thanks: Eris 136199 (Hamburg, Copenhagen, Cheltenham, Derby and Newcastle, November 2017)

Eris 136199

This has been my favorite tour! Excellent company; exemplary hosts; faultless, above-and-beyond support from all. Everyone here worked so hard for no material gain to make the musicians’ journey as effortless as possible. My hosts have reminded me why we all do this; that creative music brings gradations and spectra to the sometimes hard-edged world, that it refuses and resists and rewrites the 1-bit world into something altogether more colorful and toneful and rhythmic and noisy.

I am forever grateful; it was a true pleasure to work with y’all.

Thanks to Rica Zinn and the entire creative crew of the MS Stubnitz! Thank you for the force-of-nature hospitality (plus the best shower, and the best stock-and-carrots combination), the sound, and the acoustics! Thanks to Georg Hajdu who initially got us in touch with Rica, to Heinrich Metzger and Michael Maierhof of Verband für aktuelle Musik Hamburg for their support, and to Steffen Schindler for the awesome photography.

Thanks to Jakob Drong Jensen, Jonas Vognsen, Troels Bech Jessen, and everyone at Jazz Club Loco, Bryggekælderen, and Jvtlandt for putting together an awesome gig (tied, musically, as my favorite of the tour).

Warmest thanks to Stuart Wilding for being a truly wonderful host; cooking wonderful meals, bringing together a great company of people (including Mark Unsworth for the playful and fascinating visuals, Anthea Millier for the gezellig accommodation, and Jamie Dawson for the amplifiers), and allowing us to play in that fantastic space.

To the mastermind behind OUT FRONT!, the busiest man I know, Corey Mwamba! Thank you so, so much for finding time in your busy schedule to put on a performance, and thanks for your apparently limitless enthusiasm for creative music! Thanks also to Walt Shaw for helping at the door, and to the fantastic Chris Trent for documenting the performance.

Thanks to everyone at the mighty Jazz North East: to Paul Bream for securing the work permits; to Ken Drew for the photography; to Charlie McGovern for the recording; and especially to Wesley Stephenson for his indefatigable work organizing this event, and patiently and graciously addressing my queries. What a great team, great city, and what a great way to end the tour!

Special thanks to all the musicians who graciously shared the bill with Eris: to Eugene Chadbourne; to Sonja LaBianca and Heine Thorhauge Mathiasen; and to Herve Perez, Martin Archer and Peter Fairclough (a.k.a. Inclusion Principle). And thanks to John Pope for hosting an informal session the day after the tour.

Kudos, Avant Music News, for their continued support; and to Josh Sinton, Cath Roberts, Anton Hunter, Cisco Bradley of Jazz Right Now, A Jazz Noise, Alloy, Don Mount, Scott Friedlander, Kevin Reilly, and folk who responded to crowd-funding rewards poll, for the help with our Kickstarter campaign.

And, of course, none of this would be possible without the awe-inspiring generosity of the backers of our Kickstarter project: Cath Roberts, Franziska Schroeder, Owen Green, Han-Ter Park, Richard Hollis, Tom Duff, Jan Langedijk, Thomas Buckner, Liam Nagle, Andrew Raffo Dewar, Randy McKean, Anton Hunter, Marte van der Loop, Ian Boswell, Nancy Meli Walker, David M. Morris, Nicholas Croft, Eva Zelig, Bart Mallio, Jeremy Clarke, Martin Pyne, Josh Sinton, Moon Soon Han, Eun-He Moon, Yoon-Mi Cho, 고항심, Katie O’Looney, Jamie Smith, Phil Burk, Andrea Wolper, Kyoko Kitamura, DIDI, Caroline Pugh, Edozie Edoga, Yu Seon Hee, Danny McCarthy, Richard Barrett, Leejiyoung, Ed Bennett, Young-Shin Park, Ga Hyun Noh, Inkyung Kim, Keith Stonell, Peter O’Doherty, Viv Corringham, Korhan Erel, Tony O’Connor, Vikram Kapur and Maneesha Chawala, and our anonymous backers.

And my warmest thanks to Nick and Catherine. From the unexpected to the unexpected: from concise chamber noise (Hamburg), to the forged-by-sheer-force-of-will difficult music (Copenhagen), to soaring, luxurious sci-fi spirituals (Cheltenham), to the creative reexaminations and revisitations (Derby), to the pitch-perfect distillations of discord and affinity (Newcastle). I could not have asked for better travel companions; artists who revel in the unknown and unknowable with spirit and good humor. A no-brainer (or plush-pony)—there be prawn crackers of silent screams—I think we kept the poodle warm on the toaster 😉

Finally, as always, thanks to all who came to listen. For those who continue to patronize these events at Stubnitz/VAHM, Bryggekælderen/Loco/Jvtlandt, Xposed, OUT FRONT!, and Jazz North East, know that you are part of something alive and so very, very special.

by Han-earl Park, Nick Didkovsky and Catherine Sikora

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

Anomic Aphasia (SLAMCD 559) [details…]

Performers: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar), and Josh Sinton (baritone saxophone and bass clarinet).

© 2015 Han-earl Park.
℗ 2015 SLAM Productions.

updates

02-18-18: add Troels’ name.

improvisation, animation, sociality, tradition and politics (a Jazz Noise: 7 Questions)

Want to know what and who I’ve been listening to? or what I’ve got planned (hint: see video above)? read my take on the late-capitalist (spotified, airbnbified, uberized) bootleg economy? or how about my non-musical influences:

Politics.

Even in these so-called cynical times I find politics (in, for example, the interactions between basement-level activism, and the, to quote Zappa, ‘entertainment division of the military-industrial complex’; in the friction between good, sometimes great, journalism, and the for-profit-lubricated popularity-contest we call publishing) inspiring.

Other things…?

Animators whose subject matter are things like movement, weight, physics, physiology, intent, volition, presence, personality, empathy, when their materials, in many respects, are working against those expressions. It helps to remind those of us who work in practices where it is too easy to take those same things—movement, weight, physics, physiology, etc.—for granted because they are so effortlessly part of the form. [Read the rest…]

Over at a Jazz Noise, you can read my answers to Dave Foxall’s 7 Questions such as my take on collaboration or what I seek in collaborators:

Imagination, skill and reliability. In that order.

Probably.

Someone who has a levelheaded understanding (consciously or not) of their niche within the transnational improvised music ecology….

I gravitate towards improvisers who are always prepared for that which is, in a way, unforeseeable.

Also people who can patch the holes and weaknesses in my musical skill-set. So, thinking about those three-quarters of Sirene 1009, I think: Dom Lash’s assured, steady-handed control of his technique and sound-making; Mark Sanders’ range, seemingly boundless imagination, ability anticipate anything and everything, and ability to make sense musically regardless of what surrounds him; and Caroline Pugh’s handle and knowledge of genre, and how she seemingly can just jump in regardless of context. I think the various ways we move—our bodies and their relationship with the instruments, say—complement each other.

(I’ve said this before, but getting a group together is a kind of composition.) [Read the rest…]

Plus, the “opening track [from ‘Sirene 1009’ (BAF000)]—Psychohistory III (very Asimov!)—[is] exclusively available to a Jazz Noise readers (hear it here and nowhere else, folks) for this interview.” [Listen/read the rest…].

selected discography

Cover of ‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)

Sirene 1009 (BAF000) [details…]

Personnel: Han-earl Park (guitar), Dominic Lash (double bass), Mark Sanders (drums) and Caroline Pugh (voice and tape recorder).

© + ℗ 2017 Han-earl Park.

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

Anomic Aphasia (SLAMCD 559) [details…]

Performers: Han-earl Park (guitar), Catherine Sikora (tenor and soprano saxophones), Nick Didkovsky (guitar), and Josh Sinton (baritone saxophone and bass clarinet).

© 2015 Han-earl Park.
℗ 2015 SLAM Productions.

tonight: Bruce Coates, Han-earl Park and Walt Shaw at Fizzle, Birmingham

Bruce Coates, Han-eark Park and Walt Shaw
Tonight (Tuesday, July 19, 2016), at at 7:30pm: Bruce Coates (saxophones), Han-earl Park (guitar) and Walt Shaw (percussion), plus Jim Bashford (drums) and Andrew Woodhead (piano), perform at Fizzle @ The Lamp Tavern (Barford Street, Birmingham B5 6AH). Admission is £5.

performance: Bruce Coates, Han-earl Park and Walt Shaw at Fizzle, Birmingham

Bruce Coates, Han-earl Park and Walt Shaw
Tuesday, July 19, 2016, at 7:30pm: Bruce Coates (saxophones), Han-earl Park (guitar) and Walt Shaw (percussion), plus Liam Noble (piano), Mark Lewandowski (double bass) and Jim Bashford (drums) and Andrew Woodhead (piano), perform at Fizzle @ The Lamp Tavern (Barford Street, Birmingham B5 6AH). Admission is £5.

And, yes, it’s been ten years since I first met, and played with, Bruce; way back in November 2006. It’s been a while… 😉

See the performance diary for up-to-date info. [Fizzle page…]

By Han-earl Park and Bruce Coates

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

io 0.0.1 beta++ (SLAMCD 531) [details…]

Performers: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone). [About this project…]

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

updates

07-18-16: update lineup.

performance diary 06-25-16 (Birmingham)

upcoming performances
date venue time details
July 19, 2016 The Lamp Tavern
Barford Street
Birmingham B5 6AH
England
7:30pm Bruce Coates (saxophones), Han-earl Park (guitar) and Walt Shaw (percussion) presented by Fizzle. Also performing: Liam Noble (piano), Mark Lewandowski (double bass) and Jim Bashford (drums) and Andrew Woodhead (piano). Admission: £5.
[Details…] [Fizzle listings…]
2017 Europe I am seeking performance opportunities for, in particular, the ensemble Sirene 1009 (Han-earl Park: guitar; Dominic Lash: double bass; Mark Sanders: drums; and Caroline Pugh: voice). Interested promoters, venues and sponsors, please get in touch!

Continue reading “performance diary 06-25-16 (Birmingham)”

audio recordings: downloads and recommendations (series 1)

download album artwork: Han-earl Park plus Marian Murray (Cork, 07-29-10); Jin Sangtae, Han-earl Park and Jeffrey Weeter (Cork, 01–24–11); Han-earl Park and Franziska Schroeder (Cork, 03-26-09); and Catherine Sikora, Ian Smith and Han-earl Park (Cork, 04-04-11)
With the release of the recording with Paul Dunmall and Mark Sanders, I’ve completed the current series of download albums, and I’ve been taking a break from releasing new recordings. The albums so far—all Creative Commons licensed, and free or ‘name your price’—are collated here and on the downloads page. With a break in the release schedule, I’ve taken the opportunity to overhaul the downloads page; the most significant update since I started, in September 2010, formally offering complete concert recordings online.

One notable update to the downloads page is the addition of the recommended Bandcamp albums that accompanied the current series. As I wrote previously, there are some very fine and inspiring creative, improvised and experimental music on Bandcamp, but it isn’t always easy to find the recordings. Here’s my small contribution to help people get started. Enjoy, download, share—support creative musicians!

Keywords: improvised music, creative music, jazz, free jazz, free improvisation, experimental music, electronic music, electroacoustic.

Paul Dunmall, Han-earl Park and Mark Sanders

Paul Dunmall, Han-earl Park and Mark Sanders: Dunmall-Park-Sanders (Birmingham, 02-15-11)

Two non-stop sets of improvised music. This live recording juxtaposes the formidable creativity and muscular technique of veteran improviser-saxophonist Paul Dunmall, the imaginative cyborgian virtuosity of guitarist Han-earl Park, and the ever inventive playing of Mark Sanders, arguably the most sought-after improviser-drummer of his generation. [More info…]

Recommended price: $8+

Accompanying Recommended Albums

Murray Campbell, Randy McKean, Han-earl Park, Gino Robair and Scott R. Looney

Murray Campbell, Randy McKean with Han-earl Park, plus Gino Robair and Scott R. Looney: Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011)

The Gargantius Effect is the brainchild of Murray Campbell and Randy McKean. This album documents Gargantius Effect’s August 2011 tour of Northern California with special guest and fellow Sonologist Han-earl Park, plus Bay Area veteran improviser, composer and electronic artist Gino Robair, and hyperpianist Scott R. Looney. [More info…]

Recommended price: $8+

Accompanying Recommended Albums

Han-earl Park plus Marian Murray

Han-earl Park plus Marian Murray: Park+Murray (Cork, 07-29-10)

A solo performance by guitarist-constructor Han-earl Park exploring, with feedback and resonant buzzes, the complex, cavernous acoustics of the Lewis Glucksman Gallery, and the interactions between artifact (guitar) and the body (guitarist). For ‘Strokes and Screwballs,’ Park is joined by violinist-improviser Marian Murray for a conversational improvisation. [More info…]

Recommended price: $5+

Accompanying Recommended Albums

Jin Sangtae, Han-earl Park and Jeffrey Weeter

Jin Sangtae, Han-earl Park and Jeffrey Weeter: Jin-Park-Weeter (Cork, 01–24–11)

A stark, real-time evolution of on-stage relations. The performance took place during Seoul-based experimental electronic musician Jin Sangtae’s European tour. Featuring clanking hard drives, buzzing electronics, noisy guitars and machine gun percussion, this recording captures Jin’s meeting with guitarist-improviser Han-earl Park, and composer, drummer and intermedia artist Jeffrey Weeter. [More info plus the 24-bit edition…]

Recommended price: $8+

Accompanying Recommended Albums

Han-earl Park and Franziska Schroeder

Han-earl Park and Franziska Schroeder: Park-Schroeder (Cork, 03-26-09)

“Sounds reverberate and carry in unexpected ways, and music improvised here [The Glucksman Gallery] runs the risk of losing all definition. That [Han-earl] Park and his co-improviser Franziska Schroeder gracefully avoided this testifies to their alertness, sensitivity and experience working together in other spaces…. Indeed the evening had the feeling of conversation, with the instrumentalists demonstrating the improvisatory give-and-take of a convivial exchange of ideas.” [More info…]

Recommended price: $5+

Accompanying Recommended Albums

Catherine Sikora, Ian Smith and Han-earl Park

Catherine Sikora, Ian Smith and Han-earl Park: Sikora-Smith-Park (Cork, 04-04-11)

A performance by Catherine Sikora, a saxophonist with a striking, compelling sound. She has been described as “a free-blowing player’s player with a spectacular harmonic imagination and an evolved understanding of the tonal palette of the saxophone”. Sikora was joined by cofounder of the London Improvisers’ Orchestra, trumpeter Ian Smith, and guitarist Han-earl Park. Smith and Park had just come off the tour as part of the power-trio Mathilde 253 (with Charles Hayward) with Wadada Leo Smith. [More info…]

Recommended price: $8+

Accompanying Recommended Albums

audio recordings: downloads and recommendations

download album artwork: Han-earl Park plus Marian Murray (Cork, 07-29-10); Jin Sangtae, Han-earl Park and Jeffrey Weeter (Cork, 01–24–11); Han-earl Park and Franziska Schroeder (Cork, 03-26-09); and Catherine Sikora, Ian Smith and Han-earl Park (Cork, 04-04-11)
A couple of more download releases in the pipeline after which I’m planning to take a short break. The releases so far—all Creative Commons licensed, and free or ‘name your price’—are collated here.

I’ve also listed my recommended Bandcamp albums that have accompanied the releases. There are some very fine, inspiring creative, improvised, experimental music on Bandcamp, but it isn’t always easy to find the recordings. Here’s my small contribution to help people get started. Enjoy, download, share—support creative musicians!

Keywords: improvised music, creative music, jazz, free jazz, free improvisation, experimental music, electronic music, electroacoustic.

Han-earl Park plus Marian Murray

A solo performance by guitarist-constructor Han-earl Park exploring, with feedback and resonant buzzes, the complex, cavernous acoustics of the Lewis Glucksman Gallery, and the interactions between artifact (guitar) and the body (guitarist). For ‘Strokes and Screwballs,’ Park is joined by violinist-improviser Marian Murray for a conversational improvisation. [More info…]

Accompanying Recommended Albums

Jin Sangtae, Han-earl Park and Jeffrey Weeter

A stark, real-time evolution of on-stage relations. The performance took place during Seoul-based experimental electronic musician Jin Sangtae’s European tour. Featuring clanking hard drives, buzzing electronics, noisy guitars and machine gun percussion, this recording captures Jin’s meeting with guitarist-improviser Han-earl Park, and composer, drummer and intermedia artist Jeffrey Weeter. [More info plus the 24-bit edition…]

Recommended Albums

Han-earl Park and Franziska Schroeder

Áine Sheil (from the liner notes): “The Glucksman Gallery is one of the finest buildings to have been built in Ireland in recent times, but it is a tricky space for any musician to negotiate. Sounds reverberate and carry in unexpected ways, and music improvised here runs the risk of losing all definition. That [Han-earl] Park and his co-improviser Franziska Schroeder gracefully avoided this testifies to their alertness, sensitivity and experience working together in other spaces…. Indeed the evening had the feeling of conversation, with the instrumentalists demonstrating the improvisatory give-and-take of a convivial exchange of ideas.” [More info…]

Recommended Albums

Catherine Sikora, Ian Smith and Han-earl Park

This was a rare performance in Ireland by Catherine Sikora (New York-based, originally from West Cork), a saxophonist with a striking, compelling sound. She has been described as “a free-blowing player’s player with a spectacular harmonic imagination and an evolved understanding of the tonal palette of the saxophone” (Chris Elliot, Seacoast Online). Sikora was joined by cofounder of the London Improvisers’ Orchestra, trumpeter Ian Smith (London-based, from Dublin), and guitarist Han-earl Park (then Cork-based, currently Brooklyn-based, from California). Smith and Park had just come off the tour as part of the power-trio Mathilde 253 (with Charles Hayward) with the legendary composer-improviser Ishmael Wadada Leo Smith. [More info…]

Recommended Albums

also available by Han-earl Park

CD cover of ‘Numbers’ (CS 201 cd) with Richard Barrett and Han-earl Park (copyright 2012, Creative Sources Recordings)

‘Numbers’ (CS 201 cd) [details…]

Performers: Richard Barrett (electronics) and Han-earl Park (guitar).

© + ℗ 2012 Creative Sources Recordings.

‘io 0.0.1 beta++ (SLAMCD 531) CD cover (copyright 2011, Han-earl Park)

io 0.0.1 beta++ (SLAMCD 531) [details…]

Performers: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone).

© 2011 Han-earl Park.
℗ 2011 SLAM Productions.

‘Mathilde 253’ (SLAMCD 528) CD cover (copyright 2010, Han-earl Park)

Mathilde 253 (SLAMCD 528) [details…]

Performers: Charles Hayward (drums, percussion and melodica), Han-earl Park (guitar) and Ian Smith (trumpet and flugelhorn) plus Lol Coxhill (saxophone).

© 2010 Han-earl Park.
℗ 2010 SLAM Productions.

performance diary 11-28-08

upcoming performances
date venue time details
December 2nd 2008 The Klinker
Maggie’s Bar
98–100 Stoke Newington Church Street
London N16, England
8:30pm Guitar-guitarist duets by Han-earl Park and Esprit. (Although too late to be included in the official Klinker publicity, I will be performing on that evening.)
Admission: £5/3.
December 3rd 2008 FrImp
Elgar Room
Arts Building
University of Birmingham
Birmingham, England
10:00pm Performance by Bruce Coates (saxophones), Mike Hurley (piano), Trevor Lines (bass), Han-earl Park (guitar), David Ryan (clarinet) and Walt Shaw (percussion and electronics).
Admission free.
December 4th 2008 Venue TBC
Liverpool, England
TBC Performance by Bruce Coates (saxophones) and Han-earl Park (guitar) hosted by Frakture.
[Details…]
December 8th 2008 The Roundy
Castle Street
Cork, Ireland
9:00pm
(doors: 8:45pm)
Final Stet Lab of 2008 featuring Bruce Coates (saxophones) with with Sarah O’Halloran (voice), Neil O’Loghlen (double bass) and Han-earl Park (guitar).
Admission: €10/5.
[Details…]
February 11th 2008 Venue TBC
Cork, Ireland
TBC Performance by Paul Dunmall (saxophones), Han-earl Park (guitar), Mark Sanders (drums), Jamie Smith (guitar) as part of the UCC concert series.
Admission free.
[Details to follow…]

Continue reading “performance diary 11-28-08”

performance diary 10-18-08

upcoming performances
date venue time details
November 10th 2008 The Roundy
Castle Street
Cork, Ireland
9:00pm
(doors: 8:45pm)
Stet Lab celebrates its first birthday!
Featuring Franziska Schroeder (saxophones) with Han-earl Park (guitar) and others.
Admission: €10/5.
[Details…]
December 3rd 2008 FrImp
The Station
High Street
Kings Heath
Birmingham, England
8:00pm Performance by Bruce Coates (saxophones), Mike Hurley (piano), Trevor Lines (bass), Han-earl Park (guitar) and Walt Shaw (percussion and electronics).
Admission: £6/4 (£3 students).
December 4th 2008 (TBC) Venue TBC
Liverpool, England
TBC Performance by Bruce Coates (saxophones) and Han-earl Park (guitar) hosted by Frakture. Details to follow…
December 8th 2008 The Roundy
Castle Street
Cork, Ireland
9:00pm
(doors: 8:45pm)
Stet Lab featuring Bruce Coates (saxophones).
Admission: €10/5.
[Details…]
I am organizing a set of gigs in the U.K. and elsewhere during December 2008 and January 2009.
In addition, I am looking for venues in Ireland to host performances by Paul Dunmall, Mark Sanders, Jamie Smith and myself (Han-earl Park) in January/February of 2009. See the performance proposal (PDF) for more information.
I welcome performance organizations, promoters and/or venues to get in touch.

Continue reading “performance diary 10-18-08”

performance diary 09-23-08

upcoming performances
date venue time details
October 9th 2008 Ó Riada Hall
UCC Department of Music
Sundays Well
Cork, Ireland
7:30pm Stet Lab returns with Han-earl Park, Jesse Ronneau, Veronica Tadman and others.
Free admission (€5 recommended donation).
[Details…]
November 10th 2008 The Roundy
Castle Street
Cork, Ireland
9:00pm
(doors: 8:45pm)
Stet Lab celebrates its first birthday!
Featuring Franziska Schroeder
Admission: €10/5/0.
[Details…]
December 3rd 2008 FrImp
The Station
High Street
Kings Heath
Birmingham, England
8:00pm Performance by Bruce Coates (saxophones), Mike Hurley (piano), Trevor Lines (bass), Han-earl Park (guitar) and Walt Shaw (percussion and electronics).
Admission: £6/4 (£3 students).
December 2008 (TBC) Venue TBC
Liverpool, England
TBC Performance by Bruce Coates (saxophones) and Han-earl Park (guitar) hosted by Frakture. Details to follow…
December 8th 2008 The Roundy
Castle Street
Cork, Ireland
9:00pm
(doors: 8:45pm)
Stet Lab featuring Bruce Coates.
Admission: €10/5/0.
[Details…]
I am organizing a set of gigs in the U.K. and elsewhere during December 2008 and January 2009.
In addition, I am looking for venues in Ireland to host performances by Paul Dunmall, Mark Sanders, Jamie Smith and myself (Han-earl Park) in January/February of 2009. See the performance proposal (PDF) for more information.
I welcome performance organizations, promoters and/or venues to get in touch.

Continue reading “performance diary 09-23-08”

performance diary 09-21-08

upcoming performances
date venue time details
October 9th 2008 Ó Riada Hall
UCC Department of Music
Sundays Well
Cork, Ireland
7:30pm Stet Lab returns with Han-earl Park, Jesse Ronneau, Veronica Tadman and others.
Free admission (€5 recommended donation).
[Details…]
November 2008 (TBC) Venue TBC
Cork, Ireland
9:00pm (TBC) Stet Lab featuring Hugh Metcalfe (TBC). Details to follow…
[Details…]
December 3rd 2008 FrImp
The Station
High Street
Kings Heath
Birmingham, England
8:00pm Performance by Bruce Coates (saxophones), Mike Hurley (piano), Trevor Lines (bass), Han-earl Park (guitar) and Walt Shaw (percussion and electronics).
Admission: £6/4 (£3 students).
December 2008 (TBC) Venue TBC
Liverpool, England
TBC Performance by Bruce Coates (saxophones) and Han-earl Park (guitar) hosted by Frakture. Details to follow…
December 2008 (TBC) Venue TBC
Cork, Ireland
9:00pm (TBC) Stet Lab featuring Bruce Coates. More details to follow.
[Details…]
I am organizing a set of gigs in the U.K. and elsewhere during December 2008 and January 2009.
In addition, I am looking for venues in Ireland to host performances by Paul Dunmall, Mark Sanders, Jamie Smith and myself (Han-earl Park) in January/February of 2009. See the performance proposal (PDF) for more information.
I welcome performance organizations, promoters and/or venues to get in touch.

Continue reading “performance diary 09-21-08”