live reviews: Mathilde 253 at Freedom of the City, London

Mathilde 253: Charles Hayward, Han-earl Park and Ian Smith (Freedom of the City, London, May 6, 2012). Photo copyright 2012 Andrew Newcombe.
Mathilde 253 (Freedom of the City, London, May 6, 2012). Photo © 2012 Andrew Newcombe.

In his review of this year’s Freedom of the City festival, Tim Owen at Dalston Sound calls Mathilde 253’s set on May 6 “one of the punchiest performances”:

…A trio featuring ex-This Heat drummer Charles Hayward, electric guitarist Han-Earl Park and trumpeter Ian Smith. Hayward was playing at his most impressionistic, Smith’s trumpet correspondingly all smears and blurs, offset by Park’s scrabble of overlapping notes and smears…. Park and Smith were the new discoveries of the festival for me; names to add to the must-see list, for future reference. [Read the rest…]

Han-earl Park (Freedom of the City, London, May 6, 2012). Photo copyright 2012 Scott McMillan.
Han-earl Park (Freedom of the City, London, May 6, 2012). Photo © 2012 Scott McMillan.

Meanwhile, Scott McMillan at The Liminal points out the “youthful energy and invention”:

Han Earl-Park’s idiosyncratic guitar style was beguiling, his array of tiny, sharp sounds glinting like fragments of broken glass – the interplay between him and trumpeter Ian Smith was almost telepathic, changing directions as one, and the music coming to two seemingly unplanned and instinctive dead stops. [Read the rest…]

More photographs of FOTC: [Andrew Newcombe’s…] [Scott McMillan’s…]

reminder: Mathilde 253 at Freedom of the City, London

Mathilde 253 (Han-earl Park, Charles Hayward and Ian Smith), Cafe OTO, London, April 18, 2010
Mathilde 253 (Cafe OTO, London, April 18, 2010). Photo © 2010 Seán Kelly

Freedom of the City kicks-off this weekend, and on Sunday (May 6, 2012), at 2:00pm Mathilde 253 (Charles Hayward: drums, percussion and melodica; Han-earl Park: guitar; and Ian Smith: trumpet and flugelhorn) will perform in an event that will also include performances by John Edwards, Caroline Kraabel and Lee Patterson; Terry Day; and the London Improvisers Orchestra. The event takes place at Cecil Sharp House (2 Regent’s Park Road, Camden, London NW1 7AY, England) [map…]. [More info…]

Tickets: £12 [festival passes and concession details…]

performances: London*2 and Scarborough

Mark Hanslip, Dominic Lash, Phillip Marks and Han-earl Park
Performances coming up, May 2012, in London and Scarborough including a performance by a relatively new project (Numbers with Richard Barrett), by the closest thing to ‘my band’ (Mathilde 253 with Charles Hayward and Ian Smith), and a new improvisative meet (with Mark Hanslip, Dominic Lash and Phillip Marks). See the performance diary for up-to-date info.

Hope to see you at these events!

And for those back in New York, later in May I’ll be performing as part of an exciting trio with Nick Didkovsky and Catherine Sikora at ABC No Rio [details…].

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)

‘Numbers’ (CS 201 cd) is available from Creative Sources Recordings [details…]

Performers: Richard Barrett (electronics) and Han-earl Park (guitar).

© + ℗ 2012 Creative Sources Recordings.

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) is available from SLAM Productions [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone).

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

updates

04–30–12: add facebook event pages.

performance diary 04-18-12 (Brooklyn, London, New York, Scarborough)

upcoming performances
date venue time details
May 3, 2012 Performance Space 2
University of Hull: Scarborough Campus
Filey Road
Scarborough, England
7:30pm Performance by Numbers (Richard Barrett: electronics; and Han-earl Park: guitar).
Tickets: £4 (£3).
[Details…]
[facebook event…]
May 6, 2012 Cecil Sharp House
2 Regent’s Park Road
Camden
London, England
2:00pm Performance by Mathilde 253 (Charles Hayward: drums, percussion and melodica; Han-earl Park: guitar; and Ian Smith: trumpet and flugelhorn) as part of Freedom of the City.Also performing: John Edwards, Caroline Kraabel and Lee Patterson; Terry Day; and the London Improvisers Orchestra.[Deatils…]
[FOTC page with ticket info…]
[facebook event…]
May 7, 2012 The Oxford
256 Kentish Town Road
London, England
9:00pm
(doors: 8:30pm)
Performance by Mark Hanslip (saxophone), Dominic Lash (double bass), Phillip Marks (drums) and Han-earl Park (guitar) presented by Jazz @ The Oxford.
Admission: £5.
[Details…]
[facebook event…]
May 27, 2012 ABC No Rio
156 Rivington Street
New York, NY 10002
6:00pm Performance by Nick Didkovsky (guitar), Han-earl Park (guitar) and Catherine Sikora (saxophones) presented by COMA: Citizens Ontological Music Agenda.Also performing: Jim Goodin, Frederika Kreier, and the Rocco John Iacovone ensemble.Admission: $5.
[ABC No Rio page…]
[facebook event…]
July 24, 2012 The Backroom @ Freddy’s Bar
627 5th Avenue
Brooklyn, NY 11215
8:30pm Performance presented by On The Way Out.
Details to follow…
September 7, 2012 The Stone
16 Avenue C
New York, NY 10009
8:00pm Performance by Tim Perkis (electronics), Han-earl Park (guitar) and Harris Eisenstadt (percussion).
Admission: $10.
late 2012 North America Numbers (Richard Barrett: electronics; and Han-earl Park: guitar) is seeking performance opportunities in North America, late 2012.
Interested promoters, venues and sponsors, please get in touch!
early 2013 Europe Seeking performances in Europe, early 2013 for the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician io 0.0.1 beta++ (itself) with human musicians Han-earl Park (guitar), Bruce Coates (saxophones) and Franziska Schroeder (saxophones). Interested promoters, venues and sponsors, please get in touch! [Detailed proposal…]

Continue reading “performance diary 04-18-12 (Brooklyn, London, New York, Scarborough)”

audio review: Catherine Sikora, Ian Smith and Han-earl Park (Cork, 04–04–11)

artwork for Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)
Distant mountain ranges, plateaus and landscapes populate Dave Sumner’s review at Bird is the Worm of the download release by Catherine Sikora, Ian Smith and Han-earl Park:

Han-earl Park has a special place in my music experience. I think, without exception, there has not yet been an opening to any one of his compositions where I have not had an adverse reaction, either repelling me back in my seat or leaving me shaking my head in exasperation of the noise coming out of my speakers. But the thing of it is, without exception, I find myself listening straight through to the final note. Somehow Han-earl Park finds a way to convert my ears to his music one song at a time….

There is no other artist in which I describe this way….

‘Topologically Correct Harry,’ it’s Sikora’s sax that ushers the listener right on in through the front door. Utilizing a pattern of phrasing that gives the impression of outlining a mountain range from a distance, Sikora’s sax is at the center of attention, with Smith’s trumpet searing blemishes of heat on a radar screen as Park’s guitar gurgles and pops just beneath the surface….

‘바르트’ has Ian Smith’s trumpet setting the table and drawing up a spontaneous menu of jab-right-cross combinations. Sikora moves in slow, but once she’s got both feet in the room, her sound expands into wildly arcing phrases that, when combined with Smith’s one-twos, makes for a delicious whirling dervish of sound. Park mostly keeps to the background, picking his spots and letting things develop organically….

‘Red Line Speed’ begins as a slow build that gains momentum along with height. It hits a plateau at the heart of the song, giving the sense of all three instruments feeling around in the dark to figure out the lay of the land before continuing their ascent in the final stretch of the track….

‘Massimo’s Imagined Juxtapositions’ is a lonely streetlight on a deserted midnight avenue, and the instruments are the moths darting in and out of the dim light carved into the darkness.

[Read the rest…] [More about this recording…] [All reviews…]

Also available for download…

audio recordings: Paul Dunmall, Han-earl Park and Mark Sanders (Birmingham, 02–15–11)
audio recordings: Han-earl Park and Richard Scott (Berlin, 10–23–10)
audio recordings: Han-earl Park plus Marian Murray (Cork, 07–29–10)
audio recordings: Han-earl Park and Franziska Schroeder (Cork, 03–26–09)

performance diary 04-04-12 (Brooklyn, London, New York, Scarborough)

upcoming performances
date venue time details
April 8, 2012 Douglass Street Music Collective
295 Douglass Street
Gowanus
Brooklyn, NY 11217
8:30pm Gowanus Company IV with Michael Bates, Matt Bauder, Ken Filiano, Brad Henkel, Ingrid Laubrock, Weston Minissali, Han-earl Park, Josh Sinton, Vinnie Sperrazza, Jesse Stacken, Booker Stardrum and “secret, special guests”.
$10 suggested donation.
[Details…]
[DSMC page…]
May 3, 2012 Performance Space 2
University of Hull: Scarborough Campus
Filey Road
Scarborough, England
7:30pm Performance by Numbers (Richard Barrett: electronics; and Han-earl Park: guitar).
Tickets: £4 (£3).
May 6, 2012 Cecil Sharp House
2 Regent’s Park Road
Camden
London, England
2:00pm Performance by Mathilde 253 (Charles Hayward: drums, percussion and melodica; Han-earl Park: guitar; and Ian Smith: trumpet and flugelhorn) as part of Freedom of the City.Also performing: John Edwards, Caroline Kraabel and Lee Patterson; Terry Day; and the London Improvisers Orchestra.[Deatils…]
[FOTC page with ticket info…]
May 7, 2012 The Oxford
256 Kentish Town Road
London, England
9:00pm
(doors: 8:30pm)
Performance by Mark Hanslip (saxophone), Dominic Lash (double bass), Phillip Marks (drums) and Han-earl Park (guitar) presented by Jazz @ The Oxford.
Admission: £5.
May 27, 2012 ABC No Rio
156 Rivington Street
New York, NY 10002
7:00pm Performance by Nick Didkovsky (guitar), Han-earl Park (guitar) and Catherine Sikora (saxophones) presented by COMA: Citizens Ontological Music Agenda.
Further details to follow…
Admission: $5.
July 24, 2012 The Backroom @ Freddy’s Bar
627 5th Avenue
Brooklyn, NY 11215
8:30pm Performance presented by On The Way Out.
Details to follow…
September 7, 2012 The Stone
16 Avenue C
New York, NY 10009
8:00pm Performance by Tim Perkis (electronics), Han-earl Park (guitar) and Harris Eisenstadt (percussion).
Admission: $10.
late 2012 North America Numbers (Richard Barrett: electronics; and Han-earl Park: guitar) is seeking performance opportunities in North America, late 2012.
Interested promoters, venues and sponsors, please get in touch!
early 2013 Europe Seeking performances in Europe, early 2013 for the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician io 0.0.1 beta++ (itself) with human musicians Han-earl Park (guitar), Bruce Coates (saxophones) and Franziska Schroeder (saxophones). Interested promoters, venues and sponsors, please get in touch! [Detailed proposal…]

Continue reading “performance diary 04-04-12 (Brooklyn, London, New York, Scarborough)”

audio recordings: Catherine Sikora, Ian Smith and Han-earl Park (Cork, 04–04–11)

artwork for Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)
The complete recording of the April 4, 2011 performance by Catherine Sikora (saxophone), Ian Smith (trumpet) and Han-earl Park (guitar) is now available for download. (Special mention to drummer, composer and electronic artist Jeffrey Weeter who couldn’t make the gig, but who, perhaps, is there in the recordings in spirit.) [Bandcamp page…] [Download now…]

Recommended price: €8+

Unlike previous download releases from busterandfriends.com, this one is hosted at Bandcamp, and available as a ‘name your price’ album. Although you can download the recording for free (name €0 as your price) with certain restrictions, please consider paying at least the recommended price. Your generosity will help support the performers and their work. (Many thanks to Alex Fiennes, Corey Mwamba and Anton Hunter for Bandcamp specific advice and support.)

description

A wonderful gem of a recording.

— Philip Coombs (Free Jazz)

There is a new surprise around nearly every corner throughout this often fascinating performance.

— Tom Burris (Free Jazz)

This album rocks.

— Dave Sumner (Bird is the Worm)

[All reviews…]

A one-of-a-kind improvised musical meeting between artists from Ireland based overseas, and a then Ireland-based artist from abroad which took place on April 4, 2011 at The Roundy, Cork, Ireland.

This was a rare performance in Ireland by Catherine Sikora (New York-based, originally from West Cork), a saxophonist with a striking, compelling sound. She has been described as “a free-blowing player’s player with a spectacular harmonic imagination and an evolved understanding of the tonal palette of the saxophone” (Chris Elliot, Seacoast Online). Sikora was joined by cofounder of the London Improvisers’ Orchestra, trumpeter Ian Smith (London-based, from Dublin), and guitarist Han-earl Park (then Cork-based, currently Brooklyn-based, from California). Smith and Park had just come off the tour as part of the power-trio Mathilde 253 (with Charles Hayward) with the legendary composer-improviser Ishmael Wadada Leo Smith.

personnel

Catherine Sikora (saxophone), Ian Smith (trumpet) and Han-earl Park (guitar).

track listing

Topologically Correct Harry (16:10), 바르트 (8:03), Red Line Speed (24:20), Massimo’s Imagined Juxtapositions (11:40). Total duration: 60:13.

recording details

All music by Catherine Sikora, Ian Smith and Han-earl Park

Recorded live April 4, 2011 at The Roundy, Cork.
Recorded and mixed by Han-earl Park.
Artwork by Han-earl Park.

The recordings (Topologically Correct Harry, 바르트, Red Line Speed, and Massimo’s Imagined Juxtapositions) and artwork released under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License. Please attribute the recordings to Catherine Sikora, Ian Smith and Han-earl Park, and attribute the artwork to Han-earl Park.

about the performers

Since making her way to New York City from West Cork, Ireland to study abstract improvisation, Catherine Sikora has become a well-known face and sound in New York creative music circles. She has worked with Elliott Sharp, Eric Mingus, Michael Evans, Matt Lavelle, Jeremy Bacon, François Grillot and Burnt Sugar The Arkestra Chamber, among many others. Her undeniably unique approach sets her apart from everyone else, even when surrounded by the most original and creative voices in New York City. Sikora is a contributing writer to the book “Silent Solos-Improvisers Speak” (Buddy’s Knife Publishing, Köln, DE) and is currently working on producing a solo recording.

Ian Smith has performed with Evan Parker, John Stevens, Maggie Nicols, Lol Coxhill, Steve Beresford, Eddie Prévost, Greg Tate’s Burnt Sugar Arkestra, Reeves Gabrels, John Sinclair, Harris Eisenstadt and many others. In 2000 he recorded his second CD as a leader, Daybreak, with Derek Bailey, Veryan Weston, Gail Brand and Oren Marshall. His own trio, Trian, has played the London Experimental Music Festival and the Soho Jazz Festival. He also participated in a reformation of Cornelius Cardew’s Scratch Orchestra in 1994. He has collaborated with composer Roger Doyle, winner of the Bourges International Elecro-Acoustic Music Competition, and he has been featured on two instrumental tracks by the hip hop band Marxman. He toured the UK with Butch Morris’ London Skyscraper conduction project. He cofounded the London Improvisers’ Orchestra and The Gathering.

Improviser, guitarist and constructor Han-earl Park works within/from/around traditions of fuzzily idiomatic, on occasion experimental, mostly open improvised musics, sometimes engineering theater, sometimes inventing ritual. He feels the gravitational pull of collaborative, multi-authored contexts, and has performed in clubs, theaters, art galleries and concert halls in Austria, Denmark, Germany, England, Ireland, The Netherlands, Scotland and the USA. He is part of Mathilde 253 with Charles Hayward and Ian Smith, and is involved in ongoing collaborations with Bruce Coates, Franziska Schroeder, Alex Fiennes and Murray Campbell. He has recently performed with Ishmael Wadada Leo Smith, Lol Coxhill, Pat Thomas, Paul Dunmall, Mark Sanders, Matana Roberts, Richard Barrett, Pauline Oliveros, Thomas Buckner and Kato Hideki. Festival appearances include Sonorities (Belfast), Sonic Acts (Amsterdam), dialogues festival (Edinburgh), and CEAIT Festival (California). His recordings have been released by labels including Slam Productions and DUNS Limited Edition.

Also by Han-earl Park and Catherine Sikora

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

Anomic Aphasia (SLAMCD 559) [details…]

Performers: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar), and Josh Sinton (baritone saxophone and bass clarinet).

© 2015 Han-earl Park.
℗ 2015 SLAM Productions.

Also by Han-earl Park and Ian Smith

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone).

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

Also available for download [more…]

‘A Little Brittle Music’ with Han-earl Park, Dominc Lash and Corey Mwamba (artwork copyright 2015, Han-earl Park)

A Little Brittle Music [details…]

Performers: Han-earl Park (guitar), Dominic Lash (double bass) and Corey Mwamba (vibraphone and flute).

© 2015 Han-earl Park. ℗ 2015 Park/Lash/Mwamba.

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)

Dunmall-Park-Sanders (Birmingham, 02-15-11) [details…]

Performers: Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums).

(cc) 2013 Paul Dunmall/Han-earl Park/Mark Sanders.

Murray Campbell, Randy McKean with Han-earl Park, plus Gino Robair and Scott R. Looney: Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011)

Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011) [details…]

Performers: Murray Campbell (violins, oboe and cor anglais), Randy McKean (saxophone, clarinets and flutes) with Han-earl Park (guitar), plus Gino Robair (energized surfaces, voltage made audible) and Scott R. Looney (hyperpiano).

(cc) 2012 Murray Campbell/Randy McKean/Han-earl Park/Gino Robair/Scott R. Looney.

Han-earl Park plus Marian Murray: Park+Murray (Cork, 07-29-10)

Park+Murray (Cork, 07-29-10) [details…]

Performers: Han-earl Park (guitar) plus Marian Murray (violin).

(cc) 2012 Han-earl Park/Marian Murray.

Jin Sangtae, Han-earl Park and Jeffrey Weeter: Jin-Park-Weeter (Cork, 01–24–11)

Jin-Park-Weeter (Cork, 01-24-11) [details…]

Performers: Jin Sangtae (electronics), Han-earl Park (guitar) and Jeffrey Weeter (drums and electronics).

(cc) 2012 Jin Sangtae/Han-earl Park/Jeffrey Weeter.

Han-earl Park and Franziska Schroeder: Park-Schroeder (Cork, 03-26-09)

Park-Schroeder (Cork, 03-26-09) [details…]

Performers: Han-earl Park (guitar) and Franziska Schroeder (saxophone).

(cc) 2012 Han-earl Park/Franziska Schroeder.

updates

10-24-12: add recommended price and SLAMCD 528 info.
05-20-13: updated the ‘also available for download’ list, and add reviews.
10-07-15: add ‘Anomic Aphasia’ to discography.
11-01-15: add A Little Brittle Music to downloads list, and change currency from USD to EUR.

performance diary 03-15-12 (Brooklyn, London, New York, Scarborough)

upcoming performances
date venue time details
April 1, 2012 Downtown Music Gallery
13 Monroe Street
New York, NY 10002-7351
6:00pm 6:00pm: ‘April Fool’s Day Mystery Set.’
7:00pm: Han-earl Park (guitar).
Free admission.
[Details…]
[DMG page…]
May 3, 2012 Performance Space 2
University of Hull: Scarborough Campus
Filey Road
Scarborough, England
7:30pm (TBC) Performance by Numbers (Richard Barrett: electronics; and Han-earl Park: guitar).
Tickets: £4 (£3).
May 6, 2012 Cecil Sharp House
2 Regent’s Park Road
Camden
London, England
2:00pm Performance by Mathilde 253 (Charles Hayward: drums, percussion and melodica; Han-earl Park: guitar; and Ian Smith: trumpet and flugelhorn) as part of Freedom of the City.Also performing: John Edwards, Caroline Kraabel and Lee Patterson; Terry Day; and the London Improvisers Orchestra.[Deatils…]
[FOTC page with ticket info…]
May 7, 2012 The Oxford
256 Kentish Town Road
London, England
9:00pm
(doors: 8:30pm)
Performance by Mark Hanslip (saxophone), Dominic Lash (double bass), Phillip Marks (drums) and Han-earl Park (guitar) presented by Jazz @ The Oxford.
Admission: £5.
May 27, 2012 ABC No Rio
156 Rivington Street
New York, NY 10002
7:00pm Performance presented by COMA: Citizens Ontological Music Agenda.
Details to follow…
Admission: $5.
July 24, 2012 The Backroom @ Freddy’s Bar
627 5th Avenue
Brooklyn, NY 11215
8:30pm Performance presented by On The Way Out.
Details to follow…
September 7, 2012 The Stone
16 Avenue C
New York, NY 10009
8:00pm Performance by Tim Perkis (electronics), Harris Eisenstadt (drums) and Han-earl Park (guitar).
Admission: $10.
April–May 2012 Europe More dates TBC, but some dates still open: Mathilde 253 (Charles Hayward: drums, percussion and melodica; Han-earl Park: guitar; and Ian Smith: trumpet and flugelhorn), plus Numbers (Richard Barrett: electronics; and Han-earl Park: guitar) are seeking performance opportunities in Europe, April to May 2012.
In addition, Han-earl Park (guitar) is available for formal or ad-hoc performances.
Interested promoters, venues and sponsors, please get in touch!
late 2012 North America Numbers (Richard Barrett: electronics; and Han-earl Park: guitar) is seeking performance opportunities in North America, late 2012.
Interested promoters, venues and sponsors, please get in touch!

Continue reading “performance diary 03-15-12 (Brooklyn, London, New York, Scarborough)”

in preparation: Catherine Sikora, Ian Smith and Han-earl Park (Cork, 04–04–11)

artwork for Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)
Next download release from busterandfriends.com will be the recording of the April 4, 2011 performance by Catherine Sikora (saxophone), Ian Smith (trumpet) and Han-earl Park (guitar).

Unlike previous download releases, this one will be hosted at Bandcamp, and available as a ‘name your price’ album. You will still be able to download the release for free (name $0 as your price), but any payment will help support the performers and their work.

More info to follow…

Still available…

audio recordings: Paul Dunmall, Han-earl Park and Mark Sanders (Birmingham, 02–15–11)
audio recordings: Han-earl Park and Richard Scott (Berlin, 10–23–10)
audio recordings: Han-earl Park plus Marian Murray (Cork, 07–29–10)
audio recordings: Han-earl Park and Franziska Schroeder (Cork, 03–26–09)

CD available: Numbers: Richard Barrett + Han-earl Park

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)
‘Numbers’ (CS 201 cd) © 2012 Creative Sources Recordings

Released as part of Creative Sources Recordings’ February 2012 CD catalog: ‘Numbers’ (CS 201 cd), a duo recording by composer, performer and electronic musician Richard Barrett and guitarist, improviser and constructor Han-earl Park.

[Creative Sources catalog page…]
[Numbers project page…]
[Discography entry…]

description

Lively, relevant, dizzying electroacoustic music; music that seems to be daring us to try and catch it. [More…]

— François Couture (Monsieur Délire)

The fractured phrases that erupt throughout this disc often sound like just one musician playing…. Completely unique, exciting and engaging. [More…]

— Bruce Lee Gallanter (Downtown Music Gallery)

By means of an intricate web of sonic hiccups, scrapes, scouring, gluts, gargles and cuts, they build an acoustic lucid computational delirium, whose trajectory is impossible to outguess. [More…]

— Vito Camarretta (Chain D.L.K.)

Bazillions of events… for the joy of individuals who take pleasure in getting their brain zapped and scrambled by the rivalry between transonic beauty and extreme structural atomization. This is in fact a full hour of frantically jagged live improvisation…. [More…]

— Massimo Ricci (Touching Extremes)

Kaleidoscopic music, a rubato flux of superimposed noises in which lightning-fast progression from one galvanising sound event (noise thru silence) to another, and the musicians’ constant attention to overall form… it’s music of the moment, a process of constantly tweaked evolutionary recombination. [More…]

— Tim Owen (Dalston Sound)

[More reviews…]

Numbers is a high-energy, quick-footed, scatter-brained two hander—a looping, convoluted, interactive dance made audible—a musical fender bender involving electroacoustic complexities and (physio)logical splutter-cuts, jump-cuts and match-cuts—an intense white-knuckle extemporization unit—the duo of composer, performer and electronic musician Richard Barrett and guitarist, improviser and constructor Han-earl Park.

Celebrated for his dense, complex, intricate music, Richard Barrett is perhaps best known for his work with Paul Obermayer as part of FURT, as part of the Evan Parker Electro-Acoustic Ensemble, and his close collaborations with the Elision Ensemble. At home in both composition and improvisation, Barrett’s music increasingly problematizes the distinction between them. Described by Brian Morton as “a musical philosopher… a delightful shape-shifter”, Han-earl Park is drawn to real-time cyborg configurations in which artifacts and bodies collide. He has performed with some of the finest practitioners of improvised music, and is part of Mathilde 253 with Charles Hayward and Ian Smith. First performing together as duo in at AUXXX, Berlin, October 2010, Barrett and Park engage in a continuing improvisative conversation; alternately claiming autonomy and independence, and group action and solidarity.

Track titles derive from the final section of numbers, an extended poem by Simon Howard, published in 2010 digitally by Mark Cobley and in book form by The Knives Forks And Spoons Press.

audio excerpts




Audio excerpts courtesy of Creative Sources Recordings.
Music by Richard Barrett and Han-earl Park.
Audio ℗ 2012 Creative Sources Recordings. Please do not distribute the audio files.

personnel

Richard Barrett (electronics) and Han-earl Park (guitar).

track listing

tolur (15:38), tricav (10:42), ankpla (10:46), uettet (5:17), creens (6:03), ll……. (11:42). Total duration: 60:00.

recording details

All music by Richard Barrett and Han-earl Park.

Recorded March 10, 2011 at the Institute of Sonology, The Hague.
Recorded by Richard Barrett and Han-earl Park. Mixed by Richard Barrett.
Design and artwork by Carlos Santos.
Produced by Ernesto Rodrigues.

© + ℗ 2012 Creative Sources Recordings.

about the performers

Richard Barrett (www.richardbarrettmusic.com) is internationally active as both composer and improvising performer, and has collaborated with many leading performers in both areas, while developing works and ideas which increasingly leave behind the distinctions between them. His long-term collaborations include the electronic duo FURT which he formed with Paul Obermayer in 1986 (and its more recent octet version fORCH), composing for and performing with the Elision contemporary music group since 1990, and regular appearances with the Evan Parker Electro-Acoustic Ensemble since 2003. Recent projects include “CONSTRUCTION”, a two-hour work for twenty performers and three-dimensional sound system, premiered by Elision in November 2011. He is based in Berlin and currently teaches at the Institute of Sonology in The Hague. His work as composer and performer is documented on over 20 CDs, including five discs devoted to his compositions and seven by FURT.

Improviser, guitarist and constructor Han-earl Park (www.busterandfriends.com) works within/from/around traditions of fuzzily idiomatic, on occasion experimental, mostly open improvised musics, sometimes engineering theater, sometimes inventing ritual. He feels the gravitational pull of collaborative, multi-authored contexts, and has performed in clubs, theaters, art galleries and concert halls in Austria, Denmark, Germany, England, Ireland, The Netherlands, Scotland and the USA.

He is part of Mathilde 253 with Charles Hayward and Ian Smith, and is involved in ongoing collaborations with Bruce Coates, Franziska Schroeder, Alex Fiennes and Murray Campbell. He has recently performed with Ishmael Wadada Leo Smith, Lol Coxhill, Pat Thomas, Paul Dunmall, Mark Sanders, Matana Roberts, Richard Barrett, Pauline Oliveros, Thomas Buckner and Kato Hideki. Festival appearances include Sonorities (Belfast), Sonic Acts (Amsterdam), dialogues festival (Edinburgh), and CEAIT Festival (California). His recordings have been released by labels including Slam Productions and DUNS Limited Edition.

also by Han-earl Park

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

io 0.0.1 beta++ (SLAMCD 531) [details…]

Performers: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone).

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone).

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

updates

10-04-13: add audio excerpts and reviews, plus some small formating changes.

performance: Mathilde 253 at Freedom of the City, London

Mathilde 253 (Han-earl Park, Charles Hayward and Ian Smith), Cafe OTO, London, April 18, 2010
Mathilde 253 (Cafe OTO, London, April 18, 2010). Photo © 2010 Seán Kelly

Sunday, May 6, 2012, at 2:00pm: As part of Freedom of the City, Mathilde 253 (Charles Hayward: drums, percussion and melodica; Han-earl Park: guitar; and Ian Smith: trumpet and flugelhorn) performs at Cecil Sharp House (2 Regent’s Park Road, Camden, London NW1 7AY, England) [map…]. Tickets: £12 [festival passes and concession details…]

See the performance diary for up-to-date info. [FOTC page…] [facebook event…]

Also performing on May 6, 2012 at 2:00pm: John Edwards, Caroline Kraabel and Lee Patterson; Terry Day; and the London Improvisers Orchestra.

Also performing at FOTC: Guillaume Viltard; Ute Kanngiesser, Grundik Kasyansky, and Roger Turner; Jamie Coleman and John Russell; Jennifer Allum, Ross Lambert and Seijiro Murayama; Weavels (Mick Beck, Chris Cundy and Alex Ward); Sebastian Lexer and Steve Noble; Okkyung Lee Christian Marclay and Phil Minton; Tony Marsh and Mark Sanders; John Edwards, Shabaka Hutchings and Mark Sanders; Common Objects (John Butcher, Angharad Davies, Rhodri Davies, Heledd Francis, Lina Lapelyte, Matthew Lovett and Lee Patterson); Pat Thomas; and Evan Parker and Eddie Prévost.

about Mathilde 253

Mathilde 253 (Charles Hayward, Han-earl Park and Ian Smith) was born out of an opportunity to explore the spontaneous mashup of avant-rock, African-American creative musics, European free improvisation and noise. Featuring special guest Lol Coxhill, the ensemble debuted at Cafe OTO (London) in April 2010. In March 2011, with support from Music Network, UCC School of Music, Note Productions, the National Concert Hall and the Cork Opera House, Mathilde 253 toured Ireland with the celebrated composer-improviser Ishmael Wadada Leo Smith.

The ensemble weaves a performance of physical virtuosity and humorous sound poetics; a patchwork of restraint, subtlety and recklessness. A playful collision of personal, social and musical histories, Mathilde 253 is a site where tradition and idiom are not straightjackets nor limitations, but playgrounds for real-time (re)inventions and (re)configurations.

Mathilde 253’s eponymous debut CD (SLAMCD 528) was released by SLAM Productions in January 2011.

“Smith favors long mongrelly growls and scales that ascend and descend in illogical ways, like the stairs in an M C Escher print. Hayward has a very distinct sense of time underneath the freedom…. This is an exciting new venture…. One can reasonably expect unexpected things from Park, who is a delightful shape-shifter and Smith always repays the closest attention, and claims it with sudden open-horn breakouts if the fabric of the music gets too smooth and uninflected. Great stuff….”

— Brian Morton (Point of Departure)

“Ordered and entwining… a tapestry of choice: that of another Mathilde, of a complete beauty.”

— Guillaume Belhomme (Le son du grisli)

Charles Hayward is known as the pioneering drummer with This Heat and Camberwell Now, an ever growing list of solo concerts and CDs (most recent release Abracadabra Information on Locus Solus label), special collaborative performances, and is in Massacre with Bill Laswell and Fred Frith.

Throughout the 90’s up to the present he has initiated a bewildering array of events and performances, including the widely acclaimed series Accidents + Emergencies at the Albany Theatre, Out of Body Orchestra (too much sound, not enough space, not enough time), music made from the sound of the new Laban dance centre being built which was choreographed for the official opening, music for a circus (part of the National Theatre’s ‘Art of Regeneration’ initiative), the full-on installation/performance Anti-Clockwise (with Ashleigh Marsh and David Aylward) for multiple strobes, maze structure of diverse textures, 2 drummers, synthesizers and your nervous system. Recent developements include the Continuity evenings as part of Camberwell Arts.

Committed to song ‘but the shapes have to change,’ his current one-man show is an intoxicating mix of percussive attack, swirling electronics and lyrical fragment collage.

“An unwavering belief in the power of the groove and an uncanny facility for generating one riff after another.”

— The Wire

“Telepathic magic…. Hayward is one of the most life-affirming people who stalks this dark globe.

— The Sound Projector

Improviser, guitarist and constructor Han-earl Park (박한얼) has been working within/from/around traditions of fuzzily idiomatic, on occasion experimental, mostly open improvised musics for over fifteen years, sometimes engineering theater, sometimes inventing ritual. He feels the gravitational pull of collaborative, multi-authored contexts, and has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces in Austria, Denmark, Germany, England, Ireland, The Netherlands, Scotland and the USA.

He is part of Mathilde 253 with Charles Hayward and Ian Smith, and is involved in collaborations with Bruce Coates, Franziska Schroeder, Alex Fiennes and Murray Campbell. He has recently performed with Ishmael Wadada Leo Smith, Lol Coxhill, Pat Thomas, Paul Dunmall, Mark Sanders, Matana Roberts, Richard Barrett, Pauline Oliveros, Thomas Buckner and Kato Hideki. Festival appearances include Sonorities (Belfast), Sonic Acts (Amsterdam), dialogues festival (Edinburgh), VAIN Live Art (Oxford), and the Center for Experiments in Art, Information and Technology Festival (California). His recordings have been released by labels including Slam Productions and DUNS Limited Edition.

Park founded Stet Lab, a monthly improvised music space in Cork, Ireland, and taught improvisation at the UCC Department of Music.

“Park applies every technique to his detuned ax—tapping, sliding, muting, twisting the machine heads. It’s simultaneously disciplined and barbaric.”

— Greg Burk (MetalJazz)

“Pieces of dismantled gestures, destabilizing timbres, and impressive synergy.”

— François Couture (Monsieur Délire)

Ian Smith has been playing improvised music and has performed with Evan Parker, John Stevens, Maggie Nicols, Lol Coxhill, Steve Beresford and Eddie Prévost among others. His own trio, Trian, has played at the 1993 London Experimental Music Festival and the 1992 Soho Jazz Festival. He also participated in a reformation of Cornelius Cardew’s Scratch Orchestra in the ICA in 1994. He has collaborated with composer Roger Doyle, winner of the Bourges International Elecro-Acoustic Music Competition 1997, and he has been featured on two instrumental tracks by the hip hop band Marxman. He toured the UK with Butch Morris’ London Skyscraper conduction project in November 1997.

He helped to institute the London Improvisers orchestra in 1998 with Steve Beresford and Evan Parker, which continues to play monthly in London and has recently performed at the Bimhuis in Amsterdam. He also founded The Gathering with Maggie Nichols.

In 2000 he recorded his second CD as a leader, Daybreak, with Derek Bailey, Veryan Weston, Gail Brand and Oren Marshall. Into the twenty-first century, as well as regularly playing with London improvisers, he has also performed with Greg Tate’s Burnt Sugar Arkestra, guitarists Han-earl Park, Reeves Gabrels, the Poet and Detriot legend John Sinclair, and New York based drummer Harris Eisenstadt.

“Smith’s style has the free-form panache of a Wadada Leo Smith or Joe McPhee, but his experience of other musics is never too far from the surface. Some of his gestures seem to derive from earlier forms of jazz, and there are moments of harmonic directness that you could put chord symbols under. But it has all been thoughtfully moulded into a highly convincing and distinctive language.”

— Philip Clark (JazzReview)

“Smith’s trumpet playing is a particular revelation. His brassy blats and smears play off of the hyperactive spatters of Eisenstadt’s drums. There is a clear jazz edge to his tone, which sounds almost radical these days when many trumpet players in the improv world seem inclined to turn their back on that vocabulary. But he can also dip down to breathy flutters and muted coloristic playing.”

— Michael Rosenstein (Signal to Noise)

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) is available from SLAM Productions [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone).

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

updates

04–30–12: add the John Edwards/Shabaka Hutchings/Mark Sanders set that stands-in for the Tony Marsh/Mark Sanders duo. I cannot, however, bring myself to remove Mr. Marsh’s name. RIP Tony Marsh.
Add facebook event page.

update: seeking performances (Europe, 2012)

Some dates confirmed, some TBC, but some dates still open: I am seeking performances in Europe, between April 26 to May 11, 2012. In addition to solo or (ad-hoc) ensemble contexts, pending logistics and dates, the following ensembles may be available:

Interested promoters, venues and sponsors, please get in touch!

Contact me for further information, audio recordings, etc. (some material only available to promoters).