Sirene 1009 (BAF000)

Cover of ‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)
‘Sirene 1009’ (BAF000) © 2017 Han-earl Park

January 31, 2017: eponymous first album by Sirene 1009 is out now (compact disc and digital download). Sirene 1009 is the cyborg virtuosity of Han-earl Park, the indomitable low-end growl of Dominic Lash, the unstoppable hits and clangs of Mark Sanders, and the controlled vocal mayhem of Caroline Pugh.

[Get the CD/download (Bandcamp)…]

CD: €11 minimum (‘name your price’) plus shipping.*†
Download: €8 minimum (‘name your price’).†

‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)

* Limited edition glass-mastered CD. CD includes additional material (artwork, etc.) not included in the download version of the album.

† Both digital and physical purchases give you streaming via the free Bandcamp app, and option to download the recording in multiple formats including lossless.

news and updates

February 18, 2018: Best of 2017

“These are the records we believe will stand the test of time from this year.” Honored and flattered to find Sirene 1009 in Jazz Right Now’s (and JRN @ JazzTokyo’s)…

January 1, 2018: Happy New Year: 2018

2017 started with the release of the album, and performances by, Sirene 1009, and closed with a tour by Eris 136199 (plus my first Kickstarter!). On the way, I got…

[All articles on Sirene 1009 (BAF000)…]

description

Eponymous first album by Sirene 1009. Sirene 1009 is the cyborg virtuosity of Han-earl Park (Eris 136199, Mathilde 253), the indomitable low-end growl of Dominic Lash (Convergence Quartet, The Set Ensemble), the unstoppable hits and clangs of Mark Sanders (John Butcher, Christian Marclay), and the controlled vocal mayhem of Caroline Pugh (Performing Identity and The Unknown, Photo Ballads).

Muffled junkyard hammering (clang! thud! snap!) beat unlikely counter-rhythms; suspension bridge rumble in the turbulence with subwoofer scratches; bad traffic and extreme weather conspire elemental percussion; broken public address system splutter and loop, evoke the intelligible.

Conjuring up rhythmic and sonic detritus from just a guitar and a volume pedal, Han-earl Park has performed with some of the craftiest improvisers from the Americas, Asia and Europe. The instigator of Sirene 1009, Park also (co-)leads Eris 136199 with Nick Didkovsky and Catherine Sikora, Mathilde 253 with Charles Hayward and Ian Smith, and Numbers with Richard Barrett.

The molten, musical core of Sirene 1009 comprises the virtuosic bassist, composer and sound artist Dominic Lash, and Mark Sanders, arguably the most sought-after avant-jazz and free improvisation drummer of his generation. Sirene’s rhythm section adeptly plays the borders of idiom and the explicable.

Having variously collaborated over the years in different contexts and configurations, in 2014 Park, Lash and Sanders performed for the first time as a trio.

During the 2015 tour, Belfast-based avant-folk singer and electronic artist Caroline Pugh joined the group. With a practice that critically, sometimes mischievously, intersects with digital, gallery and performance arts, and unmatched microphone technique (from whisper to scream, from embodied sound to flights into the stereo panorama), Pugh brings an additional layer of levity and exuberance to the already playful interactions of the trio.

Recorded at Cafe OTO (London) during a Culture Ireland funded tour of England, and during a single afternoon studio session in Birmingham, the album documents an ensemble of musicians representing diverse strands of present-day improvised musics; performances that fragment and recombine musical histories, that leaps unexpectedly between noise, melody, dissonance, harmony and rhythm.

personnel

Han-earl Park (guitar), Dominic Lash (double bass), Mark Sanders (drums), and Caroline Pugh (voice and tape recorder).

track listing

Psychohistory III (≥9:47), Cliodynamics I (10:44), Cliodynamics II (12:22), Cliodynamics III (5:11), Hopeful Monsters (9:41), Psychohistory V (≥10:40). Total duration ≥58:25.

recording details

Music by Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh.

Tracks 2–5 recorded live December 3, 2015, Cafe OTO, London. Recorded by Alex Fiennes.
Tracks 1 and 6 recorded June 16, 2016, Flood Studio, Birmingham. Recorded by Luke Morrish-Thomas.
Mixed and mastered by Han-earl Park.
Design and artwork by Han-earl Park.

Thanks to Alex, Luke, Bruce Coates, Richard Scott, Kate Hendry, Nick Didkovsky, Catherine Sikora, Josh Sinton, Franziska Schroeder, John Hough, Corey Mwamba, Ingrid Laubrock, Andrew Raffo Dewar, Jeb Bishop and Melanie L Marshall; to Simon Holliday, Fielding Hope, James Dunn and Oli Barrett at OTO; George Haslam at SLAM; Cath Roberts of LUME; Mike Borella of Avant Music News; Cisco Bradley of Jazz Right Now; Nasc Ireland; Seth Cooke and everyone at Bang the Bore; and Andrew Woodhead of Fizzle.

Culture Ireland logo

London performance presented with funding from Culture Ireland, and support from SLAM Productions.

© + ℗ 2017 Han-earl Park.

Included with pre-orders of Sirene 1009

‘Kuramoto Synchronization’ with Han-earl Park, Dominic Lash and Caroline Pugh (artwork copyright 2016, Han-earl Park)

Kuramoto Synchronization [details…]

Performers: Han-earl Park (guitar), Dominic Lash (double bass) and Caroline Pugh (voice and tape recorder).

© + ℗ 2016 Han-earl Park.

about the ensemble

Sirene 1009: Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh
Photos © 2016 Bruce Coates. [More images…]

Somewhere out there, there’s an SUV-sized violin tailgating, a No Wave guitarist desperately trying to survive in the Appalachian Mountains, someone dropping sheets of metal during a Jazz Session, an evolutionary biologist finding themselves speaking in tongues (Awash in Blue).

Hear guitarist Han-earl Park push and pull on the guitar-amplifier dancing partners, Dominic Lash and his double bass damage hanging artwork, Mark Sanders excavate caverns in the smallest spaces for his percussion, and Caroline Pugh sing the lines that border the intelligible and the cryptic. [More about Sirene 1009…]

about the performers

Improviser, guitarist and constructor Han-earl Park (박한얼) has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces across Europe and the USA.

Park engages a radical, liminal, cyborg virtuosity in which mind, body and artifact collide. He is driven by the social and revolutionary potential of real-time interactive performance in which tradition and practice become creative problematics. As a constructor of musical automata, he is interested in partial, and partially frustrating, context-specific artifacts; artifacts that amplify social relations and corporeal identities and agencies.

Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder, and as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros.

Festival appearances include Freedom of the City (London), Sonorities (Belfast), ISIM (New York), dialogues festival (Edinburgh), CEAIT (Los Angeles) and Sonic Acts (Amsterdam). His recordings have been released by labels including Slam Productions, Creative Sources and DUNS Limited Edition.

Park taught improvisation at University College Cork, and founded and curated Stet Lab, a space for improvised music in Cork.

“Guitarist Han-earl Park is a musical philosopher…. Expect unexpected things from Park, who is a delightful shape-shifter….”

Brian Morton (Point of Departure)

Dominic Lash is a freely improvising double bassist, although his activities also range much more widely and include playing bass guitar and other instruments; both writing and performing composed music; and writing about music and various other subjects.

He has performed with musicians such as Tony Conrad (in duo and quartet formations), Joe Morris (trio and quartet), Evan Parker (duo, quartet and large ensemble) and the late Steve Reid. His main projects include The Dominic Lash Quartet, The Set Ensemble (an experimental music group focused on the work of the Wandelweiser collective) and The Convergence Quartet.

Based in Bristol, Lash has performed in the UK, Austria, Finland, France, Germany, the Netherlands, Norway, Spain, Switzerland, Turkey and USA. For nearly a decade he was based in Oxford and played a central role in the activities of Oxford Improvisers; much of 2011 was spent living in Manhattan. In 2013 and 2014 he is taking part in Take Five, the professional development programme administered by Serious.

Festival appearances include Akbank Jazz Festival (Istanbul), Audiograft (Oxford), Freedom of the City (London), Huddersfield Contemporary Music Festival, Hurta Cordel (Madrid), Konfrontationen (Nickelsdorf), LMC Festival (London), Manchester Jazz Festival and Tampere Jazz Happening.

His work has been broadcast on a number of radio stations, including BBC Radios 1 and 3 and Germany’s SWR2, and released on labels including Another Timbre, b-boim, Bead, Cathnor, Clean Feed, Compost and Height, Emanem, Erstwhile, FMR, Foghorn, Leo and NoBusiness.

Since moving to Bristol he has been involved in organising concerts under the banners of Bang the Bore and Insignificant Variation. A new venture is the monthly series happening every second Wednesday at the Arnolfini entitled Several 2nds. Events include performances, workshops, film screenings and discussions.

“Following in an illustrious lineage from Barry Guy through Simon Fell… breathtaking.”

John Sharpe (All About Jazz)

Mark Sanders has played with many renowned musicians from around the world including Evan Parker, Peter Brotzmann, Derek Bailey, Myra Melford, Paul Rogers, Henry Grimes, Roswell Rudd, Okkyung Lee, Barry Guy, Tim Berne, Otomo Yoshihide, Luc Ex, Ken Vandermark, Sidsel Endresen and Jean Francois Pauvrois, in duo and quartets with Wadada Leo Smith and trios with Charles Gayle with Sirone and William Parker.

New collaborative projects include ‘Riverloam Trio’ with Mikolaj Trzaska and Olie Brice, ‘Asunder’ with Hasse Poulsen and Paul Dunmall, duos with John Butcher and DJ Sniff, ‘Statics’ with Georg Graewe and John Butcher, and trio with Rachel Musson and Liam Noble.

Mark and John Edwards play as a rhythm section with many groups including Trevor Watts Quartet, ‘Foils’ with Frank Paul Schubert and Matthius Muller, Mathew Shipp’s ‘London Quartet,’ also playing with Fred Frith, Wadada Leo Smith and Shabaka Hutchins amongst many others.

Christian Marclay’s ‘Everyday’ project includes Mark with Christian, Steve Beresford, John Butcher and Alan Tomlinson, he also works regularly in the projects of Mikolaj Trzaska, Gail Brand, Paul Dunmall, Peter Jaquemyn, and Simon H. Fell.

Mark has performed in the USA, Canada, Brazil, Japan, Morrocco, South Africa, Mozambique and Turkey, playing at many major festivals including, Nickelsdorf, Ulrichsburg, Glastonbury, Womad, Vancouver, Isle of Wight, Roskilde, Berlin Jazz days, Mulhouse, Luz, Minniapolis, Banlieue Bleues, Son D’hiver and Hurta Cordel.

He has released over 120 CDs.

“A gifted player capable of seamless movement between free-rhythms and propulsive swing.”

John Fordham (The Guardian)

Scottish vocalist and composer Caroline Pugh borrows old-fangled technologies and honours oral histories to create new performances. With a background in both folk and improvisation, her solo works You’ve Probably Heard These Songs Before, Timing By Ear, Measuring By Hand and Platform Audio also draw on performance art and pinhole photography.

Originally from Edinburgh, Caroline has performed across Europe and North America with new improvisation performances including Los Angeles’ Betalevel in 2012, NIME 2011 in Oslo, Just Listening 2011 in Limerick and Experimentica09 in Cardiff. She is also in a band called ABODE and an improvisation collective called E=MCH.

Now based in Belfast, Caroline sings in a folk duo with Meabh Meir and together with Myles McCormack they run traditional song sessions at the Garrick Bar on Mondays from 7.30-10pm.

In 2011, Caroline was awarded an Art Council Northern Ireland grant for her solo work and gained a Distinction for her AHRC-funded Master of Music at Newcastle University. She coaches students at Queen’s University Belfast and has worked in collaboration with visual artists (Connecting through Scape 2008), theatre practitioners (hour8+9 2009), video artists (SAAB 2009), dancers and psychologists (Newcastle and Northumbria Universities 2010). She also got a BA in Scottish Music from the Royal Academy of Music and Drama in Glasgow, and studied Contemporary Music at the University of Central Lancashire for a wee while too.

“Every once in a while you happen upon a gig or event that’s so fundamentally unlike anything you’ve experienced before that you can’t help but reconsider your own thoughts on what defines music, performance and entertainment.”

Brian Coney (BBC Across The Line)

Also by these artists

‘A Little Brittle Music’ with Han-earl Park, Dominc Lash and Corey Mwamba (artwork copyright 2015, Han-earl Park)

A Little Brittle Music [details…]

Performers: Han-earl Park (guitar), Dominic Lash (double bass) and Corey Mwamba (vibraphone and flute).

© 2015 Han-earl Park. ℗ 2015 Park/Lash/Mwamba.

Skip (copyright 2013, FMR)

Skip (FMRCD350)

Performers: Pat Thomas (piano), Dominic Lash (bass) and Mark Sanders (drums).

© + ℗ 2013 FMR Records.

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)

Dunmall-Park-Sanders (Birmingham, 02-15-11) [details…]

Performers: Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums).

(cc) 2013 Paul Dunmall/Han-earl Park/Mark Sanders.

Han-earl Park, Paul Dunmall, Mark Sanders and Jamie Smith: Live at the Glucksman gallery, Cork (owlcd002) CD cover (copyright 2012, Owlhouse Recordings)

Live at the Glucksman gallery, Cork (owlcd002) [details…]

Performers: Han-earl Park (guitar), Paul Dunmall (saxophone), Mark Sanders (drums) and Jamie Smith (guitar).

© 2009 by Owlhouse Recordings.
℗ 2009 Han-earl Park/Paul Dunmall/Mark Sanders/Jamie Smith.

updates

01-31-17: released!

The (Near) Complete Han-earl Park

The (Near) Complete Han-earl Park (covers art and design copyright 2013 Clockwork Mercury Press; copyright 2012 Creative Sources Recordings; and copyright 2010, 2011 and 2015 Han-earl Park)
© 2013 Clockwork Mercury Press; © 2012 Creative Sources Recordings; and © 2010, 2011 and 2015 Han-earl Park.

Update: last I checked, only two sets left. If you want to get one….

Get Han-earl Park’s (near) complete discography! (And help fund Sirene 1009’s debut album.)

Limited in number, my (near) complete discography is for sale at a special price. The set comprises of four glass-mastered CDs, and one limited edition CD-R (plus, for the first two lucky listeners, another limited edition CD-R). Available for €25 plus shipping, you can consider it €5 per disc (and a bonus CD-R for the first two customers).

Musicians featured on these albums include: Catherine Sikora, Nick Didkovsky, Josh Sinton, Richard Barrett, Franziska Schroeder, Bruce Coates, Charles Hayward, Ian Smith, François Grillot and Lol Coxhill (plus Paul Dunmall, Jamie Smith and Mark Sanders for the first two customers).

In addition to offering many, many hours of stupendous listening, as I’m furiously raising funds for the upcoming release by Sirene 1009, you’ll also be helping the production of more.

[Buy now…]

Included are…

four glass mastered CDs

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

Anomic Aphasia (SLAMCD 559) [details…]

Performers: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar), and Josh Sinton (baritone saxophone and bass clarinet). [About Eris 136199…] [Metis 9…]

© 2015 Han-earl Park.
℗ 2015 SLAM Productions.

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)

‘Numbers’ (CS 201 cd) [details…]

Performers: Richard Barrett (electronics) and Han-earl Park (guitar). [About this duo…]

© + ℗ 2012 Creative Sources Recordings.

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

io 0.0.1 beta++ (SLAMCD 531) [details…]

Performers: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone). [About this project…]

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone). [About this ensemble…]

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

plus a CD-R

Catherine Sikora, Han-earl Park and François Grillot, ‘Tracks in the dirt’ (copyright 2013, Clockwork Mercury Press)

Tracks in the dirt (Clockwork Mercury Press 003) [details…]

Performers: Catherine Sikora (saxophone), Han-earl Park (guitar) and François Grillot (double bass).

© + ℗ 2013 Clockwork Mercury Press.

and, for the first two customers, another CD-R

Han-earl Park, Paul Dunmall, Mark Sanders and Jamie Smith: Live at the Glucksman gallery, Cork (owlcd002) CD cover (copyright 2012, Owlhouse Recordings)

Live at the Glucksman gallery, Cork (owlcd002) [details…]

Performers: Han-earl Park (guitar), Paul Dunmall (saxophone), Mark Sanders (drums) and Jamie Smith (guitar).

© 2009 by Owlhouse Recordings.
℗ 2009 Han-earl Park/Paul Dunmall/Mark Sanders/Jamie Smith.

Live at the Glucksman is only available to the first two customers: I only have two copies left! (btw, I had been hoping to include the duo CD with Paul Dunmall, but it looks like I am completely out of those. For those who still have copies, consider yourself one of the lucky few 😉 )

trailers

small print

Glass-mastered CDs in shrink-wrapped jewel cases. CD-Rs in sleeves.

Live at the Glucksman is only available to the first two customers.

Thanks to all the musicians who’re represented here, and special thanks to George Haslam and SLAM Productions.

Return policy

It is vital that you contact me before returning items (click “contact Han-earl Park” on this page). I will do my absolute best to address any concerns and damaged (unplayable) items, but please note that some of these discs are limited in number, so replacements (unlike refunds) may be a non-trivial issue.

Shipping

Physical items shipped by standard post. Please contact me (click “contact Han-earl Park” on this page) before making your order for special delivery instructions and/or alternative shipping methods.

updates

07-14-16: only two sets left.

SLAM Productions featured in The New York City Jazz Record

SLAM Productions featured in The New York City Jazz Record, 08-2012. Copyright 2012 The New York City Jazz Record.
© 2012 The New York City Jazz Record (click to view PDF…)

This month, The New York City Jazz Record puts a spotlight on the record label SLAM Productions. In the article, Ken Waxman quotes label owner and curator George Haslam as saying:

When a recording is offered to me, I listen to it and consider, is SLAM the right place for it? I don’t have a style template to which the music must fit. The SLAM slogan has always been ‘Freedom of Music’. I remember years ago playing a concert with Lol [Coxhill]. He was asked to play a solo piece and was going to play ‘Autumn Leaves”. “But this is a free gig, Lol” someone said. “So,” said Lol “Am I free to play what I want?” What ties the SLAM catalogue together is the objective of preserving music that may otherwise be lost and making this music available to a listening public. To try to ‘educate’ or lead a public would be counterproductive but the music is there to be discovered. [Read the rest…]

It’s really great to see George Haslam and his label get some well deserved recognition, and I am honored that a couple of my recordings are available on SLAM. Thanks, George, for your support over the years, and especially for taking a gamble with a recording of a machine improviser! (And, incidentally, Paul Dunmall, who initially recommended SLAM to me, and the late Lol Coxhill, who guested on my first recording on SLAM, also make appearances in the article.)

Available from SLAM Productions…

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

io 0.0.1 beta++ (SLAMCD 531) [details…]

Performers: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone).

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) is available from SLAM Productions [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone).

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.