Anomic Aphasia

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)
‘Anomic Aphasia’ (SLAMCD 559) © 2015 Han-earl Park

February 23, 2015: SLAM Productions releases ‘Anomic Aphasia’ (SLAMCD 559) featuring the ensemble Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora), and rendering of improvisative tactics Metis 9 by Park, Sikora and Josh Sinton. [SLAM Productions catalog page…] [Discography entry…]

The CD is available from Downtown Music Gallery, Wayside Music, Disk Union… and all AWESOME record stores.

[Get the CD from SLAM Productions…]
[Downtown Music Gallery…] [Wayside Music…] [Disk Union…] [Improjazz…] [Crazy Jazz…] [Jazzcds…] [Proper Music (distributor)…] [More stores…]

[Download from iTunes…]* [eMusic…]*

* Downloads, in contrast to the physical CDs, do not include the liner notes.

news and updates

September 4, 2018: Eris 136199 (BAF001)

Eris 136199’s eponymous album (compact disc and digital download) is now available to pre-order (release: October 9, 2018)! Eris 136199 is the quick-reacting cyborg virtuosity of Han-earl Park, the mighty…

August 4, 2018: Eris 136199: in the works…

Coming soon (pre-orders in September): new album by Eris 136199 (Han-earl Park, Catherine Sikora and Nick Didkovsky)! Recorded during the 2017 European tour, the album is the trio’s followup to their…

[All articles on Anomic Aphasia…]

description

Challenging and phenomenal works with the musicians playing off of each others ideas…. A beautiful noise. [More…]

KFJC 89.7 FM

Putting this unlikely lineup together was almost as brilliant as the recording they have produced…. ‘Free’ is a barely sufficient to describe this approach, as the trios explore various angular constructs and effects. The vocabulary of sounds here is as broad as it is unconventional. [More…]

— Mike Borella (Avant Music News)

Impressive in scale, overwhelming in execution, it’s a cyclic frenzy of fragmented sounds without an ounce of entropy, yet somehow with a sense of clear movement and progression. Warning: close listening can produce altered states…. [More…]

— Dave Foxall (a Jazz Noise)

彼らは一緒になって、描き上げたばかりの集合肖像画に点を穿ち、所々に飛沫を散らし、時には引き裂く。そして切り取り、並べ替え、分割する。 [More…]

— Cisco Bradley (JazzTokyo)

Atmospheric as to become almost frightening [More…]

— Ken Waxman (The New York City Jazz Record)

Ein glorioser Bastard aus Noise und süßer Träumerei. [More…]

— Rigobert Dittmann (Bad Alchemy)

[More reviews…]

Anomic Aphasia documents two New York-based projects: the noisy, unruly complexity of the ensemble Eris 136199; and the interactive playbook Metis 9, a collection of improvisative tactics. Guitarists Han-earl Park (Mathilde 253) and Nick Didkovsky (Doctor Nerve), and reedists Catherine Sikora (Clockwork Mercury) and Josh Sinton (Ideal Bread) render a space of unexpected collisions, weaving orbital paths, and playful discord.

Eris 136199 plays on the crossroads of noise, melody, rhythm, space, density, contrast, synchronicity, asymmetry, serendipity and contradiction. Eris 136199 is the noisy, unruly complexity of composer, computer artist and guitarist Nick Didkovsky, the corporeal, cyborg virtuosity of constructor and guitarist Han-earl Park, and the no-nonsense melodic logic of composer and saxophonist Catherine Sikora.

Together, Didkovsky, Park and Sikora forges an improvisative space where melody can be melody, noise can be noise, meter can be meter, metal becomes metal, bluegrass turns to bluegrass, jazz transforms into jazz, all there, all necessary without imploding under idiomatic pressures.

Metis 9 is a collection of improvisative tactics, and higher-level interactive macros for ensemble performance designed, designated and specified by Han-earl Park in collaboration with Josh Sinton and Catherine Sikora.

Metis 9 has ‘glorious noise’ or ‘frenzy’ at its root, yet it is not so much structuring the noise as it is a meta-layer of complexity that performers can introduce at will. Metis 9 does not tell the performer what to play, or provide all the details of how to interact, but it is an additional network protocol for interactive possibilities. Group improvisation is always the primary protocol; Metis 9 provides secondary or tertiary tactics that create an additional focused complexity. The decision for each bloop and bleep is still retained by the ensemble. These macros enable specific interactionist schemes to be expressed in an open improvisative context; it is improvisative play channeled by group consent.

trailer

personnel

Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar; tracks 1 and 5), and Josh Sinton (baritone saxophone and bass clarinet; tracks 2–4).

track listing

Monopod (27:19), Pleonasm (Metis 9) (17:08), Flying Rods (Metis 9) (7:41), Hydraphon (7:34), StopCock (10:54). Total duration: 70:33.

recording details

Tracks 1 and 5: music by Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora). Tracks 2–4: music by Han-earl Park, Catherine Sikora and Josh Sinton. Tracks 2–3: tactical macros (‘Metis 9’) devised and specified by Han-earl Park.

Tracks 1 and 5 recorded live at Douglass Street Music Collective, Brooklyn on June 5, 2013. Recording engineered by Scott Friedlander.
Tracks 2–4 recorded live at Harvestworks, New York City on October 29, 2013. Recording engineered by Kevin Ramsay. Mixed by Han-earl Park.
Design and artwork by Han-earl Park.

Thanks to Scott Friedlander, Kevin Ramsay, Carol Parkinson, Hans Tammen, Melanie L Marshall, Caroline Pugh, Richard Barrett, Ras Moshe, John Pietaro, Shayna Dulberger and Emilio Vavarella.

© 2015 Han-earl Park. ℗ 2015 SLAM Productions.

about the performers

Improviser, guitarist and constructor Han-earl Park (박한얼) has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces across Europe and the USA.

Park engages a radical, liminal, cyborg virtuosity in which mind, body and artifact collide. He is driven by the social and revolutionary potential of real-time interactive performance in which tradition and practice become creative problematics. As a constructor of musical automata, he is interested in partial, and partially frustrating, context-specific artifacts; artifacts that amplify social relations and corporeal identities and agencies.

Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder, and as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros.

Festival appearances include Freedom of the City (London), Sonorities (Belfast), ISIM (New York), dialogues festival (Edinburgh), CEAIT (Los Angeles) and Sonic Acts (Amsterdam). His recordings have been released by labels including Slam Productions, Creative Sources and DUNS Limited Edition.

Park taught improvisation at University College Cork, and founded and curated Stet Lab, a space for improvised music in Cork.

Since making her way to New York City from West Cork, Ireland to study abstract improvisation, Catherine Sikora has become a well-known face and sound in New York creative music circles. She has worked with Elliott Sharp, Eric Mingus, Michael Evans, Enrique Haneine, Karl Berger, Matt Lavelle, Jeremy Bacon, François Grillot and Burnt Sugar The Arkestra Chamber, among many others. Her undeniably unique approach sets her apart from everyone else, even when surrounded by the most original and creative voices in New York City. Sikora is a contributing writer to the book “Silent Solos-Improvisers Speak” (Buddy’s Knife Publishing, Köln, DE).

Current working projects include Clockwork Mercury (duo with Eric Mingus) and an improvising duo with drummer Brian Chase; Sikora’s first solo recording will be released in fall 2015.

“Sikora is a free-blowing player’s player with a spectacular harmonic imagination and an evolved understanding of the tonal palette of the saxophone.”

— Chris Elliot (Seacoast Online)

With a musical career spanning 30 years, Nick Didkovsky is a guitarist, composer, and music software programmer. He founded the rock band Doctor Nerve in 1983 and is a member of the Fred Frith Guitar Quartet. He has composed for Bang On A Can All-Stars, Meridian Arts Ensemble, ETHEL, and others. His compositions and guitar work appear on over 50 records.

His Black Sabbath Guitar Lessons on YouTube have been received with great enthusiasm by metal fans all over the world. His metal band Häßliche Luftmasken premiered in June 2011.

With computer music pioneer Phil Burk, Didkovsky created Java Music Specification Language which is used by composers all over the world. He has taught JMSL at Dartmouth College, CalArts, Columbia University, and NYU. With composer Georg Hajdu, he has created MaxScore, an object that uses JMSL to bring music notation to Max/MSP.

His Punos Music record label serves up his more extreme musical projects.

Brooklyn-based saxophonist/clarinetist/composer Josh Sinton is probably best known as the leader of Ideal Bread, the Steve Lacy repertory band. He also performs regularly with Andrew D’Angelo’s DNA big band, Darcy James Argue’s Secret Society, the Nate Wooley Quintet and Anthony Braxton’s Tricentric Orchestra. He’s played with avant-garde luminaries such as Roswell Rudd, Karl Berger and John Butcher, newer voices Ingrid Laubrock, Matana Roberts and Jeremiah Cymerman and pop singers Michael Buble and Norah Jones.

In 2012, Sinton released his autobiographical album Pine Barren (featuring Jon Irabagon, Jonathan Goldberger, Peter Bitenc and Mike Pride) with accompanying essays on the Prom Night Records label to critical acclaim (“deeply confessional and emotionally revealing” – Shaun Brady, Downbeat, Nov. 2012). This year he will release another record on Prom Night, anomonous on which he freely improvises on the amplified contrabass clarinet with Denman Maroney (hyperpiano) and Ben Miller (electronics). Currently he’s in the midst of finishing arrangements for the next Ideal Bread record, an ambitious re-recording of all the material Steve Lacy put out on the Saravah label in the 1970’s and was recently repackaged as Scratching the Seventies. The working title of this work-in-progress is Beating the Teens.

Sinton grew up in the Pine Barrens of southern New Jersey, came of musical age attending AACM classes in Chicago and completed his classroom education in Boston at the New England Conservatory of music. Along the way, he’s toured and played in India, Israel, Japan, France, Germany, the Netherlands and Finland. Currently he happily resides in Brooklyn, NY with his wife Laura and daughter Zosia.

Also from SLAM Productions…

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

io 0.0.1 beta++ (SLAMCD 531) [details…]

Performers: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone). [About this project…]

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone). [About this ensemble…]

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

updates

03–06-15: add news and updates feed.
04–22-15: add purchase links (Improjazz, Crazy Jazz, Jazzcds, Proper Music, iTunes and eMusic).
06–02-15: add Disk Union link.
08–13-15: add Wayside Music link.
08–15-15: add new video trailer.
09–18-15: add Downtown Music Gallery link.
09–23-15: update Downtown Music Gallery link.
11–24-16: added reviews.

farewell, Brooklyn, it’s been a blast

Let’s start with a kind of personal Top Ten. In no particular order: Han-earl Park with Ingrid Laubrock; with Tim Perkis and Harris Eisenstadt; as part of Eris 136199 with Nick Didkovsky and Catherine Sikora; with Louise Dam Eckardt Jensen and Michael Evans; Gerald Cleaver; Tom Blancarte; Dominic Lash; Catherine Sikora and Josh Sinton; and with Evan Parker, Brooklyn and New York, 2012–2013. Videos by Scott Friedlander, Don Mount and Kevin Reilly.

I moved to Brooklyn back in December 2011, and I’m grateful and privileged to have been part of, even briefly, such a gracious, vibrant, creative, fun and welcoming community.

I’m particularly indebted to Andrew, Jesse, Michael, Adam, Anna and Andrea for introducing me to the (cultural) geography/neighborhood(s); to Bruce, Wadada and Ras who gave me my first few gigs; and to Tim and Evan for offering me sideman gigs. And a very big thanks to Josh, Catherine and Nick for much of the above, and for collaborating on some long-term projects. To everyone, I hope to repay the your generosity (and hope to catch up when I’m back in Brooklyn/NYC).

Now back in Cork, and, for what feel like the first time in a long time, I’m arriving without a gig in town (and, to my surprise, I’m not too unhappy about that). Some plans ahead (solo performance at SARC for starters), fingers crossed, something will work out.

Anyway, as posted earlier, I’m seeking performances for Numbers (Richard Barrett and Han-earl Park), Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) and Mathilde 253 (Charles Hayward, Han-earl Park and Ian Smith). Interested promoters, venues, festivals and sponsors, please get in touch! [Details…]

thanks: Eris 136199 (DSMC, Brooklyn) and Lytle-Park (ABC No Rio, NYC)

Nick Didkovsky: “Wow. That was weird!”

Belated set of thanks for the performances earlier this month (June 5th and 9th). The biggest thanks to Nick Didkovsky and Catherine Sikora who made this Eris 136199’s stragest performance so far, with unexpected and unpredictable turns and juxtapositions; and big thanks to Michael Lytle who invited me to join him for a duo performance at ABC No Rio. Thanks also to Blaise Siwula for organizing and curating COMA: Citizens Ontological Music Agenda, and to the other musicians who shared the bill and both events. In particular, kudos to Ras Moshe, Shayna Dulberger and John Pietaro for stepping up and contributing a fantastic set (plus John said one of the nicest things about my playing after Eris’ set: “You’re the Rashied Ali of the group!”); and to Craig Flanagin and Frank Marino for their great vibe on and off stage. Special thanks to Scott Friedlander for his indefatigable and expert documentation—audio, video and photographic—and a hat tip to Don Mount for helping Eris come up with a title for our first improvisation. Last but not least, thanks to all who came to listen and witness the noise, complexity and play.

Next up: performance in July with Swim This (Nick Didkovsky: guitar; Gerry Hemingway: drums; and Michael Lytle: bass clarinet). See the performance diary for up-to-date info.

reminder: Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) at Douglass Street Music Collective, Brooklyn

This Wednesday (June 5, 2013), at 8:00pm: Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones) again visits the crossroads of noise, melody, rhythm, space, density, contrast, synchronicity, asymmetry, serendipity and contradiction. Also performing are Ras Moshe (saxophones), Shayna Dulberger (bass) and John Pietaro (percussion). The event takes place at Douglass Street Music Collective (295 Douglass Street, Gowanus, Brooklyn, NY 11217) [map and directions…]. $10 suggested donation.

performance: Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) at Douglass Street Music Collective, Brooklyn

Wednesday, June 5, 2013, at 8:00pm: a performance by Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones) takes place at Douglass Street Music Collective (295 Douglass Street, Gowanus, Brooklyn, NY 11217) [map and directions…]. Also performing: Ras Moshe (saxophones), Shayna Dulberger (bass) and John Pietaro (percussion). $10 suggested donation.

See the performance diary for up-to-date info. [DSMC page…]

about Eris 136199

Eris 136199 plays on the crossroads of noise, melody, rhythm, space, density, contrast, synchronicity, asymmetry, serendipity and contradiction. Eris 136199 is the noisy, unruly complexity of composer, computer artist and guitarist Nick Didkovsky, the corporeal, cyborg virtuosity of constructor and guitarist Han-earl Park, and the no-nonsense melodic logic of composer and saxophonist Catherine Sikora.

A composer who enjoys blurry boundaries, Nick Didkovsky founded the avant-rock big band Doctor Nerve, and is a member of Swim This with Gerry Hemingway and Michael Lytle. He is a pioneer of small-systems computer music, and has composed music for ensemble including Bang On A Can All-Stars and the California EAR Unit.

Described by Brian Morton as “a musical philosopher… a delightful shape-shifter”, Han-earl Park is drawn to real-time cyborg configurations in which artifacts and bodies collide. He has performed with some of the finest practitioners of improvised music, is part of Mathilde 253 with Charles Hayward and Ian Smith, and Numbers with Richard Barrett.

Catherine Sikora is “a free-blowing player’s player with a spectacular harmonic imagination and an evolved understanding of the tonal palette of the saxophone” (Chris Elliot, Seacoast Online). She has a long-standing duo project with Eric Mingus, and performs as part of ensembles led by Elliott Sharp, François Grillot and Matt Lavelle.

Together, Didkovsky, Park and Sikora forges an improvisative space where melody can be melody, noise can be noise, meter can be meter, metal becomes metal, bluegrass turns to bluegrass, jazz transforms into jazz, all there, all necessary without imploding under idiomatic pressures.

performance diary 04-26-13 (Brooklyn, New York)

upcoming performances
date venue time details
May 16, 2013 Douglass Street Music Collective
295 Douglass Street
Gowanus
Brooklyn, NY 11217
8:00pm Performance by Ingrid Laubrock (saxophones) and Han-earl Park (guitar). Also performing: Kris Davis (piano) and Andrew Drury (drums), and Catherine Sikora (saxophones) and Stanley Jason Zappa (saxophones). Recommended donation: $10.
[Details…]
[DSMC page…]
June 5, 2013 Douglass Street Music Collective
295 Douglass Street
Gowanus
Brooklyn, NY 11217
8:00pm Performance by Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones). Also performing: Ras Moshe (saxophones), Shayna Dulberger (bass) and John Pietaro (percussion). Recommended donation: $10.
[Details…]
[DSMC page…]
June 9, 2013 ABC No Rio
156 Rivington Street
New York, NY 10002
7:00pm Performance by Michael Lytle (bass clarinet) and Han-earl Park (guitar) as part of COMA: Citizens Ontological Music Agenda. Also performing: Craig Flanagin Ensemble. Admission: $5.
[Details…]
July 26, 2013 Douglass Street Music Collective
295 Douglass Street
Gowanus
Brooklyn, NY 11217
8:00pm Performance by Swim This (Nick Didkovsky: guitar; Gerry Hemingway: drums; and Michael Lytle: bass clarinet) with Han-earl Park (guitar). Also performing: Patty Franceschy (vibraphone) and Kate Gentile (drums). Recommended donation: $10.
[Details…]
[DSMC page…]
2013 North America Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones) is seeking performance opportunities in North America, and, in 2014, elsewhere in the world.
Interested promoters, venues and sponsors, please get in touch! [Detailed proposal…]
2014 Europe Seeking performances in Europe, 2014 for the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician io 0.0.1 beta++ (itself) with human musicians Han-earl Park (guitar), Bruce Coates (saxophones) and Franziska Schroeder (saxophones). Interested promoters, venues and sponsors, please get in touch! [Detailed proposal…]

Continue reading “performance diary 04-26-13 (Brooklyn, New York)”

performance: Eris 136199 (Nick Didkovsky, Han-earl Park and Catherine Sikora) at The Brecht Forum, New York

Sunday, January 13, 2013, at 6:00pm: a performance by Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones) takes place at The Brecht Forum (451 West Street, New York, NY 10014) [map/directions…]. Also performing: Music Now! (Ras Moshe, Luke Stewart, Tom Zlabinger, Max Johnson, John Pietaro and Tor Yochai Snyder), and We Free Strings (Melanie Dyer, Sonya Robinson, Nioka Workman, Charles Burnham, Larry Roland and David Harewood). Admission: $11.

Remember: side effects of Eris 136199 may include temporary deafness, involuntary teleportation, spontaneous combustion, and molecular implosion. In addition, lab animals have been shown to dance without skill to the sound of double guitars and saxophone 😉

See the performance diary for up-to-date info. [Brecht Forum page…]

about Eris 136199

Eris 136199 plays on the crossroads of noise, melody, rhythm, space, density, contrast, synchronicity, asymmetry, serendipity and contradiction. Eris 136199 is the noisy, unruly complexity of composer, computer artist and guitarist Nick Didkovsky, the corporeal, cyborg virtuosity of constructor and guitarist Han-earl Park, and the no-nonsense melodic logic of composer and saxophonist Catherine Sikora.

A composer who enjoys blurry boundaries, Nick Didkovsky founded the avant-rock big band Doctor Nerve, and is a member of Swim This with Gerry Hemingway and Michael Lytle. He is a pioneer of small-systems computer music, and has composed music for ensemble including Bang On A Can All-Stars and the California EAR Unit.

Described by Brian Morton as “a musical philosopher… a delightful shape-shifter”, Han-earl Park is drawn to real-time cyborg configurations in which artifacts and bodies collide. He has performed with some of the finest practitioners of improvised music, is part of Mathilde 253 with Charles Hayward and Ian Smith, and Numbers with Richard Barrett.

Catherine Sikora is “a free-blowing player’s player with a spectacular harmonic imagination and an evolved understanding of the tonal palette of the saxophone” (Chris Elliot, Seacoast Online). She has a long-standing duo project with Eric Mingus, and performs as part of ensembles led by Elliott Sharp, François Grillot and Matt Lavelle.

Together, Didkovsky, Park and Sikora forges an improvisative space where melody can be melody, noise can be noise, meter can be meter, metal becomes metal, bluegrass turns to bluegrass, jazz transforms into jazz, all there, all necessary without imploding under idiomatic pressures.

performance diary 12-16-12 (Brooklyn, New York)

upcoming performances
date venue time details
January 13, 2013 The Brecht Forum
451 West Street
New York, NY 10014
6:00pm Performance by Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones). Also performing: Music Now! (Ras Moshe, Luke Stewart, Tom Zlabinger, Max Johnson, John Pietaro and Tor Yochai Snyder), and We Free Strings (Melanie Dyer, Sonya Robinson, Nioka Workman, Charles Burnham, Larry Roland and David Harewood). Admission: $11.
[Details…]
[Brecht Forum page…]
January 20, 2013 Downtown Music Gallery
13 Monroe Street
New York, NY 10002
6:00pm Performance by Michael Evans (drums), Louise Dam Eckardt Jensen (saxophone) and Han-earl Park (guitar).
Free admission.
[Details…]
[DMG page…]
March 26, 2013 The Backroom @ Freddy’s Bar
627 5th Avenue
Brooklyn, NY 11215
8:30pm Performance by Han-earl Park (guitar), Catherine Sikora (saxophones) and Josh Sinton (saxophone and clarinet) as part of On The Way Out. Also performing: Robert Dick (flutes), Nick Didkovsky (guitar), Andrew Drury (drums and percussion) and Michael Lytle (clarinet and analog electronics). Recommended donation: $10.
2013 North America Eris 136199 (Nick Didkovsky: guitar; Han-earl Park: guitar; and Catherine Sikora: saxophones) is seeking performance opportunities in North America, and, in 2014, elsewhere in the world.
Interested promoters, venues and sponsors, please get in touch! [Detailed proposal…]
2014 Europe Seeking performances in Europe, 2014 for the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician io 0.0.1 beta++ (itself) with human musicians Han-earl Park (guitar), Bruce Coates (saxophones) and Franziska Schroeder (saxophones). Interested promoters, venues and sponsors, please get in touch! [Detailed proposal…]

Continue reading “performance diary 12-16-12 (Brooklyn, New York)”

thanks: McMullen-Park (DMG) and Park-Sikora (Brecht Forum), New York

Han-earl Park and Catherine Sikora (Brecht Forum, NYC, 01-08-12) photo copyright 2012 Melanie L. Marshall
Han-earl Park and Catherine Sikora (Brecht Forum, NYC, 01-08-12) photo © 2012 Melanie L. Marshall

A quick note of thanks to all involved in the first two performances of 2012. Thanks to Bruce Lee Gallanter and Manny ‘Lunch’ Maris at the Downtown Music Gallery for the open invite, for hosting the performance, and for their support over the years. Seriously, go to the DMG and get yourself a record (maybe one of mine 😉 Thanks to Ras Moshe for organizing the performance at The Brecht Forum and for welcoming this newcomer to NYC. Thanks also to the other performers of the evening including G. L. Diana and Kyoko Kitamura [Kyoko’s take on the gig…] who brought Cardew to life in a way different from all the Cardews I’ve heard in the past—I’m very interested to hear how this project might continue to evolve—and Ras’ powerful and playful quartet (sorry, don’t have the full lineup details of the quartet—contact me, and I will update).

A big, big, big thanks to the two saxophonists who generously shared the stage with me: Tracy McMullen for her wit and imagination, pushing the music to unexpected places, and to Catherine Sikora for her big, beautiful sound and sense of space and drama.

And, as always, thanks to all who came to listen and watch.