Friday, April 7, and Friday, May 19, 2017: Sirene 1009 (Han-earl Park: guitar; Dominic Lash: double bass; Mark Sanders: drums; and Caroline Pugh: voice and electronics) perform as part of an Arts Council of Ireland funded series. Friday, April 7, 2017 Performance by Sirene 1009 at Aula Maxima (University College Cork, College Road, Cork, Ireland). […]
Tag Archives: BAF000
Music where the “gorgeous plucked theme”, the “maniacal wails”, “booming, thunderous landscape of percussion”, and “sweetly sung passages of melodic intrigue” coexists? “Riffing madness”? A “meta-unsettling effect”? Why is the “Elk of Entropy… smooched with acceleration-bebop”? And who “eats broomsticks and pukes horses”?
January 31, 2017: just released! Eponymous first album by Sirene 1009 is out now (compact disc and digital download). Sirene 1009 is the cyborg virtuosity of Han-earl Park, the indomitable low-end growl of Dominic Lash, the unstoppable hits and clangs of Mark Sanders, and the controlled vocal mayhem of Caroline Pugh.
Kuramoto Synchronization is the kind of recording that, had I not had another album scheduled, would have been its own release. I think the performance really shows off Dom’s steady-handed, assured skills as an improviser. And if you don’t know Caroline’s work, I think this might be an excellent place to start—she sounds phenomenal here. (Oh, yes, and because the weather conspired to cancel Mark’s flight, you get to hear three non-drummers alternately playing the role of the percussionist.)
Over at a Jazz Noise, you can read my answers to Dave Foxall’s 7 Questions such as my take on collaboration or what I seek in collaborators; what and who I’ve been listening to; what I’ve got planned; my take on the late-capitalist bootleg economy; and about my non-musical influences. Plus you can hear an exclusive track from Sirene 1009!
Animals? minerals? and monsters? “A cyborg slowly coming to terms with having a consciousness”? “drums like an octopus”? The first reviews of ‘Sirene 1009’ (BAF000), the CD/digital download album by Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh.
Muffled junkyard hammering (clangs! thud! snaps!) beat unlikely counter-rhythms; a suspension bridge rumbles in the turbulence with subwoofer scratches; bad traffic and extreme weather conspire elemental percussion; a broken public address system splutters and loops, evoking the intelligible.
Eponymous first album by Sirene 1009. Sirene 1009 is the cyborg virtuosity of Han-earl Park, the indomitable low-end growl of Dominic Lash, the unstoppable hits and clangs of Mark Sanders, and the controlled vocal mayhem of Caroline Pugh.
Out now: the complete recording of the January 29, 2016 performance by Han-earl Park (guitar), Dominic Lash (double bass) and Caroline Pugh (voice and tape recorder). Available for a limited time, you can get the album with pre-orders of the CD/digital album ‘Sirene 1009.’
Get Han-earl Park’s (near) complete discography! (And help fund Sirene 1009’s debut album.) Limited in number, my (near) discography is for sale at a special price. The set comprises of four glass-mastered CDs, and one limited edition CD-R. Plus, for the first two lucky listeners, another limited edition CD-R. Available for €30 plus shipping, you can consider it €6 per CD plus a bonus CD-R or two.
Just back from Birmingham after playing with Dominic Lash, Mark Sanders, and Caroline Pugh—a.k.a. Sirene 1009. I’ve been laying some groundwork for the Arts Council funded project to be premiered in Cork, but we also spent a few hours recording some material which will be part of our upcoming album.