New improvisative pieces for solo guitar

guitar

Awesome news! I am excited to announce that I am a recipient of the Arts Council of Ireland Music Bursary Award, and that I will be creating a suite of improvisative, obliquely narrative, pieces for solo guitar, working with mentors Richard Barrett and Annette Krebs, and consultant Han-Ter Park to build a new compositional approach, and create companion pieces to my teaching work. As wrote in my proposal:

I will create a suite of new improvisative, obliquely narrative, experimental pieces for the solo guitarist. The bursary award will grant me time to research ways in which to effectively incorporate elements transposed from narrative forms (e.g. the manipulation of genre expectations) into my solo practice with its physical techniques and interactive tactics that I have developed systematically over twenty years. In addition, I will explore the ways in which studio-based techniques (editing, montage, etc.) may be used as a fluid compositional strategy in the context of improvisative work….

My solo practice was built on my studies with improviser-composers such as Wadada Leo Smith, and periods of independent study in 2003 during which I transposed to the guitar improvisative techniques of pianists such as Marilyn Crispell and Keith Tippett, and in 2008 during which I incorporated techniques from drummers such as Rashied Ali and Tony Oxley. I aim to expand on this practice by transposing to the musical domain, elements of genre manipulation found in works by writers such as Jeff VanderMeer and film-makers such as Bong Joon-ho. In addition, I aim to amplify these possibilities via the interactions between improvisation and studio-based compositional strategies.

To this end, in addition to my independent studies, I will consult with film-maker Han-Ter Park to explore aspects of cinematic techniques relevant to this project, and work closely with mentors improviser and composer Richard Barrett, and composer and sound artist Annette Krebs. Barrett and Krebs have unique insights into the intersection of improvisation and composition, the incorporation of programmatic and/or narrative elements, and studio-based techniques.

I am very, very grateful for the support of the Arts Council, and my collaborators. I feel privileged to be given the opportunity to work on this project, and I am very much looking forward to sharing this work with you. Please stay tuned: I will be announcing soon ways you can follow this work-in-progress.

Arts Council of Ireland

This project is funded by the Arts Council of Ireland.

thanks: Birmingham, Edinburgh and London*2

St Cecilia’s Hall (Edinburgh) 02-18-11

Thanks to all those hosting and organizing the performances: Mike Hurley and the rest of the Fizzle gang, Sibyl Madrigal of Boat-ting, Matthew Collings (who also sourced the tools for a mid-tour kluge repair of my amplifier), and the Lewisham Arthouse. Kudos to Reka Sanders, Joe Hope and Han-ter Park for putting a roof over this itinerant musician.

Big thanks to Paul Dunmall and Mark Sanders for the high-energy, musical workout, to Owen Green for introducing me to the musical (and comical) applications of a cardboard box, to Pat Thomas for his skill and wit, to Lol Coxhill for being the inimitable Lol Coxhill, and to the rest of Mathilde 253—to Charles Hayward and Ian Smith—for pushing and pulling into ever more fascinating musical spaces.

Last but not least, thanks to all who came to listen/watch.

CD available: Mathilde 253

‘Mathilde 253’ (SLAMCD 528) CD cover
‘Mathilde 253’ (SLAMCD 528) CD cover

Released as part of SLAM Productions’s January 2011 CD catalog: Mathilde 253’s eponymous debut CD (SLAMCD 528).

[Get the CD via the discography entry…]
[Slam Productions catalog page…]
[Read the reviews…]

teaser (photomontage by Jenny Gallego)

description

Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar), Ian Smith (trumpet and flugelhorn), Lol Coxhill (saxophone) tracks 6 and 7. Mathilde 253 is the real-time musical meeting between legendary avant-rock drummer Charles Hayward (This Heat, Massacre), “careful and crafty” guitarist Han-earl Park (Paul Dunmall, Kato Hideki), and mainstay of the London improvised music scene Ian Smith (Derek Bailey, London Improvisers’ Orchestra). Mathilde 253 was born out of an opportunity to explore the spontaneous mashup of avant-rock, African-American creative musics, European free improvisation and noise. Joined by the veteran iconoclastic saxophonist Lol Coxhill, this recording documents the weaving of physical virtuosity and humorous sound poetics, a patchwork of restraint, subtlety and recklessness.

Recorded live at Cafe OTO, London on April 18 2010. Recorded and mixed by Chris Trent. Mastered by Han-earl Park.

Design and artwork by Han-earl Park. Photographs by Seán Kelly.

Thanks to Hamish Dunbar and Keiko Yamamoto at Cafe OTO, Chris Trent, Alex Fiennes, Kato Hideki, Han-ter Park, Melanie L Marshall and Jeffrey Weeter.

All music by Charles Hayward, Han-earl Park and Ian Smith, except tracks 6–7 by Lol Coxhill, Charles Hayward, Han-earl Park and Ian Smith.

© 2010 Han-earl Park. ℗ 2010 SLAM Productions.

personnel

Mathilde 253: Charles Hayward (drums, percussion, melodica), Han-earl Park (guitar) and Ian Smith (trumpet, flugelhorn), plus Lol Coxhill (saxophone; tracks 6 and 7).

track listing

Kalimantan (18:29), Similkameen (8:22), Ishikari (10:09), Jixi (8:09), Matanuska (6:52), Aachen (11:42), Oaxaca (10:52). Total duration: 74:37.