| date | venue | time | details |
|---|---|---|---|
| July 16, 2021 | Outside Keith Bar Schillerpromenade 2 12049 Berlin Germany |
8:00pm | The Names (Heather Frasch: flute; Carina Khorkhordina: trumpet; Koen Nutters: upright bass; Han-earl Park: guitar; and Quentin Tolimieri: melodica) presented as part of the Keith Bar Open Air Music Series. Also performing: Duchamp & Wizard Ashdod. Free admission. [echtzeitmusik calendar…] |
Peculiar Velocities (BAF002)
November 17, 2020: Eris 136199’s latest album is out now (compact disc and digital download)! Eris 136199 is the chaotic snap’n’pop of Han-earl Park’s cyborg virtuosity, the symphonies of power and weight of Catherine Sikora’s tenor madness, and the heavy rock-ASMR experimentalism of Nick Didkovsky glitchy guitar.
Peculiar Velocities is Eris 136199’s first studio album, and captures the trio during their 2019 European tour; between the first date at The Vortex (London) and their performance at Jazz em Agosto (Lisbon).
[Get the CD/download (Bandcamp)…]
CD: €11 minimum (‘name your price’) plus shipping.*†
Download: €8 minimum (‘name your price’).†
* Limited edition glass-mastered CD. CD includes additional material (liner notes, artwork, etc.) not included in the download version of the album.
† Both digital and physical purchases give you streaming via the free Bandcamp app, and option to download the recording in multiple formats including lossless.
news and updates
[All articles on Peculiar Velocities (BAF002)…]
description
An uncomfortable joy, a can’t-be-reproduced-in-the-laboratory combination of rare elements, a new musical alloy, an ongoing experiment, the perfect distillation of uneasy listening.
— Dave Foxall (a Jazz Noise, Best of 2020)
それはあたかも地球外の異境から到来した明滅する運動エネルギーによって脳外科手術を施されるような驚喜の頭脳改革体験である。
— Takeshi Goda (JazzTokyo)
Gorgeous glitchy stew….
— Corey Mwamba (Freeness, BBC Radio 3)
Formed in New York in 2012, Eris 136199 is the chaotic-slamming one-person rhythm section of Han-earl Park (Sirene 1009), the deep melodic intelligence and big-tenor sound of Catherine Sikora (Clockwork Mercury), and the anthems of glitch, experimentalism and riffage of Nick Didkovsky (Doctor Nerve). Recorded during the trio’s 2019 European tour, Peculiar Velocities (BAF002) is Eris 136199’s third CD, and first studio album. The album is the follow-up to the eponymous Eris 136199 (BAF001, 2018) described as “like letting an insane brain surgeon in through your ear” (aJazzNoise, Best of 2018), and Anomic Aphasia (SLAMCD 559, 2015) which was described as “a beautiful noise” (KFJC 89.7 FM).
Surprises abound on this disc from the collision of three seemingly incompatible notions of time and rhythm in [the title track] ‘Peculiar Velocities’; to ‘Sleeping Dragon’ which insistently claims to be one thing but reveals itself to be something else; to the aural love letter to No Wave that is ‘D-Loop’….
Moments of absolute clarity, where two of us may deliberately hit exactly the same notes, are juxtaposed by equally comfortable bursts of raging chaos and easy silences.
— From the liner notes‡
Recorded with a lean, efficient boldness by Sean Woodlock, and mastered by Richard Scott, the album captures music that leaps from wispy, delicate webs to massive weather-beaten mountains. Recorded over just three hours in a single live room, Peculiar Velocities catches Eris 136199 between the first date of the tour at The Vortex (London) and their performance at Jazz em Agosto (Lisbon).
Insectoid ASMR glitches to powerful ballads of weight and light; gentle, languorous shimmers to startling No Wave noise; raspy double-guitar hockets to gutted, dismantled chorales.
Han-earl Park is the instigator and mastermind behind Eris 136199, as well as groups including Sirene 1009 with Dominic Lash, Mark Sanders and rit. (f.k.a. Caroline Pugh), and co-conspirator in projects with Richard Barrett and others. Park is the constructor of the machine improviser io 0.0.1 beta++, and of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Josh Sinton, Louise Dam Eckardt Jensen, Ingrid Laubrock, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder. His ensembles have performed at festivals including Freedom of the City (London), Brilliant Corners (Belfast), ISIM (New York), CEAIT (Los Angeles) and Sonic Acts (Amsterdam).
Saxophonist, improviser and composer Catherine Sikora, known for her big sound and lyrical melodic work, works as a solo performer and with Eric Mingus, Enrique Haneine, Brian Chase, Han-earl Park, Ethan Winogrand, Christopher Culpo and Ross Hammond. In recent years Sikora has toured in Canada, the United States, Europe and Australia. She was a featured soloist in Eric Mingus’ radical reimagining of Tommy by the Who (Adelaide Festival 2015), and was artist in residence at the Centre Culturel Irlandais in Paris in 2014 and in 2020.
Guitarist, composer, and computer music programmer Nick Didkovsky has composed music for Kathleen Supové, ETHEL, Bang on a Can All-Stars, Meridian Arts Ensemble, New Century Players, ARTE Quartett, as part of the Fred Frith Guitar Quartet, and his own bands Doctor Nerve, Vomit Fist, Häßliche Luftmasken, and others. His compositions and guitar performances appear on more than 50 records. For over 30 years, his avant-metal big band Doctor Nerve has fueled Didkovsky’s intricate compositions with the energy of rock, punching holes through the walls between heavy metal, contemporary music, and improvisation, and performing at festivals including Moers, FIMAV, and the Whitney Museum’s ‘Whitney Live.’ With computer music pioneer Phil Burk, Didkovsky developed the computer music language Java Music Specification Language (JMSL).
‡ Liner notes only available with the CD.
personnel
Han-earl Park (guitar), Catherine Sikora (saxophone), and Nick Didkovsky (guitar).
track listing
Ballad of Tensegrity I (≥ 5:12), Ballad of Tensegrity II (2:28), Peculiar Velocities I (3:46), Peculiar Velocities II (3:36), Sleeping Dragon (5:22), D-Loop I (≥ 6:16), D-Loop II (5:13), Polytely I (≥ 5:01), Polytely II: Breakdown (5:33), Anagnorisis I (2:09), Anagnorisis II (2:19). Total duration ≥ 46:54.
recording details
Music by Han-earl Park, Catherine Sikora and Nick Didkovsky.
Recorded August 9, 2019, Hackney Road Studios, London.
Recorded by Sean Woodlock. Mixed by Han-earl Park.
Mastered by Richard Scott.
Design and artwork by Han-earl Park.
Thanks to Sean and Richard; to Colin Webster, Ingrid Laubrock, Alex Hawkins, Charles Hayward and Melanie L Marshall; to Rui Neves, João Brilhante, Inês Nunes and everyone at Jazz em Agosto/Calouste Gulbenkian Foundation; Kathianne Hingwan, Kim Macari, Ali Ward and everyone at The Vortex; Matthew Nolan at Note Productions; Aoife Concannon, Adam Nolan, Kenneth Killeen and Caitríona O’Mahony at Improvised Music Company; to Lee Paterson; to Laurent Carrier and everyone at Colore; to Paul Acquaro of Free Jazz; Mike Borella of Avant Music News; Dave Foxall of aJazzNoise ; and Tim Owen of _____on Sound.
A big thanks to the backers of our Kickstarter project for their awe-inspiring generosity; helping bring this music to you! A massive thanks to Phillip A., Bruno Bissonnette, Mike Borella, Colin Cahill, Jeremy Clarke, Gary Couse, Nicholas Croft, Don Davis, Andrew Raffo Dewar, Tom Duff, Erik Ellestad, Lee Rice Epstein, Goldi, Owen Green, Rich Hollis, Martin Hoogeboom, Terry Kattleman, Gary W. Kennedy, Liam, Bartholomew R. Mallio, walt mattes, Andrew McKenzie, Rob Miller, Eric Mingus, John Minnock, david m morris, Neil, Matthew Nolan, Michael Rogers, Steffen Schindler, Ken Shimamoto, Craig Sines, j. sinton, Marte van der Loop, Tom Ward, Bernd Wimmer, aJazzNoise, and the Newcastle Festival of Jazz and Improvised Music, and to our anonymous backers.
© + ℗ 2020 Han-earl Park.
Also available with…
Eris 136199 (Peculiar Velocities) Hoodie (limited edition) [details…]
80% ringspun cotton, 20% polyester, 280gsm hoodie.
Unisex fit.
S, M, L, XL, XXL.
100% for the perfect noise-night-out.
Celebrate your love of skonkin’ improvised goodness by wearing the noisily official Eris hoodie.
Also from Eris 136199
Eris 136199 (BAF001) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
© + ℗ 2018 Han-earl Park.
Anomic Aphasia (SLAMCD 559) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).
Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.
© 2015 Han-earl Park. ℗ 2015 SLAM Productions.
updates
11-17-20: released!
12-04-20: added the hoodie.
06-26-22: small updates including review quotes.
Appearance cancelled: Birmingham, Cheltenham and London
I am sad to announce that I will unfortunately not be taking part in the events in Birmingham (March 17, 2020), Cheltenham (March 19), and London (March 21 and 22). All the events, however, are still taking place without me, so please support the fantastic community of local musicians and curators.
My warmest thanks to all the artists involved, big thanks to Jamie Dawson for again offering to lend me the use of his guitar amp, and special thanks to Tom Ward, Andrew Woodhead and Chris Cundy for inviting me to perform. I hope we can set up a rematch in the future.
performance diary (Birmingham, Cheltenham, London) 020520
| date | venue | time | details |
|---|---|---|---|
| March 17, 2020 | The Lamp Tavern Barford Street Birmingham B5 6AH England |
7:30pm | [Fizzle page…] The event is still taking place, but Han-earl Park will no longer be taking part. |
| March 19, 2020 | Smokey Joe’s 16 Bennington Street Cheltenham GL50 4ED England |
8:00pm | Chris Cundy (reeds) plus Admission: £5 at the door. The event is still taking place, but Han-earl Park will no longer be taking part. |
| March 21, 2020 | waterintobeer Unit 2 Mantle Court 209–211 Mantle Road Brockley London SE4 2EW England |
7:00pm (doors: 6:30pm) | Tom Ward (saxophone) and [BRÅK page…] The event is still taking place, but Han-earl Park will no longer be taking part. |
| March 22, 2020 | Hundred Years Gallery 13 Pearson Street London E2 8JD England |
4:00pm (doors: 3.30pm) | [100 Years Gallery page…] The event is still taking place, but Han-earl Park will no longer be taking part. |
Continue reading “performance diary (Birmingham, Cheltenham, London) 020520”
Two+ Bagatelles
Listen to some fresh-off-the-pick music, and support an awesome, not-for-profit music venue at the same time!
Out now: solo guitar studies/bagatelles by Han-earl Park. Available from The Vortex’s Bandcamp page, all purchases go towards helping their continued work presenting the very best jazz, improvised, and experimental musics.
Catherine, Nick and I had a fantastic time when we performed at The Vortex in August, and I am very happy to be able to support the venue (with its amazing crew) in this way. Plus, for those who’ve been asking me for a solo recording, here’s a super rare chance to pick up a new one.
Album available to stream via the free Bandcamp app, and download in multiple formats including lossless.
personnel
Han-earl Park (guitar).
track listing
Zero (01:03), One (10:27), Two (05:28). Total duration: 16:59.
recording details
Music by Han-earl Park.
Recorded Berlin, October 2019.
Cover photo © Jazz em Agosto / Petra Cvelbar.
Recorded and mastered by Han-earl Park.
© + ℗ 2019 The Vortex / Han-earl Park.
Un trio d’une radicalité absolue (reviews: Eris 136199)
A “control of noise”, “saturated electricity” and “fighting… with the underground”? or “free-wheeling” with experiments in sound injected with lyricism? or “electronic mayhem” with “a full bodied sound”? In among the reviews of Eris 136199’s performance at Jazz em Agosto, David Cristol, writing in Jazz Magazine, follows “a trio of an absolute radicality”, and concludes by discovering “art music!”
Pour la dernière soirée, le directeur artistique Rui Neves nous a réservé un trio d’une radicalité absolue, proposition courageuse voire casse-gueule dans le contexte d’une salle de plusieurs centaines de places…. Et même pour les spectateurs aguerris, il s’est agi sans nul doute du concert le plus difficile d’accès du festival, présentant peu de repères auxquels se raccrocher. Il faut ici saluer la grande majorité des spectateurs, déterminés à suivre les musiciens dans leur recherche ou idée fixe, voir où le voyage va les mener. Le son est magnifiquement restitué. Park joue beaucoup de l’accordage de la main gauche, dans le registre de la basse. Les guitaristes dessinent des paysages métalliques, via un jeu non conventionnel, selon leurs propres codes, multipliant les dissonances…. Catherine Sikora est une révélation, son jeu oblique, sensible et lumineux offrant un contrepoint idéal aux élucubrations crépusculaires de ses partenaires. Le ténor adopte une approche décidément tonale et mélodique, et néanmoins exploratoire. D’un bout à l’autre un set sans concession aucune, dont on ressort essoré, mais ravi que de telles expériences soient tentées. Art music! [Read the rest…]
Meanwhile, Erik Ellestad, reviewing Eris’ most recent album, sketches a verisimilar portrait of the trio (Han-earl Park “functioning as the de facto rhythm section in Eris 136199”; Catherine Sikora’s “unvarnished and unapologetic sound… while at the same time maintaining a core of melodicism”, and Nick Didkovsky expressing “digitally warped washes of static-like sound and angry slashes of melody”):
It is 50-plus minutes of riveting music making from three fantastic and fascinating musicians. I’ve been listening avidly to Eris 136199 all week on my commute and have looked forward to it every day. Wondering what new thing I will discover in Sikora’s technique while at the same time trying to pay attention and tease out which guitarist is playing what.
Obviously, Eris 136199 isn’t Lawrence Welk, however, there is something in the players expressiveness and in their interactions which prevents it from being too harsh or overwhelming.
Rough enough to keep it exciting, yet tender enough to keep you coming back. [Read the rest…]
I think I might want “Eris 136199 isn’t Lawrence Welk” on a T-shirt.
[About this album…] [Get the CD/download (Bandcamp)…] [All reviews…]
CD: €11 minimum (‘name your price’) plus shipping.*†
Download: €8 minimum (‘name your price’).†
* Limited edition glass-mastered CD. CD includes additional material (liner notes, artwork, etc.) not included in the download version of the album.
*† Both digital and physical purchases give you streaming via the free Bandcamp app, and option to download the recording in multiple formats including lossless.
Han-earl Park at Hošek Contemporary, Berlin
Tomorrow (Sunday, September 15, 2019) at 5:30pm (doors at 5:00pm): Han-earl Park (guitar) performs as part of Improvised & Experimental No. 73 at Hošek Contemporary (MS Heimatland, close to Fisherinsel 3, 10179 Berlin). Also on the program are Simona Blahutová (sound installation), Gloria Damijan (toy piano), and Johnny Chang (viola). Suggested donation: €5–10.
See the performance diary for up-to-date info. [Hošek page…] [Facebook event…]
Thanks: Eris 136199 (London, Lisbon and Dublin, August 2019)
First, my thanks as always to those who came to listen and witness musicking in real-time collisions. It was great to see so many old friends and new faces; to hear from so many of how you made your way into this music. My heartfelt thanks to you for embarking on the journey with us!
I am so very grateful to all our hosts: a big, big, big thanks to Jazz em Agosto for making all this possible. My deepest gratitude to Rui Neves for first inviting this unruly trio to perform at the festival, and to his unerring belief in the necessity of difficult music. Thanks also to the super-professional sound and stage team; to Petra Cvelbar for the awesome photography; to João Brilhante for all the media work; and to the unshakable patience and enthusiasm of Inês Nunes who got this trio from A-to-B and back again (I expect big things in all your future endeavors).
Warmest thanks everyone at The Vortex for their generosity and enthusiasm—what a true community! In particular, thanks to the amazing Kathianne Hingwan for her kindness and generosity, to Kim Macari for the invitation to perform, and to our fantastic sound engineer Ali Ward for the faster-than-light energy. (And of course Nutmeg for greeting the band!)
Thanks to everyone behind the scenes at the Dublin event: to Note Productions (to Matthew Nolan for putting together the program), and to Improvise Music Company (to Aoife Concannon, Adam Nolan, Kenneth Killeen, and, in particular for the Question & Answer, to Caitríona O’Mahony). Thanks also to Zeropunkt (Fergus Cullen, Jamie Davis and Damien Lennon) for graciously sharing the stage with us.
Kudos, Sean Woodlock, mastermind behind Hackney Road Studios for the smoothest, quickest, most professional of setups, and for creating the most musically, technically, logistically and acoustically satisfying studio recording experience I’ve ever had. Truly, if anyone needs a recording, hit Sean up. (And thanks to Colin Webster for recommending the studio.)
Thanks to Laurent Carrier and everyone Colore for handling all the paperwork, and to the tireless Lee Paterson who helped negotiate the details, and guided this musician carefully through the whole paperwork process. You were just above-and-beyond, Lee! (And thanks to Ingrid Laubrock for introducing me to Lee, and to Alex Hawkins and Charles Hayward for BTS consultations.)
Kudos to Paul Acquaro and everyone at Free Jazz, to Mike Borella at Avant Music News, to Dave Foxall at a Jazz Noise, and Tim Owen of _____on Sound for their continued support, and help getting the word out about our music and these performances.
Last, but certainly not least, thanks go to my travel companions, both in musical and geographical space (and in hypothetical lived simulations and dream states). A big thanks to Catherine for the big note, the moments of harmonic serendipity, and the unexpectedly expected interjections; and to Nick for the super-critical noise, the human-controlled virtual reverb chamber, and for the dreamy soundscapes (or is that the sound dreamscapes). Thank you both for observing and noting the synchronicity in our travels (of foxes, of tango, of almost forgotten ancestors, of frozen assets). As we discussed on multiple occasions on the tour, the ensemble is the composition, and it was a pleasure to study this composition more fully with each performance: experiencing the music of changes from energetic play of weight and light (Vortex, London), high-risk explorations of the outer reaches of idiom (Hackney Road, London), games of serendipity and of disjunction (Lisbon), and music of counterpoint and real harmony (Dublin).
By Eris 136199
Eris 136199 (BAF001) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
© + ℗ 2018 Han-earl Park.
Anomic Aphasia (SLAMCD 559) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).
Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.
© 2015 Han-earl Park. ℗ 2015 SLAM Productions.
Tonight: Eris 136199 at Fumbally Stables, Dublin
Tonight (Monday, August 12, 2019), at 8:00pm: the final date of the micro-tour, Eris 136199 (Han-earl Park: guitar; Catherine Sikora: saxophones; and Nick Didkovsky: guitar), presented by Improvised Music Company in association with Note Productions, performs at The Fumbally Stables (Fumbally Lane, Dublin 8). [Get tickets…]
By Eris 136199
Eris 136199 (BAF001) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
© + ℗ 2018 Han-earl Park.
Anomic Aphasia (SLAMCD 559) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).
Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.
© 2015 Han-earl Park. ℗ 2015 SLAM Productions.
Tomorrow: Eris 136199 at Jazz em Agosto, Lisbon
Tomorrow (Sunday, August 11, 2019), at 6:30pm: Eris 136199 (Han-earl Park: guitar; Catherine Sikora: saxophones; and Nick Didkovsky: guitar) perform as part of Jazz em Agosto. The event takes place at Calouste Gulbenkian Foundation (Av. de Berna, 45A, 1067-001 Lisbon, Portugal).
Han-earl Park é daqueles músicos guiados por uma insatisfação permanente. Cada novo projeto a que se dedica é uma nova oportunidade para testar, com um empenho quase científico, os limites da melodia, do noise e da noção ciber-futurista da música que leva para palco. Em Eris 136199, o mistério começa desde logo na designação, alastrando depois à relação desafiante que a sua guitarra estabelece com o saxofone de Catherine Sikora e com a guitarra de Nick Didkovsky (fundador e líder do grupo Dr. Nerve, nome de referência da cena vanguardista da Downtown nova-iorquina). [Read the rest…]
Come along and hear what this gentlest of riotous ensembles can do is a beautifully acoustic environment. [Get tickets…]
Eris 136199 is also performing…
August 12: Dublin, Ireland. [Details…]
By Eris 136199
Eris 136199 (BAF001) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
© + ℗ 2018 Han-earl Park.
Anomic Aphasia (SLAMCD 559) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).
Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.
© 2015 Han-earl Park. ℗ 2015 SLAM Productions.
Noisy. Discordant. Melodious. A succession of collisions. (IMC Artist Q&A with Han-earl Park)
Predilections, appetites, egos, histories and traditions? Can choices be apt to the point of prescient, or left-field to the point of inappropriate? What do I hope audiences get from my music? Does Jeff VanderMeer make another appearance in one of my interviews? and do I reveal myself a Marxist? Find out in Other Side Of The Tracks: Artist Q&A with Han-Earl Park, Eris 136199:
How would you describe the type of music that Eris 136199 creates?
Noisy. Discordant. Melodious. Pretty in its own not alway predictable way. And by discordant, I don’t mean in terms of harmonic intervals, but in terms of on-stage, real-time musical interactions; in terms of a kind of heterogeneity of idiom and tradition. For me, Eris’ is a music that doesn’t desire to create, necessarily, a synthesis or a coherence or even an agreement, but one which trusts, and takes pleasure, in interaction itself. It’s a music that’s, in a way, compromised, or a music which is a succession of collisions—of idioms, of traditions, of histories, of desires, of tactics. But the music creates a situation that is, in its own way, beautiful. [Read the rest…]
Many thanks to Caitriona O’Mahony at the Improvised Music Company for the questions.
Monday, August 12, 2019, at 8:00pm: Improvised Music Company in association with Note Productions presents Eris 136199 (Han-earl Park: guitar; Catherine Sikora: saxophones; and Nick Didkovsky: guitar). The event takes place at The Fumbally Stables (Fumbally Lane, Dublin 8). [Get tickets…]
Eris 136199 is also performing…
August 8: London, England; and August 11: Lisbon, Portugal. [Details…]
By Eris 136199
Eris 136199 (BAF001) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
© + ℗ 2018 Han-earl Park.
Anomic Aphasia (SLAMCD 559) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).
Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.
© 2015 Han-earl Park. ℗ 2015 SLAM Productions.
Reminder: Eris 136199 at Vortex, London
This Thursday (August 8, 2019), at 8:00pm: get an earful of improvised goodness as Eris 136199 (Han-earl Park: guitar; Catherine Sikora: saxophones; and Nick Didkovsky: guitar) launch their second European mini-tour with a performance at the Vortex Jazz Club (11 Gillett Square, London N16 8AZ). It’s the first time we get to present our real-time collisions of awesome melodic logic, glitch’n’riff anthems, and systems music to London, Lisbon and Dublin. As Nick wrote before our previous tour:
I have never been able to detect any implicit rules, favorite things to do, implied directions, or aesthetic goals in this band. People start playing, they stop, start again, stop again… insofar as music is a temporal art, that’s pretty elemental behavior, and is about the only binding agreement in Eris 136199 that I have detected. Which I recognize is barely a statement, as the passage of time is inviolable in all contexts, be they free or restrictive. Physics doesn’t care. But Eris cares a lot. Time is a precious thing to Han and Catherine, and the action of scattering sound onto it is a sacred and mysterious ritual. [Read the rest…]
Am I excited? That’d be an understatement. Come and catch Eris in play, and, to quote a Jazz Noise, let the “insane brain surgeon in through your ear.” [Get tickets…] [Special offer…]
Eris 136199 is also performing…
August 11: Lisbon, Portugal; and August 12: Dublin, Ireland. [Details…]
By Eris 136199
Eris 136199 (BAF001) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (saxophone) and Nick Didkovsky (guitar).
Track listing: Therianthropy I (≥ 3:43), Therianthropy II (8:56), Therianthropy III (3:55), Therianthropy IV (6:30), Adaptive Radiation I (6:44), Adaptive Radiation II (8:48), Adaptive Radiation III (5:54), Universal Greebly (10:58), Hypnagogia I (8:03), Hypnagogia II (4:45). Total duration ≥ 68:25.
© + ℗ 2018 Han-earl Park.
Anomic Aphasia (SLAMCD 559) [details…]
Personnel: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).
Track listing: Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.
© 2015 Han-earl Park. ℗ 2015 SLAM Productions.