Numbers is a complex melange of retro/futurist synth sounds, glitch electronica, guitar-sourced whammy-bar pitch-bending and hard-scrabble picking over bridge and pickups: a volatile stream of fractal note-data and complex electro-acoustics, all slippery switchbacks and other such abrupt transitions.
This makes for kaleidoscopic music, a rubato flux of superimposed noises in which lightning-fast progression from one galvanising sound event (noise thru silence) to another, and the musicians’ constant attention to overall form, carry far more weight than developmental foresightedness or melodic thrust: it’s music of the moment, a process of constantly tweaked evolutionary recombination.
The duo are tenacious in their work of sonic abiogenesis, and the six Numbers pieces are all longish…. The sound events comprised by tracks like “Ankpla” and “Uettet” are as disjointed as they are contiguous, but the overriding sense impression is that each whole flows nicely, and the album as a whole rewardingly absorbs attention. [Read the rest…]
…A trio featuring ex-This Heat drummer Charles Hayward, electric guitarist Han-Earl Park and trumpeter Ian Smith. Hayward was playing at his most impressionistic, Smith’s trumpet correspondingly all smears and blurs, offset by Park’s scrabble of overlapping notes and smears…. Park and Smith were the new discoveries of the festival for me; names to add to the must-see list, for future reference. [Read the rest…]
Han Earl-Park’s idiosyncratic guitar style was beguiling, his array of tiny, sharp sounds glinting like fragments of broken glass – the interplay between him and trumpeter Ian Smith was almost telepathic, changing directions as one, and the music coming to two seemingly unplanned and instinctive dead stops. [Read the rest…]