Note of thanks for the performances in Manchester, Cambridge and London. Thanks in particular to our hosts (their partners and cats) and organizers: David Birchall and everyone at Tubers; David Grundy; and Alex Ward at Boat-ting (and hope you feel better soon, Sibyl Madrigal). Kudos to all the performers who shares the stage, and to Peter Fay for the documentation [more images…]. And, as always, thanks to all those who came to hear real-time music!
As for The Uncanny Dom Lash and The Astonishing Corey Mwamba, I’ll take off my hat, and bow down, to your formidable and generous musicality (a diabolical combination). I think we made music sometimes brittle, always unexpected, with no gesture lost in play.
Some things to take away from this micro-tour: talking ‘scene’ (creative communities and geographies) with David Birchall, Rex Casswell, Corey and Cathy Heyden; paying The Racially Diverse Trio of Nerdy Guys in comics (thanks to Free Comic Book Day); revisiting my take on soundart and music; finding, with Dom and Rex, unexpected musical possibilities in the imagined names of the royal baby; watching Bark! in motion—off and on-stage—an ensemble that plays like a joke where the punchline never arrives (and it’s awesome); Dom saying that “the details need to work harder”; Steve Beresford telling tales of improvised music past and present; being reminded what an imaginative, crafty and resourceful drummer Steve Noble is (he gives so much for his partners to work with); witnessing the joy of someone coax the musical from unmusical resources (Sonic Pleasure sounding masonry); performing our last gig while Dom’s bass gained a buzz and my guitar’s bridge pickup cr*pped out….
…Talking of which, if you’ll excuse me, I have a guitar to open-up and examine (and hopefully repair before Belfast).
Bar & Co.
London WC2R, England
8:30pm (doors: 8:00pm)
Han-earl Park (guitar) and Dominic Lash (double bass) presented by Boat-ting. Also performing: Steve Noble (drums), Massimo Magee (saxophone) and Tom Wheatly (double bass); Tom Jackson (clarinet), Benedict Taylor (viola) and Daniel Thompson (guitar); Crush!!! (Ian MacGowan: trumpet; Sonic Pleasure: masonry; and Mark Browne: saxophone); and Sibyl Madrigal (poetry) and Alex Ward (clarinet). Admission: £8 (£5).
[Details…] [Boat-ting page…]
Apologies for the paucity of updates. I’m working on several things behind-the-scenes, and will be back shortly with news of performances coming up in Berlin, Manchester, Belfast and elsewhere; updates on Anomic Aphasia (SLAMCD 559); and news of a new amplifier. Be right back….
Finally, big thanks to Caroline Pugh for the noise, out of the box choices, the occasional melody, and the momentary glimpse of semantics, and to Justin Yang for sharing the stage, and for inviting me in the first place.
Performance by Han-earl Park (guitar) with (saxophones) and (voice). Han-earl Park will also be giving a seminar presentation on the previous day (), 1:00pm at the Sonic Lab. Free admission.
121 Ludlow Street
Floor 2 (ring bell for 2)
New York, NY 10002
I moved to Brooklyn back in December 2011, and I’m grateful and privileged to have been part of, even briefly, such a gracious, vibrant, creative, fun and welcoming community.
I’m particularly indebted to Andrew, Jesse, Michael, Adam, Anna and Andrea for introducing me to the (cultural) geography/neighborhood(s); to Bruce, Wadada and Ras who gave me my first few gigs; and to Tim and Evan for offering me sideman gigs. And a very big thanks to Josh, Catherine and Nick for much of the above, and for collaborating on some long-term projects. To everyone, I hope to repay the your generosity (and hope to catch up when I’m back in Brooklyn/NYC).
Now back in Cork, and, for what feel like the first time in a long time, I’m arriving without a gig in town (and, to my surprise, I’m not too unhappy about that). Some plans ahead (solo performance at SARC for starters), fingers crossed, something will work out.
Music by Han-earl Park, Catherine Sikora and Josh Sinton.
Recorded live, March 26, 2013 at Freddy’s Bar, Brooklyn.
Performance presented as part of On The Way Out curated by Michael Evans and Anders Nilsson.
Recorded by Don Mount.