The Wire: Han-earl Park with Paul Dunmall and Mark Sanders, with Gargantius Effect, with Franziska Schroeder, and with Catherine Sikora and Ian Smith

The Wire (July 2013): Han-earl Park with Gargantius Effect, Paul Dunmall, Mark Sanders, Franziska Schroeder, Catherine Sikora and Ian Smith
I don’t expect my approach to real-time, interactive play and improvisative noise overlaps much with Richard Pinnell’s tastes, but Pinnell takes time to write a short overview of some of my download releases in the July issue of The Wire:

Four ‘name your price’ downloads from… guitarist Han-earl Park in various improv formations situated at the more traditional, loquaciously active end of the spectrum…. The sense of energy and joy in Park’s playing spills over into this flurry of online activity… fans of the talkative brand of improvised music will find something of value.

Traditional? Talkative? Vague? Relentless? Claustrophobic? What do you think?

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)

Recommended price: $8+

[More about this recording…] [All reviews…]

Murray Campbell, Randy McKean with Han-earl Park, plus Gino Robair and Scott R. Looney: Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011)

Recommended price: $8+

[More about this recording…] [All reviews…]

Han-earl Park and Franziska Schroeder: Park-Schroeder (Cork, 03-26-09)

Recommended price: $5+

[More about this recording…] [All reviews…]

Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)

Recommended price: $8+

[More about this recording…] [All reviews…]

Also available for download [more…]

Han-earl Park plus Marian Murray: Park+Murray (Cork, 07-29-10)

Park+Murray (Cork, 07-29-10) [details…]

Performers: Han-earl Park (guitar) plus Marian Murray (violin).

(cc) 2012 Han-earl Park/Marian Murray.

Jin Sangtae, Han-earl Park and Jeffrey Weeter: Jin-Park-Weeter (Cork, 01–24–11)

Jin-Park-Weeter (Cork, 01-24-11) [details…]

Performers: Jin Sangtae (electronics), Han-earl Park (guitar) and Jeffrey Weeter (drums and electronics).

(cc) 2012 Jin Sangtae/Han-earl Park/Jeffrey Weeter.

Stet Lab: audio recordings—the Big Scrub

Stet Lab logo
For those that don’t know, I founded Stet Lab, a space for improvised music based in Cork. I curated the Lab between 2007 and 2011, and during that time, also wrangled its online presence. In August, I will be removing some of the audio recordings of Stet Lab’s first year (prior to the November 2008 event) from its website. Read more to find out how to save your favorite recordings. [More…]

New York City Jazz Record: Han-earl Park with Paul Dunmall and Mark Sanders, with Marian Murray, and with Gargantius Effect

“Han-earl Park’s relationship to the guitar is something akin to John Butcher and the saxophone. Both know how to fill a space and manipulate amplification with skill, but there’s no way of predicting what sounds will emerge as the next moment approaches. These live dates find Park in starkly different contexts.”
© 2013 The New York City Jazz Record (click to view PDF…)

In the April issue of The New York City Jazz Record, Marc Medwin reviews Han-earl Park’s three most recent download releases featuring Paul Dunmall and Mark Sanders; Murray Campbell, Randy McKean, Gino Robair and Scott R. Looney; and Marian Murray.

Han-earl Park plus Marian Murray: Park+Murray (Cork, 07-29-10)

Recommended price: $5+

[More about this recording…] [All reviews…]

In the piece, Medwin describes the recording with Marian Murray as the “best way into Park’s protean guitar syntax”:

Park slams through blocks of sound and these deteriorate into shreds and scraps, punctuated with what can only be described as ululations, which become more prominent as things proceed. Park’s often-distorted fingerwork, much of it conjuring shades of the human voice, also references Derek Bailey’s rapid-fire volume shifts and Joe Morris’ fleet runs while sounding like neither. [Read the rest…]

Murray Campbell, Randy McKean with Han-earl Park, plus Gino Robair and Scott R. Looney: Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011)

Recommended price: $8+

[More about this recording…] [All reviews…]

Gargantius Effect +1 +2 +3 (Nor Cal, 08–2011) with Murray Campbell, Randy McKean, Gino Robair and Scott R. Looney is “something approaching Webern-ian counterpoint” with “always edge-of-seat energetic” improvisations. Gargantius Effect explores:

…The outer limits of timbre, especially on the epic “Old Robots Never Rust”. Campbell’s violin slides are an excellent foil to the more vocal qualities in Park’s improvising, not to mention similar devices used by multi-reedist Randy McKean as the trio converge and diverge in pitch space. [Read the rest…]

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)

Recommended price: $8+

[More about this recording…] [All reviews…]

And finally, “closest to free jazz, though not always that close,” is the download album by Paul Dunmall, Han-earl Park and Mark Sanders:

…Eschewing conventional groove but adhering to solos and telepathic communications, conjuring the jazz trio hierarchy as imagined by Albert Ayler. Dunmall even channels some Ayler, his tenor growling and moaning through key moments as Park handles guitar and bass duty simultaneously. Only Sanders’ occasional chiming percussion bespeaks a more contemporary vibe. As always, Park fills out the texture as much or more than do most keyboard instruments, but his playing is never overwhelming and always tasteful. [Read the rest…]

All recordings released under Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported Licenses. Please attribute the recordings to the respective performers. All recordings available as ‘name your price’ albums. Although you can download the recording for free (name $0 as your price) with certain restrictions, please consider paying at least the recommended price. Your generosity will help support the performers and their work.

Also available for download [more…]

Jin Sangtae, Han-earl Park and Jeffrey Weeter: Jin-Park-Weeter (Cork, 01–24–11)

Jin-Park-Weeter (Cork, 01-24-11) [details…]

Performers: Jin Sangtae (electronics), Han-earl Park (guitar) and Jeffrey Weeter (drums and electronics).

(cc) 2012 Jin Sangtae/Han-earl Park/Jeffrey Weeter.

Han-earl Park and Franziska Schroeder: Park-Schroeder (Cork, 03-26-09)

Park-Schroeder (Cork, 03-26-09) [details…]

Performers: Han-earl Park (guitar) and Franziska Schroeder (saxophone).

(cc) 2012 Han-earl Park/Franziska Schroeder.

Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)

Sikora-Smith-Park (Cork, 04-04-11) [details…]

Performers: Catherine Sikora (saxophone), Ian Smith (trumpet) and Han-earl Park (guitar).

(cc) 2012 Catherine Sikora/Ian Smith/Han-earl Park.

Free Form, Free Jazz: Paul Dunmall, Han-earl Park and Mark Sanders (Birmingham, 02–15–11)

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)
Great intensity? Baileyanos? How’s your Portuguese? Fabricio Vieira of Free Form, Free Jazz reviews the download album by Paul Dunmall, Han-earl Park and Mark Sanders:

Sax, guitarra e bateria em uma sessão ao vivo de improvisação livre, com muita intensidade conduzida pelos britânicos Paul Dunmal [sic] e Mark Sanders. A eles se juntou o guitarrista Han-earl Park, com seu toque que, em muitos momentos, denuncia ecos de baileyanos. A gig foi registrada em Birmingham, dois anos atrás, e é um exemplar bem vivo e intenso da cena free impro europeia atual. [Read the rest…]

— Fabricio Vieira (Free Form, Free Jazz)

[More about this recording…] [All reviews…]

Also available for download…

Murray Campbell, Randy McKean with Han-earl Park, plus Gino Robair and Scott R. Looney: Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011)

Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011) [details…]

Performers: Murray Campbell (violins, oboe and cor anglais), Randy McKean (saxophone, clarinets and flutes) with Han-earl Park (guitar), plus Gino Robair (energized surfaces, voltage made audible) and Scott R. Looney (hyperpiano).

(cc) 2012 Murray Campbell/Randy McKean/Han-earl Park/Gino Robair/Scott R. Looney.

Han-earl Park plus Marian Murray: Park+Murray (Cork, 07-29-10)

Park+Murray (Cork, 07-29-10) [details…]

Performers: Han-earl Park (guitar) plus Marian Murray (violin).

(cc) 2012 Han-earl Park/Marian Murray.

Jin Sangtae, Han-earl Park and Jeffrey Weeter: Jin-Park-Weeter (Cork, 01–24–11)

Jin-Park-Weeter (Cork, 01-24-11) [details…]

Performers: Jin Sangtae (electronics), Han-earl Park (guitar) and Jeffrey Weeter (drums and electronics).

(cc) 2012 Jin Sangtae/Han-earl Park/Jeffrey Weeter.

Han-earl Park and Franziska Schroeder: Park-Schroeder (Cork, 03-26-09)

Park-Schroeder (Cork, 03-26-09) [details…]

Performers: Han-earl Park (guitar) and Franziska Schroeder (saxophone).

(cc) 2012 Han-earl Park/Franziska Schroeder.

Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)

Sikora-Smith-Park (Cork, 04-04-11) [details…]

Performers: Catherine Sikora (saxophone), Ian Smith (trumpet) and Han-earl Park (guitar).

(cc) 2012 Catherine Sikora/Ian Smith/Han-earl Park.

Free Jazz: Paul Dunmall, Han-earl Park and Mark Sanders (Birmingham, 02–15–11)

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)
At Free Jazz Blog, as part of his review of the state of the guitar in the outer realms of improvised music, Paul Acquaro describes Paul Dunmall, Han-earl Park and Mark Sandersdownload album as an “expert lesson on group interplay and spontaneous compositions”.

…[Han-earl] Park’s guitar is sliding and sputtering, delivering accents and tonal clusters neatly between Mark Sanders pulsating percussion and Paul Dunmall’s intense and melodic saxophone work. The three musicians are nicely balanced, each instrument an integral voice in the improvisation. Dunmall is the main voice as the first track picks up, and when Park’s guitar emerges as the driving force, he relies on creating biting textures and rhythmic figures intersecting with percussion.

Sanders and Dunmall are veterans of free jazz and have worked together many times in the past. Here, as usual, Sander’s percussion work is invigorating, pushing the musicians and directing the energy. There are moments where he drops out, or holds back, that reveal how powerful of a presence he is. Dunmall seems to always have the most appropriately unexpected lines, whether the solo voice or providing comping. Park is a newer voice, and he holds his own with this virtuosic crowd. His approach on the electric guitar veers between clean and slightly overdriven tones, and has unique melodic approach, favoring fragments and tonal clusters, often filling in the spaces and painting with contrasting colors. [Read the rest…]

Paul Acquaro (Free Jazz)

[More about this recording…] [All reviews…]

Also available for download…

Murray Campbell, Randy McKean with Han-earl Park, plus Gino Robair and Scott R. Looney: Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011)

Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011) [details…]

Performers: Murray Campbell (violins, oboe and cor anglais), Randy McKean (saxophone, clarinets and flutes) with Han-earl Park (guitar), plus Gino Robair (energized surfaces, voltage made audible) and Scott R. Looney (hyperpiano).

(cc) 2012 Murray Campbell/Randy McKean/Han-earl Park/Gino Robair/Scott R. Looney.

Han-earl Park plus Marian Murray: Park+Murray (Cork, 07-29-10)

Park+Murray (Cork, 07-29-10) [details…]

Performers: Han-earl Park (guitar) plus Marian Murray (violin).

(cc) 2012 Han-earl Park/Marian Murray.

Jin Sangtae, Han-earl Park and Jeffrey Weeter: Jin-Park-Weeter (Cork, 01–24–11)

Jin-Park-Weeter (Cork, 01-24-11) [details…]

Performers: Jin Sangtae (electronics), Han-earl Park (guitar) and Jeffrey Weeter (drums and electronics).

(cc) 2012 Jin Sangtae/Han-earl Park/Jeffrey Weeter.

Han-earl Park and Franziska Schroeder: Park-Schroeder (Cork, 03-26-09)

Park-Schroeder (Cork, 03-26-09) [details…]

Performers: Han-earl Park (guitar) and Franziska Schroeder (saxophone).

(cc) 2012 Han-earl Park/Franziska Schroeder.

Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)

Sikora-Smith-Park (Cork, 04-04-11) [details…]

Performers: Catherine Sikora (saxophone), Ian Smith (trumpet) and Han-earl Park (guitar).

(cc) 2012 Catherine Sikora/Ian Smith/Han-earl Park.

rerelease: Paul Dunmall, Han-earl Park and Mark Sanders (Birmingham, 02–15–11)

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)
The complete recording of the February 15, 2011 performance by Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums) is now available for download via Bandcamp. [Bandcamp page…] [Download now…]

A very special recording—high energy, left-field improvisations beautifully captured by Chris Trent—that, had it not been sandwiched between two other CD releases, would likely have been issued on physical media. Originally released in December 2011, this recording was the last of a series of download releases hosted at busterandfriends.com before the move to bandcamp. This bandcamp-hosted edition offers the option to download the recording in multiple formats (mp3, Ogg and AAC) including lossless (FLAC and ALAC).

Recommended price: €8+

In line with the current series of download releases, this record is hosted at Bandcamp, and available as a ‘name your price’ album. Although you can download the recording for free (name €0 as your price) with certain restrictions, please consider paying at least the recommended price. Your generosity will help support the performers and their work.

Many thanks to Chris Trent for the recording, and Mike Hurley of Fizzle and Improvisation Birmingham for hosting the performance.

description

Paul Dunmall, Han-earl Park and Mark Sanders (original photos: HeP by Stephanie Hough; and MS by Andrew Putler)
Paul Dunmall, Han-earl Park and Mark Sanders (original photos: HeP by Stephanie Hough; and MS by Andrew Putler)

…Eschewing conventional groove but adhering to solos and telepathic communications, conjuring the jazz trio hierarchy as imagined by Albert Ayler. Dunmall even channels some Ayler, his tenor growling and moaning through key moments as Park handles guitar and bass duty simultaneously. Only Sanders’ occasional chiming percussion bespeaks a more contemporary vibe. As always, Park fills out the texture as much or more than do most keyboard instruments, but his playing is never overwhelming and always tasteful.

— Marc Medwin (The New York City Jazz Record)

Free jazz, in no uncertain terms. I don’t know what it is about Han-Earl’s groups’ sounds. Ten seconds in, I think to myself, “Man, this isn’t my thing.” But by the time the tune is over, I realize that I’m totally into it and enjoying it. If a musician can convert my ears within the span of one tune, in my eyes, that’s a sign of talent.

All About Jazz

On sait les liens qui unissent Dunmall et Sanders – ce qu’ils ont pu donner par le passé : de Shooters Hill enregistré en sextette en présence de Paul Rutherford à I Wish You Peace du Moksha Big Band –, c’est donc la présence de Park – que l’on a pu entendre récemment auprès d’un autre britannique de taille, Lol Coxhill, sur Mathilde [Mathilde 253], et se fit remarquer déjà auprès de Dunmall et Sanders sur un Live at the Glucksmann Gallery – qui intéresse ici. Aux salves imparables du ténor, il oppose des nappes et quelques arpèges accrochés quand Sanders compte les points avec aplomb.

Plus loin, c’est à la cornemuse puis au soprano qu’intervient Dunmall : pour déjouer ses tours (de force et d’adresse), Park choisit une nouvelle fois la subtilité : ses accords étouffés renversent les échanges du trio, transformés bientôt en horizontalité sur laquelle les trois hommes s’entendent alors en apaisés.

— Guillaume Belhomme (Le son du grisli)

[All reviews…]

Two non-stop sets of improvised music. This live recording juxtaposes the formidable creativity and muscular technique of veteran improviser-saxophonist Paul Dunmall, the imaginative cyborgian virtuosity of guitarist Han-earl Park, and the ever inventive playing of Mark Sanders, arguably the most sought-after improviser-drummer of his generation. The performance took place three months after Park and Sanders’ improvisative meeting with another saxophonist, Matana Roberts, and a month prior to Dunmall and Sanders’ performances with another guitarist, Hasse Poulsen.

Presented by Mike Hurley/Fizzle and Improvisation Birmingham, the performance is beautifully and expertly recorded by Chris Trent.

personnel

Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums).

track listing

recording details

All music by Paul Dunmall, Han-earl Park and Mark Sanders.

Recorded live February 15, 2011 at the The Lamp Tavern, Birmingham.
Performance presented by Fizzle/Improvisation Birmingham.
Recorded and mastered by Chris Trent.
Artwork by Han-earl Park.

The recordings (shoapnxoe gutair dmurs a.i, shoapnxoe gutair dmurs a.ii, sohoaxpne giautr dmrus b.i, sohoaxpne giautr dmrus b.ii, sohoaxpne giautr dmrus b.iii) and artwork released under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License. Please attribute the album to Paul Dunmall, Han-earl Park and Mark Sanders, recording engineering to Chris Trent, and the artwork to Han-earl Park.

note: above photomontage copyright respective photographers.

about the performers

For thirty years Paul Dunmall has carved out a reputation for himself and is now widely recognised as one of the most uncompromising and talented reed players on the international improvised music scene. Whether playing in small groups or big bands his musical sensitivity and imagination combined with a powerful sound make him one of the most distinctive improvisers playing today.

His octet and Moksha big band showcases his abilities both as a composer drenched in the Jazz and Folk traditions and as a sympathetic leader able to give maximum freedom to an elite group of fellow improvisers.

  • Founder member of groups Spirit Level, Tenor Tonic, Mujician, Paul Dunmall Quartet and Paul Dunmall Octet.
  • Has played in Nigel Morris’ trio, the London Jazz Composers Orchestra, Danny Thompson’s Whatever, several of Elton Dean’s ensembles, Brian Irvine’s 14 piece band amongst others.
  • Launched own improvised music record label with Philip Gibbs in 2000 called Duns Limited Edition, which has 52 releases to date.

“Whether in a trio with Mujician’s rhythm section or with the larger band of sympathetic fellow improvisers, Dunmall consistently produces powerful and passionate music.”

(BBC Music Magazine)

“…Robust and heavy-hitting performer who has gone on to concentrate largely on free improvisation without sacrificing a rigorous melodic logic, a sparing lyricism and the technique to drop in on bebop occasionally.”

John Fordham (The Guardian)

Improviser, guitarist and constructor Han-earl Park has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for over fifteen years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces in Austria, Denmark, Germany, England, Ireland, The Netherlands, Scotland and the USA.

Park is part of Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. He is the constructor of the machine improviser io 0.0.1 beta++, a project performed in coalition with Bruce Coates and Franziska Schroeder. He has recently performed with Ishmael Wadada Leo Smith, Paul Dunmall, Lol Coxhill, Mark Sanders, Gino Robair, Tim Perkis, Pat Thomas, Andrew Drury, Josh Sinton, Dominic Lash, and as part of ensembles led by Wadada Leo Smith, Evan Parker, and Pauline Oliveros. Festival appearances include Freedom of the City (London), Sonorities (Belfast), Sonic Acts (Amsterdam), dialogues festival (Edinburgh), and CEAIT (California). His recordings have been released by labels including Slam Productions and Creative Sources.

Park taught improvisation at the UCC Department of Music, and founded and curated Stet Lab, a space for improvised music in Cork.

“Guitarist Han-earl Park is a musical philosopher…. Expect unexpected things from Park, who is a delightful shape-shifter….”

Brian Morton (Point of Departure)

Mark Sanders has played with many renowned musicians from around the world including Evan Parker, Peter Brotzmann, Derek Bailey, Myra Melford, Paul Rogers, Henry Grimes, Roswell Rudd, Okkyung Lee, Barry Guy, Tim Berne, Otomo Yoshihide, Luc Ex, Ken Vandermark, Sidsel Endresen and Jean Francois Pauvrois, in duo and quartets with Wadada Leo Smith and trios with Charles Gayle with Sirone and William Parker.

New collaborative projects include ‘Riverloam Trio’ with Mikolaj Trzaska and Olie Brice, ‘Asunder’ with Hasse Poulsen and Paul Dunmall, duos with John Butcher and DJ Sniff, ‘Statics’ with Georg Graewe and John Butcher, and trio with Rachel Musson and Liam Noble

Mark and John Edwards play as a rhythm section with many groups including Trevor Watts Quartet, ‘Foils’ with Frank Paul Schubert and Matthius Muller, Mathew Shipp’s ‘London Quartet,’ also playing with Fred Frith, Wadada Leo Smith and Shabaka Hutchins amongst many others.
Christian Marclay’s ‘Everyday’ project includes Mark with Christian, Steve Beresford, John Butcher and Alan Tomlinson, he also works regularly in the projects of Mikolaj Trzaska, Gail Brand, Paul Dunmall, Peter Jaquemyn, and Simon H. Fell.

Mark has performed in the USA, Canada, Brazil, Japan, Morrocco, South Africa, Mozambique and Turkey, playing at many major festivals including, Nickelsdorf, Ulrichsburg, Glastonbury, Womad, Vancouver, Isle of Wight, Roskilde, Berlin Jazz days, Mulhouse, Luz, Minniapolis, Banlieue Bleues, Son D`hiver and Hurta Cordel.

He has released over 120 CDs.

“…A gifted player capable of seamless movement between free-rhythms and propulsive swing.”

John Fordham (The Guardian)

Also by these artists

Paul Dunmall and Han-earl Park: Boolean Transforms (DLE-067) CD cover (copyright 2010, DUNS Limited Edition)

Boolean Transforms (DLE-067) [details…]

Performers: Paul Dunmall (saxophone and bagpipes) and Han-earl Park (guitar).

© 2010 DUNS Limited Edition.
℗ 2010 Paul Dunmall/Han-earl Park.

Han-earl Park, Paul Dunmall, Mark Sanders and Jamie Smith: Live at the Glucksman gallery, Cork (owlcd002) CD cover (copyright 2012, Owlhouse Recordings)

Live at the Glucksman gallery, Cork (owlcd002) [details…]

Performers: Han-earl Park (guitar), Paul Dunmall (saxophone), Mark Sanders (drums) and Jamie Smith (guitar).

© 2009 by Owlhouse Recordings.
℗ 2009 Han-earl Park/Paul Dunmall/Mark Sanders/Jamie Smith.

Also available for download [more…]

‘A Little Brittle Music’ with Han-earl Park, Dominc Lash and Corey Mwamba (artwork copyright 2015, Han-earl Park)

A Little Brittle Music [details…]

Performers: Han-earl Park (guitar), Dominic Lash (double bass) and Corey Mwamba (vibraphone and flute).

© 2015 Han-earl Park. ℗ 2015 Park/Lash/Mwamba.

Murray Campbell, Randy McKean with Han-earl Park, plus Gino Robair and Scott R. Looney: Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011)

Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011) [details…]

Performers: Murray Campbell (violins, oboe and cor anglais), Randy McKean (saxophone, clarinets and flutes) with Han-earl Park (guitar), plus Gino Robair (energized surfaces, voltage made audible) and Scott R. Looney (hyperpiano).

(cc) 2012 Murray Campbell/Randy McKean/Han-earl Park/Gino Robair/Scott R. Looney.

Han-earl Park plus Marian Murray: Park+Murray (Cork, 07-29-10)

Park+Murray (Cork, 07-29-10) [details…]

Performers: Han-earl Park (guitar) plus Marian Murray (violin).

(cc) 2012 Han-earl Park/Marian Murray.

Jin Sangtae, Han-earl Park and Jeffrey Weeter: Jin-Park-Weeter (Cork, 01–24–11)

Jin-Park-Weeter (Cork, 01-24-11) [details…]

Performers: Jin Sangtae (electronics), Han-earl Park (guitar) and Jeffrey Weeter (drums and electronics).

(cc) 2012 Jin Sangtae/Han-earl Park/Jeffrey Weeter.

Han-earl Park and Franziska Schroeder: Park-Schroeder (Cork, 03-26-09)

Park-Schroeder (Cork, 03-26-09) [details…]

Performers: Han-earl Park (guitar) and Franziska Schroeder (saxophone).

(cc) 2012 Han-earl Park/Franziska Schroeder.

Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)

Sikora-Smith-Park (Cork, 04-04-11) [details…]

Performers: Catherine Sikora (saxophone), Ian Smith (trumpet) and Han-earl Park (guitar).

(cc) 2012 Catherine Sikora/Ian Smith/Han-earl Park.

updates

05–20–13: updated the ‘also available for download’ list, updated reviews, and add audio format list.
11–01–15: add A Little Brittle Music to downloads list, and change currency from USD to EUR.

in preparation: Paul Dunmall, Han-earl Park and Mark Sanders (Birmingham, 02–15–11)

Update: This recording has been rereleased! The new edition adds the option to download the recording in multiple formats including lossless. [Listen, download and more…]
artwork for Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)
Next download release will be the recording of the February 15, 2011 performance by Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums). Beautifully recorded by Chris Trent, the performance was presented by Mike Hurley/Fizzle and Improvisation Birmingham.

This’ll be the final release in the current series, after which I plan to take a little break. A rerelease of a recording originally put out in December 2011, this new version will be available in a variety of formats (including lossless), and as a ‘name your price’ album.

More info to follow…

Also available for download…

Murray Campbell, Randy McKean with Han-earl Park, plus Gino Robair and Scott R. Looney: Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011)

Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011) [details…]

Performers: Murray Campbell (violins, oboe and cor anglais), Randy McKean (saxophone, clarinets and flutes) with Han-earl Park (guitar), plus Gino Robair (energized surfaces, voltage made audible) and Scott R. Looney (hyperpiano).

(cc) 2012 Murray Campbell/Randy McKean/Han-earl Park/Gino Robair/Scott R. Looney.

Han-earl Park plus Marian Murray: Park+Murray (Cork, 07-29-10)

Park+Murray (Cork, 07-29-10) [details…]

Performers: Han-earl Park (guitar) plus Marian Murray (violin).

(cc) 2012 Han-earl Park/Marian Murray.

Jin Sangtae, Han-earl Park and Jeffrey Weeter: Jin-Park-Weeter (Cork, 01–24–11)

Jin-Park-Weeter (Cork, 01-24-11) [details…]

Performers: Jin Sangtae (electronics), Han-earl Park (guitar) and Jeffrey Weeter (drums and electronics).

(cc) 2012 Jin Sangtae/Han-earl Park/Jeffrey Weeter.

Han-earl Park and Franziska Schroeder: Park-Schroeder (Cork, 03-26-09)

Park-Schroeder (Cork, 03-26-09) [details…]

Performers: Han-earl Park (guitar) and Franziska Schroeder (saxophone).

(cc) 2012 Han-earl Park/Franziska Schroeder.

Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)

Sikora-Smith-Park (Cork, 04-04-11) [details…]

Performers: Catherine Sikora (saxophone), Ian Smith (trumpet) and Han-earl Park (guitar).

(cc) 2012 Catherine Sikora/Ian Smith/Han-earl Park.

updates

01–12–13: new edition released! [Listen, download and more…]

Download of the Day at All About Jazz: Paul Dunmall, Han-earl Park and Mark Sanders

Paul Dunmall, Han-earl Park and Mark Sanders (original photos: HeP by Stephanie Hough; and MS by Andrew Putler)
Paul Dunmall, Han-earl Park and Mark Sanders (original photos: HeP by Stephanie Hough; and MS by Andrew Putler)

Free jazz, in no uncertain terms. I don’t know what it is about Han-Earl’s groups’ sounds. Ten seconds in, I think to myself, “Man, this isn’t my thing.” But by the time the tune is over, I realize that I’m totally into it and enjoying it. If a musician can convert my ears within the span of one tune, in my eyes, that’s a sign of talent.

All About Jazz

All About Jazz features ‘shoapnxoe gutair dmurs a.ii’ by Paul Dunmall, Han-earl Park and Mark Sanders as today’s Download of the Day! I’m again happy and honored to have a recording on AAJ’s download selection (previously featured: ‘Carrier’ with Richard Scott and ‘Chorale’ with Franziska Schroeder). Thanks to AAJ downloads editor Dave Sumner for selecting the recording, to Chris Trent for the recording and mastering work, and to Mike Hurley of Fizzle for hosting the performance at which the recording was made.

[Track at AAJ…] [High-quality download of the full performance…]

audio recordings: Paul Dunmall, Han-earl Park and Mark Sanders (Birmingham, 02–15–11)

Update: This recording has been rereleased! The new edition adds the option to download the recording in multiple formats including lossless. [Listen, download and more…]

The complete recording of the February 15, 2011 performance by Paul Dunmall (saxophones and bagpipes), Han-earl Park (guitar) and Mark Sanders (drums) is now available for download below.

Very proud to present these recordings; I feel privileged to have performed alongside these powerful musicians. Many thanks to Chris Trent for the recording, and Mike Hurley of Fizzle for hosting the performance.

Paul Dunmall, Han-earl Park and Mark Sanders (original photos: HeP by Stephanie Hough; and MS by Andrew Putler)
Paul Dunmall, Han-earl Park and Mark Sanders (original photos: HeP by Stephanie Hough; and MS by Andrew Putler)

details

Also available…

audio recordings: Han-earl Park and Richard Scott (Berlin, 10–23–10)
audio recordings: Han-earl Park plus Marian Murray (Cork, 07–29–10)
audio recordings: Han-earl Park and Franziska Schroeder (Cork, 03–26–09)

updates

10–12–12: withdraw tracks in anticipation of the rerelease.
11–13–12: add link to announcement.
01–12–13: new edition released! [Listen, download and more…]
01–31–13: corrected link.

Stet Lab: signing-out as curator

Stet Lab logo

Originally posted at Stet Lab [original article…]:

As previously announced, after thirty-two events over three and a quarter years, I’ve stepped down as curator of Stet Lab as of February 2011. The duties of running the Lab now are in the very capable hands of Veronica Tadman, Tony O’Connor, Athos Tsiopani with curatorial duties handled by Kevin Terry (Kevin and Tony performed at the very first Lab!). I’d like to thank all of them, Kevin, Veronica and Eoin Callery in particular, for their work keeping this no-budget, alternatively pedagogical space on track over the years. (And thanks for the whisky y’all!—sorry I was too taken to make a proper speech.)

My thanks also to all the guest artists who have shared the stage with us, generously contributing to, and transforming, this practice. There’s too many names to mention, but I’d like to thank, in particular, two club-runners, Bruce Coates (who with Sarah O’Halloran and I kicked-off Stet Lab in November ’07) and Mike Hurley for their advice, cautionary tales and encouragement; to Murray Campbell, Franziska Schroeder and John Godfrey who took time out of their busy schedules, and stepped-up when others would/could not; and to Corey Mwamba, Ian Smith, Justin Yang and Alex Hawkins for encouraging words, and an unwavering belief in grass-roots music organizations. Special thanks to Paul Dunmall, Mark Sanders and Don Malone; heavy-hitters who believed in the Lab enough to participate with neophyte improvisers in what must be, by their standards, a low-key event.

Kudos to Jesse Ronneau for supporting improvised music, and the aims of the Lab in particular, during his time in Cork. I apologize for the many whose name I’ve not listed, but y’all have my warmest thanks, and my sincerest admiration for your contributions—we are a better space for it!

Of course, the biggest thanks go to everyone who participated as listener (and I am thinking in particular of the regulars who come every month!), and to those brave ones who jump-in the deep-end!

Signing-off as curator: Thanks, thanks, thanks and thanks to y’all!

BTW, some of my observations about running this space around the half-way point of my tenure as curator are at ‘Lab report 2007-2009: how to run an improvised music club’.

Please note that Stet Lab’s site has moved to stetlab.wordpress.com. Please update your bookmarks for the site and the corresponding web feeds. busterandfriends.com/stet will remain as an archive of Lab activities between November 2007 and April 2011.

Also, there is now an index of Lab reports written between June 2008 and April 2011 by fourteen author-practitioners documented over nineteen events from the POV of the stage.

thanks: Birmingham, Edinburgh and London*2

St Cecilia’s Hall (Edinburgh) 02-18-11

Thanks to all those hosting and organizing the performances: Mike Hurley and the rest of the Fizzle gang, Sibyl Madrigal of Boat-ting, Matthew Collings (who also sourced the tools for a mid-tour kluge repair of my amplifier), and the Lewisham Arthouse. Kudos to Reka Sanders, Joe Hope and Han-ter Park for putting a roof over this itinerant musician.

Big thanks to Paul Dunmall and Mark Sanders for the high-energy, musical workout, to Owen Green for introducing me to the musical (and comical) applications of a cardboard box, to Pat Thomas for his skill and wit, to Lol Coxhill for being the inimitable Lol Coxhill, and to the rest of Mathilde 253—to Charles Hayward and Ian Smith—for pushing and pulling into ever more fascinating musical spaces.

Last but not least, thanks to all who came to listen/watch.