Tag Archives: a Jazz Noise

Best of 2017

“These are the records we believe will stand the test of time from this year.” Honored and flattered to find Sirene 1009 in Jazz Right Now’s (and JRN @ JazzTokyo’s) best-of-2017 list, and to find my work in such amazing company. And, again, big thanks to John Morrison for the wonderful review: Sometimes violent and […]

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thanks: Eris 136199 (Hamburg, Copenhagen, Cheltenham, Derby and Newcastle, November 2017)

Eris 136199

This has been my favorite tour! Excellent company, exemplary hosts, faultless, above-and-beyond support from all. Everyone here worked so hard for no material gain to make the musicians’ journey as effortless as possible. My hosts have reminded me why we all do this; that creative music brings gradations and spectra to the sometimes hard-edged world, that it refuses and resists and rewrites the 1-bit world into something altogether more colorful and toneful and rhythmic and noisy. I am forever grateful; it was a true pleasure to work with y’all.

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Chasing the chaos. (review: Sirene 1009)

‘Sirene 1009’ (BAF000) with Han-earl Park, Dominic Lash, Mark Sanders and Caroline Pugh (artwork copyright 2017, Han-earl Park)

“If this attempt at description sounds rather confused, I’ll try to summarise: years ago, Derek Bailey coined the term ‘non-idiomatic improvisation’, a label that over the years has practically become an idiom in its own right. Sirene 1009 may just be the auditory experience that Bailey’s label has been waiting for.”

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Sirene 1009 (London and Monmouth, March 2017)

Sirene 1009 (London and Monmouth)

March 2017: Sirene 1009 (Han-earl Park: guitar; Dominic Lash: double bass; Mark Sanders: drums; and Caroline Pugh: voice and electronics) will be performing at the Queens Head Inn, Monmouth, and IKLECTIK, London. It’s a very special group, and I’m honored to find myself in its company.

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improvisation, animation, sociality, tradition and politics (a Jazz Noise: 7 Questions)

Eris 136199: Han-earl Park, Catherine Sikora and Nick Didkovsky (Douglass Street Music Collective, Brooklyn, June 5, 2013). Photo copyright 2013 Scott Friedlander.

Over at a Jazz Noise, you can read my answers to Dave Foxall’s 7 Questions such as my take on collaboration or what I seek in collaborators; what and who I’ve been listening to; what I’ve got planned; my take on the late-capitalist bootleg economy; and about my non-musical influences. Plus you can hear an exclusive track from Sirene 1009!

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a cyclic frenzy of fragmented sounds without an ounce of entropy (a Jazz Noise review: Anomic Aphasia)

CD cover of ‘Anomic Aphasia’ (SLAMCD 559) with Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton (artwork copyright 2015, Han-earl Park)

“Impressive in scale”? “overwhelming in execution”? “listening to two separate pieces at the same time in serendipitous juxtaposition”? “genius charlatan”? listening that “can produce altered states”? Dave Foxall of a Jazz Noise reviews ‘Anomic Aphasia’ (SLAMCD 559) by Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton: Monopod is a sprawling, non-idiomatic (and non-repetitive) improvisation […]

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