performance diary 05-22-14 (Brooklyn, New York)

upcoming performances
date venue time details
June 6, 2014 The New School for Jazz and Contemporary Music
55 West 13th Street
New York, NY 10011
3:00pm Performance by Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones) as part of ISIM: Cross-Cultural Improvisation III.
Conference fees from $25 (single event) to $200 (entire conference [more info and get tickets…]. [Details…]
June 6, 2014 Downtown Music Gallery
13 Monroe Street
New York, NY 10002
7:00pm New venue! Performance by ‘Alias Ra’ Mette Rasmussen (saxophones) with Michael Foster (saxophones), Pascal Niggenkemper (doubles bass) and Han-earl Park (guitar). Also performing (6:00pm): Gianni Mimmo (saxophone) and Alison Blunt (violin). Admission free.
[Details…]
June 8, 2014 Why Not Jazz Room
14 Christopher Street
New York, NY 10014
7:30pm Performance by Han-earl Park (guitar) and Tom Rainey (drums) as part of Andrea Wolper’s Why Not Experiment? Series. Also performing: TransAtlantico (Lamy Istrefi: drums, percussion, sound efx; Lawrence Leathers: drums, sound efx; Brahim Fribgane: percussion, goumbri, oud, sound efx). Recommended donation: $10 per set.
[Details…]
2014– Europe I am based in Europe as of 2014, and I am seeking performance opportunities for, in particular, my Europe-based projects including Numbers (with Richard Barrett), Mathilde 253 (with Charles Hayward and Ian Smith). Interested promoters, venues and sponsors, please get in touch!
September–October 2014 Europe Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) is seeking performance opportunities late-September and October 2014. Interested promoters, venues and sponsors, please get in touch!

Continue reading “performance diary 05-22-14 (Brooklyn, New York)”

performance: Han-earl Park and Tom Rainey at Why Not Jazz Room, New York

Sunday, June 8, 2014, at 7:30pm: Han-earl Park (guitar) and Tom Rainey (drums) performs as part of Andrea Wolper’s Why Not Experiment? Series. Also performing are TransAtlantico (Lamy Istrefi, Lawrence Leathers and Brahim Fribgane). The event takes place at Why Not Jazz Room (14 Christopher Street, New York, NY 10014) [map…]. Recommended donation: $10 per set.

See the performance diary for up-to-date info. [Why Not Experiment? page…] [Why Not Jazz Room program…] [Facebook event…]

Above video: last time I performed with Tom Rainey. The set with Ken Filiano and Ingrid Laubrock took place as part of Gowanus Company at Douglass Street Music Collective, Brooklyn. Video by Scott Friedlander. [Watch the rest…]

short blurb

“Guitarist Han-earl Park is a musical philosopher…. Expect unexpected things from Park, who is a delightful shape-shifter….”

Brian Morton (Point of Departure)

“Tom Rainey is a player who swerves between avant-garde notions and a mainstream sensibility and when he plays the smell of invention is in the air”

Joseph Woodard (L.A Times)

Six strings, numerous membranes and metal discs.
One potentiometer plus twenty-two frets; chains, sticks and beaters.
Four arms, four legs; two bodies coupled to artifacts.

Crafty, resourceful, imaginative and virtuosic improvisative collision/dialog between drummer Tom Rainey and guitarist Han-earl Park.

performance: Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) at ISIM, New York

Friday, June 6, 2014, at 3:00pm: a performance by Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones) as part of ISIM: Cross-Cultural Improvisation III takes place at The New School for Jazz and Contemporary Music (55 West 13th Street, New York, NY 10011). Conference fees from $25 for single event to $200 for entire conference [more info and get tickets…].

See the performance diary for up-to-date info.

about Eris 136199

Eris 136199 plays on the crossroads of noise, melody, rhythm, space, density, contrast, synchronicity, asymmetry, serendipity and contradiction. Eris 136199 is the noisy, unruly complexity of composer, computer artist and guitarist Nick Didkovsky, the corporeal, cyborg virtuosity of constructor and guitarist Han-earl Park, and the no-nonsense melodic logic of composer and saxophonist Catherine Sikora.

A composer who enjoys blurry boundaries, Nick Didkovsky founded the avant-rock big band Doctor Nerve, and is a member of Swim This with Gerry Hemingway and Michael Lytle. He is a pioneer of small-systems computer music, and has composed music for ensemble including Bang On A Can All-Stars and the California EAR Unit.

Described by Brian Morton as “a musical philosopher… a delightful shape-shifter”, Han-earl Park is drawn to real-time cyborg configurations in which artifacts and bodies collide. He has performed with some of the finest practitioners of improvised music, is part of Mathilde 253 with Charles Hayward and Ian Smith, and Numbers with Richard Barrett.

Catherine Sikora is “a free-blowing player’s player with a spectacular harmonic imagination and an evolved understanding of the tonal palette of the saxophone” (Chris Elliot, Seacoast Online). She has a long-standing duo project with Eric Mingus, and performs as part of ensembles led by Elliott Sharp, François Grillot and Matt Lavelle.

Together, Didkovsky, Park and Sikora forges an improvisative space where melody can be melody, noise can be noise, meter can be meter, metal becomes metal, bluegrass turns to bluegrass, jazz transforms into jazz, all there, all necessary without imploding under idiomatic pressures.

about the International Society for Improvised Music

ISIM’s purpose is to promote performance, education, and research in improvised music, and illuminate connections between musical improvisation and creativity across fields.

Melding diverse cultures, ethnicities, disciplines, and ideas that shape society at large, today’s musical world is rich with creative expressions that transcend conventional styles and categories. Improvisation is a core aspect of this global confluence.

In addition to other projects, and networking among improvisers, ISIM has held six festival/conferences since 2006, with a full schedule of talks, panel discussions, workshops, and performances during the day, and headliner per- formances in the evenings. Participants, including presenters, headliners, and audience, have been a mixture of academ- ics and people from the wider musical and artistic communities. Reflecting its commitment to diversity in its many forms, ISIM welcomes participants from the widest possible variety of ethnic, racial, cultural, and geographic back- grounds, strongly promotes gender balance, and celebrates work that is rooted in the many styles, genres, ethnic and historical traditions, methodologies and technologies both old and new, that are linked by the central practice of im- provisation. ISIM encourages collaboration with improvisatory practitioners from areas beyond music, such as dance, theater, visual music, and film, and also seeks to make its events open to a wider audience. This includes public school teachers, students, children, individuals from under-served communities, and others from the general cross section of people interested in the arts.

performance diary 04-20-14 (Cork, New York)

upcoming performances
date venue time details
May 3, 2014 St Anne’s Church
Shandon
Cork, Ireland
2:00pm Han-earl Park (guitar) performs as part of Sonic Vigil 8. Also performing: Natalia Beylis, Tore Boe, Andrea Bonino, Danny McCarthy, Cave, The Quiet Club, Massimo Davi, Áine O’Dwyer, Derek Foott, John Godfrey, Claire Guerin, Paul Hegarty, Iride Project, Anthony Kelly, Fergus Kelly, Vicky Langan, Tony Langlois, Iarla O Lionard, Laney Mannion, Monica Miuccio, MiXile, Irene Murphy, Olesya Zdorovetska, Robin Parmar, Karen Power, David Stalling, Queef, Nick Roth, Softday, Mick O’Shea, Antje Vowinckel and Jeffrey Weeter. Admission free.
[Details…]
May 18, 2014 Gulpd Café
Triskel Arts Centre
Tobin Street
Cork, Ireland
9:30pm Performance by Han-earl Park (guitar), Kevin Terry (guitar) and Dan Walsh (drums) as part of CIMC.
Admission free.
[Details…]
June 6, 2014 The New School for Jazz and Contemporary Music
55 West 13th Street
New York, NY 10011
3:00pm Performance by Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones) as part of ISIM: Cross-Cultural Improvisation III.
Conference fees from $25 (single event) to $200 (entire conference [more info and get tickets…]. [Details…]
June 8, 2014 Why Not Jazz Room
14 Christopher Street
New York, NY 10014
7:30pm Performance by Han-earl Park (guitar) and Tom Rainey (drums) as part of Andrea Wolper’s Why Not Experiment? Series. Also performing: TransAtlantico (Lamy Istrefi: drums, percussion, sound efx; Lawrence Leathers: drums, sound efx; Brahim Fribgane: percussion, goumbri, oud, sound efx). Recommended donation: $10 per set.
[Details…]
2014– Europe I am based in Europe as of 2014, and I am seeking performance opportunities for, in particular, my Europe-based projects including Numbers (with Richard Barrett), Mathilde 253 (with Charles Hayward and Ian Smith). Interested promoters, venues and sponsors, please get in touch!
September–October 2014 Europe Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) is seeking performance opportunities late-September and October 2014. Interested promoters, venues and sponsors, please get in touch!

Continue reading “performance diary 04-20-14 (Cork, New York)”

thanks: Park-Pride-Sikora (Spectrum, NYC) and Velez-Wright-Drury-Park-Tabuenca (Soup and Sound, Brooklyn)

Thanks to all involved in the April 2 and April 3 performances. Thanks to the hosts at Spectrum (Glenn Cornett and the multi-talented Lester St. Louis), and at Soup and Sound (I thank the Cosmos for people like Andrew Drury and Alissa Schwartz who open their homes, and welcome the arts and artists). Thanks to the efforts of the multiple documentarists at the events: Kevin Reilly, Don Mount, Michael Lytle, Adrian Knight and Lawrence de Martin (who provided the experimental speaker cabinet for the Spectrum performance).

I take my hat off to all the musicians who shared the stage: Javier Areal Velez, Jack Wright, Luis Tabuenca and Andrew Drury, and a big, big thanks to Mike Pride and Catherine Sikora for their awesome musicianship and peerless inventiveness. Finally, thanks to all who came to listen!

Next up: performance in Cork, May 3 as part of Sonic Vigil 8. See the performance diary for up-to-date info.

tonight: Javier Areal Velez, Jack Wright, Andrew Drury and Han-earl Park, Brooklyn

Tonight (Thursday, April 3, 2014), at 7:00pm: a performance by Javier Areal Velez (guitar), Jack Wright (saxophones), Andrew Drury (percussion) and Han-earl Park (guitar) as part of Soup and Sound House Concert takes place at Andrew Drury’s home in Lefferts Gardens, Brooklyn (contact him for the location). Recommended donation: $10.

See the performance diary for up-to-date info.

Above video: first time I performed with Jack Wright. With Jonathan Moritz at one of Andrew’s events. Video by Kevin Reilly. [Watch the rest…]

reminder: Han-earl Park, Mike Pride and Catherine Sikora at Spectrum, New York

Han-earl Park, Mike Pride and Catherine Sikora
This Wednesday (April 2, 2014), at 9:30pm: a performance by Han-earl Park (guitar), Mike Pride (drums) and Catherine Sikora (saxophones) takes place at Spectrum (121 Ludlow Street, Floor 2 (ring bell for 2), New York, NY 10002) [map…]. $15 ($10.00 students and seniors).

performance diary 03-29-14 (Brooklyn, Cork, New York)

upcoming performances
date venue time details
April 2, 2014 Spectrum
121 Ludlow Street
Floor 2 (ring bell for 2)
New York, NY 10002
9:30pm Performance by Han-earl Park (guitar), Mike Pride (drums) and Catherine Sikora (saxophones).
$15 ($10 students and seniors).
[Details…]
April 3, 2014 Andrew Drury’s home
[Contact for location…]
Lefferts Gardens
Brooklyn, NY
7:00pm Soup and Sound House Concert with Javier Areal Velez (guitar), Jack Wright (saxophones), Andrew Drury (percussion) and Han-earl Park (guitar).
Recommended donation: $15.
May 3, 2014 St Anne’s Church
Shandon
Cork, Ireland
2:00pm Han-earl Park (guitar) performs as part of Sonic Vigil 8.
Free admission.
[Details…]
June 6, 2014 The New School for Jazz and Contemporary Music
55 West 13th Street
New York, NY 10011
3:00pm Performance by Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones) as part of ISIM: Cross-Cultural Improvisation III.
Details to follow…
June 8, 2014 Why Not Jazz Room
14 Christopher Street
New York, NY 10014
7:30pm Performance by Han-earl Park (guitar) and Tom Rainey (drums) as part of Andrea Wolper’s Why Not Experiment? Series. Also performing: TransAtlantico (Lamy Istrefi: drums, percussion, sound efx; Lawrence Leathers: drums, sound efx; Brahim Fribgane: percussion, goumbri, oud, sound efx). Details to follow…
Recommended donation: $10 ($15 both sets).
2014– Europe I am based in Europe as of 2014, and I am seeking performance opportunities for, in particular, my Europe-based projects including Numbers (with Richard Barrett), Mathilde 253 (with Charles Hayward and Ian Smith). Interested promoters, venues and sponsors, please get in touch!
September–October 2014 Europe Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) is seeking performance opportunities late-September and October 2014. Interested promoters, venues and sponsors, please get in touch!

Continue reading “performance diary 03-29-14 (Brooklyn, Cork, New York)”

thanks: Han-earl Park with Justin Yang and Caroline Pugh at Sonic Arts Research Centre, Belfast

Sonic Arts Research Centre, Belfast, March 12, 2014
Quick thanks for all involved in the seminar/performance at the Sonic Arts Research Center earlier this month. My hat goes off to all the administrative and technical folk: Chris Corrigan, Pearl Young, Marian Hanna, and, especially, Craig Jackson (who got the A/V up and running for the presentation). Kudos also to Miguel Angel Ortiz Pérez for acting as host when Justin was busy with other business.

Finally, big thanks to Caroline Pugh for the noise, out of the box choices, the occasional melody, and the momentary glimpse of semantics, and to Justin Yang for sharing the stage, and for inviting me in the first place.

Next up: performances coming on April 2 with Mike Pride and Catherine Sikora at Spectrum, New York. See the performance diary for up-to-date info.

performance: Han-earl Park, Mike Pride and Catherine Sikora at Spectrum, New York

Han-earl Park, Mike Pride and Catherine Sikora
Wednesday, April 2, 2014, at 9:30pm: a performance by Han-earl Park (guitar), Mike Pride (drums) and Catherine Sikora (saxophones) takes place at Spectrum (121 Ludlow Street, Floor 2 (ring bell for 2), New York, NY 10002) [map…]. $15 ($10.00 students and seniors).

See the performance diary for up-to-date info. [Spectrum calendar…]

unnecessary blurb

Of all the ways to practice, structure or perform music, why might we choose improvisation? There’s no right answer to this question, but addressing it may help us to… a real-time, interactive improvisative meeting of guitarist Han-earl Park, drummer Mike Pride, and saxophonist and Catherine Sikora, the performance… nomadic tribes of Acirema… “Would it be fair to say ‘invaluable insight’?” “Of course not,” she replied, “it’s never fair….” And yet there’s always this….

Click….

On his returning to New York, Park sees an… “but they’re missing something essential, because the planes don’t land…” runaway winners… and as the only drummer to have performed with both… embrace a wide spectrum… Sikora, far too generous to be performing with… “pushes the boundaries, or plushes the boundaries…?” the asymmetrical soft-clipping stage which consists of the the diodes tied back-to-back in the feedback path of the… and as Eco may have asked: bad dream or bad simulation…? Canada’s 5 feet and 6 inches… as far as it goes.

about the performers

Improviser, guitarist and constructor Han-earl Park has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for over fifteen years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces in Austria, Denmark, Germany, England, Ireland, The Netherlands, Scotland and the USA.

Park is part of Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. He is the constructor of the machine improviser io 0.0.1 beta++, a project performed in coalition with Bruce Coates and Franziska Schroeder. He has recently performed with Ishmael Wadada Leo Smith, Paul Dunmall, Lol Coxhill, Mark Sanders, Gino Robair, Tim Perkis, Pat Thomas, Andrew Drury, Josh Sinton, Dominic Lash, and as part of ensembles led by Wadada Leo Smith, Evan Parker, and Pauline Oliveros. Festival appearances include Freedom of the City (London), Sonorities (Belfast), Sonic Acts (Amsterdam), dialogues festival (Edinburgh), and CEAIT (California). His recordings have been released by labels including Slam Productions and Creative Sources.

Park taught improvisation at the UCC Department of Music, and founded and curated Stet Lab, a space for improvised music in Cork.

Born and raised in Southern Maine, but based out of New York City since 2000, Mike Pride currently leads From Bacteria To Boys, and the 7-drummer installation-band Drummer’s Corpse.  Both record for AUM Fidelity.  Pride is renowned for his ability to excel in a wide range of genres and ensembles. He has worked with everyone from improvised music icon Anthony Braxton to punk legends Millions Of Dead Cops, toured extensively on four continents and appeared on more than 85 recordings.

A short list of his collaborators includes Mick Barr, Boredoms, Eugene Chadbourne, Nels Cline, Andrew D’Angelo, Trevor Dunn, Dynamite Club, Peter Evans, Milford Graves, Mary Halvorson, Curtis Hasselbring, Nona Hendryx, Jon Irabagon, Haino Keiji, Kirk Knuffke, George Lewis, Bill McHenry, Tony Malaby, Sam Mickens, Butch Morris, Joe Morris, William Parker, Matana Roberts, Herb Robertson, Jamie Saft, Sonny Simmons, Jason Stein, Nate Wooley, and Otomo Yoshihide.

Pride’s versatility doesn’t end with his eclectic résumé as a popular sideman and leader/co-leader of many active ensembles spanning the worlds of modern-jazz, avant-rock, noise and doom metal improv. He is also a busy educator and clinician, a soundtrack composer for TV shows, video games and independent films, and an experienced and exhibited visual artist.

Since making her way to New York City from West Cork, Ireland to study abstract improvisation, Catherine Sikora has become a well-known face and sound in New York creative music circles. She has worked with Elliott Sharp, Eric Mingus, Michael Evans, Matt Lavelle, Jeremy Bacon, François Grillot and Burnt Sugar The Arkestra Chamber, among many others. Her undeniably unique approach sets her apart from everyone else, even when surrounded by the most original and creative voices in New York City. Sikora is a contributing writer to the book “Silent Solos-Improvisers Speak” (Buddy’s Knife Publishing, Köln, DE) and is currently working on producing a solo recording.

performance diary 01-22-14 (Belfast, New York)

upcoming performances
date venue time details
March 13, 2014 Sonic Arts Research Center
Queen’s University
Belfast, N. Ireland
1:10pm Performance by Han-earl Park (guitar) with Justin Yang (saxophones) and Caroline Pugh (voice). Han-earl Park will also be giving a seminar presentation on the previous day (Wednesday, 12 March), 1:00pm at the Sonic Lab. Free admission.
[Details…] [SARC page…] [Program (PDF)…]
April 2, 2014 Spectrum
121 Ludlow Street
Floor 2 (ring bell for 2)
New York, NY 10002
9:30pm Performance by Han-earl Park (guitar), Mike Pride (drums) and Catherine Sikora (saxophones).
$15 ($10 students and seniors).
[Details…]
2014– Europe I am based in Europe as of 2014, and I am seeking performance opportunities for, in particular, my Europe-based projects including Numbers (with Richard Barrett), Mathilde 253 (with Charles Hayward and Ian Smith). Interested promoters, venues and sponsors, please get in touch!
September–October 2014 Europe Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) is seeking performance opportunities late-September and October 2014. Interested promoters, venues and sponsors, please get in touch!

Continue reading “performance diary 01-22-14 (Belfast, New York)”