site update: Han-earl Park bio plus YouTube playlist

Although nowhere near a big a revision as the last major update, I’ve made some significant changes to my bio. Below is the new verbose, everything-but-the-kitchen-sink, 472 word version [shorter versions…].

Improviser, guitarist and constructor Han-earl Park (박한얼) (www.busterandfriends.com) has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces in Austria, Denmark, Germany, England, Ireland, The Netherlands, Scotland and the USA.

Park engages a radical, liminal, cyborg virtuosity in which mind, body and artifact collide. He is driven by the social and revolutionary potential of real-time interactive performance in which tradition and practice become creative problematics. As a constructor of musical automata, he is interested in partial, and partially frustrating, context-specific artifacts; artifacts that amplify social relations and corporeal identities and agencies.

Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder. He has guested with Gargantius Effect (Murray Campbell and Randy McKean), the Mark Hanslip/Dominic Lash/Phillip Marks Trio, and Swim This (Nick Didkovsky, Gerry Hemingway and Michael Lytle); performed as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros; and participated in improvisative meetings with Gerald Cleaver, Andrea Parkins, Tom Rainey, Mike Pride, Anna Webber, Jack Wright and Ingrid Laubrock. He has studied with improviser-composers Wadada Leo Smith, Richard Barrett, Joel Ryan, Mark Trayle, Chick Lyall and David Rosenboom, composers Clarence Barlow and Marina Adamia, and interactive media artist Sara Roberts.

Festival appearances include Freedom of the City (London), Sonorities (Belfast), International Society for Improvised Music (New York), dialogues festival (Edinburgh), VAIN Live Art (Oxford), Center for Experiments in Art, Information and Technology Festival (Los Angeles) and Sonic Acts (Amsterdam). In addition to numerous self-released albums, his recordings have been released by Slam Productions, Creative Sources, Vicmod Records, FrImp, Owlhouse Recordings and DUNS Limited Edition. His music has been featured on anthologies released by Bridge Records, farpoint recordings and Frog Peak Music. He has performed live on Resonance FM (London), Drift Radio (Scotland), and KVMR 89.5 FM (Nevada County), interviewed on RTÉ Morning Ireland and RTÉ Nova (Ireland), and his recordings have been broadcast around the world.

Park taught improvisation at University College Cork (2006–2011), and founded and curated (2007–2011) Stet Lab, a space for improvised music in Cork. He is a recipient of grants from the Arts Council of Ireland (2007, 2008 and 2009) and Music Network (2009 and 2010), and of the Ahmanson Foundation Scholarship (1999) and the CalArts Scholarship (1999 and 1999–2000).

[Han-earl Park’s biography (16–472 words) plus press quotes…]

I’ve also taken the opportunity to create a new video playlist of selected performances. With 52 videos, and clocking in at around 13 hours, my previous playlist of ‘recent’ performances was no longer able to be an effective portfolio reel. Thanks as always to the videographers (Don Mount, Kevin Reilly and Scott Friedlander), and to all the performers.

site update: scrapbook redux reboot

web audio player widget
Another summary of the updates to my scrapbook since the last review. A few newer clips from Brooklyn and New York which include some of the best music I’ve been involved in (the duo with Gerald Cleaver, in particular, has, for me, some of my best playing), plus a blast from the past: Mathilde 253 in Cork. With the latest updates, I’ve also taken the opportunity to split the scrapbook across two pages (with so much embedded media, it was getting near impossible for those with slower computers and/or connections to load the page).

Please note that all music and audio recordings © + ℗ their respective owners (i.e. these are not covered by a Creative Commons License).

Han-earl Park (guitar), Catherine Sikora (saxophones) and Mike Pride (drums).

Music by Han-earl Park, Catherine Sikora and Mike Pride.
Recorded live, April 2, 2014 at Spectrum, New York.
Recorded by Don Mount.

Evan Parker (saxophone) and Han-earl Park (guitar), plus Peter Evans (trumpet) and Okkyung Lee (’cello).

Music by Evan Parker and Han-earl Park, plus Peter Evans and Okkyung Lee.
Recorded live, September 19, 2013 at The Stone, New York.
Recorded by Don Mount.

Gerald Cleaver (drums) and Han-earl Park (guitar).

Music by Gerald Cleaver and Han-earl Park
Recorded live, August 13, 2013 at Douglass Street Music Collective, Brooklyn.
Recorded by Don Mount.

Mathilde 253 (Han-earl Park: guitar; Charles Hayward: drums; and Ian Smith: trumpet).

Music by Mathilde 253.
Recorded live, March 30, 2011 at Half Moon Theatre, Cork.
Presented with funding from the Music Network Performance and Touring Award, and support from the UCC School of Music and the Cork Opera House.
Recorded by John Hough. Live sound by Alex Fiennes.

[About this project…]

Happy New Year: 2014

Original images © 2013 Emilio Vavarella; © 2013 Scott Friedlander; © 2013 Don Mount; and © 2013 Han-earl Park.
Original photographs/images © 2013 Emilio Vavarella; © 2013 Scott Friedlander; © 2013 Don Mount; and (cc) 2013 Han-earl Park.

thanks: Parker-Park (The Stone, NYC), Park-Sikora-Sinton (DSMC, Brooklyn) and Park-Parkins (The Living Gallery, Brooklyn)

Three gigs; and I couldn’t ask for a more varied and musically valuable seven days.

I learned a heck of a lot (about my capabilities as an improviser, and about the social dynamics of interactive play) performing with Evan Parker. Still reeling from the experience, I’m grateful for the opportunity to play with Mr Parker again, and to have sat in with the Bleeding Edge Trio.

The performance with Catherine Sikora and Josh Sinton was the most craftily accomplished. We’ve been engineering, navigating and negotiating these improvisative, tactical considerations since February, and it’s been a pleasure and a privilege to be working with two imaginative and gutsy performers. I expect our performance at Harvestworks in October will be something else. (Plus thanks to Josh for the post-gig reflections.)

If I had to choose just one of these gigs as a stand-out though, it might have to be the duo with the stupendously creative Andrea Parkins. Insanely fun! Despite (or perhaps becuase of) severe technical limitations, I found myself in some very odd places. (Andrea was one of the first NYC people I contacted before moving here, so this performance was looong overdue.) Let’s play again. I had a blast.

Big thanks to coconspirators Michael Foster and Lisa Mezzacappa, to Mike Pride for the funniest post-gig story telling, and to the documetarists Don Mount and Jeremiah Cymerman. Finally, special thanks to Louise and Tom for bringing their new family to The Stone.

Next up: performances coming up in October as part of Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora), and with Catherine Sikora and Josh Sinton for another round with Metis 9. See the performance diary for up-to-date info.

reminder: Evan Parker and Han-earl Park at The Stone, New York

Evan Parker and Han-earl Park

The British saxophonist Evan Parker, 69, has been a major figure in free improvisation since the late 1960s. That’s not only because of his sound and style, which starts from late Coltrane and pushes ahead—turning the process of circular breathing into a supercollider of tones and overtones—but also because of his sociability. The best free improvisers are drawn to him, and he to them, and his weeklong residency at the Stone corrals the best of the New York-based ones across three generations. [Read the rest…]

Ben Ratliff (The New York Times)

This Thursday (September 19, 2013), at 10:00pm: a performance by Evan Parker (saxophones) and Han-earl Park (guitar) takes place at takes place at The Stone (16 Avenue C, New York, NY 10009). Admission: $20 (students 13–19: $10; children <12: free).

Evan’s residency at The Stone will feature some amazing musicians (check The Stone calendar for the full program) including the Bleeding Edge Trio (with Peter Evans and Okkyung Lee) performing the 8pm set on Thursday.

video recordings: YouTube playlist… redux

Thanks to the efforts of the Downtown documentarists—Don Mount, Kevin Reilly and Scott Friedlander—there’s been a lot of changes to my YouTube channel and playlists since my last announcement almost a year ago. In terms of project specific playlists, I’ve updated the Eris 136199 playlist [watch…], and created one for Metis 9 [watch…]

performance diary 08-31-13 (Brooklyn, New York, Pittsburgh)

upcoming performances
date venue time details
September 19, 2013 The Stone
16 Avenue C
New York, NY 10009
10:00pm Performance by Evan Parker (saxophones) and Han-earl Park (guitar).
Admission: $20 (students 13–19: $10; children <12: free).
[Details…]
[The Stone calendar…]
September 22, 2013 Douglass Street Music Collective
295 Douglass Street
Gowanus
Brooklyn, NY 11217
8:00pm Performance of Metis 9 by Han-earl Park (guitar), Catherine Sikora (saxophones) and Josh Sinton (saxophone and clarinet). Also performing: Lisa Mezzacappa Trio (Chris Welcome: guitar and voice; Lisa Mezzacappa: double bass; and Mike Pride: drums). Recommended donation: $10.
[Details…]
[DSMC page…]
September 25, 2013 The Living Gallery
1094 Broadway
Brooklyn, NY 11221
9:00pm Performance by Han-earl Park (guitar) and Andrea Parkins (accordion and electronics). Also performing: Marc Edwards (drums) and Ernest Anderson III (guitar), and Tristan Shepherd (turntables) and Michael Foster (saxophone). Recommended donation: $8.
[Details…]
October 27, 2013 Downtown Music Gallery
13 Monroe Street
New York, NY 10002
6:00pm Performance by Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones). Details to follow…
Free admission.
November 7, 2013 ModernFormations
4919 Penn Avenue
Pittsburgh, PA 15224
8:00pm (doors: 7:30pm) Performance by Han-earl Park (guitar) and other as part of Crucible Sound. Details to follow…
Suggested donation: $7.
November 17, 2013 Downtown Music Gallery
13 Monroe Street
New York, NY 10002
6:00pm Performance by Viv Corringham (voice and electronics) and Han-earl Park (guitar). Details to follow…
Free admission.
October 2013 New York and surrounding areas I am seeking opportunities to perform Metis 9 in small and large ensemble contexts with, at its core, the trio of Han-earl Park, Catherine Sikora and Josh Sinton. In particular, I am seeking performance opportunities for Gargantius Effect +4 (Murray Campbell and Randy McKean with Gino Robair, Han-earl Park, Catherine Sikora and Josh Sinton). Interested promoters, venues and sponsors, please get in touch! [Details…]
2013– North America Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones) is seeking performance opportunities in North America, and, in 2014, elsewhere in the world.
Interested promoters, venues and sponsors, please get in touch! [Detailed proposal…]
2014– Europe I will be moving back to Europe at the start of 2014, and I am seeking performance opportunities for, in particular, my Europe-based projects including Numbers (with Richard Barrett), Mathilde 253 (with Charles Hayward and Ian Smith), and io 0.0.1 beta++ (with Bruce Coates and Franziska Schroeder). Interested promoters, venues and sponsors, please get in touch!

Continue reading “performance diary 08-31-13 (Brooklyn, New York, Pittsburgh)”

performance: Evan Parker and Han-earl Park at The Stone, New York

Evan Parker and Han-earl Park
Thursday, September 19, 2013, at 10:00pm: a performance by Evan Parker (saxophones) and Han-earl Park (guitar), as part of Parker’s residency (September 17–22), takes place at The Stone (16 Avenue C, New York, NY 10009). Admission: $15 $20 (students 13–19: $10; children <12: free).

With the change in the curatorial policy, I didn’t think I’d get back onstage at The Stone for a long while, never mind being asked to play by Mr Parker. I feel enormously privileged to have the opportunity to play a duo set with—the singular, remarkable, incomparable—Evan Parker.

See the performance diary for up-to-date info. [The Stone calendar…]

thanks: Gerald Cleaver and Han-earl Park at Douglass Street Music Collective, Brooklyn

Like I said last time, necessity is the mother of invention. Two things sparked this second duo*3 event at DSMC: Gerald Cleaver was going to be available (been trying to corner him with a gig since January), and Viv Corringham had just moved to New York. I then asked Chris Pitsiokos if he’d like to contribute a set after Anna Webber had to drop out (as much as I enjoyed Chris and Philip White’s set, and I wouldn’t substitute it for anything else, would loved to have heard what Anna might have brought to the table—next time). And like the last duo*3 event, because of the performers, the results were unimaginably better than the minimal curatorial hand I played.

So big, big thanks to all the performers at the August 13 event: to Chris and Philip White for their sense of play (and for consistently hitting the resonance frequency of the DSMC buzzer); to Viv and Andrea Parkins for a performance full of humor, and a kind of cargo-cult elegance; and to Gerald for his limitless imagination, for the 45 minute creative, musical and physical workout, and for making the set sound just that much better. And kudos again to Don Mount for the indefatigable work as video documentarist [watch/listen…].

Next up: performances coming up in September with Evan Parker as part of his residency at The Stone, and with Catherine Sikora and Josh Sinton playing Metis 9. See the performance diary for up-to-date info.

performance diary 08-01-13 (Brooklyn, New York)

upcoming performances
date venue time details
August 13, 2013 Douglass Street Music Collective
295 Douglass Street
Gowanus
Brooklyn, NY 11217
8:00pm Performance by Gerald Cleaver (drums) and Han-earl Park (guitar). Also performing: Chris Pitsiokos (saxophone) and Philip White (electronics); and Viv Corringham (voice and electronics) and Andrea Parkins (accordion and electronics). Recommended donation: $10.
[Details…]
[DSMC page…]
September 19, 2013 The Stone
16 Avenue C
New York, NY 10009
10:00pm Performance by Evan Parker (saxophones) and Han-earl Park (guitar).
Admission: $15 $20 (students 13–19: $10; children <12: free).
[Details…]
[The Stone calendar…]
September 22, 2013 Douglass Street Music Collective
295 Douglass Street
Gowanus
Brooklyn, NY 11217
8:00pm Performance of Metis 9 by Han-earl Park (guitar), Catherine Sikora (saxophones) and Josh Sinton (saxophone and clarinet). Also performing: Lisa Mezzacappa Trio (Chris Welcome: guitar and voice; Lisa Mezzacappa: double bass; and Mike Pride: drums). Recommended donation: $10.
[Details…]
[DSMC page…]
October 27, 2013 Downtown Music Gallery
13 Monroe Street
New York, NY 10002
6:00pm Performance by Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones). Details to follow…
November 17, 2013 Downtown Music Gallery
13 Monroe Street
New York, NY 10002
6:00pm Performance by Viv Corringham (voice and electronics) and Han-earl Park (guitar). Details to follow…
October 2013 New York and surrounding areas I am seeking opportunities to perform Metis 9 in small and large ensemble contexts with, at its core, the trio of Han-earl Park, Catherine Sikora and Josh Sinton. In particular, I am seeking performance opportunities for Gargantius Effect +4 (Murray Campbell and Randy McKean with Gino Robair, Han-earl Park, Catherine Sikora and Josh Sinton). Interested promoters, venues and sponsors, please get in touch! [Details…]
2013 North America Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones) is seeking performance opportunities in North America, and, in 2014, elsewhere in the world.
Interested promoters, venues and sponsors, please get in touch! [Detailed proposal…]
2014 Europe Seeking performances in Europe, 2014 for the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician io 0.0.1 beta++ (itself) with human musicians Han-earl Park (guitar), Bruce Coates (saxophones) and Franziska Schroeder (saxophones). Interested promoters, venues and sponsors, please get in touch! [Detailed proposal…]

Continue reading “performance diary 08-01-13 (Brooklyn, New York)”

video recordings: YouTube playlist updates

As part of the general house keeping duties, I’ve updated the playlists at my YouTube channel. The ‘Han-earl Park’ playlist, at this time, features performances with Sean Ali, Chris Chafe, Chris Corrigan, Nick Didkovsky, Andrew Drury, Paul Dunmall, Michael Evans, Jonathan Goldberger, Louise Dam Eckardt Jensen, Will McEvoy, Manuela Meier, Jonathan Moritz, Pauline Oliveros, Gascia Ouzounian, Pedro Rebelo, Bradford Reed, Mark Sanders, Franziska Schroeder, Catherine Sikora, Jamie Smith, Doug Van Nort, Ben Wright, Jack Wright and Justin Yang, and videography by Don Mount, Kevin Reilly and John Hough.

And Eris 136199 now has its own playlist.

thanks: Perkis-Park-Eisenstadt (The Stone, NYC) and Evans-Jensen-Park (DSMC, Brooklyn)

Tim Perkis, Han-earl Park and Harris Eisenstadt (The Stone, NYC, September 7, 2012). Photo copyright 2012 Tom Djll.
Harris Eisenstadt, Han-earl Park and Tim Perkis (The Stone, NYC, September 7, 2012). Photo © 2012 Tom Djll.

Big thanks to all the performers over the weekend: Harris Eisenstadt, Michael Evans (drums), Louise Dam Eckardt Jensen, and, especially for the initial invite to perform at The Stone, to Tim Perkis, one of the very finest computer performers, and one of the few who understands the nuts’n’bolts of musicianship and performance.

Thanks also to Miguel Frasconi for curating the series at The Stone, and to Josh Sinton and Prom Night Records for putting together Save The Date #8 at the Douglass Street Music Collective; and to Kevin Reilly and Don Mount for the documentation. And, nothing to do with my own performances, but I want to mention Tom Djll who, with Andrew Drury (thanks for the transport back home, Andrew!) and Tim, presented borderline genius deconstructions—diabolical combinations of intelligent critique and humorous pastiche—that followed our set at The Stone.

And, as always, thanks to everyone who came to listen and witness real-time music in motion… including the one person in the audience who really did not dig what I was doing… at all %^}