Tag Archives: SLAMCD 531

The (Near) Complete Han-earl Park

The (Near) Complete Han-earl Park (covers art and design copyright 2013 Clockwork Mercury Press; copyright 2012 Creative Sources Recordings; and copyright 2010, 2011 and 2015 Han-earl Park)

Get Han-earl Park’s (near) complete discography! (And help fund Sirene 1009’s debut album.) Limited in number, my (near) discography is for sale at a special price. The set comprises of four glass-mastered CDs, and one limited edition CD-R. Plus, for the first two lucky listeners, another limited edition CD-R. Available for €30 plus shipping, you can consider it €6 per CD plus a bonus CD-R or two.

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support Downtown Music Gallery!

In addition to being an awesome record store, Downtown Music Gallery is an institution that supports left-field, creative music. Part archive of sound recordings and folk knowledge, part performance space, NY Times described DMG as “one of the last remaining Manhattan outposts of Downtown music, defined by a melting-pot aesthetic inspired by the stew of […]

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drama without narration (review: io 0.0.1 beta++)

Somehow I managed to miss this when it came out way back in March 2012. Noël Tachet’s review of ‘io 0.0.1 beta++’ (SLAMCD 531) in Improjazz: Expériences de résonnances et d’occupation de l’espace sonore. Très dramatique sans narration. Tout l’espace est occupé, toujours de manière surprenante, avec peu de sons, peu de matière (toutefois l’occupation […]

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video discography

I’ve created a video discography—a YouTube playlist of video ‘trailers’ for selected albums. (This now joins the video playlist of selected performances and 13 hours or so of ‘recent’ performances.) The albums currently represented in the playlist are Numbers (CS 201 cd) with Richard Barrett [more info (get the CD)…]; io 0.0.1 beta++ (SLAMCD 531) […]

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Dalston Sound: Numbers: Richard Barrett + Han-earl Park

In a review that spans Richard Barrett’s Dark Matter and Han-earl Park’s io 0.0.1 beta++, Tim Owen (Dalston Sound) praises Barrett and Park’s ‘Numbers’ (CS 201 cd) for its “multifarious attractions” found in a “wealth of microscopically teeming detail”: Numbers is a complex melange of retro/futurist synth sounds, glitch electronica, guitar-sourced whammy-bar pitch-bending and hard-scrabble […]

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site update: scrapbook

I’ve finally updated and reorganized my scrapbook. It’s been a few years since I last made changes to this audio and video archive, so there’s a good few additions, and a few more tracks (with Richard Barrett, Paul Dunmall and Mark Sanders) will be added in the coming weeks. Below is a sample of some […]

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io 0.0.1 beta++: seeking performances (Europe, 2014)

Seeking performance opportunities; particularly in Europe 2014: the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician and improviser io 0.0.1 beta++ with human musicians Han-earl Park, Bruce Coates and Franziska Schroeder. See performance proposal for further information (availability, technical requirements, performers’ biographies, etc.). overview This quartet (or faux-quartet, if you prefer) performs demanding […]

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Downtown Music Gallery is back!

My favorite record store, Downtown Music Gallery, is back up and running after Hurricane Sandy, and they need your support. Not just a record store, DMG is an institution that supports left-field, creative music. I am privileged to have had their support over the years. The following of my CDs are available from DMG. [CDs […]

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SLAM Productions featured in The New York City Jazz Record

This month, The New York City Jazz Record puts a spotlight on the record label SLAM Productions. In the article, Ken Waxman quotes label owner and curator George Haslam as saying: When a recording is offered to me, I listen to it and consider, is SLAM the right place for it? I don’t have a […]

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Annea Lockwood on io 0.0.1 beta++

The website of machine improviser io 0.0.1 beta++ quotes the composer and explorer of our relationship to everyday (and not so everyday) artifacts, Annea Lockwood’s response to ‘io 0.0.1 beta++’ (SLAMCD 531): The interaction between io and the three other players is really supple… and I like very much the gritty complexity of io’s vocabulary, […]

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io 0.0.1 beta++: seeking performances (Europe, 2013)

Seeking performance opportunities; particularly in Europe 2014: the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician and improviser io 0.0.1 beta++ with human musicians Han-earl Park, Bruce Coates and Franziska Schroeder. See performance proposal for further information (availability, technical requirements, performers’ biographies, etc.). overview This quartet (or faux-quartet, if you prefer) performs demanding […]

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…and more CD reviews: io 0.0.1 beta++

Two more reviews of ‘io 0.0.1 beta++’ (SLAMCD 531) with two contrasting takes on the meeting between human and machine musicians. Ken Waxman, on the one hand, juxtaposes the “unobtrusive and egoless” machine with the human improvisers who display, for example, “thoughtful pauses”: …Han-earl Park personifying Dr. Frankenstein, has created a non-human artificial musician from […]

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