recording Sirene 1009 (Birmingham, 2016)

Sirene 1009 (Birmingham, June 16, 2016). Photo © 2016 Bruce Coates.
Sirene 1009 (Birmingham, June 16, 2016). Photos © 2016 Bruce Coates.

Just back from Birmingham after playing with Dominic Lash, Mark Sanders, and Caroline Pugh—a.k.a. Sirene 1009. I’ve been laying some groundwork for the Arts Council funded project to be premiered in Cork (more on that in the coming weeks), but we also spent a few hours recording some material which, in addition to tracks recorded during the London performance in December, will be part of our upcoming album.

Thanks, of course, to Dom, Mark and Caroline, but also a big thanks to Luke Morrish-Thomas (of Flood Studio) for recording the ensemble, and to Bruce Coates for the photographic documentation.

Sirene 1009 (Birmingham, June 16, 2016). Photo © 2016 Bruce Coates.
© 2016 Bruce Coates.

Excited? Absolutely. And if you’d like to know more; hear, see or download some exclusive outtakes, intakes and sidetakes; and be first-in-line when album comes out, please signup to my newsletter:

Signup to the newsletter [details…].

In addition, to raise funds for completing the album, I’ll shortly be offering my (near) complete discography at a special price. These will be limited in number, so signup, and be the first to be notified!

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Arts Council of Ireland

Development of new work to be performed in Cork funded by the Arts Council of Ireland.

Culture Ireland logo

London, December 2015 performance presented with funding from Culture Ireland, and support from SLAM Productions.

drama without narration (review: io 0.0.1 beta++)

io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)
io 0.0.1 beta++ (SLAMCD 531) © 2011 Han-earl Park

Somehow I managed to miss this when it came out way back in March 2012. Noël Tachet’s review of ‘io 0.0.1 beta++’ (SLAMCD 531) in Improjazz:

Expériences de résonnances et d’occupation de l’espace sonore. Très dramatique sans narration. Tout l’espace est occupé, toujours de manière surprenante, avec peu de sons, peu de matière (toutefois l’occupation peut se densifier sans rupture), travaillée finement, une dentelle de musique. Des allers et venues des sons comme de personnages sur ce qu’on peut vraiment appeler une scène musicale. Un travail de legato général, structurel, dans la rupture permanente des sons individuels. Un disque étonnant dans lequel les sons de l’automate sont reconnaissable sans être décalés. Les humains ne jouent pas comme s’ils étaient entre eux, le robot les influence, l’inverse est vrai. [Read the rest…]

[About this recording…] [All reviews…]

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

Also from SLAM Productions…

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

Anomic Aphasia (SLAMCD 559) [details…]

Performers: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar), and Josh Sinton (baritone saxophone and bass clarinet).

© 2015 Han-earl Park.
℗ 2015 SLAM Productions.

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone). [About this ensemble…]

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

Dalston Sound: Numbers: Richard Barrett + Han-earl Park

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)
‘Numbers’ (CS 201 cd) © 2012 Creative Sources

In a review that spans Richard Barrett’s Dark Matter and Han-earl Park’s io 0.0.1 beta++, Tim Owen (Dalston Sound) praises Barrett and Park’s ‘Numbers’ (CS 201 cd) for its “multifarious attractions” found in a “wealth of microscopically teeming detail”:

Numbers is a complex melange of retro/futurist synth sounds, glitch electronica, guitar-sourced whammy-bar pitch-bending and hard-scrabble picking over bridge and pickups: a volatile stream of fractal note-data and complex electro-acoustics, all slippery switchbacks and other such abrupt transitions.

This makes for kaleidoscopic music, a rubato flux of superimposed noises in which lightning-fast progression from one galvanising sound event (noise thru silence) to another, and the musicians’ constant attention to overall form, carry far more weight than developmental foresightedness or melodic thrust: it’s music of the moment, a process of constantly tweaked evolutionary recombination.

The duo are tenacious in their work of sonic abiogenesis, and the six Numbers pieces are all longish…. The sound events comprised by tracks like “Ankpla” and “Uettet” are as disjointed as they are contiguous, but the overriding sense impression is that each whole flows nicely, and the album as a whole rewardingly absorbs attention. [Read the rest…]

‘Numbers’ (CS 201 cd) is available from Creative Sources Recordings. [More info…] [All reviews…] [Get the CD…]

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)

‘Numbers’ (CS 201 cd) [details…] [all reviews…]

Performers: Richard Barrett (electronics) and Han-earl Park (guitar). [About this duo…]

© + ℗ 2012 Creative Sources Recordings.

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

io 0.0.1 beta++ (SLAMCD 531) [details…] [all reviews…]

Performers: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone). [About this project…]

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

io 0.0.1 beta++: seeking performances (Europe, 2014)

io 0.0.1 beta++, Bruce Coates and Franziska Schroeder, Blackrock Castle Observatory, 05-26-2010 (photo copyright 2010, Stephanie Hough)
io 0.0.1 beta++, Bruce Coates and Franziska Schroeder (Blackrock Castle Observatory, Cork, May 26, 2010). Photo © 2010 Stephanie Hough.

Seeking performance opportunities; particularly in Europe 2014: the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician and improviser io 0.0.1 beta++ with human musicians Han-earl Park, Bruce Coates and Franziska Schroeder.

See performance proposal for further information (availability, technical requirements, performers’ biographies, etc.).

overview

This quartet (or faux-quartet, if you prefer) performs demanding free improvisation calling on a range of extended techniques. Pieces of dismantled gestures, destabilizing timbres, and impressive synergy.

François Couture (Monsieur Délire)

An idea that would be pleasing to the Futurists of a century ago, a total hymn to modernity…. The completely improvised session requires a lot of attention from the listener, to be fully repaid by that which is a successful experiment.

Vittorio (MusicZoom)

We watch and listen carefully because we know we’re seeing a kind of manifesto in action. What is an automaton? A sketch, a material characterization of the ideas the inventor and the inventor’s culture have about some aspect of life, and how it could be. io and its kind are alternate beings born of ideas, decisions and choices. It is because io stands alone, an automaton, that the performance recorded on this CD not only is music, but is about music.

Sara Roberts (from the liner notes to SLAMCD 531)

An extraordinary meeting between human and machine improvisers. Featuring the machine musician io 0.0.1 beta++ with guitarist Han-earl Park and saxophonists Bruce Coates and Franziska Schroeder, the performance is part critique and part playful exploration, both a boundary-breaking demonstration of socio-musical technologies and an ironic sci-fi parody.

Constructed by Han-earl Park, io 0.0.1 beta++ is a modern-day musical automaton. It is not an instrument to be played but a non-human artificial musician that performs alongside its human counterparts. io 0.0.1 beta++ representing a personal-political investigation of technology, interaction, improvisation and musicality. It whimsically evokes a 1950s B-movie robot—seemingly jerry-rigged, constructed from ad-hoc components including plumbing, kitchenware, speakers and missile switches—celebrating the material and corporeal.

The performances with this artificial musician highlights society’s entanglement with technology, demonstrates alternative modes of interfacing the musical and the technological, and illuminates the creative and improvisative processes in music. The performance is a radical and playful engagement with powerful and problematic dreams (and nightmares) of the artificial; a dream as old as the anthropology of robots.

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

The CD ‘io 0.0.1 beta++’ (SLAMCD 531) was released by SLAM Productions in August 2011.

further information

* Additional audio recordings and documentation available on request.

[Full performance proposal…]
[Original post at www.io001b.com…]

updates

11–08–12: this is a repost of a previous article: change of availability from 2013 to 2014.

Annea Lockwood on io 0.0.1 beta++

io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)
io 0.0.1 beta++ (SLAMCD 531) © 2011 Han-earl Park

The website of machine improviser io 0.0.1 beta++ quotes the composer and explorer of our relationship to everyday (and not so everyday) artifacts, Annea Lockwood’s response to ‘io 0.0.1 beta++’ (SLAMCD 531):

The interaction between io and the three other players is really supple… and I like very much the gritty complexity of io’s vocabulary, and the fine sense of shaping, timbrally and in terms of gesture….

[Read the rest…]

‘io 0.0.1 beta++’ (SLAMCD 531) with Han-earl Park, Bruce Coates and Franziska Schroeder is available from SLAM Productions. [More info…] [All reviews…] [Get the CD…]

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

io 0.0.1 beta++: seeking performances (Europe, 2013)

io 0.0.1 beta++, Bruce Coates and Franziska Schroeder, Blackrock Castle Observatory, 05-26-2010 (photo copyright 2010, Stephanie Hough)
io 0.0.1 beta++, Bruce Coates and Franziska Schroeder (Blackrock Castle Observatory, Cork, May 26, 2010). Photo © 2010 Stephanie Hough.

Seeking performance opportunities; particularly in Europe 2014: the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician and improviser io 0.0.1 beta++ with human musicians Han-earl Park, Bruce Coates and Franziska Schroeder.

See performance proposal for further information (availability, technical requirements, performers’ biographies, etc.).

overview

This quartet (or faux-quartet, if you prefer) performs demanding free improvisation calling on a range of extended techniques. Pieces of dismantled gestures, destabilizing timbres, and impressive synergy.

François Couture (Monsieur Délire)

An idea that would be pleasing to the Futurists of a century ago, a total hymn to modernity…. The completely improvised session requires a lot of attention from the listener, to be fully repaid by that which is a successful experiment.

Vittorio (MusicZoom)

We watch and listen carefully because we know we’re seeing a kind of manifesto in action. What is an automaton? A sketch, a material characterization of the ideas the inventor and the inventor’s culture have about some aspect of life, and how it could be. io and its kind are alternate beings born of ideas, decisions and choices. It is because io stands alone, an automaton, that the performance recorded on this CD not only is music, but is about music.

Sara Roberts (from the liner notes to SLAMCD 531)

An extraordinary meeting between human and machine improvisers. Featuring the machine musician io 0.0.1 beta++ with guitarist Han-earl Park and saxophonists Bruce Coates and Franziska Schroeder, the performance is part critique and part playful exploration, both a boundary-breaking demonstration of socio-musical technologies and an ironic sci-fi parody.

Constructed by Han-earl Park, io 0.0.1 beta++ is a modern-day musical automaton. It is not an instrument to be played but a non-human artificial musician that performs alongside its human counterparts. io 0.0.1 beta++ representing a personal-political investigation of technology, interaction, improvisation and musicality. It whimsically evokes a 1950s B-movie robot—seemingly jerry-rigged, constructed from ad-hoc components including plumbing, kitchenware, speakers and missile switches—celebrating the material and corporeal.

The performances with this artificial musician highlights society’s entanglement with technology, demonstrates alternative modes of interfacing the musical and the technological, and illuminates the creative and improvisative processes in music. The performance is a radical and playful engagement with powerful and problematic dreams (and nightmares) of the artificial; a dream as old as the anthropology of robots.

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

The CD ‘io 0.0.1 beta++’ (SLAMCD 531) was released by SLAM Productions in August 2011.

further information

* Additional audio recordings and documentation available on request.

[Full performance proposal…]
[Original post at www.io001b.com…]

updates

11–08–12: change of availability from 2013 to 2014. [More info…]

io 0.0.1 beta++: (musical) time and machine musicianship 0.1

HZ: ‘simple-pattern’

Second part of a series at the io 0.0.1 beta++ website about musical time, rhythm, musicality and politics:

The issue is not so much that a musicality built up from a simple ‘beat detection’ is not possible…. The issue is the implications of seeking and defining, in research, such a trait; valuing such a musicality; and, by extension, practicing such a music.

As argued by Suzanne Cusick, George E. Lewis, Christopher Small and others, musical practice constitutes a political schema—music performs society. The command-control model embedded in a musicality built upon ‘beat detection’ has profound consequences for constructing alternative politics.

[Read the rest…]

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

io 0.0.1 beta++: (musical) time and machine musicianship

HZ: ‘wind-chimes’

First post as part of a series at the io 0.0.1 beta++ website about musical time, bodies, computation, machine musicianship, and the regulation of the musical:

Perhaps the assumption of a foundational importance to musicality of a simple ‘beat detection’ stems from subscribing to a command-control model of musicality. In this model the mind is the central hub of the musical. In this model, rhythm is constant, inherited, external and which must be followed. This model, in turn, arises from certain, widely held to be sure, cultural assumptions about desirable and ‘natural’ social and political interactions. What do these assumptions blind us from?

[Read the rest…]

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

…and more CD reviews: io 0.0.1 beta++

io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)
io 0.0.1 beta++ (SLAMCD 531) © 2011 Han-earl Park

Two more reviews of ‘io 0.0.1 beta++’ (SLAMCD 531) with two contrasting takes on the meeting between human and machine musicians. Ken Waxman, on the one hand, juxtaposes the “unobtrusive and egoless” machine with the human improvisers who display, for example, “thoughtful pauses”:

Han-earl Park personifying Dr. Frankenstein, has created a non-human artificial musician from ad-hoc components including speakers, kitchenware and missile switches. This CD is a literal record of how the non-human, prosaically named io 0. 0. 1 beta++, sounds in concert with flesh-and-blood counterparts….

io 0. 0. 1 beta++ is unobtrusive and egoless enough… to warble its staccato particle contributions without trying to engulf or show up the humans. Its contributions are unique enough on their own.

For instance on the initial ‘Pioneer: Variance’ and ‘Pioneer: Dance’ contrasting alto and soprano saxophone trills and squeaks are put into bolder relief as the otherworldly flutters, oscillated tones and flanged rotations of the machine are kept in a straight line by Park’s legato picking. The thoughtful pauses audible in the guitar playing confirms Park’s human-ness, especially when compared to the grainy whistles and juddering vibrations that arise from io 0. 0. 1 beta++….

Nonetheless the machine further demonstrates its versatility on the 59-second ‘4G’, with metallic muted trombone-like snores and even raises the question as to whether io 0. 0. 1 beta++ or extended saxophone techniques are creating the air pops and abrasive tongue flutters on subsequent tracks. In the main crackling reductionist resonations are attributed to its properties, while any legato or lyrical intermezzos are, more likely than not, propelled from the instruments and imaginations of full-fledged Homo sapiens.

Succinctly as the three demonstrate on ‘Return Trajectory’, during which io 0. 0. 1 beta++ appears to have taken five, an additional voice—human or otherwise—is necessary to create a pleasing sound picture. The guitarist’s connective down strokes plus the swelling layers of contrapuntal reed timbres are distinctive and solipsistic enough on their own. [Read the rest…]

— Ken Waxman (JazzWord)

Romualdo Del Noce at Jazz Convention, on the other hand, hears a “charmingly imperfect interplay” between human and machine musicians becomes a drama of the ‘human,’ the ‘other,’ and of cyborgs. An interplay in which Han-earl Park improvises a “rugged plateau” and “hyperacid notes”, and Franziska Schroeder enriches “the other half of the sax… with a naked and experimental voice, together in harmony and dissonance with parallel and converging streams of the thoroughbred free-player Bruce Coates”.

Le corde tese di Park imbastiscono un plateau scabro ma di lungo e persistente respiro, vivente nelle articolazioni e nella tessitura della sua fisica elettroacustica; mentre sul versante “meccanico” dell’instrumentarium i modi performanti di Franziska Schroeder arricchiscono l’altra metà del sax (a fianco delle Matana Roberts, Alexandra Grimal, Ingrid Laubrock etc.) di una voce sperimentante e nuda, in sintonia e insieme dissonanza con i flussi paralleli e convergenti del free-player purosangue Bruce Coates, e il tutto si dipana entro uno svolgimento a canovaccio libero e istantaneo, lungo il suo deviante svolgimento interrogandosi (senza eccessivo paradosso) se l’autentica “alienità” sia rispettivamente appannaggio della cosa o, piuttosto e viceversa, dell’ “umano”….

Insomma, l’avanguardia è tornata: non che fosse mai stata davvero latitante, ma gli interrogativi sonori, lacerati e critici, del trio pongono come oggetto radicale la disumanizzazione progressiva e le implicazioni del sempre più preponderante avvento della macchina, forse retrodatando le intenzioni alle prime decadi del secolo scorso e alle relative allarmistiche dottrine, ma riprendendole lungo le forme acutamente nervose e l’attenzione creativa dei medianici e cyborghiani performers e del loro interplay attrattivamente imperfetto. [Read the rest…] [English translation…]

— Romualdo Del Noce (Jazz Convention)

‘io 0.0.1 beta++’ (SLAMCD 531) with Han-earl Park, Bruce Coates and Franziska Schroeder is available from SLAM Productions. [More info…] [All reviews…] [Get the CD…]

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

Happy New Year from io 0.0.1 beta++… kind of…

If io 0.0.1 beta++ could want, or express a desire, I imagine that it would want to wish all of you a happy arbitrary demarcation of time:

4G alt. (audio salutations from Han-earl Park and io 0.0.1 beta++) [mp3 audio]

io, however, cannot want, or express, anything…
io, however, cannot want, or express, anything…but Happy New Year from me!

about the audio recording:

Alternate take of track ‘4G’ from ‘io 0.0.1 beta++’ (SLAMCD 531). See below for actual excerpts from the CD.

io 0.0.1 beta++ (itself) and Han-earl Park (guitar).

Recorded on recorded August 19 2010 at C-ALTO Labs, Cork. Recorded and mixed by Han-earl Park. (Note that the track above is taken from an earlier, rough mix than the final CD tracks.)

//www.io001b.com/

Above recording (4G alt. (alternate take: “io 0.0.1 beta++” (SLAMCD 531))) released under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License. Please attribute the recordings to Han-earl Park.

audio excerpts from SLAMCD 531:

Baroque and Renaissance (audio clip: io 0.0.1 beta++)
impressive synergy (audio clip: io 0.0.1 beta++)
standing alone (audio clip: io 0.0.1 beta++)

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

‘io 0.0.1 beta++’ (SLAMCD 531) is available from SLAM Productions. [Details…]

personnel: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone).

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

CD: io 0.0.1 beta++: audio clip #3

Bruce Coates, Franziska Schroeder and io 0.0.1 beta++, Ó Riada Hall, Cork, 05-25-2010  (photo copyright 2010, Han-earl Park)
Bruce Coates, Franziska Schroeder and io 0.0.1 beta++ (Ó Riada Hall, Cork, May 25, 2010)

As previously noted, I’ve been posting short audio clips from ‘io 0.0.1 beta++’ (SLAMCD 531) at the io 0.0.1 beta++ ’site. The third and final clip in the series, taken from the track ‘Discovery: Decay’, features an improvised counterpoint between the interactive musical automaton io 0.0.1 beta++, and the human musicians, Franziska Schroeder and Han-earl Park. [More…]

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

‘io 0.0.1 beta++’ (SLAMCD 531) is available from SLAM Productions. [Details…]

personnel: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone).

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.

more CD reviews: io 0.0.1 beta++

io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)
io 0.0.1 beta++ (SLAMCD 531) © 2011 Han-earl Park

More reviews of ‘io 0.0.1 beta++’ (SLAMCD 531) including Vittorio’s big thumbs-up at MusicZoom where he hails the recordings as a “total hymn to modernity”, in which the human musicians “throw themselves with passion on the ideas from the inanimate object”, and the listener will be “fully repaid by that which is a successful experiment”:

Il titolo da romanzo o di sigla di messaggio segreto è il nome della macchina sparamusica/rumori che fa bella mostra di sè sul palco e che senza alcun intervento dei musicisti intorno tira giù il suo catalogo di suoni con cui gli altri si trovano a confrontarsi. Un´idea che sarebbe piaciuta ai futuristi di omai un secolo fa, un inno totale alla modernità. Altro che strumenti acustici!

I tre musicisti coinvolti insieme alla macchina sono Han-earl Park alla chitarra, Bruce Coates al sax alto e sopranino e Franziska Schroeder al sax soprano. Non hanno nessuna paura per il confronto e così si avventano con passione sulla proposta dell´oggetto inanimato.

La session completamente improvvisata richiede molta attenzione da parte dell´ascoltatore, ripagata completamente da quello che è un esperimento riuscito. [Read the rest…] [English translation…]

Vittorio (MusicZoom)

Meanwhile, what to me is ‘playful’ may be ‘uncompromising’ to someone else:

Fra segmenti più atmosferico-minimali, e altri invece più frammentati e nervosi, si procede così, talora arrestandosi a una sorta di limbo emozionale, di quieta truculenza, peraltro sempre ammirevole per coerenza e rigore. [Read the rest…]

Alberto Bazzurro (All About Jazz Italia)

On the other hand, Ed Pinsent of The Sound Projector highlights the (fun, playful) material and interactive dimensions in the meeting between human and machine musicians:

The guitarist Park, sometime member of Mathilde 253 whose fine CD impressed us in March this year, is joined by two improvising saxophonists, Bruce Coates (from the Birmingham Improvisers’ Orchestra) and Franziska Schroeder (member of the trio FAINT), and the record documents the meeting of this trio with the “machine musician” io 0.0.1 beta++. This device is an automaton, a musical robot if you will, built by Mr Park; it’s not just another computer programme that plays random sounds or builds an “interactive” space for other laptop musicians, but actually occupies physical space and performs on the stage alongside its human counterparts. Shades of Pierre Bastien…. The multi-media artist Sara Roberts from California writes the liner notes and she does a much better job than I possibly could in articulating the cultural resonances of this man-meets-automaton event. [Read the rest…]

— Ed Pinsent (The Sound Projector)

And Rui Eduardo Paes hears a meeting in which the human musicians bring their varied experience, in avant-jazz and in the space between electroacoustics and contemporary music, and in which the automaton “interactively reacting to what they do and even giving them cues”:

Os músicos de carbono envolvidos ora trabalham na área do ‘avant-jazz’, ora na da electroacústica de fronteira com a música contemporânea: Park com Charles Hayward, Wadada Leo Smith e Paul Dunmall, Coates com Tony Oxley, Lol Coxhill e o compositor indeterminista Christian Wolff, e Schroeder ao lado do pianista português Pedro Rebelo e em colaborações com Pauline Oliveros e Evan Parker. Todas essas experiências se reflectem em temas como ‘Ground-Based Telemetry’ e ‘Laplace: Instability’, sempre com o io a reagir interactivamente ao que fazem e até a dar-lhes deixas. [Read the rest…] [English translation…]

Rui Eduardo Paes (jazz.pt)

‘io 0.0.1 beta++’ (SLAMCD 531) with Han-earl Park, Bruce Coates and Franziska Schroeder is available from SLAM Productions. [More info…] [All reviews…] [Get the CD…]

arts council logo

The construction of io 0.0.1 beta++ has been made possible by the generous support of the Arts Council of Ireland.