Tag Archives: press

Best of 2017

“These are the records we believe will stand the test of time from this year.” Honored and flattered to find Sirene 1009 in Jazz Right Now’s (and JRN @ JazzTokyo’s) best-of-2017 list, and to find my work in such amazing company. And, again, big thanks to John Morrison for the wonderful review: Sometimes violent and […]

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Chasing the chaos. (review: Sirene 1009)

‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)

“If this attempt at description sounds rather confused, I’ll try to summarise: years ago, Derek Bailey coined the term ‘non-idiomatic improvisation’, a label that over the years has practically become an idiom in its own right. Sirene 1009 may just be the auditory experience that Bailey’s label has been waiting for.”

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This album is brilliant. This album is insane. (reviews: Sirene 1009)

‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)

“Messy”? “scattered”? “manic”? Music that is “aggressive and acerbic and gets in your face and won’t back down”? “Evocative and original” music in which “various elements of rock, free jazz, creative jazz are combined in one composition”? Dave Sumner of Bird is the Worm concludes: “This album is brilliant. This album is insane.”

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ideas as open as the night sky (reviews: Sirene 1009)

‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)

Music where the “gorgeous plucked theme”, the “maniacal wails”, “booming, thunderous landscape of percussion”, and “sweetly sung passages of melodic intrigue” coexists? “Riffing madness”? A “meta-unsettling effect”? Why is the “Elk of Entropy… smooched with acceleration-bebop”? And who “eats broomsticks and pukes horses”?

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improvisation, animation, sociality, tradition and politics (a Jazz Noise: 7 Questions)

Eris 136199: Han-earl Park, Catherine Sikora and Nick Didkovsky (Douglass Street Music Collective, Brooklyn, June 5, 2013). Photo copyright 2013 Scott Friedlander.

Over at a Jazz Noise, you can read my answers to Dave Foxall’s 7 Questions such as my take on collaboration or what I seek in collaborators; what and who I’ve been listening to; what I’ve got planned; my take on the late-capitalist bootleg economy; and about my non-musical influences. Plus you can hear an exclusive track from Sirene 1009!

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into the unknown (reviews: Sirene 1009)

‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)

Animals? minerals? and monsters? “A cyborg slowly coming to terms with having a consciousness”? “drums like an octopus”? The first reviews of ‘Sirene 1009’ (BAF000), the CD/digital download album by Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh.

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a cyclic frenzy of fragmented sounds without an ounce of entropy (a Jazz Noise review: Anomic Aphasia)

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

“Impressive in scale”? “overwhelming in execution”? “listening to two separate pieces at the same time in serendipitous juxtaposition”? “genius charlatan”? listening that “can produce altered states”? Dave Foxall of a Jazz Noise reviews ‘Anomic Aphasia’ (SLAMCD 559) by Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton: Monopod is a sprawling, non-idiomatic (and non-repetitive) improvisation […]

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Best of 2015

As previously teased, ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton makes Avant Music News Best of 2015. [Avant Music News review…] [All reviews…] Anomic Aphasia (SLAMCD 559) [details…] Performers: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar), and Josh Sinton (baritone saxophone and bass […]

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frightening atmospherics (New York City Jazz Record review: Anomic Aphasia)

“Plucky heroine faced with rebellious robots”? “ingot-like density”? “human triumph”? “electronically plugged in as well as pointedly blended”? Ken Waxman, writing in The New York City Jazz Record, reviews ‘Anomic Aphasia’ (SLAMCD 559) by Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton: Guitarist Han-earl Park joins those improvisers who conceive of a playbook for […]

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performances: Han-earl Park, Dominic Lash and Mark Sanders plus Caroline Pugh (Birmingham, Bristol and London, December 2015)

Han-earl Park (guitar), Dominic Lash (double bass) and Mark Sanders (drums) plus Caroline Pugh (voice and electronics) will be doing a short tour of England in December 2015 (see the performance diary for up-to-date info): Birmingham, December 1, 2015: The Lamp Tavern (Barford Street, Birmingham B5 6AH) presented by Fizzle. [Performance diary entry…] [Fizzle listings…] […]

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beautiful noise (reviews: Anomic Aphasia)

‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton makes Avant Music News Best of 2015 (So Far). Honored to find my work among such illustrious company. [Read the Avant Music News review…] Meanwhile… “dynamic, articulate”? “jarring, discordant, loud and experimental”? “interesting acoustic altercations?” sounds that are simultaneously “alien and […]

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jazzColo[u]rs: al ritmo afasico della chitarra

The current edition of jazzColo[u]rs (Sommario Ago./Set. 2015, Anno VIII, n. 8–9) has an interview with me by Andrew Rigmore. It covers a broad range of my work, from my close collaboration with Catherine Sikora, my working relationships with Paul Dunmall, Evan Parker, and drummers such as Mark Sanders, Charles Hayward, Gino Robair and Tom […]

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