In anticipation of the upcoming release of ‘Numbers’ (CS 201 cd) with Richard Barrett, I’ve updated my discography page. In addition to the usual changes, I’ve now divided the page between physical and download releases, and anthologies. All artwork and cover graphics copyright their respective owners. ‘Numbers’ (CS 201 cd) CD cover © 2012 Creative [...]
Tag Archives: Lol Coxhill
CD release: io 0.0.1 beta++
SLAM Productions releases ‘io 0.0.1 beta++’ (SLAMCD 531), an audio CD documenting the real-time interactions between human and machine musicians, featuring the musical automaton io 0.0.1 beta++ with the human performers Han-earl Park, Bruce Coates and Franziska Schroeder. [Details of the recording…] [Get it from Slam Productions…] [Get it from distributors/shops…] [Downtown Music Gallery…] [Jazzcds…] [...]
Posted in audio recordings, media Also tagged 4G, Amazon, Arts Council of Ireland, audio recordings, Bruce Coates, C-ALTO Labs, CD, Charles Hayward, Cork, Discovery: Decay, Discovery: Intermodulation, Downtown Music Gallery, eMusic, Franziska Schroeder, Ground-Based Telemetry, Han-earl Park, Ian Smith, io 0.0.1 beta++, iTunes, Jazzcds, Laplace: Instability, Laplace: Perturbation, Mathilde 253, Ó Riada Hall, performance, Pioneer: Dance, Pioneer: Variance, recordings, Return Trajectory, Sara Roberts, Slam Productions, SLAMCD 528, SLAMCD 531, UCC Department of Music, Wayside Music Leave a comment
All About Jazz Italia: Mathilde 253
Charles Hayward defies the laws of physics, Ian Smith blows particles into space, Lol Coxhill contributes to the celestial harmony, and my playing is like a pulsar! Vincenzo Roggero gives Mathilde 253 (SLAMCD 528) an astro-poetic spin at All About Jazz Italia: Le percussioni di Charles Hayward sono impulsi, fremiti di pelli, vibrazioni di metalli [...]
Posted in audio recordings, media Also tagged All About Jazz, All About Jazz Italia, Charles Hayward, Han-earl Park, Ian Smith, Mathilde 253, press, reviews, Slam Productions, SLAMCD 528, Vincenzo Roggero Leave a comment
The Squid’s Ear: Mathilde 253
Jeph Jerman’s take of Mathilde 253 (SLAMCD 528) at The Squid’s Ear: …The trio interplay starts back up into territory that’s not quite free-jazz, not quite stereotypical British free improv, but somewhere in-between, with a slight rock-ist tinge. The stop/start modus continues, little cells erupting, sprawling and then halting, leaving guitar exposed again. [Han-earl] Park [...]
Posted in audio recordings, media Also tagged Charles Hayward, Han-earl Park, Ian Smith, Jeph Jerman, Mathilde 253, press, reviews, Slam Productions, SLAMCD 528, Squidco, The Squid’s Ear Leave a comment
CD store closed (for the moment…)
I’ve shut the CD store because of the move back to the United States. I plan to reinstate the purchase option, but I can’t say when at the moment. Some of these CDs are available from other sources, and these are indicated below. Mathilde 253 [details…] Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park [...]
Posted in audio recordings, media, website Also tagged Amazon, audio recordings, Boolean Transforms, Cafe OTO, CD, Charles Hayward, Cork, Downtown Music Gallery, DUNS Limited Edition, eMusic, Han-earl Park, Ian Smith, iTunes, Jamie Smith, Jazzcds, Lewis Glucksman Gallery, Live at the Glucksman gallery, London, Mark Sanders, Mathilde 253, Mind Your Own Music, Ó Riada Hall, Owlhouse Recordings, Paul Dunmall, recordings, Slam Productions, SLAMCD 528, Squidco, UCC, UCC School of Music, Wayside Music Leave a comment
…and more CD reviews: Mathilde 253
A couple of more reviews of Mathilde 253 (SLAMCD 528) including Ken Waxman at JazzWord who says that it’s a “textbook example of high-class improvising” (and I’m a “sharp-witted” guitarist): Riveting in its scope and cohesion, this seven-track slice of Free Improv captures the sounds made one night at a London club by an ad-hoc [...]
Posted in audio recordings, media Also tagged Brian Morton, Charles Hayward, Han-earl Park, Ian Smith, Jazz Convention, JazzWord, Ken Waxman, Mathilde 253, press, reviews, Romualdo Del Noce, Slam Productions, SLAMCD 528 Leave a comment
The Sound Projector: Mathilde 253
Ed Pinsent at The Sound Projector gives his take on Mathilde 253 (SLAMCD 528): The real strength of the work is when the individual voices begin to shine, as they do on ‘Aachen’ for example—some savourable moments of interlining lines from Coxhill’s liquid fruit-juice sax and Smith’s horn. Park manages some imaginatively dissonant barbedly-wire phrases and [...]
Posted in audio recordings, media Also tagged Aachen, Charles Hayward, Ed Pinsent, Han-earl Park, Ian Smith, Kalimantan, Mathilde 253, press, reviews, Similkameen, Slam Productions, SLAMCD 528, The Sound Projector Leave a comment
Jazzwise: Mathilde 253
Daniel Spicer gives Mathilde 253 (SLAMCD 528) a thumbs up in the current issue of Jazzwise (issue 150, March 2011): This new improvising group… draws disparate personalities into one eccentric orbit. Han-Earl Park, a guitarist of Korean descent, residing in Ireland, is as at home in underground Noise as he is dueting with free jazz [...]
Posted in audio recordings, media Also tagged Charles Hayward, Daniel Spicer, Han-earl Park, Ian Smith, Jazzwise, Mathilde 253, press, reviews, Slam Productions, SLAMCD 528 Leave a comment
thanks: Birmingham, Edinburgh and London*2
Thanks to all those hosting and organizing the performances: Mike Hurley and the rest of the Fizzle gang, Sibyl Madrigal of Boat-ting, Matthew Collings (who also sourced the tools for a mid-tour kluge repair of my amplifier), and the Lewisham Arthouse. Kudos to Reka Sanders, Joe Hope and Han-ter Park for putting a roof over [...]
Posted in gigs Also tagged Birmingham, Boat-ting, Charles Hayward, Edinburgh, Fizzle, Grind Sight Open Eye, Han-earl Park, Han-ter Park, Ian Smith, Joe Hope, Lewisham Arthouse, London, Mark Sanders, Mathilde 253, Matthew Collings, Mike Hurley, Owen Green, Pat Thomas, Paul Dunmall, Reka Sanders, Sibyl Madrigal, St Cecilia’s Hall, Zolan Quobble Leave a comment
more CD reviews: Mathilde 253
After some glowing reviews (including one from Brian Morton in Signal to Noise [read it…] and another from Guillaume Belhomme in Le son du grisli [read it…]), Mathilde 253 has got a couple of more careful, measured responses: …A bustling, talkative seventy-four minutes made up of angular, Baileyesque electric guitar, some fantastic drum splashes mixed [...]
