, recorded in Cheltenham between those dates, offers a unique opportunity to track the evolution of this improvising trio during the 2017 European tour.
Take for example the synchronized, collective jump-cuts and smash-cuts that populates the Copenhagen improvisations. These are all but absent by the time the trio perform three night later in Newcastle where, in their place, you find the group breathing together; moving and transitioning in larger scales. On Cryptogenic Animals, recorded the night after Copenhagen, and two before Newcastle, you can hear both these improvisative tactics operating in fascinating, contrasting ways.
You can also hear saxophonist Catherine Sikora revisit and rework some of the melodic atoms played in Copenhagen; trying them against the contrasting acoustic environments. And, adapting to the disparate amplification available in Cheltenham (a diminutive solid-state amp against a 112 Fender), Nick Didkovsky and Han-earl Park reexamine the freedoms and restraints of the two-guitar context; an experience that would inform into their approach in Newcastle in significant ways.
With the rich acoustics of the Francis Close Hall Chapel, the Cheltenham performance is, in contrast to the frenetic and biting Copenhagen and Newcastle performances, unhurried and lush. Cryptogenic Animals documents a fascinating transitional point in the group’s behavior, showcasing the trio’s adaptability to context, and creativity born from the contingent.
Track listing: Ballad of Tensegrity I (≥ 5:12), Ballad of Tensegrity II (2:28), Peculiar Velocities I (3:46), Peculiar Velocities II (3:36), Sleeping Dragon (5:22), D-Loop I (≥ 6:16), D-Loop II (5:13), Polytely I (≥ 5:01), Polytely II: Breakdown (5:33), Anagnorisis I (2:09), Anagnorisis II (2:19). Total duration ≥ 46:54.
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
On May 27, 2012 at ABC No Rio, NYC, Catherine Sikora, Nick Didkovsky and I took the stage for the first time as a trio. Ten years later, in celebration of this ensemble, Catherine, Nick and I have created a long-distance improvisative collage.
EP available to stream via the free Bandcamp app, and to download in multiple formats including lossless.
description
I recall the exact moment I knew this group was something special, when, fifteen minutes into the 40 minute improvisation, the broken-machinery-rattle-buzzes-and-bumps of the guitars were joined by the melismatic lines of the soprano saxophone. And the trio refused to collapse that juxtaposition—letting that idiomatic dissonance remain standing—creating its own logic by force-of-will.
— Han-earl Park
Ten years ago, May 27, 2012, at ABC No Rio in the Lower East Side, Han-earl Park, Catherine Sikora and Nick Didkovsky took the stage for the first time as a trio. Before the events of 2020, the plan had been for the trio, after the release of a new album, to go on tour. But, as the rogue piece of genetic material danced its dance with humanity, the trio had to rethink that plan.
Park selected an excerpt from the recording of the trio’s Derby, 2017 performance to serve as the foundation for a new piece by the trio. He created custom music-minus-one mixes starting with a mix without the saxophone part. Sikora then recorded a new saxophone part. Park then created a mix with this new saxophone part, but without Didkovsky’s 2017 guitar. Didkovsky then recorded a new guitar part, and finally Park recorded a new guitar part to replace his 2017 performance.
So fascinating—it is clearly, undeniably Eris, but also not Eris—the components are all there but the interactions/atmosphere is totally different.
— Catherine Sikora
It’s like peering into a parallel universe and listening to what Eris in that world sounds like.
— Nick Didkovsky
And for the ‘B-side,’ the EP includes a remastered edition of the original source recording made in Derby five years ago.
Eris 136199 plays on the crossroads of noise, melody, rhythm, space, density, contrast, synchronicity, asymmetry, serendipity and contradiction. Eris 136199 is the corporeal, cyborg virtuosity of constructor and guitarist Han-earl Park; the noisy, unruly complexity of composer, computer artist and guitarist Nick Didkovsky; and the no-nonsense melodic logic of composer and saxophonist Catherine Sikora.
Han-earl Park is the instigator and mastermind behind Eris 136199, as well as groups including Sirene 1009 with Dominic Lash, Mark Sanders and rit., and co-conspirator in projects with Richard Barrett and others. Park is the constructor of the machine improviser io 0.0.1 beta++, and of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Josh Sinton, Louise Dam Eckardt Jensen, Ingrid Laubrock, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder. His ensembles have performed at festivals including Freedom of the City (London), Brilliant Corners (Belfast), ISIM (New York), CEAIT (Los Angeles) and Sonic Acts (Amsterdam).
Saxophonist, improviser and composer Catherine Sikora, known for her big sound and lyrical melodic work, works as a solo performer and with Eric Mingus, Enrique Haneine, Brian Chase, Han-earl Park, Ethan Winogrand, Christopher Culpo and Ross Hammond. In recent years Sikora has toured in Canada, the United States, Europe and Australia. She was a featured soloist in Eric Mingus’ radical reimagining of Tommy by the Who (Adelaide Festival 2015), and was artist in residence at the Centre Culturel Irlandais in Paris in 2014 and in 2020.
Guitarist, composer, and computer music programmer Nick Didkovsky has composed music for Kathleen Supové, ETHEL, Bang on a Can All-Stars, Meridian Arts Ensemble, New Century Players, ARTE Quartett, as part of the Fred Frith Guitar Quartet, and his own bands Doctor Nerve, Vomit Fist, Häßliche Luftmasken, and others. His compositions and guitar performances appear on more than 50 records. For over 30 years, his avant-metal big band Doctor Nerve has fueled Didkovsky’s intricate compositions with the energy of rock, punching holes through the walls between heavy metal, contemporary music, and improvisation, and performing at festivals including Moers, FIMAV, and the Whitney Museum’s ‘Whitney Live.’ With computer music pioneer Phil Burk, Didkovsky developed the computer music language Java Music Specification Language (JMSL).
Track 1 recorded March and April 2022, New York and Berlin.
Track 2 recorded live November 4, 2017, The Bless, Derby.
Recorded by Eris 136199 (track 1), and by Chris Trent (track 2).
Artwork by Han-earl Park with Catherine Sikora and Nick Didkovsky.
Special thanks to Corey Mwamba and Chris Trent. Derby performance presented by Corey Mwamba/OUT FRONT!, and with the awesome support of our Kickstarter backers. Track 2 includes material previously released on the limited edition album Problematica (2018).
Track listing: Ballad of Tensegrity I (≥ 5:12), Ballad of Tensegrity II (2:28), Peculiar Velocities I (3:46), Peculiar Velocities II (3:36), Sleeping Dragon (5:22), D-Loop I (≥ 6:16), D-Loop II (5:13), Polytely I (≥ 5:01), Polytely II: Breakdown (5:33), Anagnorisis I (2:09), Anagnorisis II (2:19). Total duration ≥ 46:54.
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
Problematica: Prolog (11:17), Problematica I (9:00), Problematica II (10:15), Problematica III (5:23), Problematica: Epilog (10:05). Total duration: 46:00.
Recorded live November 4, 2017, The Bless, Derby.
Recorded by Chris Trent.
Mixed and mastered by Han-earl Park.
Artwork by Han-earl Park.
Thanks to Corey Mwamba. Performance presented by OUT FRONT!, and with the awesome support of our Kickstarter backers.
Recording during the 2017 European tour made possible through the support from Jazz North East, Jvtlandt, Jazz Club Loco, OUT FRONT!, Xposed Club, Verband für aktuelle Musik Hamburg, and MS Stubnitz, and the awe-inspiring generosity of the backers of our Kickstarter project: Cath Roberts, Franziska Schroeder, Owen Green, Han-Ter Park, Richard Hollis, Tom Duff, Jan Langedijk, Thomas Buckner, Liam Nagle, Andrew Raffo Dewar, Randy McKean, Anton Hunter, Marte van der Loop, Ian Boswell, Nancy Meli Walker, David M. Morris, Nicholas Croft, Eva Zelig, Bart Mallio, Jeremy Clarke, Martin Pyne, Josh Sinton, Moon Soon Han, Eun-He Moon, Yoon-Mi Cho, 고항심, Katie O’Looney, Jamie Smith, Phil Burk, Andrea Wolper, Kyoko Kitamura, DIDI, Caroline Pugh, Edozie Edoga, Yu Seon Hee, Danny McCarthy, Richard Barrett, Leejiyoung, Ed Bennett, Young-Shin Park, Ga Hyun Noh, Inkyung Kim, Keith Stonell, Peter O’Doherty, Viv Corringham, Korhan Erel, Tony O’Connor, Vikram Kapur and Maneesha Chawala, and our anonymous backers.
2017 started with the release of the album, and performances by, Sirene 1009, and closed with a tour by Eris 136199 (plus my first Kickstarter!). On the way, I got to be sideman to one of my former student’s projects, and play (unbelievably) for the first time in Seoul.
The Eris 136199 tour was made possible through the support from Jazz North East, Jvtlandt, Jazz Club Loco, OUT FRONT!, Xposed Club, Verband für aktuelle Musik Hamburg, and MS Stubnitz, and the awe-inspiring generosity of the backers of our Kickstarter project:
Cath Roberts, Franziska Schroeder, Owen Green, Han-Ter Park, Richard Hollis, Tom Duff, Jan Langedijk, Thomas Buckner, Liam Nagle, Andrew Raffo Dewar, Randy McKean, Anton Hunter, Marte van der Loop, Ian Boswell, Nancy Meli Walker, David M. Morris, Nicholas Croft, Eva Zelig, Bart Mallio, Jeremy Clarke, Martin Pyne, Josh Sinton, Moon Soon Han, Eun-He Moon, Yoon-Mi Cho, 고항심, Katie O’Looney, Jamie Smith, Phil Burk, Andrea Wolper, Kyoko Kitamura, DIDI, Caroline Pugh, Edozie Edoga, Yu Seon Hee, Danny McCarthy, Richard Barrett, Leejiyoung, Ed Bennett, Young-Shin Park, Ga Hyun Noh, Inkyung Kim, Keith Stonell, Peter O’Doherty, Viv Corringham, Korhan Erel, Tony O’Connor, Vikram Kapur and Maneesha Chawala, and our anonymous backers.
This has been my favorite tour! Excellent company; exemplary hosts; faultless, above-and-beyond support from all. Everyone here worked so hard for no material gain to make the musicians’ journey as effortless as possible. My hosts have reminded me why we all do this; that creative music brings gradations and spectra to the sometimes hard-edged world, that it refuses and resists and rewrites the 1-bit world into something altogether more colorful and toneful and rhythmic and noisy.
I am forever grateful; it was a true pleasure to work with y’all.
Thanks to Rica Zinn and the entire creative crew of the MS Stubnitz! Thank you for the force-of-nature hospitality (plus the best shower, and the best stock-and-carrots combination), the sound, and the acoustics! Thanks to Georg Hajdu who initially got us in touch with Rica, to Heinrich Metzger and Michael Maierhof of Verband für aktuelle Musik Hamburg for their support, and to Steffen Schindler for the awesome photography.
Thanks to Jakob Drong Jensen, Jonas Vognsen, Troels Bech Jessen, and everyone at Jazz Club Loco, Bryggekælderen, and Jvtlandt for putting together an awesome gig (tied, musically, as my favorite of the tour).
Warmest thanks to Stuart Wilding for being a truly wonderful host; cooking wonderful meals, bringing together a great company of people (including Mark Unsworth for the playful and fascinating visuals, Anthea Millier for the gezellig accommodation, and Jamie Dawson for the amplifiers), and allowing us to play in that fantastic space.
To the mastermind behind OUT FRONT!, the busiest man I know, Corey Mwamba! Thank you so, so much for finding time in your busy schedule to put on a performance, and thanks for your apparently limitless enthusiasm for creative music! Thanks also to Walt Shaw for helping at the door, and to the fantastic Chris Trent for documenting the performance.
Thanks to everyone at the mighty Jazz North East: to Paul Bream for securing the work permits; to Ken Drew for the photography; to Charlie McGovern for the recording; and especially to Wesley Stephenson for his indefatigable work organizing this event, and patiently and graciously addressing my queries. What a great team, great city, and what a great way to end the tour!
Special thanks to all the musicians who graciously shared the bill with Eris: to Eugene Chadbourne; to Sonja LaBianca and Heine Thorhauge Mathiasen; and to Herve Perez, Martin Archer and Peter Fairclough (a.k.a. Inclusion Principle). And thanks to John Pope for hosting an informal session the day after the tour.
And, of course, none of this would be possible without the awe-inspiring generosity of the backers of our Kickstarter project: Cath Roberts, Franziska Schroeder, Owen Green, Han-Ter Park, Richard Hollis, Tom Duff, Jan Langedijk, Thomas Buckner, Liam Nagle, Andrew Raffo Dewar, Randy McKean, Anton Hunter, Marte van der Loop, Ian Boswell, Nancy Meli Walker, David M. Morris, Nicholas Croft, Eva Zelig, Bart Mallio, Jeremy Clarke, Martin Pyne, Josh Sinton, Moon Soon Han, Eun-He Moon, Yoon-Mi Cho, 고항심, Katie O’Looney, Jamie Smith, Phil Burk, Andrea Wolper, Kyoko Kitamura, DIDI, Caroline Pugh, Edozie Edoga, Yu Seon Hee, Danny McCarthy, Richard Barrett, Leejiyoung, Ed Bennett, Young-Shin Park, Ga Hyun Noh, Inkyung Kim, Keith Stonell, Peter O’Doherty, Viv Corringham, Korhan Erel, Tony O’Connor, Vikram Kapur and Maneesha Chawala, and our anonymous backers.
And my warmest thanks to Nick and Catherine. From the unexpected to the unexpected: from concise chamber noise (Hamburg), to the forged-by-sheer-force-of-will difficult music (Copenhagen), to soaring, luxurious sci-fi spirituals (Cheltenham), to the creative reexaminations and revisitations (Derby), to the pitch-perfect distillations of discord and affinity (Newcastle). I could not have asked for better travel companions; artists who revel in the unknown and unknowable with spirit and good humor. A no-brainer (or plush-pony)—there be prawn crackers of silent screams—I think we kept the poodle warm on the toaster 😉
Finally, as always, thanks to all who came to listen. For those who continue to patronize these events at Stubnitz/VAHM, Bryggekælderen/Loco/Jvtlandt, Xposed, OUT FRONT!, and Jazz North East, know that you are part of something alive and so very, very special.
by Han-earl Park, Nick Didkovsky and Catherine Sikora
First date of Eris’ European mini tour! I’m excited, and you should be too. What can you look forward to? This is what Nick says:
I have never been able to detect any implicit rules, favorite things to do, implied directions, or aesthetic goals in this band. People start playing, they stop, start again, stop again… insofar as music is a temporal art, that’s pretty elemental behavior, and is about the only binding agreement in Eris 136199 that I have detected. Which I recognize is barely a statement, as the passage of time is inviolable in all contexts, be they free or restrictive. Physics doesn’t care. But Eris cares a lot. Time is a precious thing to Han and Catherine, and the action of scattering sound onto it is a sacred and mysterious ritual. [Read the rest…]
Eris 136199 is also performing…
November 2: Copenhagen, Denmark; November 3: Cheltenham, England; November 4: Derby, England; and November 5: Newcastle, England. [Details…]
by Han-earl Park, Nick Didkovsky and Catherine Sikora
As I’ve said: “Eris 136199 may be the closest to how I think music should sound like, or how I would like to imagine a music. Musicality and interactivity are tightly knotted together as we improvise, create, and explore. Making improvised music is a uniquely rewarding artistic struggle that brings exceptional joy to musicians and audience alike, who join in making and watching unpredictable events unfold…!
“Interaction with, and within, Eris is an always awesome experience; unique in bringing so many strands of the musically possible together. I’m very excited to be playing again with two of my favorite musicians, avant-rock legend Nick Didkovsky and the powerfully creative improviser Catherine Sikora, and finally bringing this trio to European audiences.” Hope to see y’all at these events!
Details
Forged in the avant-what of Downtown New York City, Eris 136199 is coming to Europe this fall, performing in Hamburg (1 November), Copenhagen (2), Cheltenham (3), Derby (4) and Newcastle (5).
A meeting between intrepid guitarists and cyborg interactionist Han-earl Park, legendary avant-metal composer-guitarist Nick Didkovsky, and the muscular, impeccably melodic saxophonist Catherine Sikora, Eris 136199 has been described as “a beautiful noise” (KFJC 89.7 FM), and “ein glorioser Bastard aus Noise und süßer Träumerei” (Bad Alchemy).
This tour has been made possible through the support from Jazz North East, Jvtlandt, Jazz Club Loco, OUT FRONT!, Xposed Club, Verband für aktuelle Musik Hamburg, and MS Stubnitz, and the awe-inspiring generosity of the backers of our Kickstarter project:
Cath Roberts, Franziska Schroeder, Owen Green, Han-Ter Park, Richard Hollis, Tom Duff, Jan Langedijk, Thomas Buckner, Liam Nagle, Andrew Raffo Dewar, Randy McKean, Anton Hunter, Marte van der Loop, Ian Boswell, Nancy Meli Walker, David M. Morris, Nicholas Croft, Eva Zelig, Bart Mallio, Jeremy Clarke, Martin Pyne, Josh Sinton, Moon Soon Han, Eun-He Moon, Yoon-Mi Cho, 고항심, Katie O’Looney, Jamie Smith, Phil Burk, Andrea Wolper, Kyoko Kitamura, DIDI, Caroline Pugh, Edozie Edoga, Yu Seon Hee, Danny McCarthy, Richard Barrett, Leejiyoung, Ed Bennett, Young-Shin Park, Ga Hyun Noh, Inkyung Kim, Keith Stonell, Peter O’Doherty, Viv Corringham, Korhan Erel, Tony O’Connor, Vikram Kapur and Maneesha Chawala, and our anonymous backers.
Impressive in scale, overwhelming in execution, it’s a cyclic frenzy of fragmented sounds without an ounce of entropy, yet somehow with a sense of clear movement and progression.
‘Free’ is a barely sufficient to describe this approach, as the trios explore various angular constructs and effects. The vocabulary of sounds here is as broad as it is unconventional.
Eris 136199 plays on the crossroads of noise, melody, rhythm, space, density, contrast, synchronicity, asymmetry, serendipity and contradiction. Eris 136199 is the corporeal, cyborg virtuosity of constructor and guitarist Han-earl Park; the noisy, unruly complexity of composer, computer artist and guitarist Nick Didkovsky; and the no-nonsense melodic logic of composer and saxophonist Catherine Sikora.
Described by Brian Morton as “a musical philosopher… a delightful shape-shifter”, Han-earl Park is drawn to real-time cyborg configurations in which artifacts and bodies collide. He has performed with some of the finest practitioners of improvised music, leads Sirene 1009 with Dominic Lash, Mark Sanders and Caroline Pugh, and is part of Numbers with Richard Barrett.
A composer who enjoys blurry boundaries, Nick Didkovsky founded the avant-rock big band Doctor Nerve, and is a member of Swim This with Gerry Hemingway and Michael Lytle. He is a pioneer of small-systems computer music, and has composed music for ensembles including Bang On A Can All Stars, ETHEL, and the Meridian Arts Ensemble.
Catherine Sikora is “a free-blowing player’s player with a spectacular harmonic imagination and an evolved understanding of the tonal palette of the saxophone” (Chris Elliot, Seacoast Online). She has a long-standing duo project with Eric Mingus, and has performed as part of ensembles led by Elliott Sharp, François Grillot, Ross Hammond, and Ursel Schlicht.
Together, Park, Didkovsky and Sikora forge an improvisative space where melody can be melody, noise can be noise, meter can be meter, metal becomes metal, bluegrass turns to bluegrass, jazz transforms into jazz, all there, all necessary without imploding under idiomatic pressures.
about the performers
Improviser, guitarist and constructor Han-earl Park has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces across Europe and the USA.
Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder. His recordings have been released by labels including Slam Productions, Creative Sources and DUNS Limited Edition.
“Guitarist Han-earl Park is a musical philosopher…. Expect unexpected things from Park, who is a delightful shape-shifter….”
— Brian Morton (Point of Departure)
“Though short, percussive, hard-to-notate sounds dominate Han-earl Park’s sound, he does utilize the totality of the guitar’s sonorities—just not in the proportions demanded by the nostalgic (retrospective, reactionary, etc.) owners of major media….”
— Stanley Zappa (The New York City Jazz Record)
Nick Didkovsky is a guitarist, composer, and computer music programmer. His non-didactic approach to combining human and machine creativity is a unique musical fingerprint. Didkovsky has composed new music for Kathleen Supove, Ethel, Bang on a Can All-Stars, Meridian Arts Ensemble, New Century Players, ARTE Quartett, his own bands Doctor Nerve, Vomit Fist, Häßliche Luftmasken, and others. His compositions and guitar performances appear on more than 50 records.
For over 30 years, Doctor Nerve has fueled Didkovsky’s intricate compositions with the energy of rock, often challenging the boundaries between heavy metal, contemporary music, and improvisation. Doctor Nerve has released nine albums of more than 50 of his compositions. The band has performed at numerous festivals including FIMAV, the Moers Festival, Musique Action, Creative Time, MIMI Festival, and ‘Whitney Live’ at the Whitney Museum of American Art.
As a guitarist and composer, Didkovsky was a member of the Fred Frith Guitar Quartet, contributing twelve compositions to its repertoire. Didkovsky’s electric guitar compositions continue to be performed by newer ensembles such as Dither Quartet, E-Werk, and Fracture Guitar Quartet, and by soloists such as Kevin Gallagher, Marco Cappelli, and Wiek Hijmans. As a soloist, he has performed at numerous events such as Bang On A Can festival, Guitarévolutions in Montreal, New Ballet festival at the Miller Theatre, and John Zorn’s East Asian Bar Bands. His 2015 Residency at The Stone in NYC resulted in numerous premiere performances of new works.
Collaborating with computer music pioneer Phil Burk, Didkovsky began developing Java Music Specification Language in 1997.
“Musicians (and listeners) who approach Didkovsky’s work find that part of the challenge derives from his mastery of unpredictability.”
— Linda Leseman (The Village Voice)
Saxophonist, improviser and composer Catherine Sikora was born and raised in West Cork, Ireland. Self taught to begin with, she moved to New York City to study and play with great improvisers.
Sikora works in a broad range of settings, from highly complex composed music, to folk songs, to free improvisation. She works regularly with Eric Mingus, Enrique Haneine, Brian Chase, Han-earl Park, Stanley Zappa, Christopher Culpo and Ross Hammond, as well as actively pursuing solo performance.
In the past few years Sikora has toured in Canada, the United States, Europe and Australia. She was a featured soloist in Eric Mingus’ radical reimagining of Tommy by the Who (Adelaide Festival 2015), and was artist in residence at the Centre Culturel Irlandais in Paris for the fall of 2014, working on a project inspired by stories from her female ancestors. Catherine’s first solo album ‘Jersey’ was released on Relative Pitch Records in July 2016.
Current working projects include Clockwork Mercury (duo with Eric Mingus) and an improvising duo with drummer Brian Chase; Sikora’s first solo recording will be released in fall 2015.
“Sikora has invited us into her musical world, and like the neighbor from Queens, it is our good fortune to be in its midsts.”
— Paul Acquaro (Free Jazz)
“There is almost always one enigmatic person at every gathering…. Inevitably, there is an expert storyteller there as well. With any luck, it happens to be the same person. These rare folk have the ability to spin a tale you have possibly heard before but can retell it with such clarity that you are captivated or better yet hypnotized. They can give you a new understanding of something you thought you already knew. This is a beautiful power and an ability that is rare to possess. Catherine Sikora is such a person/player.”
— Philip Coombs (Free Jazz)
by Han-earl Park, Nick Didkovsky and Catherine Sikora
